A beautiful of collection of mixed media illustrations by Jacob Escobedo including a bunch of artworks for The Shins as well as six illustrations for the June Science Fiction issue of The New Yorker that illustrated Ray Bradbury’s last published story. The New Yorker issue was released one day before Bradbury’s death.
Linda Hall is a Florida-based artist whose textile sculptures blur the boundaries between human and animal, innocence and the grotesque. Like a taxidermy studio of preserved fairy tale creatures, fox heads and bipedal bearskins hang ominously, eyeless and empty. Using un-dyed tissue paper, handmade quilts, and other textiles, Hall gives her pieces a “patchwork” quality, sculpting a mix of twisted and fantastical bodily features, inlcuding warped antlers, multiple ears, and eerie, human-like grins. Designed like masks, puppets, and full-body costumes, Hall’s works are “containers for the spirit” that seek to deconstruct the human/animal binary in pursuit of a more fluid understanding of identity—one that morphs beyond the corporeal boundaries of species (Source). As she explains in a statement provided to Beautiful/Decay:
“Like a sixteenth-century curiosity cabinet, my objects aim to provide evidence of another reality. Many of the sculptures, domestic and wild, are constructed from collected handmade quilts and other textiles. These materials have their own intimate history, yet they are repurposed into charged spaces where humans and animals occupy the same space. Many forms show evidence of life and life events, such as wounds and the mending.”
The stories of “wounds” and “mending” are embedded directly into the sculptures through Hall’s creative process. Embellished with paint, beads, and flowers, the pieces are, in many ways, objects of curious beauty; like toys drawn from a child’s costume chest, they radiate with an endearing, imaginative, and anthropomorphized sense of friendliness. However, in many cases, paint has been plastered overtop of these adornments, creating a caked-on and disfigured appearance that signifies the messy process of healing and the scars left behind. Beautiful, lonely, and repulsive all at once, Hall’s menagerie confronts us with the familiar-yet-otherworldly emotional spaces that humans and animals both share—as well as the damage and exploitation inflicted on the natural world, despite these deep interrelations.
Visit Hall’s website and blog to follow her beautiful work.
What may at first look like a sketch of a classic sculpture is actually a mass of tiny doodles by Japanese artist Keita Sagaki. Sagaki manages to turn drawings of UFOs, skulls, and aliens that you’d see on the edges of your middle school notebook, into beautiful works of art. These tongue-in-cheek works combine the artist’s respect for classic paintings and sculpture with his love for modern comics and graffiti. Sagakis art can take months to create since each work is composed of millions of smaller compositions. Each of his drawings are improvised and drawn directly onto the surfaces he uses without being drafted.
Marbled Reams is a print project initiated by Tom Godfrey in the UK in 2009. The idea was simple: Produce a single 11.7 x 8.3 inch work and photocopy it onto an entire ream. The reams are then marbled along one edge and displayed in a stack. The result is a miniature monument that consists of 500 multiple works of art. The project has grown and these days new reams are produced on a bi-monthly basis featuring guest artists. The faux marbling enhances visual impact and lends a sculptural quality to the editions.
The paintings of Korean artist KwangHo Shin are most certainly portraits. Though they depart from many of the elements of typical portraits they’re instantly recognizable as such. Shin uses charcoal to build the underlying structure – parts resembling hair, neck, shoulders, and ears. The faces aren’t so much painted as formed by gobs of oi paint. Hints of facial features such as eyes and noses may be ambiguously implied in each piece. However, its really the inner person Shin is after, the echoes of which linger for a moment on the face.
Girls-Unawares is a 3d artist based in Hamburg, Germany who creates media-morphed, sexually-reduced, ad-aesthetical and fetishized models that deconstruct fashion photography. See the more explicit images after the jump.
Hiding behind his trademark long brimmed hat, Finn Andrews’ pain is evident. Pouring sweat and singing his songs about love and loss, The Veils‘ tortured singer had a very excited and attentive crowd at their recent show at West Hollywood’s Troubadour. I’ve always had a soft spot for the band ever since I heard their debut, “The Runaway Found” back in 2004. With their recently released album, “Time Stays, We Go” the band continues to mature making this another must have gem by the London-based band.
The band played songs off of their new record including my personal favorite, “Birds”, “this is a song about birds, suspicious birds” Finn stated before playing the song. They also played fan favorites like, “Sit Down by the Fire”, “Lavinia” which Finn played solo, “Advice for Young Mothers to Be” and ending with a raucous version of, “Jesus for the Jugular” which had Finn throwing his guitar down at the end of the song.
The Veils recently recorded a session, Live from Abbey Road which you can view above and are set to perform next month on September 7th at the, Into the Great Wide Open Festival in Norway and in Denmark in October.