In the year 2237, after we’ve all been forced to move to the Moon, we will keep warm with these post-apocalyptic future quilts. That is, of course, assuming rumors are proven false and the moon isn’t really the Death Star. Anyway, thats my take on London based artist Roger Kelly’s work. His pieces are not just a random collection of abstract shapes, but on close inspection, fragments of buildings, rocks, and trees all stitched together to create Kelly’s overwhelming vision.
Merging sound and landscape, Ukrainian architect and designer Anna Marinenko has created a series of images – called “Nature Sound Form Wave” – that presents juxtapositions of sound waves alongside panoramas of sky, water, mountain, and tree lines. Marinenko’s pairings demonstrate the synchronicity and parallels to be found in different patterns among natural and manufactured designs, the similarity between the forms remarkably uncanny. Because Marinenko meticulously lines up the designs and maintains the same color palette throughout the images, ocean waves, flight paths, and landscapes appear to be transforming into the sound waves, the transition nearly seamless. (via design boom)
Rich Tu definitely has a style. His illustrations are engaging and contemporary, though they harken back to the tradition of the beautiful Japanese painting style that so many of you had in poster form in your dorm room (myself included.. Tsunami, anyone?). Tu twists the idea to a modern feel, using muted colors with stark black, and dark and pensive subjects.
Paul Parker‘s video “Seagull Skytrails” shows a living map of bird flight, charting their paths like free-wheeling weather patterns or miniature time-lapsed jet planes. In some parts of “Seagull Skytrails,” the birds almost look like patterns on a zoetrope or frames of some life-sized GIF. The effect is playful, as though we’ve been allowed to look behind the scenes.
Parker also uses After Effect, a piece of video editing software, to blur the birds’ paths into pulsing dark ribbons, looking almost like ocean currents transposed onto the sky. These “skytrails” offer us a peek into the transit system of another world: the freeway of birds.
On a crowded bus ride in Beijing, Chinese artist Liu Di noticed his surroundings. “Looking out at the decrepit housing blocks”, he said, “I had a vague but strong feeling that there was something missing between the ground and the sky.” It was then that he had the idea for his 2008 series, Animal Regulation, an almost cinematic display of enlarged animals sitting amongst the ‘urban ruins’ of the city of Beijing. Using photoshop, he seamlessly embedded these wild, large animals into Beijing’s forgotten and depleted back streets, construction sites and tenement courtyards.
With the addition of the gigantic,exotic animals, Di not only tries to fill the void that he notices as he travels through the city, but most importantly, he attempts to draw attention to these spaces in a big and scandalous way. We cannot help but notice ‘the big panda in the room’, and that, I think, is the kind of reaction the artist is looking for. The metaphorical animal living amongst the city of Beijing alludes to deeper issues here–the void is filled with an unwanted visitor and in order for it to go away something must change.
Di’s political undertones cannot be missed.
“Between nature and human society, between the material world and the intellect, between obedience to and violation of the laws of nature. It is only when our preconceptions are jolted that we wake up and truly see.”
These photographs are part of Barbara Pollack’s My Generation, an exhibition that acts as the first in the U.S to focus solely on the new post-Mao generation of dissident Chinese artists. The catalogue includes works by Sun Xun, Lu Yang, Ai Wei Wei’s former assistant, Zhao Zhao and many more. The show is currently being co-presented in two venues simultaneously through a unique collaboration between Tampa Museum of Art and the Museum of Fine Arts in St.Petersburg, FL. My Generation will be on view until September 28th, 2014.
For this year’s tour Scion asked each artist to create his or her literal, or non-literal interpretation of the theme ‘Self-Portraits’. Video art will be included for the first time in the tour’s five-year history, alongside painting and photography. Self Portraits highlights a diverse array of artists from around the world and will visit nine cities in total including Miami, New York, Portland, Minneapolis, San Jose, Philadelphia and Los Angeles before being auctioned off for arts related charities and non profits.
Painting: AJ Fosik, Alex Hornest, Andrew Schoultz, Asylm, Blek le Rat, Codak, David O’Brien, Edwin Ushiro, Francesco LoCastro, French, J. Shea, Jeff Soto, Kelsey Brookes, Kofie, Lisa Alisa, Mark Mothersbaugh, Nicholas Harper, Patrick Martinez, Rob Abeyta Jr., Ron English, Sage Vaughn, Skypage, Souther Salazar, Stormie Mills, Tessar Lo, Todd Tourso, Usugrow, Will Barras, Yoskay Yamamoto
Photography: Angela Boatwright, Christina M. Felice, Eriberto Oriol, Eye One, Jamel Shabazz, Logan Hicks, Peter Beste, RETNA, Rick Rodney, Saber, Too Tall Jahmal
Video Art: David Choe, elYEM, Ian Lynam, Peter Glover, Something In The Universe
Opening Reception: First Friday June 5, 200, 8pm ’til late
When it comes to graffiti the weirder the better and Austrian writer Nychos delivers on every front. From bold candy coated lettering that is slashed and dashed with spilling guts to heads splitting into a dozen pieces this talented writer does not disappoint. Check out a more murals by Nychos and a short video of his collaboration with Flying Fortress after the jump.
Chinese sculptor Liu Xue combines a human with an animal, creating a hybrid being. Each being has a human head with animal appendage (or appendages). A man is merged with a pig, a woman with a chicken, a man with a dog, and more.The result is something we haven’t seen before, one that seems non-threatening, but still grotesque at the same time. Xue has honed his craft and painted the sculptures to be so life like that they fall into the uncanny valley.
Xue’s choice to pair a human with an animal seem to be because it’s funny, and the hybrids fit with each other thematically. For instance, a giant, bald man is given the tiny wings of a bat. Another work pits this same man with a seahorse bottom. We know both of these creatures are tiny, and the disparity in size is what makes it humorous. Other sculptures aren’t so amusing. An older man is combined with the body of greyhound dog. The gaunt appearance of the dog’s body and pained look on the man’s face makes this piece somber.
The unnatural combination of Xue’s work explores the notion of what’s considered attractive or glamourous. A naked, conventionally pretty woman, for instance, is given the unwieldy feet of a chicken. Likewise, a young man has the same features. In the artist’s attempt to make both appear seductive, it’s hard to imagine these creatures moving gracefully.