This video is complete nonsense but I’m amused. This kid is creative!
One of the hottest talents to come out of South Africa lately is painter Kurt Pio. His practice includes printmaking, painting and sculptural pieces, exploring many different topics. But the most eye catching of his works, I think, would be his diamond series. A collection of abstract, fragmented, striking paintings of jewels, diamonds, and gems, his canvases are a display of his sensitivity to color.
With a background in interior design, Pio thinks of the designer’s point of view while painting his fine art pieces. He likes to create work that will suit the environment they could be placed in, and is finely tuned to the colors and atmosphere of his surroundings. This may have something to do with growing up in the picturesque Cape Town and appreciating it’s unique aesthetic.
You are constantly told by foreigners that the city is very beautiful. It’s a constant thing that you hear. But until you go traveling and compare your city to other places, that’s when you realize that what they say is true. I wanted to pay patronage to my home, and to celebrate the beautiful place that I’m living in. (Source)
Pio says the things around him are a massive influence on him; they are the things that make him the most excited. So, taking mundane objects, he combines that with a love of colors and contrast to produce some beautiful work. The talented painter is looking forward to the future, and is currently obsessed with the idea of using gold in his work. But as we can see from Pio’s Diamond series, gold is not the only thing that glitters. (Via The Jealous Curator)
In the age of digital photography and Instagram filters that make things look fakely old, glass artist and photographer Emma Howell uses a technique that is opposite of the easy, fast-paced methods popular today. Not only does she go to painstaking lengths to print an image, but she uses the unconventional surface of glass. Howell crafts hand-blown vessels and prints landscape images on them using the technique of the wet plate collodion – a photographic process that predates the Civil War. The result is a subtle and moody piece that’s a conversation between photography and form. She tells Wired Magazine, “Most people are not able to experience a place that is unaffected by the human presence. So I’m creating a way for others to experience this in a way that’s more than looking at a flat print of the cliché beach we all see and know.” The shape of the glass informs what the image is. A ripple or imperfection is meant to echo waves in the landscapes.
Howell’s pieces are irregularly shaped, so she had to build her own camera to accommodate them. She studied how large format cameras were constructed and sawed a barrel in half to act as the camera’s body. Afterwards, she fashioned a mount that allowed her to attach a traditional lens to the barrel. After six weeks of trial and error, she had a working design and began shooting.
The process of transferring an image to glass is very involved. Howell hikes to remote areas with a miniature chemistry lab and darkroom in tow, working on the fly to mix up photosensitive chemicals, coat glass, expose shots, and develop the image – all in the span of 15 minutes.(Via Wired)
Music fans of all ages gathered this past weekend at the Los Angeles State Historic Park to take part in the now ten year old FYF Fest. My Bloody Valentine and Yeah Yeah Yeahs were the headliners on each night at the main “Carrie” stage, yes the stages were named after the “Sex and the City” characters.
The first day had me arriving late (oops) to catch the last half of Toro y Moi‘s highly danceable set. Devendra Banhart kept it positive and mellow performing to a an adoring audience while Deerhunter‘s Bradford Cox kept it weird as usual performing in a dress and wig. TV On The Radio rolled through the hits and had me screaming along to, “Staring at the Sun“. When Yeah Yeah Yeahs took the stage to end the first day, you knew right away why they were headlining. Karen O is hands down one of the most enigmatic singers performing today and with Nick Zinner’s burning guitar work, they had the crowd going insane when they played songs like, “Maps” and “Heads Will Roll“.
The second day had me dancing like crazy to Australia’s Flume who I featured here earlier this year. Fingers crossed he eventually tours with some of the amazing singers featured on his debut LP. With great songs and some seriously long hair, Kurt Vile & The Violators played a nice early evening set as did Glasser who I had to cut short to catch Yo La Tango. Beach House‘s Victoria Legrand mesmerized the huge crowd with her incredible voice, definitely one of the more beautiful sets of the day.
Once again, the prestigious palace of Versailles has been invaded. After Jeff Koons, Takashi Murakami and Joana Vasconcelos it’s Anish Kapoor’s turn to impress the crowd. And he did.
The artist designed six spectacular installations all meant to impact the history and architecture left by Le Notre, the official Sun King’s gardener.
Anish Kapoor wants to create an opposition: the perfect and rigid site of Versailles versus the idea of chaos and death.
The first two pieces are reflecting the sky and deforming the crowd onto gigantic mirrors. What follows is a little more outstanding: an orifice, like a giant vagina comes out from the ground and faces the palace. A metaphor highly suggesting the cause of the downfall of Marie Antoinette, the King’s guillotined wife. As the viewers randomly walk down onto the next pieces they cannot ignore the phallus shaped organ and the red stones exploding from the grass. Red is Anish Kapoor’s color of choice, it’s the color of the flesh and he is using it repeatedly; he says by using this color he makes the body celestial.
The next two pieces are a dramatic liquid vortex and an informal gelatinous bood-red colored shape. Both installations play with the viewers and their nerves. The whirlpool is intimidating as the sound of the blackened swirl is frightening, the ground shakes under the feet and the strange red organ absorbs the viewer’s bodies as they can penetrate inside.
The provocation goes on with the last piece built inside the Jeu de Paume (at a 5 min walk from the castle). Clearly Anish Kapoor criticizes the French revolution, and condemns the violence of the state against its own citizens. A cannon projects against a white wall red wax and the sexual interpretation which the artist approaches is inevitable: “I am conscious of the controversy this piece could imply. The phallic shape of the cannon and the sexual tension coming from it. Remember that this room was filled with males representing a male dominant State”.
Party Food is a project Joseph Gillette started in 2006. It incorporates a collage filled landscape of video, performance, sculpture, drawing, music- framed in an all encompassing Sesame-Street-on-Crack-ness. He has written, produced and performed three chapters so far, and is currently writing the fourth with the hopes of showing in LA some time this summer. This video in particular creeps me out and makes me laugh at the same time, which is great! It kind of reminds me of the uncanny valley– between a totally impossible and and familiar object.
We are really enjoying Nolan Hendrickson’s recent work. They remind me of the dirty side of city life – but through a colorful, and naive window. The bold colors remind me of electrical signs that pollute the city at night. But the style of which Nolan approaches these paintings are so fun and dreamlike that it feels like I am experiencing these environments as a child.