Continuing my Rhizome Commissions coverage, here is Office for the development of Substitute Materials. Their work deals in the relationship between objects and how humans use them, or how objects become more human just because we are using them. The ideas about tools and their relationships to us and each other is incredibly smart but at the same time, attainable in their simplicity. The way they document their work is also very beautiful. I’m a big fan. You can see their Rhizome proposal after the jump (it’s the last item in the post).
“Distressed, destroyed, or embellished, it’s the chosen fashion of outlaws, punks, rebels and bikers. To them, a jacket is an identity, a medium to express loyalty, acceptance, love, hate, rejection, freedom and nonconformity. In most cases, one can easily identify the rebellious type by their jacket alone. More specifically, members within their respective communities recognize the significance of various colors and patches as marks of rank and origin or acts of violence committed on behalf of the club. In punk subculture, even the chosen type of spike or stud adornment has a specific connotation. Because of its inherent mobility, potential for variety and badass undertone, the jacket is an art form like no other.
To introduce its new space, an incubator for creativity, ALLDAYEVERYDAY will present a selection of unique jackets, as customized by talents from the colliding worlds of art, fashion and music.” – ALLDAYEVERYDAY
Their show opens this saturday (the 27th) in New York. Wach the commercial for their show after the jump, sounds great!
Aaron McIntosh reinterprets old romance novels and photographs in his art while examining the lines between abnormality and normality, pleasure and disturbance. He is fascinated by human romantic and sexual natures, and both questions and challenges our social constructions of love and sex.
Tom Sanford’s new work touches on politics and our infotainment culture with equal enthusiasm. For your viewing pleasure there is an erotically oily Sarah Palin, the repressed sexuality of Philip Guston, a Jong Il fist-bump, Jail Birds, and love affairs between beautiful nymphets and strangely hairy men. I think that’s something for everyone. All of these paintings have emigrated to Europe. Some for Copenhagen at Gallery Poulsen, and some to Norway, for a show at Galleri S E.
Collaborative unit created by two photographers in Germany.
By photographing emotionally troubled dogs suffering from abandonment and aggression, the artist Martin Usborne chronicles his own painful struggle with depression. His recent series “Nice to Meet You” tenderly traces unknowable canine narratives by carefully placing the animals behind surfaces and materials: a wet glass pane, a cloud of smoke, pressed flowers.
In distancing the viewer from each creature, the artist paradoxically allows for a heightened level of intimacy with each dog; behind a haunting waterscape or transparent white shroud, each set of eyes glistens and each pointed nose seems to poke through the barrier, begging for closeness with the viewer.
In distorting space with long exposure times and unevenly textured surfaces, Usborne also blurs the notion of time; the animals appear ghostly, shadowy, and otherworldly. As each image leads us farther into this ethereal and lonesome dreamscape, we bear witness to the profound confidences of these gorgeous creatures, and they stare back, inviting viewers to empathize.
Ultimately, Usborne’s canine subjects recall our own murky and lonesome pasts, mirroring the dark places that we normally keep hidden within ourselves. In juxtaposing everyday statements like “I’m fine” and “I also work at the bank” with the charged photographs, the artist paints a portrait of isolation; he himself often repeated automatic phrases like “Nice to meet you” and “You look great” when in the midst of his depression. These animals, partially hidden by fog and fabric, serve as surrogates for we who hide behind words. If only for a moment, these vulnerable faces of dogs remind us that we are not alone; in lending us their quiet companionship, they become our confidantes. (via Design Boom)
Canadian sculpture and photography artist Liam Crockard who uses a Tumblr for his portfolio. I like this idea.
Yinka Shonibare is hands down one of my favorite contemporary artists. His stunning explorations into world history, the poetics and policies of identity, authenticity, globalization and imperialism raise interesting political questions without being patronizing. They are beautiful on a formal level, as well as conceptual.