Nick Krijno makes blown out contemporary still lives that are the best things to look at. Made out of hot dogs, slinkies, spiders, and clothes, his images update the classic tradition in a way that everyone can get relate to and get behind. It’s a great, inspirational reminder that if you’re ever feeling down about the your staid surroundings, just organize them into an interesting composition, make a backdrop out of your friends’ shirts or some colored paper, and voilá–you’ve got yourself a modern still life. Now just paint it or take a picture of it or take a note from yoko ono and burn it. (via)
Powl Goudsmit takes you back to the future.
Colombian-born, Miami-based artist Federico Uribe creates illustrations and sculptures using conceptual pop art language and everyday objects. Uribe integrates these objects into his canvases, combining illustration with sculptural elements, but also builds entire worlds out of a hodgepodge of items like colored pencils, shoes, wires, and bicycle tires. He has no limits on what he’ll use in his work, and is often inspired by the very object itself. Uribe says playing with the objects reminds him of being young and interpreting cloud formations. He claims that there is a literary element involved in every piece he constructs, and he views each recycled object as a word that can change meaning within varying contexts. Of people who believe that since his work involves repurposing used items that it is ecologically sentimental, he asserts that what he does is not about making statements but transmitting feelings to people.
With an object he uses in many of his pieces – the pencil – Uribe crafts intricate and technically skilled sculpture illustrations. Using the lines of many colored pencils, Uribe is able to create the illusion of movement and fluidity, shaping faces and curves out of a straight and pointy medium. The photographs included in this post do not give Uribe’s talent true justice. I urge you to watch this short video about Uribe and his work, where his amazing amount of skilled and detailed attention is beautifully demonstrated. Uribe began as a painter who gravitated toward brooding sensuality influenced by personal feelings about the pain, guilt, and sexuality experienced in Catholicism. This emotional viscerality is maintained throughout his current work, which evokes a playfulness that is charged with intentional feeling. (via cross connect)
ZERo1: International array of recognized artists, designers, engineers, filmmakers, musicians, architects and others representing “digital culture” to converge in Silicon Valley September 16-19 2010
British photographer Nick Veasey uses an x-ray machine to discover the transient magic of everyday things from clothing to stuffed animals, but most beautifully– flowers. Although, the concept is simple, the effect is quite radiant: imagery blooming with intricate nuances, highlighted by surprising shades of light. The whole collection is fine reminder of that medium’s powerful science outside of the airport– that technology doesn’t just serve to protect, but how it also serves to expose.
Batman holds a gun to his own head at the edge of an empty swimming pool. Captain and Mrs. America sip mixed drinks under palm fronds. Spiderman naps on the couch. These are our Superheroes, candidly captured in their off hours. But they’re not the Superheroes we’re used to underneath their familiar suits. These Superheroes are aged, white-haired and wrinkled, and somehow completely wrong. The characters we know may die, but although they live for decades they never grow old. Our heroes stay perpetually strong, alluring, and complicated, and always, always young.
Lina Manousogiannaki’s costumed heretics of “Superheroes Gone Old” represent more than the inevitability of old age. To her, the aging superheroes they serve as reminders of the damaged Greek political system, one that politicians and people of her parents’ generation have been unwilling or unable to change.
[The series] was conceived as homage to the generation of my parents, the same one as our politicians. They have been pretending to be heroes ever since the collapse of the military junta but time has caught up with them. My heroes are old and they are afraid of everything that they can’t control. … The heroes of another time can no longer save me as they have pretended to do for so many years.
There is anger in Manousogiannaki’s writing that isn’t reflected in her images. These heroes are worn out, slightly absurd, certainly pathetic. And yet, there is the suggestion of pride here, of perseverance. They haven’t divested themselves of their worn finery. They haven’t stopped fighting. In a country with a struggling economy and generational discord, the heroes are stooped and sad. Manousogiannaki’s intent may be to put them aside and lead her own fight, but these archetypical heroes seem to be saying that it will be harder than she thinks.
Painter David Marc Grant‘s fantastical, somewhat neo-surrealist paintings on panel showcase a sophisticated sense of both color and composition. The layers of each piece seem to prop up the next, leaving plenty of corners and pockets for Grant to explore his interest in small detail and pattern. Although the compositions are mostly abstract collisions of geometric shapes and thick, viscous liquids—the artist positions the work as a mirror for the collapse of contemporary society. Grant’s inclination for abstraction disguises these artistic intentions in an attractive blend of quirkiness and color, leaving the viewer with a candy-coated version of dystopian landcape.
Based in the Netherlands, Lise Lefebvre has accumulated a conceptually unique design portfolio full of surprising material selections. Really fun stuff that definitely pushes boundaries. A lot of Lefebvre’s work consists of experimental one-offs, but commissions can be requested through her website.