Based in Paris, Mademoiselle Maurice creates colorful installations on the street by conglomerating a bunch of origami. A lot of “street artists” love to talk about how important the ephemeral nature of their work is. Well Mlle. Maurice’s delicate origami doesn’t look like it will last long in its original state. But somehow these works seem really natural in their setting, like a growth of delicate lichen on the shadowed side of a rock. It’s almost as if they appeared on their own. Be sure to check out her website for many more images and projects. (via)
Young German engineer Jonas Pfeil recently developed the throwable panoramic ball camera which, as the name implies, is a ball which is programmed to take a complete panorama when it reaches the apex of its toss, with the thirty six (36) cell phone cameras implanted into its body. However, like most exciting ideas the camera-ball isn’t available for sale and looking for sponsors. If you have an enormous inheritance you’re sitting on and don’t know what do with, back Jonas’ camera ball so we can all see the world from new angles! ( via )
With a healthy interest in new life, spirituality, and the infinite variations of consciousness, Michael Page paints
dreamscapes of alternative realities. Through boundless shapes of thick brush strokes and effervescent colors, his paintings portray the Pneuma or spirit/soul that breathes in every living organism. (via i heart my art)
In her series, Impressions, Scout Paré-Phillips’ uses flesh as her medium by photographing the imprints left from inviting undergarments. Through an almost monochrome, yet warm and familiar palette, her photographs are simultaneously quiet, yet demanding. At first glance, the images seem to display an act of seduction; they document marks of ghost articles of clothing worn for, most likely, the purpose of creating allure. However, with further reflection, the work runs deeper, having a softer, more reflective meaning. These impressions, are, perhaps, the physical representation of emotional indentations, or the struggle of vulnerability versus dominance during the act of sex. The fragility of one’s skin cannot help but to mimic the fragility of one’s state of being. She displays slight imperfections on otherwise flawless, blank-canvas-reminiscent flesh. Impressions, the marks made on us over time, whether they be permanent or fleeting, are what make us the intricate beings that we are. The artist speaks of the work in terms of the skin of a lover. She states:
“Their skin is sacred; it is the most honest container for these people that we love, sharing with us the timelines of their lives through birthmarks, scars, blemishes, tattoos, wrinkles, bruises, and even the marks left behind daily from their clothing. It is what we covet in our lovers, and what we abuse for our pleasure.”
The photographer, musician and model, Scout Paré-Phillips, is quite prolific in her making. Her multidisciplinary body of work culminates in the foggy, slight margin that exists between innocence and cognizance. She has somehow found a niche outside the realm of binary and has created a theme that functions in paradox. Being quite young herself, the artist’s work can be explored through the lens of coming into an awakened adulthood. The work seems to be bound by the true intricacies of emotional falsities and the strange balance between darkness and light that is the essence of being human.
Jody Xiong has created a wonderful collaboration between man and machine, art and science, expression and technology. He has enlisted the help of 16 people with physical disabilities and set as part of an innovative experiment. With a person sitting in a chair wearing headphones, electric signals from their brain are captured and transmitted to a Neurosky processing unit. On the other end of the installation, Xiong has set up a structure with four blank canvas walls in a box shape. Inside is a hanging balloon – filled with the subject’s chosen color. The brain signals stemming from the person then trigger detonators attached to the balloon, resulting in an explosion of paint, splattering on all four walls. This installation is quite literally painting what is coming from inside the mind.
You can see the variations between the abstract paintings from all of the subjects and just how different the thought patterns of each of us are. Ranging in large violent bursts to small, stuttered splatters, the paintings are beautiful recordings of the inside of our heads. Each painting was then sold for 800 Renminbi (about 300USD) and donated to different charities. This installation is a beautiful way of getting back to the core of expression. And hopefully our ideas about limitations and potential will be changed because of it.
It shows that the capacity of the human spirit is unlimited, even though it may be trapped within a disabled body. (Source)
Xiong has been connecting ideas of expression and technology for over 16 years. With a background in creative advertising, he is adept at capturing people’s attention with interesting, simple ideas. He seems to have tried his hand at most artistic disciplines, and is known as an expert and innovator in the worlds of painting, environmental design, video and other cutting-edge technologies. To see more of his unique projects, go here (Keyboard of Isolation) and here (Walk for Green). (Via Designboom)
Van Arno’s surreal narrative paintings are heroic figurative works featuring religious, folk, pop culture, and mythical heroes in whirlwind scenes that fall in the tradition of fellow low brow painters such as Robert Williams and Todd Schorr.
Twisted, tangled and braided to perfection, the knots in sculptural artist Yuni Kim Lang’s work are drawn from folktales about hair. Fueled by a curiosity for superstition and magic, Lang’s work creates a space for itself between the real and the surreal, showing us how we can separate, expand and re-imagine parts of the self.
By considering the human connection to hair, she uses the sculptural medium to full effect, twisting intricate knots and braids into a discussion about the cultural significance of one’s appearance, tangled up with notions of perfection, beauty, stereotype and personal identity. Lang is currently completing the MFA program in Metals at Cranbrook.
With an unparalleled legacy of alumni and faculty members, the San Francisco Art Institute has been a long-term leader in fine arts education since 1871. Baer Ridgway Exhibitions is hosting an exhibition which features artwork by faculty and alumni. A Thin Slice, running from May 16th to June 20th,provides a small, but dynamic survey of artworks that display a breadth of engaged investigations.