The artwork of Jillian Salik offers up understated surprises. Her new exhibit DUEL TINT features frames, window dressing, and other wall fixtures adorned with baroque ornamentation. However, the typically gilded and gaudy colors that typically accompany such adornments, the reflections and windows that should fit in such frames were no where to be seen. Salik only offers the bare structure of the frames and ornamentation. Also, Salik makes an interesting choice of material: cardboard. She contrasts high-society trimmings and embellishments with a decidedly “low” material and digital production processes.
Rajni Perera’s work is a wondrous fusion of different mythologies, cultures and viewpoints. Her wildly colored drawings combine Hindu imagery, pre-historic animal beasts, galaxy prints produced by the Hubble Deep Field Telescope and the figures of exotic women. She works with techniques and symbols from Indian miniaturist art, Blaxploitation and pop culture references, forming her very own mythology.
Born in Sri Lanka, Perera is drawing on her own immigrant background and her transient state moving between Eastern and Western cultures to illustrate a unique standpoint that it both specific and universal. Her work is an exploration of what it means to be cross cultural in today’s world, and is her trying to dissect those layers in a way she, and us, can understand. A big subject in her work is the representation of female sexuality, and also the presentation of Asian and South Asian cultures in a predominately male Caucasian world. But she says perhaps it isn’t that straight forward.
I don’t know if I really want to make statements about racial prejudice, at least maybe I feel I’ve moved past that in my work. More like I try to make images questioning the projected, or fabricated sexuality behind circulated images (be it on screen, print or the web) of the colored female body in pop culture or otherwise, i.e. ethnic pornography. (Source)
We’ve all seen them- they’re these hyper-stereotypical web images of African girls in beads and wood, Japanese girls in kimonos, and Indian girls in saris; all very subservient, all very saleable; this is my point. There’s something for sale there. (Source)
For Perera the thing that is a common thread connecting Eastern and Western cultures is Kitsch: The idea of culture being re-appropriated by, or passed between, one another. Hollywood and Bollywood are essentially two heads of the same beast, and Perera certainly draws that beast spectacularly.
BillDomonkos is a visual artist and filmmaker who we previously featured in May 2011. Most recently, he has begun posting gifs he’s made to his Tumblr page. If you’re familiar with any of his film work, then the animated gifs should resonate with you as they similarly reflect Domonkos’ aesthetic. In both forms, he collides and combine ideas and images using digital effects, editing, and manipulation to assemble a new experience of form. His work is largely informed by the elusive part of cinema, the ineffability of an expression that can only be sensed by evoking particular images, sounds, and feelings. The endless loops of the animated gif form brings something new to Domonkos’ aesthetic, allowing for the endless contrast of an animated image with a static image. His work reminds me of the last gif artist I posted, Tony Kinglux, who uses a similar process and method when creating his gifs, though there are obvious differences in their overall aesthetics. Domonkos lives and works in San Francisco.
Kristi Engle Gallery is proud to present its last show of the season, “Broads, Boobs and Buckles: The Pinball Art of Dave Christensen” on view from July 11th – August 8th, 2009.
While the mechanics of pinball were developed by engineers, the illustrations were handled by graphic artists. This work included the back glass and the playing field of each machine. Curated by local collector, Mark Andresen, this exhibition features the work of acclaimed pinball machine artist, Dave Christensen. 11 pinball machines will display Christensen’s graphics as well as the original artwork used in fabrication and drawings for proposed and/or rejected versions and prototypes.
Like how a lot of things “aren’t they way they used to be” these days, rave culture and visual cues that go along with it, aren’t the way they used to be (there’s a flyer from a more recent event after the jump). A one sentence summary of rave history: In the late 1980s, the word ‘rave’ was adopted to describe the subculture that grew out of the acid house movement. Activities were related to the party atmosphere of Ibiza, a Mediterranean island frequented by British and German youth on vacation.
What I think is awesome is that there are so many varieties of design approaches in these flyers- heavily illustrated, minimal typography, photographical. You can’t even tell that all these served the same purpose, whereas rave flyers today basically all look the same and probably use the same 10 steps in a Photoshop actions bundle (any readers have one?).Because they are minimal, they would have translated well to posters, banners, or even tees. I think the watering down of this scene could be comparable to the punk scene- degraded and chessified in both sound and visual design. I don’t know, this topic is definitely open to discussion- feel free to comment!
I don’t want to ruin this, so just make sure you watch this video all the way to the end. Patrick Wolf is a total nut! Directed by Jorge Jaramillo.
In Jenine Shereos’ series Leaf the intricacies of a leaf’s veining are recreated by wrapping, stitching, and knotting together strands of human hair. Inspired by the delicate and detailed venation of a leaf, Shereos began stitching individual strands of hair by hand into a water- soluble backing material. At each point where one strand of hair intersected another, she stitched a tiny knot, so that when the backing was dissolved, the entire piece was able to hold its form.
The complex network of lines present in this work mimics the organic patterns found in nature and speaks to the natural systems of transformation, growth and decay. Allusions to the vascular tissue of plants, as well as the vascular system of the human body, exist simultaneously; the delicate trace of a hair falling silently, imperceptibly, from one’s head becoming the veins of a leaf as it falls from a tree leaving its indelible imprint on the ground below. (via oddity central )
Food art is back from the dead! And you thought that those crazy Fluxus artists from the 60’s were long gone…
Scandinavian artist Camilla Wordie creates textiles out of textures found in our daily eats. Her project is a synthesis of her love for both the culinary world and the arts. Edible textiles extends from Wordie’s other food-related productions (Am I chocolate or not? and Wearing Rice is Nice) which include tableware inspired by grains of rice and tables made of chocolate powder.