Jorge Rodriguez Gerada and the people from the Delta del Ebro region in Spain have joined to form a giant representation of a girl named Gal·la. This installation is meant to bring attention to how future generations will have to pay the price for our inability to act on climate change now.
This piece is one of several major public art installations in over a dozen locations across the planet that will be photographed by satellites 400 miles above the Earth’s surface this November 20-27 as part of a planetary scale art project, 350 EARTH, led by author Bill McKibben and international climate campaign 350.org.
Was your high school experience as glitzy as the one in photographer Akasha Rabut’s series Edna Karr? (The title comes from the school in New Orleans where the documentary-style photographs were taken.) We see cheerleaders, the dance team, and marching band getting ready to perform in these quiet behind-the-scene shots . Girls are applying their makeup, fixing hair, and sitting idly before they hit the city streets of a parade and come alive.
The series is a balance of high and low energy. As people kill time on their phones the scene is still. But when the kids are moving, Rabut captures the spirit of the performance, with sequins gleaming. The faded, low-saturation image are reminiscent of vintage photographs, and if it weren’t for the cell phones, we might just believe it. This plays to a sense of odd nostalgia for high school, a time when many of us wanted to feel grown up but just weren’t quite there. It was activities like the band or dancing that helped define the experience, and is a symbol of a relatively simpler time. (Via It’s Nice That)
Cambodian-based artist Anida Yoeu Ali conceptualized The Buddhist Bug Project, which sprouted from her fascination of other religions. She was raised in the Muslim faith but is drawn towards the Buddhist religion. Her project attempts to reconcile these two interests. Ali explains:
The Buddhist Bug Project seeks to map a new spiritual and social landscape through its surreal existence amongst ordinary people and everyday environments. The Buddhist Bug (BBug) is a fantastic saffron-colored creature that can span the length of a 30-metre bridge or coil into a small orange ball. Rooted in an autobiographical exploration of identity, the Bug comes from the artist’s own spiritual turmoil between Islam and Buddhism. Set amongst everyday people in ordinary moments, the Bug provokes obvious questions of belonging and displacement.
The Bug’s colorful exterior references robes worn by the Buddhist Monks, while the style of its head piece is modeled after the Islamic Hijab. The travelling project has made its way to Cambodia, where Ali and photographer Masahiro Sugano stage site-specific performances. We see the Bug wrapped around tables, in a boat, up a flight of stairs, and more. Its presence allows for others to interact with it and take part in the project, which is part of Ali’s intent. “…meters and meters of textile act as skin, as a way for the surface of my body to extend into public spaces, and as a metaphoric device for stories to spread across an expanse.” She says. “For me, performance and storytelling become ways of bridging the interior and exterior space of self as well as initiate critical dialogues between communities and institutions. (Via design boom and The Philanthropic Museum)
We found Tokyo based illustrator, Kimiaki Yaegashi, on our B/D Flickr Pool and I have to say what a find! Kimiaki’s electrifying illustrations of sexual, surreal interactions between beautiful women, men, animals, and a chubby little girl is amazing. Her 3D, sexual, and wonderfully off-center styled would make a killer business card design. We are always on the search for amazing artists, join in on the B/D Flickr Pool and you might find yourself featured on the blog as well.
British/Turkish fashion designer Hussein Chalayan is not only an internationally known figure in the industry’s runway, he is also an artist and catalyst for change of what it means to wear something. With his progressive attitude to clothing as a decorate-able and manipulatable second layer of skin, Hussein Chalayan has expanded the the materials of construction to an awe-inspiring breadth of technology and innovation.
In this day and age of digital and high tech art, painter Matt R. Martin looks to redefine the traditional nude. An honorable task since the human figure has been painted in hundreds maybe thousands of positions. For Martin it means looking for new ways to paint an age old subject matter using oil with the expertise of a skilled draftsman. His marks produce mysterious settings which depict dual bodies tangled upside down on a torn leather recliner or snuggled up to a large window. The faces are partially covered lending more intrigue to the stark atmosphere. In one painting a dozen or so male clones are in the ocean with their backs toward the viewer. The figures are standing up to the waist in water and soon starts taking on various metaphysical nuances. A purgatory narrative eventually emerges making you wonder if the souls are half saved or half damned.
Technically the paintings are exquisitely made. They take influence in sheer luminosity from the great Andrew Wyeth. Like him Martin is able to paint skin where you can almost see the blood pumping through veins which is pretty remarkable. There’s definitely something to be said for pure technical skill and Martin should be noticed for his ability. The artist claims in his statement that he has been influenced by film, Surrealism and representational art. (via artfucksme)