I love these ultra detailed, goopy portraits by Colin Chillag!
Kyle Thomas is wrapping up the last hundred or so covers. He’s taking his time with the last batch as we’ve had to have our loyal interns massage his hands back into working condition after the hundreds of hours that he’s already spent drawing each and every cover! If you didn’t subscribe make sure to do so as we have some more crazy ideas and schemes for the next issue that will blow you away. If you want one of these personalized copies visit our shop to get a copy before they sell out!
More covers after the jump!
In Rituals, the photographer Noorann Matties catalogs the strange, mystical moments between woman and mirror, capturing young ladies in private moments of self-preparation and styling. As her subjects stand barefaced before public and private mirrors, work in eyebrow pencil, lipgloss, and mascara, seemingly memorized by and in poignant discovery of their own features.
Shooting many of the women from behind so as to capture the self in dialogue her reflection, Matties seemingly preserves the innocence of the experience, allowing the girls to engage with themselves undisturbed and unaware of onlookers. These sacred rituals, haloed in early morning sunlight and fluorescent lightbulbs, celebrate the quiet moments before the start of the day. In the instant before her subjects present their faces to the public, Matties stops the clock, preserving the beautiful self-absorption afforded by secrecy.
The inconsistent, accidental lighting serves only to heighten the sensuality of individual skin and hair tones, textures, and shapes; a towel hangs, left over from the night before, and reflections distort serendipitously in still-wet shower doors, affording the photographs deeper psychological meanings.
The repetition of these rituals is expressed through careful self-examination and knowledge; these women have seemingly memorized the curves of their brows, the textures of their skin, the movement of hair moved effortlessly and invisibly into a bun. The poignancy of these photographs, then, lies in part in the efficiency of the grooming activities; to the voyeuristic viewer, these intimate seconds are precious; to the girls, they’re routine, automatic, forgotten until the next morning. Take a look at the series, originally published in Inconnu Magazine, below. (via BUST and Inconnu)
Beautiful/Decay is ringing in spring with our latest selection of art-based T-shirts. This season’s roster of artists include Ben Tegel, Jiro Bevis, YAIAGIFT, Steve Bonner & Ryan Riss. Playful re-works of iconic pop cultural references, sleek design, and humorous, hand-drawn graphics all collide within our latest collection.
The Spring 2010 Lookbook was shot on the Beautiful/Decay headquarters’ very own rooftop, and in the surrounding Downtown Los Angeles neighborhood.
Pick up your T-Shirts on the Beautiful/Decay online shop today, as these limited edition shirts sell out quick!
Petra Zlonoga is an artist living in Zagreb, Croatia. This is her first hand drawn animated film. Pretty impressive, right? This glorious video reminds me of cartoon shorts I adored as a kind. Good ole’ hand drawn animations. Makes me want to see more! Besides being an animator, she is also a very talented illustrator. You can check out here work on her blog that she updates 3 times a week.
UK photographer Laura Dodsworth took 100 photos of women’s bare breasts for her project Bare Reality. Her goal is to present a non-Photoshopped spectrum of bodies of women aged from 19 to 101. It’s not just about appearances, though. Dodsworth also gathers personal stories about the participants and narratives about the way women feel about their breasts.
“More than simply part of our bodies, breasts represent sexuality, motherhood and femininity. When we talk about breasts we talk about intimate aspects of our lives as women, such as growing up, sexuality, motherhood, breastfeeding, relationships, body image, health, cancer and ageing.”
There has been a lot of attention paid to the portrayal of women’s bodies recently. Natural beauty and non-surgically altered physiques have started to appear more frequently in ad campaigns and fashion magazines. During European summers, it’s more common to see topless women of all sizes and shapes. In the US, the breasts we tend to see outside of our mirrors and homes are youthful or enhanced. It leads to a skewed view of reality; what to expect from one’s own body and what to expect in a partner.
These real women with real bodies are all different. Some are marked by age and time, others by disease. Small, large, upright, and sagging, each portrait has a story, including: “I’m one of the lucky ones,” “Breasts make you feel like a proper woman,” and “My milk went when Hitler marched in.” Dodsworth writes:
“I have always been fascinated by the dichotomy between women’s personal lives and how they are depicted in the media; between how we feel about breasts privately and how they are presented for public consumption. Bare Reality is, for me, the inevitable result of being a woman, a feminist and a photographer.”
Dodsworth’s is currently holding a kickstarter campaign to publish a book of this project.
Grooming is essential to the care of any dog. These images taken by pet photographer Ren Netherland are from a dog grooming competition that take the necessity to a strange place. The fur of these dogs are cut and colored so as to resemble pop-culture characters, scenes, and recognizable images. Given, the creativity that goes into grooming these canines is surprising (but perhaps better redirected). What do you think – is this extreme grooming just silly or inhumane?
It is difficult to define the Lightwork series of Conrad Shawcross – sculpture, installation, perhaps even performance. His pieces are typically large machines that move and spin bright lights in a manner that is somehow at once mechanistic and human. The sculptures are built of elaborate machinery similar in appearance to factory robots. However, in a way Shawcross juxtaposes the utilitarian appearance of his machines with their art-making purpose.
He says, “I really like them as unfinished objects. The minute they turn, you are left in a much easier position of ‘ok, that’s about a spinning light bulb’. But before they operate, you have to be more aggressively thoughtful to try and work out what they are for.” (via)