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Awesome Video Of The Day: Holy Mega Bubbles!

Not much to say about this other than I know what I’m doing next summer at the beach! Watch the full video after the jump!

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John Parot

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Check out these lovely works by up and coming artist, John Parot. This recent Chicago—-> LA transplant, has great use of color, pattern, composition and collage technique, plus he’s starting to delve into the realms of sculpture and animation! Looking good.

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New Music: Dog Bite Premieres Single and Readies Debut LP, Velvet Changes

Photo by Katherine Cooper

Washed Out keyboardist Phil Jones’ Dog Bite is about to release their debut LP, Velvet Changes on Carpark Records on Feb. 5th. Paste Magazine recently premiered the second single Forever, Until and I’ve been playing it non-stop since I first heard it. If you like your dream-pop and 90’s lush sounds like I do, you’ll love what Dog Bite is doing.

Dog Bite will be heading out on the road with Toro Y Moi starting on January 30th at the Crescent Ballroom in Phoenix, AZ and ending on March 3rd at the Fonda Theatre in Los Angeles with a ton of dates in between. Definitely check out the new song and grab some tickets to an upcoming show via Ticketmaster.

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Paco Peregrin

Paco Peregrin
Madrid based photographer and art director Paco Peregrin’s frighteningly beautiful fashion editorials. The women all sort of look like Klaus Nomi.

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Sebastian Masuda’s Colorful Rebellion Takes Inspirations From Harajuku Kawaii Culture

Harajuku Kawaii Culture

Harajuku Kawaii Culture

Harajuku Kawaii Culture

Harajuku Kawaii Culture

Japanese artist and leader of Harajuku kawaii culture, Sebastian Masuda, celebrated color and texture with his most recent, and first exhibition here in the US, “Colorful Rebellion.”

Last month, Chelsea’s Kianga Ellis Projects provided Masuda with the space to create a wonderfully weird, colorful wonderland that included plastic toys, bundles of fake fur, stuffed animals, and other accoutrements of manufactured cuteness. The installation was to be read as an autobiographical space, one that, through its many layers, compiled  universal themes such as delusion and fate. The aesthetics of the piece takes from Masuda’s main passion, Harajuku fashion.

The installation included a “zone” for desire, the future, delusion, fate, wounds, and reality, with the seventh zone (a reference to the seven deadly sins), “entrusted in your hands.” Although there was definitely something a bit dark at play, the space, overall, exuded Masuda’s rebellious but lively ways of seeing.

The installation was up until March 29th, 2014 at the Kianga Ellis Projects in New York.

(via Hyperallergic)

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Ali Bailey

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Chicago youngster Ali Bailey comes correct  (again) with his second major Midwest exhibition, It’s The Real Thing @ Andrew Rafacz Gallery.  Live the American dream after the jump!

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Sage Vaughn

Sage Vaughn
Wildlife and Wildlives make up the world of artist Sage Vaughn. Swarming brightly colored butterflies along with strangely dressed kids makes for some interesting subject matter, and there is definitely a feeling of tension between the natural and unnatural elements in these paintings. Born in Jackson, Oregon and now working in Los Angeles, Sage also helped illustrate a killer music video for N.A.S.A. that you can see here.

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Mr.– Metamorphosis: Give Me Your Wings

Japanese artist Mr. built an installation in the Lehmann MaupinGallery that is a gorgeous messy heap of cultural garbage/treasure. Using old anime posters, tarps, wood veneer cabinets, bouncy balls and the like, Mr’s installation overwhelms us with the incredible amounts of Stuff we as a society create; a physical version of contemporary internet culture’s constant sensory overload. His show is up for another three days, so if you’re in the NY area, catch it while you can! Press release:

“Mr. has envisioned a complex, chaotic installation that serves as immersive sculpture by forcing viewers to interact with the work and places them in a scenario that is psychologically unsettling.  His new body of work aspires to blur the distinction between the interior and exterior through the construction of structures and atmospheres inhabited by familiar objects that are conversely used to communicate the unfamiliar: in this instance, an experience most people have not lived.  Viewers are given insight to the psychological state of Japan all the while remaining alien to the experience. Composed of garbage and everyday objects from Japanese life, this installation stands as a reminder of the debris that blanketed Tohoku in the aftermath of March 11.” 

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