An animatronic busty dancer lasciviously moves and converses with the public, speaking with a men’s voice and hyper sexual tones. The life like robot imagined and produced by Jordan Wolfson, dressed up with a leather dress and white thigh-high vinyl boots, sassily swivels her hips and watches her spectator through her dirty greenish mask. The dirt reveals the past of the robot; she has escaped from something but isn’t hurt; she’s here with us and she’s ready to put up her show. Like a real spectacle, the public is only allowed for a couple of minutes with the dancer.A closed set, a twosome controled by an assertive and repetitive speech and a powerful vision.
Jordan Wolfson is interested in the strange. Therefore he is not focused on the meaning of his art. He is aware of the influence of You Tube and other social media platforms within its generation but he is fascinated by the power of images, the way they are thrown at us and the way we accept it, with or without consequences. The artist works in a non associative way, giving us a non judgmental rendering of his vision. Like his life in Los Angeles where he now resides, his pieces are intuitive and fictional. His concept and art statement has lead the public and the art world to label him as a provocative contemporary artist. “I’m not telling anyone what to think. I don’t have that responsibility. I’m expressing myself. It’s as simple as that.” He uses art as a safe place where he can express, without fear, his traumas and anger.
Jordan Wolfson art work is exhibited as part of a group show at the Whitney Museum in New York until September 2015, and at the Serpentine Gallery in London this fall 2015
Actually quite a simple video and concept, but it has the key elements that I’m personally into: shapes and floating faces underneath a retro fuzz. Director Olivier Groulx also worked on a video and website concepts for Arcade Fire.
I love Hunter Payne. His work takes me back to a simple time without being simple. Out of all the shakey hand intimate portraits that are currently sieging the art world, these creations that float through the crazy artist’s brain are by far the most enjoyable because of their lack of pretense. Hunter’s humble nature and childlike wonder bring questions forth about the necessity for seriousness in art. More after the jump.
The mysterious photographer who simply goes by the name Arber and describes where he’s from as “the North” creates vaguely surreal, bleakly erotic, darkly off-kilter images, pulling back a curtain to reveal a parallel world full of mystery, unsettling sexual blankness and enigmatic women. We sure wish we could get a last name and a real city from him but his work is so captivating that we gave him a pass.
Sit Haiiro is an artist from the Netherlands whose monochromatic illustrations are slightly askew. The portraits of young kids and animals have a serious tone to them, and they’re obscured by slight planal shifts, digital elements, and mysterious clouds. There’s little context to Haiiro’s works, with his subjects devoid of background or environment. This gives an eerie and off-putting feeling to the hand-crafted images, and it’s as if they are out of a dream.
Haiiro’s characters are very active and full of energy. Dogs are running at full speed, a crow is in the midst of flight, and a child jumps as high as he can. But, every action is punctuated and falls short. Pixelation and thin lines fracture faces, bodies, and enthusiasm. There’s an obvious visual sparring between the two, and Haiiro describes it as, “where the calm surroundings provide more opportunity for decision making, rather than being driven by the fast moving winds of change.” (Via Inspiration Feed)
Within Burkina Faso, West Africa is a circular 3 acre complex of intricately embellished earthen architecture known as the village of Tiebele. It is here that the community enlivens the earthen walls of their village by annually adorning them with traditional African patterns. To them the intricate designs have a vast history while an outsider can appreciate them for their geometric splendor and simplicity. The story of this small village brings to mind local community art projects and their worth. An entire community transforming their environment with artistic practices is a testament to the unifying power of creativity and tradition.(via)
Photographer Paul Kooiker has a creepy little voyeuristic collection of work that is not only unnerving, but quite beautiful all at the same time. In this way, his work really stands out to me, it is observation perfected – maybe even surpasses to intrusive. This terrifying, and talented photographer doesn’t need gore to freak you out. He just needs the eerie-calm and the psychological imprint he leaves behind that has you suspicious of just who is standing behind you. I am going to have some weird dreams tonight…
Personally, if I had a name that sounded as much like a wizards as Merijn Hos, (here I am thinking of the grand Myrrdin Wyltt) I would never foresake it for an alias! Though, Bfree is also a righteous sentiment. Merijn can do no wrong! I love these playful, long-legged freckled characters that reminds me of 70’s scractch ‘n’ snuff stickers and Mr. Men. Straight from Utrecht, yo!