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Vicente García Morillo

Vicente García Morillo

Spanish illustrator/designer Vicente García Morillo’s Behance portfolio is chock full of clean vectors and antiquated fades.

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Calvin Ho

calvin hoCalvin Ho is an Australian artist currently living in Hong Kong. Since 1997, Ho has worked on a wide range of projects that cover design, art direction, illustration & motion for the music, fashion, art, film & entertainment industries.

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Terrifying Little Girls’ Shoes Made With Human Dentures

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Artistic duo Fantich & Young, featured previously for their “power suit” made of human hair, are at it again with a new pair of shoes for little girls: an adorable pair of Mary Janes with a sole of human teeth. Upon first inspection, the tiny shoes are certainly the height of innocence, with their shiny surface and chunky red strap. With the addition of the teeth, top and bottom rows muddled together monstrously, this beacon of cuteness becomes dark and deadly. The festive footwear, which we might easily imagine paired with white ruffled ankle socks, are embellished with actual dentures, signifying old age and decay. The yellowed incisors, crushed brutally underfoot, provide quite an arresting contrast to the quaint little shoes.

In another recent addition to their ongoing project Apex Predator, Dominic Young and Mariana Fantich construct an egg from human dentures. Here, the themes of birth and death, innocence and corruption, emerge more readily. The egg, art historically a symbol of both the fragility and comfort of the the womb, abandons its delicate shell for hard, armored enamel. Arranged in careful rows, the teeth threaten predators who seek to steel the egg from the safety of its nest. This symbol of youth and birth adopts new meaning when made from teeth designed for the old. When hatched, the baby bird is fed his food pre-chewed, regurgitated into his mouth by his mother; this egg comes fully equipped with gnawing teeth. What type of creature might emerge from this monstrous orb? Take a look. (via Design Boom)

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Clone Factory in Japan Creates Creepily Accurate Doll Clones

In 2011, Danny Choo with Culture Japan visited a place called Clone Factory in Akihabara, Japan in order to have his clone made. The clones are not made from human DNA, but are created using 3D image captures and effects to map facial shapes and measurements. Once the computer has digitally builds the 3D image of a face, the image can then be printed by a 3D printer. These clones are printed using layers of ink which harden in a plaster mold before getting cleaned up with small tools and pressurized air. A few days after Choo’s session, he received his clone, the head of which his producer stuck onto the body of a stormtrooper. Clone Factory can clone just about any solid object, and you can expect to pay around 138,000 yen, or around $1500 USD, for your clone.

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Dillon Marsh Investigates South Africa’s Cell Phone Towers Disguised As Trees

Invasive Species, Kraaifontein (2009) Dillon MarshInvasive Species, Athlone (2009)

Using photography as a tool for generating evidence, South African artist Dillon Marsh approaches the creation of his serial landscape works with the methodology of a researcher. Marsh is constantly looking to capture his subjects “in the wild,” and his watchful eye has yielded a variety of interesting results—with some topics touching on landscape, ownership and disruption in both realms.

For his “Invasive Species” series, Marsh captures instances of oddly jarring, slightly unapologetic occurrences of poorly disguised cell phone towers as they dot the South African landscape. He notes: “In 1996 a palm tree appeared almost overnight in a suburb of Cape Town. This was supposedly the world’s first ever disguised cell phone tower. Since then these trees have spread across the city, South Africa and the rest of the world. Invasive Species explores the relationship between the environment and the disguised towers of Cape Town and its surrounds.”

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Christopher Blackstock Hallucinates Through The Desert In Search Of Redemption

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Oakland based artist Christopher Blackstock creates the ‘The Lone Stranger’ a series of illustrations that explore the life of an imagined character who finds himself experiencing the ultimate journey of self-discovery in a hallucinatory, post-apocalyptic remote desert area. The vibrant, cartoonish aesthetic puts emphasis on the surrealism of it all. Finding yourself in a desolated space can become lonely but exciting all at once.

According to the artist, the stranger, the recurring character, has experienced his fair share of tragedy and is now in search for answers, and maybe some sort of redemption through a spiritual quest. His tale, one of existential turmoil, redemption and self-discovery coincides with the collapse of the ecosystem as climate change reaches a more advanced stage and renders California completely arid.

Blackstock, a muiti-media artist who works in painting, sculpture and illustration, rendered these as digital drawings first and then turned them into laser-cut panels which were then placed onto canvas and hand-painted with acrylic and spray-paint.

Blackstock’s ‘The Lone Stranger’ will be on view at Oakland’s Loakal, starting July 4th through July 30th, 2014.

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Akira Nagasawa

Primal paintings of primal beasts by Akira Nagasawa.

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Chromosomal visualization

DNA Radio (German experts on biotech) converts the entire human genome to images and audio that will be streaming on the internet 24/7. Isn’t it crazy that figuratively, all we are made up of are these dots? Here’s a little science lesson for you…

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