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Kristy Milliken’s Drawings Of Luscious Fat People Confronts Body Image Issues

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Australian artist Kristy Milliken knows nudity. A former photographer in the amateur porn industry, she became inured to capturing images of stereotypically attractive, thin women on film and moved to paper and ink and a new point of view.

“We see skinny women everywhere. I always forced ‘flaws’ into any of the skinny women I painted, the bigger ladies are what they evolved into. Something far more interesting, of course different pieces have different intent behind them, but there’s a naivety to them. An unaffectedness that I aspire to in my own life. I draw them as beautiful because I think they are.” Source

Milliken’s ink drawings are adorably subversive. The women are gorgeously fat, rosy and delicious. They look luscious, like ripe fruit, plump and sweet. Round tummies, thick thighs, heavy breasts, all kissed with pink and purple, topped with adorable round cheeked faces. They’re sexy, these large women, bound and gagged, smoking and eating, covered with food. The whimsical execution contrasts with the overtly sexual nature of the work.

“It’s a weird time for fat. Fat is both confronting and can be the most normal thing in the world, It’s the context that’s important. Plus I’m sick of all the pictures of skinny girls that seem to be everywhere.” Source

According to the artist, the themes of greed and beauty reoccur in her work, paired in an unusual way. Luxuriant pasta cascades over the women, sating and draping and entangling them. But despite her claim that these images are about avarice, the images feel affirming, even charming.

Body positive art can sometimes be confrontational, taking a focused, warts and all approach. Asserting that she’s not attempting to be political, Milliken’s work feels joyous and sweet— a light perspective on a weighty subject.

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Stunning Timelapse Captures A Seemingly Dead Plant Come Back To Life

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Videographer Sean Steininger of Tender Fox has put together a stunning video timelapsing the resurrections of the Rose of Jericho (Selaginella lepidophylla) plant. This plant can survive months and sometimes years without water, curling up and browning to the appearance of death – that is, until the presence of water quickly, and seemingly magically, brings the plant back to bright, green life. Steininger captured a time span of just 12-24 hours, documenting the fingers of foliage unfurling multiple times in order to best capture this amazing transformation. You can actually purchase a Rose of Jericho plant on Amazon, if you’d like to experience the water resurrection first-hand. (via colossal)

 

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A Temple Of Love Built Out Of Neon Colors, Geometric Patterns And Bold Typography

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If the Beatles were right and all you need is love, I’ll take Morag Myerscough and Luke Morgan’s version thank you very much. Built for the Festival of Love held in Southbank Centre, London (June 28 – August 31, 2014), The Temple of Agape is a visual feast. Neon colors, geometric patterns, and bold typography combine to make love a vibrant, exciting place to be.

The structures are inspired by those encountered by Myerscough in India and elsewhere in Asia where bamboo is used extensively for scaffolding as well as the Watts Towers in LA. The vibrant colours and handpainted lettering are similarly inspired.

Much of the success of the design is due to the restraint shown by Myerscough and Morgan, which may seem counterintuitive when looking at the riotous structure. Look closer, though, and you’ll see that there is one typeface and one type treatment. The color palette is strictly controlled, a neon rainbow, plus pink, black, and white. All of the shapes are simple and geometric; even the counters of the letters are removed, streamlining the shapes of the letters. Minimizing the design elements allows the installation to be ebullient but not overwhelming.

The Festival celebrates the legalization of Same Sex Couple Act by choosing seven Greek words describing love. Myerscough and Morgan’s were given Agape, a spiritual, selfless love; the love of humanity. Their temple represents the power of love to conquer hate.

“The Temple stands proud like a peacock with its giant Martin Luther King quote, expressing the power of love to the world,” say Myerscough and Morgan. “Inside its heart is calm and dappled with light for contemplating complex emotions, a place that can transform with Love expressed within.”

This is a temporary construction, which is a shame. The world could use more love, especially when it’s executed so beautifully. (Via Creative Review) Photos by Gareth Gardner.

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Paintings Of Corrupted Disney Characters Being Naughty

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Remember the urban legends that Disney movies had ‘sex’ written in the stars or that Aladdin whispers “good teenagers take off their clothes”? Artist Jose Rodolfo Loaiza Ontiveros took that imagery to heart, and much further, in his series Dishollywood. The artist depicts Disney characters in rebellion, experimenting with substances, sexuality, or pairs them with pop-culture icons. Ontiveros is trying to show that these characters are ours to experiment with, and that we may appropriate them as we like, and combine them with what we like, to create new and contemporary characters.

“It is a collection of visual curiosities that pushes the audience to reimagine the world of pop as a personalized mash-up with the freedom to merge situations, rewrite the script, and provide new dialogue in alternative scenarios to tell new stories.

 

DisHollywood is also a barometer for measuring our tolerance and acceptance levels; a new way of observing the “happy ending” that trumpets the time of equality is now. In contrast to the baroque fantasy implied by the original, idealized presentation of these characters, a new context of social vulnerability shows the darker side of our contemporary society.”

