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Fabio Lattanzi Antinori

I’m loving these layered and bizarre digital collages by Fabio Lattanzi Antinori. Also make sure to check out his Madonna series after the jump.

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New work by Andreco

Wonderful, unique work in a variety of media by artist Andreco.

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Delightful GIFs Of Adorable Monsters Capture Childhood’s Fears

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 With his collection of delightful three-dimensional GIFs, the illustrator Dain Fagerholm creates whimsical universes that are both wondrous and terrifying. Filled with monsters reminiscent of Maurice Sendak’s “wild things,” the precious animations exist in a space caught between childhood nightmares and dreams. The artist draws each by hand, and the illusion of three-dimensionally of the work is expressed by a fast-paced alternating between a few images drawn from similar but differing perspectives.

Fagerholm’s lovely work is infused with a playful sense of anxiety; his characters, both human and otherwise, curl on the ground of tightly enclosed spaces like affrighted children. Wide-eyed and appearing to move manically back and forth, they hold their knees close to their chest. In these strange, surreal narratives, we are invited to feel the claustrophobia of a time out, recalling the lonesomeness and isolation of being bound to our rooms. One girl seems to be trapped within a TV screen, seemingly sucked into a blue, static-filled haze by her own imagination, peering curiously and excitedly outward.

These sweet, solitary creatures play and daydream in a dark state of nighttime unease. A seven-headed dragon evokes images of the beast from the biblical text Revelations, recalling (in an unexpectedly adorable way) frightful notions of eternity and punishment. As if pulled from films like The Shining or Poltergeist, Fagerholm’s characters transcend the real world, reaching instead for a chaotic, nervous aesthetic. With eyes dazed like hypnotic spirals, these little monsters seem to wait impatiently for sunrise and open air, for someone to keep them company. (via Demilked)

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William Powhida Uses The Medium Itself To Evaluate Art’s Criticism And Commercial Culture

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Former art critic William Powhida unpacks his feelings about the art world and community by craftily using the medium itself to exemplify, deconstruct, and evaluate. Whether it’s an installation piece, abstract painting, or neon structure, the essence of art criticism and commercial machine surrounding an artist’s success or failure is heavily examined in his work.

However, Powhida’s recent emerging sentiment is not completely sardonic nor too serious or precious. Of his recent show, “Bill by Bill,” the LA Times suggests, “What saves the work from grating sarcasm or smart aleck cleverness — toward which the artist has erred in the past — is a curious undertone of sincerity. Powhida is not mean-spirited or bitter but seems genuinely driven to understand his subject: the internal mechanisms of this peculiar social and economic ecosystem. How does the art world work and how should we feel about that? How much of ourselves should we reconcile to it?”

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Mark Dorf’s Beautiful Juxtapositions Of Technology And Nature

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Photographer Mark Dorf‘s photoseries //_Path is an exploration of how technology and encroaching singularity affect our relationship and place in the natural world. The Brooklyn-based artist notes “…there is barely a single situation that is not influenced by digital technology and communication through the World Wide Web – the Internet and digital technology has been integrated into nearly every part of our lives and will only continue to become more and more present in our daily routines.”

//_Path seeks to explore this integration in its most visual form; combining bucolic and lush photography with images from collage, digital photographs and renderings, and early 3D scanning techniques. These symbolically-loaded, technologically-sourced alterations serve to represent a “…synthetic form to contrast against the landscape in which they are manifested; a comparison of language.”

Though Dorf is certainly not the only artist working with juxtapositions of technology and the natural world, his work specifically calls attention to the psychological and sociological damage our dependence on the tools we depend on, which once served us and now control us. Acknowledging that this dilemma too is human nature, Dorf seems to call for a combination of understanding: an existence both within the frameworks of our digital lives, and within our natural environment. Dorf explains, “It is no longer about logging on or off, but rather living within and creating harmony with the realms and constructs of the internet for our newest generation of inhabitants.” 

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Lorri Ott

Lorri Ott’s experimental paintings combine unconventional materials such as poured plastics and fibers to create paintings that are fluid both in composition and material.

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David Emitt Adams Creates Photographs Of The Southwest On Tin Cans Found In The Desert

David Emitt Adams - Wet-Plate Collodion Print on Found Object David Emitt Adams - Wet-Plate Collodion Print on Found Object

David Emitt Adams - Wet-Plate Collodion Print on Found Object

David Emitt Adams beautifully captures the landscape of the Southwest on the surface of discarded tin cans along with other debris he finds in the desert. Growing up in Yuma, Arizona, he is no stranger to the desert and the objects inhabiting it. Adams explains that deserts, naturally being so barren, are often used as a dumping site for garbage. This is where he finds all of his materials, with some tin cans being up to four decades old. He combines classic and iconic Southwest imagery with the reality of the state of the land today. Although the present day desert still holds immense and vast beauty, it is not without the remnants of urban sprawl left behind.

Throughout history, the West has long been photographed and documented due to its breathtaking and often unbelievable, natural landscapes. Adams not only pays homage to this tradition, but to its traditional processes as well. Inspired by the history of photography, the process he uses was one of the first methods of photography invented. Adams chosen method of photography is not your everyday digital photograph. He uses a labor intensive process invented in the mid-19th century called “wet-plate collodion.” This complicated process not only takes time, but an impressive amount of skill. Adams’ technical talents are only matched by the creativity of his body of work. Each tin can’s rich, red patina is still intact as they bend and twist around their lids, which hold the delicate image of the desert. This series, Conversations with History, is just one of several series in which Adams uses this traditional method of photography to express his artistic vision.

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Sponsored Video: Land Rover Inspires Parkour Performers

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Land Rover has always married the love of the outdoors with high-end performance. So it should come as no surprise that they would team up with a group of talented Parkour athletes for their latest video. If you’ve ever seen any of the impressive wall jumping videos on Youtube, the moves of these four Parkour athletes will look familiar. In the latest Land Rover commercial these four Parkour athletes use their skills to conquer the great outdoors, scaling the same terrain that Land Rover is known for maneuvering.  The athletes scale boulders, flip over rivers and complete rolling flips off the edge of cliffs with grace and seeming weightlessness in unison. With much the same fluidity that you might see a prima ballerina execute her dance moves on the stage, these four athletes glide through the woods, over the rocks and in between blades of tall grasses- effectively turning the outdoors into their own stage.The Parkour athletes’ fluid movements and feats of balance echo Land Rover’s ability to navigate any terrain from the gritty urban streets to the country and beyond.

This post is sponsored by Land Rover

 

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