Employing concrete barriers, make-shift housing and check points, Amze Emmons uses the architecture of refugees to paint urban disaster. His grim imagery is mismatched by a cheerful palette, creating the impression of Martha Stewart going wild with pastels in a war-torn camp. Emmons puts it dryly: “I’m interested in how strife, climate change, disasters and global migration effect the way folks live and the types of environments they build.”
Romy Maxime has been experimenting with an interesting medium of late – Infrared film (typically used in military surveillance). Her series Lucid Dreaming is a soft, romantic, hazy collection of portraits of musicians based in Berlin. She uses the unusual candy colored tones of the film to evoke a strange surrealism from her subjects and their surroundings. Her images look like dramatic fairy-tales, or stills from some sort of film noir. Maxime talks about those influences on her:
This ongoing personal project was born out of nostalgia, a love for classic art films and the style and colors of photographs from the 1960s. (Source)
Growing up between Zurich, Cape Town and Cannes (she now calls Berlin home), Maxime translates her gypsy tendencies and ease with nature and quietness onto film. Working mostly in fashion photography, and portraiture, Maxime loves to create fantastical images that are like an exaggerated reality. She talks about her favorite parts of fashion photography:
It’s totally unrealistic! It’s the fantasy genre of photography – mostly an illusion with every excuse to include beautiful things. I do try to create some sort of story when I shoot fashion otherwise the clothes remain just beautifully cut textiles on a model. (Source)
She also talks about the effect yoga has had on her and her work – the calmness, serenity, and quiet that is all practiced in yoga gives her the focus she needs to capture the right mood in her shots. Read a full interview with her here on the International Foundation for Women Artists Blog. And be sure to see more of her many beautiful images on her Tumblr page and her Facebook page.
Recently, we have featured the work of artists like Douglas Sonders and Fred Levy, who photograph dogs as a means of advocating for the voiceless and promoting awareness about animal rescue. With the “Rescue Me” project, the photographer Brian Moss occupies a unique space in this dialogue; in contrast with the polished, slightly commercial aesthetic of other animal portraits, his photographs of shelter dogs are emotionally raw and candid, delving more deeply into the psychology of his canine subjects.
Moss’s photographic setting is the Bergen County Protect & Rescue Foundation shelter, where he arranges a poignantly modest and “tiny ‘studio tableaux’ […] in between a sink and a leaky washing machine.” Shot under a relatively shallow depth of field, this magical little corner becomes all the more intimate; as well-worn towels and tender, raggedy blankets blur into the distance, the dog subject is fixed with stunning sharpness, revealing the touching imperfections of the face: eye gunk, snouts rubbed raw, noses flushed with pink.
Moss’s project was born from necessity; he felt for the animals left homeless, and yet it was too painful for him to volunteer at a kill shelter. This shoot, which takes place at a no-kill facility, is his tribute to the creatures he longs to help. The honest gaze of the artist’s images are reminiscent of his earlier project with body builders; here too, he seeks out a genuine connection with his subjects. The dogs aren’t posed to appease to viewer or to elicit less emotion, but instead they are free to express their inner fears with darting eyes, unsteady legs, and perked ears. Rich with empathy, Moss’s lens offers rare and invaluable insight into the hearts of our fellow creatures. Take a look. (via Lost at E Minor)
Scott Greenwalt is an Oakland-based painter whose mixed media works walk the line between geometric order and gruesome chaos. His palette often resembles that of our most decay-prone biological structures and fluids: the dirty beige of crumbling skulls, the electric pink of strained arteries, and the bright green of runny mucus. His compositions exist within empty landscapes or without any background context at all. And it should be hard to look at his work for too long. It hits so hard that we should be running for the hills. Instead, probably due to his immense level of skill, it’s hard to look away. Peep some recent work from the artist below.
What I like about the work of Steve Seeley, besides the awesome Ultraman, Superman and many other super heroes in his paintings, it’s the subtle way of combing elements that you wouldn’t really see as a backdrop for these characters. From wild bears and monkeys to forests, rainbows, cowboys and astronauts, he is able to combine all these characters and elements to make a pretty hilarious combination in each painting.
A while back, we posted Takeuchi Taijin’s amazing Wolf & Pig stop motion animation. His latest clip for Olympus PEN Giant follows a young man navigating an urban city-scape in a similar stop-motion journey through 355 stunning photographs printed billboard size! No tricks or computer animation…just good old fashioned hard work. Check it out!
Photographer Bing Wright‘s newest project, Broken Mirror/Evening Sky, is a series of images that capture the reflections of sunsets on shattered mirrors. Its colors, textures and overall composition resembles the appearance of luminous stained glass windows. The cracked glass seemingly generates doubled reflections, disjointed gleams and refracted light into shards of images that instantly reminds the viewers of an abstractive painting. The final prints, recently displayed at the Paula Cooper Gallery in NY, are displayed quite large, measuring nearly 4′ across by 6′ tall.
This new body of work is Marks Wright’s first return to color photography in almost a decade.(via Colossal)
Last week we had a contest where you were asked to write a clever sentence using our sponsors name “Sticker Robot.” We got a lot of fun entries but after going through all of them we picked this lucky winner: Hey Sticker Robot, I’m a stickler for stickers and know how to pick um, and unlike stamps there’s no need to lick um. Bam!