I recently found Los Angeles based designer/illustrator Ashkahn’s portfolio. I fell in love with quite a few of these bizarre and quirkly little ideas–they’re deceptively simple, goofy and fun. Somehow “Good Vibes” made out of green shag grass just sums it up.
Jim Gaylord will be exhibiting new work at Gregory Lind gallery, opening Sat. Feb 5th and running til March 14th. Building on his past work as a filmmaker, Gaylord’s work cultivates and abstracts imagery from special effects and action sequences in the movies. With titles like “Study (Braveheart + Jackass: the Movie + Cloverfield + Last of the Mohicans + Home Alone 2), 2009,” Gaylord reveals the humor behind popular culture through the lens of movies.
What can I say, I can not get enough of Megan Whitmarsh’s pastel-colored embroidered day dream doodles and soft-sculptures of fabric cigarettes and pizza slices. It’s like Klaus Oldenberg ate an entire 20 lb. bag of Valentine’s day Sweethearts and grew up in the 70′s….or that adorable (but geeky) little girl was allowed to ditch the kittens and actually embroider what she wanted- flying V guitars and monsters in space boots. The best!
I’m not very knowledgeable in the field of commercial photography, but there’s something subtly funny about many of Bryce Duffy’s photographs. In fact, it seems a bit stupid to even call it “commercial” photography vs. just plain old photography. I guess the difference is that you can hire Duffy to create his artwork for you to particular ends. However, in most of his work there’s a sort of looming 70′s kitsch hilarity lurking just under the surface. Burt Reynolds photographed under a giant painting of himself? Genius!
If you happen to be in sunny San Diego on the 27th of March, check out Andrew Holders new show at Subtexts mutually new gallery space. San Diego from what I hear is also a standard for fish tacos if your into that sorta thing. Why not eat one on the way to the gallery and make a day of it? Wink!
Jason Redwood creates transmogrophic kalleidoscopic explosions of pop culture saturated lucid dreams. With a background in illustration and design, many of his images embody a vibrant, hard-edge pop aesthetic that could almost be digitally generated. In fact- Redwood sites the visual vernacular of advertising, web, television, billboards–the current day image glut–as being woven into his insane tapestries. Childhood memories, strange visions, and humor also play off each other in hypersectra, hypersaturated colors, into a “beautifully perverse mega-meal,” as Redwood describes them. His works are visual feasts of fancy, intensely seductive eye-candy that, if they were allowed to flash and vibrate on a moving screen, would probably induce seizures–but in a transcendant, ecstatic way.
The economy is down the pipes. Experts say its only going to get worse. But seriously, isn’t it innovative art like this we need to get this country out of this fiscal toilet? During the height of the great depression money was so valueless in Europe that people were burning it to keep warm: uncreative!
Hanna Von Goelers work incorporates paint, collage, and money to explain cash as a cultural artifact vs. cash as a mass produced item.
A sandwich chewed in the shape of a gun; genius!