Some of it does demonstrate the degenerate side of our culture. Tiana – whose name is suspiciously close to Rihanna’s to begin with – is shown as a mashup with the pop-star, with bruises on her face, presumably post-Chris Brown. In a way the images do a good job of highlighting our sometimes-questionable behavior without lecturing. The characters who are originally totally pure, are defiled, making them more real, and also making our reality seem darker in that contrast. It’s also just hilarious to see Minnie Mouse and Daisy Duck taking hits from the bong, though. (Via Huffington Post)

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Charles Huettner’s Seamless World Of Adorably Weird Animation

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Pennsylvania-based Charles Huettner is a 2D animator who crafts symbiotic relationships between doughy eyed pudges, shapely humanoids, and anything with a blank stare and bulbous limbs. His animations employ seamless transformations and an athletic flow that quickly cuts and softly glides at all the right moments. The blankness and mushiness of the figures make them capable of anything, making them perfect vessels for experimentation with form and motion.

His 2013 short entitled The Jump, is a beautiful glimpse at a spirit world where two teenagers dabble in visionary experimentation with suddenly tragic results. With a sophisticated Akira-esque score, we watch as these teens’ innocent curiosity leads to a dark tragedy, all the while a red ghost stares empty and indifferent. The Jump was a standout in “Ghost Stories”, a recent release from Late Night Work Club. Along with many other animators he contributes to the Late Night Work Club, “a loose, rotating collective of indie animators”, which has been shown to put out some of the most impressive shorts in the online animation community.

Read his thoughts on his Twitter, or gawk at his Tumblr.

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18th Century Engravings By Antonio Basoli Feature Intriguing Towns Made Out Of Typography

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Antonio Basoli was an Italian artist who lived between the 18th and 19th century, and was a man with a vision. He created this architectural alphabet engravings called Alfabeto Pittorico (Pictorial Alphabet). The images don’t just depict letters, but elaborate buildings that use letterforms as their structure. It includes every letter except for the j, because it doesn’t exist in the Italian alphabet. They called it i lunga and it’s written with an i.

Soft, monochromatic images are full of intricate details, and we’re able to see every brick of a building in addition to the billowing clouds in the background. With each letter, Basoli creates a different setting and mood. Some landscapes are tranquil and idyllic-looking, filled with lush vegetation. Others are war-torn, and we see giant cracks in the foundation of buildings. Whatever the occasion, each is its own story with a compelling narrative of men versus themselves and also versus nature. (Via Sploid)

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Red Poppies Flood Like Blood From The Tower Of London Commemorating WWI Centenary

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Ceramic artist Paul Cummins and stage designer Tom Piper collaborate to create a stunning installation commemorating the centennial of the First World War. A scarlet sea of 888,246 ceramic red poppies will be “planted” around the Tower of London. Titled “Blood Swept Lands and Seas of Red”, the installation pays tribute to soldiers who perished during the war.

For the past few weeks, volunteers have been carefully placing the flowers all around the famous dry moat around the Tower. Poppies burst through one of the windows and then flow loosely, forming an arch over the footbridge to the castle. Each poppy represents a soldier from the United Kingdom and its colonies who was killed during WWI. Cummings says he was inspired by a line in the will of a soldier from Derbyshire.

“I don’t know his name or where he was buried or anything about him. But this line he wrote, when everyone he knew was dead and everywhere around him was covered in blood, jumped out at me: ‘The blood-swept lands and seas of red, where angels fear to tread.’ I believe he meant the angels to refer to his children.”

Poppy is considered a flower of remembrance in Britain. The reason is because most of the soldiers died fighting in the trenches in the poppy fields of Flanders.

The blooming field will continue to grow throughout the summer. The final flower will be symbolically planted on November 11th, Armistice Day. The ceramic blossoms are for sale for £25 ($42) each. 10 percent of the proceeds go to benefit six different charities. You can find out more about the project by following the #TowerPoppies hashtag on Twitter. (via Colossal)

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Kimchi And Chips Transforms Light And Mist Into Mesmerizing Morphing Geometry

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Kimchi and Chips is a design studio that creates 3-D installations using light in a variety of ways. Their most recent project is Light Barrier, where they project morphing shapes like circles and pyramids on mist. Their aim is to “add to the visual language of space and light” which they deliver. The shapes appear and disappear slowly, fading away into each other in time to sounds. It’s mesmerizing to watch, and you’re conscious that this is truly something you would never be able to see or possibly even envision without the advanced technologies we have today.

In another of their projects, Lunar Surface, they create orbs of light that look like moons. The moons are imposed on photographs of industrial room (maybe within the Kimchi and Chips studio?) so it looks as if they exist within those spaces. The moon shapes are created using an interesting approach. A sheet is set up with fans on it so it will move. A projection of the circumference of a circle is set up on the sheet, and a sensor picks up the movement of the sheet so that they create the shape of the moons. Once again, the shapes create a new visual language. They seem like jellyfish orbs floating in air. (Via Artlog)

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