If you like pretty ladies, gypsies, wild beasts, and mystical sunsets, I bet you would love the photography of Alexandra Valenti. You can just tell this girl knows how to live and we are jealous. So keep it up Alexandra! Oh and her site is rad so check it out (click her name).
Andrew Clark’s illustrations have a beautiful vintage feel to them. I’m not positive about this but I believe most are made with colored pencils which give them a slightly faded quality that is brilliant in a world of neon colors and digital pixels.
Spencer Murphy has several great bodies of work in his portfolio but I have to say that my favorite is his Architects Of War series. There wasn’t much text about this series but it looks like images taken at a weapons trade show. It’s amazing how casual and laid back the salesmen/saleswomen appear in the photos while selling products that can potentially kill thousands and create chaos in countries around the world. It’s quite creepy.
This video is bananas. Two design teams from Cologne, Germany, Lichtfront and Grosse 8, produced the video using a number of methods. First, making the sculpture and then placing four projectors “around the object. The graphics were done in AfterEffects. [They] worked in a composition that was cut into the four output movies at the end. Then played the four videos on two computers, synchronized by a vvvv patch,” explains a member of Lichtfront. Now, that makes exactly zero sense to me, but maybe you’ll understand their wizard-talk.
Nick Albertson lives and works in Chicago, IL. He meticulously organizes mundane household items such as straws, napkins, rubber bands, and coat hangers until they form a textural tapestry. He then photographs these geometric abstractions and presents them as elaborate patterns. His work reminds the viewer that everything is part of a bigger whole and that beauty can be found in all things.
With your face close to Jacob Everett‘s ball point pen drawings, you’ll notice they look very similar to the endless swirling pen marks of a distracted mind. The kind of meaningless doodles we may do while speaking on the phone. If you zoom out, however, the doodles turn into detailed portraits of celebrities. For his Well Known Faces series, Everett painstakingly arranges the tiny swirls to create huge portraits. First, he sketches and graphs his subjects before layering them in swirls section by section. He says of his work:
“I am interested in the contrast between the minute, repetitive mark-making and the highly personal image that is created. The process is similar to mass production. I work from photographs, concentrating on one section of the face at a time. Over several shifts spent in this way, the work culminates in a finished product which is, paradoxically, an authentic and personal portrait.”