Have you found yourself in a dark wood? Has the clear path been lost? Do you have a dead fish in your hand? If so then HELP ME HELP YOU at Goat Helper: Volume 1 debuting tomorrow at Los Angeles artspace Show Cave!
This LIVE screening of experimental video art and animation, installation, live video, goat themed food art, costumed “Helpers”, and of course Oreo the beloved pygmy goat. The screening features work from Shana Moulton, Jacob Ciocci of Paper Rad, John Michael Boling, Art Clokey (creator of Gumby) and many more! Don’t miss out. Screening starts at 9PM sharp.
Artist Patrick Jacobs creates highly intricate dioramas. His dioramas, once created, are installed inside the gallery wall and fitted with a large lens. Gallery visitors can spy on each of the miniature scenes through these lenses. Jacobs’ dioramas are often of idealized landscapes or peaceful indoor scenes carefully detailed to appear as entirely separate worlds. Hidden lighting glows as if entirely natural while the foreground seamlessly blends with a background and further to the horizon.
In 2005, Heather Benning acquired then began restoring a 60s-era abandoned and decaying farmhouse near Sinclair Manitoba, Canada. After finishing her restoration and furnishing the home with 60s-era furniture, she then removed the north-facing wall and replaced it with plexi-glass. In June 2007, the house was opened to the public where it remained “tomb-like” as a life-size dollhouse until this March 2013. Eventually, the house began to deteriorate and the safety of the structure was compromised, leading Benning to end the project with fire. The Dollhouse images are currently represented by “Telephone Booth Gallery” in Toronto.
I gotta admit that I was really excited to see Died Young Stayed Pretty, a new full length documentary focusing on the DIY rock poster (see gigposters.com) movement that has brewing in the US and beyond for the the last decade. The doc has hundreds of interviews with big names (many of whom you’ve never heard of) within the close knit rock poster scene,who discuss personal taste, poster philosophies, and what role money,drugs, and 70’s&80’s porn plays in rock posters. Many of the artists interviewed are amazingly talented (i.e. Tyler Stout & Brian Chippendale) and interesting, sharing with the viewer a small glimpse of their creative process.
Well folks another year of Miami Basel is behind us and as usual there was an explosive mix of parties, artworks, and art stars running circles in the fine city of Miami. The international week long event attracted art lovers from around the world and left many having to make the important decisions of which fair to go to during the day and what party to make an appearance at in the evening.
With all the attractions and distractions during the week the standout party of the week had to be the launch of flannel drenched photographer Terry Richardson’s new book Terrywood. Hosted by Disaronno and GQ at The Standard, this party was the go to party of the week. We’ve compiled some of our favorite artworks from Basel after the jump and a few choice photos from Richardson’s book release. See you next year Miami!
Los Angeles based artist Bovey Lee uses one single sheet of Chinese rice paper to cut and construct her unbelievably intricate urban scenes. The winding compositions she creates with simple positive and negative space forms a topsy-turvy world of concrete jungles, mountains, and wild flora. Even the clouds present in her work are fantastical as they swirl around the buildings like smoke. Bovey Lee’s process begins with rendering the composition digitally on a computer. She then prints these images and hand cuts each little detail into creation. These whimsical, impossible worlds are so complex you can search through the cut paper for hours, noticing small details like a person balancing across a tightrope, or a city floating on a cloud in the distance. Even the trucks passing by have unique patterns on each one.
Bovey Lee explains that her work is full of tension between mankind and our environment; a power struggle between two forces. Her work explores the intensions and actions of humans and the affect it has on our surroundings. Lee’s process can be tedious and time consuming, but at the same time meditative. The artist further explains her relationship with working with cut paper. (via Faith is Torment)
“My work is like drawing with a knife and is rooted in my study of Chinese calligraphy and pencil drawing. Cutting paper is a visceral reaction and natural response to my affection for immediacy, detail, and subtlety. The physical and mental demand from cutting is extreme and thrilling, slows me down and allows me to think clearly and decisively.”