English ceramist Beccy Ridsdel has worked as ceramics technician at York College for nearly 10 years and recently discovered her love of bone china and porcelain. Her latest work is an installation set up as an interrupted laboratory experiment – ceramics being dissected, like an autopsy, to find out what lays beneath the surface. This dinnerware cruelty/beautification was inspired by her mother, who is also a ceramist!
Doug Burton’s 3D digital animation “Celestial Mechanics” was conceptualized as a kind of reality-fabric altering pulsating entity. A kind of self-combusting black holes. I am hoping for the day when I actually see the walls wormhole out to an alternative universe! The artist explains: “Through the transmogrification of the matter of the walls and space within and ouside of the studio I have been exploring he realms that exist beyond in a distant past or parallel present.” Heavy!
Photographer Francois Brunelle has been studying the human face since he first started photographing them in 1968. His recent project began when he snapped a photo of two North American acquaintances who looked remarkably similar. Brunelle is now set on photographing 200 unrelated couples who look like they could be separated at birth. In the beginning of this project, he took photographs of people he happened to know who looked similar, but since his project has gained media attention, some people have come forward as look-alikes. As of January of this year, Brunelle was still inviting couples to take part and help him reach his goal of 200 photographs.
“It is not about looking like famous people,’ he said. ‘The project is about looking like other people.”
“The fact that two persons, totally unrelated to each other, sometimes born in different countries, share the same physical appearance is really the essence of (it).” (via)
Italian artist Christian Zanotto makes use of photography and of a variety of software’s in order to build a scene which is completely virtual and three-dimensional, to which he gives body with figures and objects (and inside of which one can travel virtually).
The digital works are materialized on crystal sheets, suitably treated, by means of the technique of transferring the digital image through a process of photographic exposure.
The plastic-sculptural result is of great impact, the great panes of glass, framed, become mirrors and thresholds onto a world which, although omnipresent and alive, rarely shows itself so directly, a deep and veiled universe of the human psyche. The “Iconography” of these works is semi-religious, not from adherence, but from the fact that it moves at its side in order to carry out a philosophic-artistic investigation into the icons created by man for his own beliefs, which in fact are clearly shown to us through these paintings in their nature as machinery, mechanisms which human beings have undertaken to build and develop using for their material their fears, hopes and happiness.
Will Bryant is a designer who excels at following design trends. His use of triangles is both ironic and non-ironic. He also has an illustration style that is very reminiscent of a lot of other illustrators working today. Overall, Mr. Bryant is fantastic at creating work following the lead of a select few trendsetters.
Some people just have a knack for color and Toronto based Liz Wolfe is one of those people. Here bold still life and photographs radiate with electric colors in every corner and her juxtaposition of gorgeous floral motifs with dead chickens, maggots, and flies is the perfect mix of the sweet and the grotesque. (via feature shoot)
The murals of graffiti artist Peeta definitely, and nearly literally, stand out. Peeta uses a a familiar style peculiar to street art murals and tags. However, using careful perspective and shading, he’s able to create the illusion of depth. His work seems to twist and wind just above the wall’s surface. While Peeta does also create sculptural versions of his street art inspired work, the images featured here are entirely two dimensional. [via]