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Masterpiece On The Runway- Viktor & Rolf Create Dresses That Are Made Out Of Framed Paintings

Viktor & Rolf - Fashion 11 Viktor & Rolf - Fashion 9

Viktor & Rolf - Fashion 1

A runway of living masterpieces was the idea behind the couture “Wearable Art” collection.
Viktor & Rolf had models walk around wearing human size canvases for their Fall 2015 couture show. The girls were coming out wearing a denim apron and a framed canvas at first white and then punctuated by paintings inspired by Dutch golden age painter Jan Asselijn. As the show went on, both designers appeared on stage to undress a model out of three, delicately taking off the painting they were wearing as a dress and hanging it on a hook off a wall.

The show was held at the Palais de Tokyo in Paris, a location known for it’s contemporary art and where designers have previously held their show. (Rick Owens, Phillip Lim and Maison Rabih Kayrouz to name a few). Viktor & Rolf gave an updated version of a fashion show, instead of having regular models strutting up and down the runway, the designers gave a performance. Trying to get as close to an art performance, blending art and fashion and demonstrating once again their genius in pattern making. Watching the video (see below) will make it much more clearer that this has nothing to do with fashion per say.

The designers are experimenting wearable art. Instead of trying to prove that fashion is art they are subtely implying that fashion is inspired by the excellence of art. By taking the clothes off the models and hanging up the garments they are claiming that fashion is humble and vulnerable compared to art. There is something naive and touching about this show. Fashion designers following the footsteps of art performers, clearly inspired and admirative of the art world.

By the end of the show, art collector Han Nefkens acquired one of the pieces to donate to the Museum Boijmans Van Beuningen in The Netherlands (via Dezeen).

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Ave Pildas’ Nostalgic Photographs Capture The Lively Characters Of Hollywood Boulevard During The 1970s

Teenagers Bus Bench -©1974

Bus Bench – Teenagers ©1974

Halloween - Trannies ©1974

Halloween – Trannies ©1974

People on Stars - Sundance Massage ©1973

People on Stars – Sundance Massage ©1973

Halloween - KKK ©1974

Halloween – KKK ©1974

Bus Bench - Jesus ©1974

Bus Bench – Jesus ©1974

In a series of black-and-white photographs taken between the years of 1973 and 1975, Ave Pildas provides a fascinating glimpse into how, over the span of four decades, the streets and people of Hollywood Boulevard have both changed and remained curiously the same. Pildas moved from Ohio to Los Angeles in 1971, when Capitol Records hired him to design album covers and take pictures of talent. After 6 months, Pildas left to begin his own design company called Plug In and embark on his Hollywood Boulevard project.

“This place is incredible,” Pildas said when we spoke over the phone. “People escaping the winter [and] US tourists lean towards the west — and all the nuts roll towards the west as well, stopping short of the ocean in Hollywood.” Intrigued by these people who came seeking adventure (and perhaps fame in movies and music), Pildas began to collect their portraits. “My style is to interact with people,” he said, explaining his approach. He would wait until an unknown person would walk into the light, engage with them, and then request to take their picture. Some people would pose and smile, and others would hold up their hands in rejection. “For the most part, I was treated well,” Pildas said in good humor.

Among the images you will see a whole cast of characters posing excitedly (or reluctantly) for the camera. There are apathetic teenagers at the bus stop, suave fashionistas, a chef, and, rather controversially, two people dressed up as KKK members for Halloween. In comparison to present-day street photography, which favors strong contrasts, Pildas would minimize shadows by shooting on overcast days. The result is a collection of images that are nostalgic as well as beautifully muted and almost surreal in appearance.

While some of the images look a bit dated (such as the cavalier and inappropriate attitudes of the KKK Halloween-goers), they also show how some things haven’t changed. “The costumes have changed,” Pildas observed, referring to how the fashion has inevitably shifted over the decades — but many things persist. He talked about what could still be seen: the Broadway Building, as well as the variety of restaurants, head shops, trashy lingerie stores, Scientologists, and street people hanging out. What has remained fundamentally the same is the adventurous and eclectic spirit that characterizes Hollywood Boulevard.

