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There’s a city in Arizona that caters exclusively to retirees and where residents must meet be a minimum of 55 years or older. This unique place is called Sun City, and Los Angeles-based photographer Kendrick Brinson documented it in her series titled Sun City: Life After Life. It’s home to 42,500 individuals, with 10,000 of them in their eighties, and has a youthful energy about it. There are dozens of recreational activities including synchronized swimming, cheerleading, dancing, car shows, and much more.
Brinson’s photographs reveal day-to-day life in Sun City. We see that the mood is cheerful and bright, as the clear desert sky makes the bedazzled outfits appear even shinier. Here, it’s an enclave of folks getting old, and they want to keep it that way. Grandchildren under the age of 18 are only allowed to visit for a limited amount of time, as to not disrupt the mood of the place by reminding the residents of their age.
As people enter their twilight years, probably after working for decades and raising kids, it seems that they are encountering a second youth. It’s one that’s filled with experience and wisdom, rather than naivety, but still full of fun and little responsibility. The elderly seem to realize that they aren’t invincible (as so many teenagers do), but that they are entitled to enjoy the rest of their lives however they like. (Via Feature Shoot)
Laurent Chéhère’s photo series of floating buildings and homes takes these once permanent structures and shoots them off into the sky like a light weight balloon fill with helium. Inspired by the French film The Red Balloon, these playful and whimsical photographs are at once powerful surreal images and a masterful blend of analog photography and digital wizardry. (via)
Anna Sladmann’sLittle Adults series explores what it feels like to grow up as a privileged child in Russia, a country where its radical history still rules the daily life. It is the exploration of the recently growing society of the “Noveau-Riche” in which children have been raised to become the “Elite” and behave like little adults. Photographing Russia’s new generation of children reflects the extreme contrast between social hierarchies, touches on the control of family aspirations, ideas of normality, the loss of childhood and the constant desire for fame.
Using salvaged plaster lath, the wooden strips embedded in the construction of walls of old houses, Andy Vogt creates two and three dimensional sculptures and installations that explore the structural vernacular of our built environment and how we perceive it. Through the rules and methods of technical drawing and the vantage points of architectural model building Andy pursues concepts of mass, weight and space via material that has little integrity on it’s own.
Body painting is a tedious, but amazing process with stunning results. Incorporating the technique in unique ways, each of these three artists captures beautiful and poetic images after applying paint to skin.
California-based photographer Jean-Paul Bourdier combines the human form with landscape to create a unique visual synchronization. Painting the bodies, posing them just so, and taking the photographs, Bourdier explains that, “arising in each visual event conceived are the geometries generated by the body as a determinant of ‘negative space’—not the background of the figure and the field surrounding it, but the space that makes composition and framing possible in photography.”
Incorporating what is largely traditional painting, Alexa Meade also uses the unique canvas that is the human body. Painting directly onto the skin, Meade creates a trompe l’leil that is wholly unusual. Camouflaging her figures into the background Meade creates optically engaging images that confuse 3D and 2D planes.
Australia-based artist Emma Hack combines painting on canvas, body painting and studio-based photography. Hack’s works incorporates rich visual narrative with magical realism. Also interested in the idea of camouflage, Hack spends approximately 19 hours painting her wallpaper and then anywhere from 8-15 hours painting her subject to throughly explore the subject. The arduous process is time-consuming, but the results are spectacular.
I wish i had the knowledge to create something as beautiful as this. The project Mark created allows him to tune in to twitter posts in real-time using the analog radio. You can use the knob to scan “stations”, which are different twitter posts. Amazing, amazing, amazing. He used an arduino board and lot of grey matter at SARc.
Also, here is an interesting programmatic response to Mark’s project which integrates twitter and youtube. TwiTV click on the top right black square to flip channels. Graphics are kinda shabby though.
Tokyo-based designer Yusuke Seki has constructed a stunning, walkable platform made from 25,000 pieces of scrapped pottery and porcelain. The structure is part of the Maruhiro Ceramics gallery, located in Hasami, Nagasaki prefecture, a region known for its production and distribution of tableware dating back to the 17th century. Each fragment was collected from local factories that had disposed the ceramics prior to the glazing process, deeming them defective. After restoring the pieces and assembling them like bricks mixed with poured concrete, Seki infuses them with a renewed creative purpose. A statement from Seki’s website further explains the history and the design approach that drives the platform:
“A renovation of the pre-existing flagship shop, Yusuke Seki’s design marries an architectural knowledge to the artisanal know-how of the region, and in so doing, creates an entirely location- and situation-specific experience. Seki’s vision is to posit the designer as interpreter. His methods seek to amplify Hasami’s heritage by drawing out and translating the potential of the complete local environment, unifying its people. A minimal design interference, a modification in the level of the floor, not only utilizes the pre-existing space to alter the perspective and experiences held by the users until the present, but also gives birth to an entirely new sense of flow within.” (Source)
In a fascinating exploration of space, Seki has designed the stacked ceramics so that they enhance the customer’s interaction with the displayed tableware. Low shelves placed on the surface allow visitors to peruse from below, and if they so wish, they can climb up the stairs to the top of the platform for a closer look. The very act of walking on the ceramics creates an embodied experience of tradition and history; delicate materials, once discarded, are made strong, creative, and participatory, signifying the endurance of and respect for a time-honored cultural art form.