In an exhibition titled Hollywood Boulevard: The 70s — which opened at Los Angeles Contemporary Exhibitions (LACE) on July 1st and runs until September 13th — Pildas has compiled an exciting collection of 51 photographs from the series. The images are made from scans of the original negatives, some of which hadn’t been seen in forty years and required repair. By opening the images to the public, Pildas offers a delightful journey into the lively history of Hollywood Boulevard and its people. Check out his website and Facebook page to learn more.

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Ben Krasnow Shows Us What A Record Player Needle Does Under An Electron Microscope

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Applied Science wiz Ben Krasnow conducted a series of tests to capture how information is disseminated on vinyl record, dvd, and cd rom. What he found was that the grooves of each device is shaped differently sending out unique signals. In the vinyl study Krasnow added a metallic surface to pieces of the waxy substance and allowed the electron microscope to pick up and photograph the action. In a magnified state vinyl looks similar to a used paper towel. The movement is recorded at 1/400th of actual speed. Under the magnification the needle looked like a pencil making arrow marks.The friction created over the tiny shapes is eventually translated into sound.

With a DVD Krasnow split apart the disc to locate the coded aluminum material. This was seen under the microscope as little dashes similar to morse code. In order to make gifs the scientist then took the material and downloaded it into photoshop. These resembled old super 8 movies.

Krasnow currently works at Google. He is best known for inventing keyboards, mice and joysticks for MRI machines. He sold these to academic institutions who in turn wrote about their use in science journals. (via demilked)

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Philippe Baudelocque Draws An Infinity Of Constellations On Graphic Animals On The Walls Of Paris

Philippe Baudelocque - Street Art 10

Philippe Baudelocque - Street Art 11

Philippe Baudelocque - Street Art 1

Philippe Baudelocque - Street Art 4

Giant monochrome webs of constellation materialize from a charcoal black wall, leaving the imagination floating, thinking we can envision anything we’d like. By connecting the dots, an image appears; it’s a gorilla, a fox, an owl or a hippopotamus. Philippe Baudelocque tames the stars on buildings’ front walls throughout the city of Paris, creating poetic packs of animals.

“I prefer the experience of art rather than the final piece of art. That explains why, drawn out of chalk, the illustrations are ephemeral. A risk the artist is willing to take, because that’s how he started his series and that he would like it to end.
The contrast between the black and white colors, the empty wall and the countless strokes bring another dimension to the illustrations. As if the artist wanted the animals to come out of the wall and talk to us. And they are, by the way they honestly stand, asking for nothing; confident that they are being understood. The stars and the animals represent unattainable immensity, identifiable to a lot of us. The combination creates a fantastic scene where the possibilities of interpretations are infinite.

Through the stillness of the black and white animal bodies, a feeling of compassion and kindness speaks to us. That’s the intention of Philippe Baudelocque : his illustrations gently suggest simple emotions to everyone.

Discover more of Philippe Baudelocque’s work on his website and Instagram.

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Rachel Denny Covers Woodland Fauna With Knit Textiles, Matchsticks, And Pennies

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Sparkling sequence and plush yarn are just some of the mixture of materials that artist Rachel Denny uses in her work to cover bodies, or sometimes just heads, of animals. This Portland based artist’s work lives in a world somewhere between taxidermy and your grandmother’s craft room. Her unique take on animal trophy heads uses cashmere knitting and twine to transform what looks like the shape of the head of a dead animal. Denny’s artwork includes a diverse variety of woodland fauna, including deer, horses, goats, lambs, and even bears. Sometimes her colorful, eclectic materials, including satin, matchsticks, and pennies cover an entire body of a creature, other times it is just the head unattached to its body.

The creative and interesting use of materials used transforms the animals into something different, something very inviting and attractive, but also unnatural. The seductive sparkles of the black sequence Denny uses pulls you in closer, all the while there is a “bear” underneath. There is a theme of masking over organic beauty with our own human inventions that is apparent in the artists work. Humans often take a natural object or creature that is already beautiful, and try to improve on it. We alter it so that it fits our own needs, or that we may see it as looking even better. Although Denny’s work is incredibly bright and fun with her pastel yarn and sparkling materials, there is a dark hint of the hand that humans have on the natural environment. (via The Jealous Curator)

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Forever Young: Photographer Muir Vidler Celebrates The Age-Defying Antics Of Britain’s Senior Citizens

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Muir Vidler‘s admiration for individuals who are challenging the status quo first began in a popular club called Love Muscle in London. It was there that he was inspired to start a long running, charming photographic series called Rebels Without A Pause. About people (usually senior citizens) who are refusing to ‘act their age’ and are defining their life on their own terms, the series is full of wonderful spirit and charm.

This dance club was where Vidler met Adrian Delgoffe – a man in his late 60s, wearing leather pants and a leather harness, dancing by himself. The photographer remembers applauding this man, who was older than Dad, out at night, living large, instead of being dormant in front of the TV at home. Vidler reflects:

Adrian got me thinking about people who don’t let their age define who they are, what they wear, how they act – people that make the world a more interesting and fun place, a better place. I wanted to shoot some portraits that celebrated those people, the people that never grew up. (Source)

The British born photographer tracks down interesting individuals and arranges photo shoots, usually in their private homes, or at a location of their choice. He has met several young-at-heart characters, who, in their old age are proudly covered in tattoos – and are adding more still. Isobel Varley for example, holds the Guinness Book Of Records as ‘The World’s Most Tattooed Senior Woman’ and shows no sign of slowing down: since being photographed, she has acquired many new penis tattoos on her face.

Vidler has photographed circus performers, nudists, veteran rock n rollers, old bikers, die hard roadies, leather fetishists and ‘slave owners’, Elvis impersonators, and the first openly gay skinhead. You can see his full collection of portraits and other surreal experiences on his Instagram account here.

Via Feature Shoot

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Paule Gu Transfixes Us With His Highly Detailed Drawings Of Hypnotic, Dark Imagery

Paule Gu - Graphite on Paper

Paule Gu - Graphite on Paper

Paule Gu - Graphite on Paper

Paule Gu - Graphite on PaperArtist Paule Gu gives us a kaleidoscope of dark and hypnotic visions in his intense series of remarkably detailed drawings. Although they may look like monochromatic collages at first glance, this skillful artist has rendered these illustrations by hand. Each piece contains a plethora of eclectic images ranging from seductive nudes to deathly skulls, which are a repeating motif in his work. Small details can be discovered when examining the intricate lines and forms rendered by Gu in his work. A mysterious beauty lures you in closer, as symbols of death and the occult can also be found.

Gu’s work is an interesting mix of objects that are all connected in a balanced composition, perfectly mirrored. He often brings shapes like triangles and circles into the background, creating harmony to the piece and unifying its diverse imagery. The seamlessly symmetrical compositions transfix us, pulling us into a trance. Although Gu’s work consists of many different objects, they are all part of one single piece, morphing and fitting into one another. Various textures, themes, and worlds collide as sea horses live side-by-side three-eyed bats, and nude women dance around tigers and bones. Gu’s work will completely mesmerize you, as you will find another unexpected, bizarre detail every time you see his work. (via Supersonic)

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Katharine Morling’s Ceramic Sculptures Look Like 3D Line Drawings

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Katharine Morling is a ceramicist who sculpts everyday objects with a creative, cross-media twist: once the clay dries (a process which can take up to several months), she draws on the pieces using an underglaze pen, turning them into three-dimensional, life-sized “drawings.” Among her works are tape measures, sewing machines, and matchboxes — seemingly ordinary items that, when sketched upon, take on a cartoonish, character-filled, and somewhat surreal appearance. As Morling explains on her About page, narrative, intuition, and the embodiment of emotion are important facets to her creations:

“Each piece, on the surface, an inanimate object, has been given layers of emotion and embedded with stories, which are open for interpretation in the viewer’s mind. […] The life size pieces and the unexpectedness of the scale create a slightly surreal experience as you walk through this strange environment. I work very instinctively, one piece leads to the next, I try not to pin down what I am doing or even why. I have to trust and believe that I can communicate through this medium. My searching is never complete; each piece is a journey for answers that are only hinted at, with more questions.” (Source)

As Morling explains in an article written on her work for ELLE Decoration (December 2014, no. 268), her sculptures begin as character-developing, one-minute sketches. She then gives each one “short, Hitchcock-y titles” before working them into clay (Source). Fired without glaze, the works retain the perfect “rough” quality that adds to the illustrated aesthetic. In addition to practical items, Morling’s works also delve into the fantastical, such as sea turtles crawling out of a suitcase or boxes exploding with butterflies. Visit Morling’s website and Facebook page to view more of her work. (Via My Amp Goes to 11)

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