The guys over at HunterGatherer do some pretty cool stuff. Here is a behind the scene look at how Todd St. John and Gary Benzel work their creative magic.
British artist Mitch Griffiths‘ work is inspired by the light and the composition of the Old Masters, but his context and content depict issues that concern modern culture. In his work, Griffiths addresses the disposable nature of contemporary culture by immortalizing this transience with the perceived permanence of the painting medium. His figurative portraits are dark and foreboding and often turbulent. The drama depicted in his paintings, though contemporary, feels universal, historical, and personal. Though many of his images resonate with religious iconography, the “symbolism reflects a modern quest for redemption from the overriding self-obsession and consumerism of contemporary society, with its vanity and greed, addictions and needless suffering.”
You might have already read our series on food artists. B/D has decided to feature another 3-part series on cut paper artists! The art of paper-cutting evolved from the traditional Chinese craft, stretching back to the 6th century. Today, contemporary paper artists have pushed this art-form into focus once again. Armed with their X-Acto knives, (and nail scissors?), these artists have redefined the meaning of intricate. (Some actually believing they’ve only completed a day’s work once their hands shake with fatigue, waking up sore the next morning!) Though it can be frail, finicky, and prone to tearing, their choice of medium is deliberate; they’ve claimed paper as a way of using an ordinary material to express themselves in unconventional ways. Check out the three cut paper artists of the day!
Thierry Cohen is seen as one of the pioneers of digital photography. Since 2010 he has devoted himself to a single project – “Villes Eteintes” (Darkened Cities) – which depicts
the major cities of the world as they would appear at night without light pollution,
or in more poetic terms: how they would look if we could see the stars.
Cohen’s method is original and precise and harkens back to the methodologies employed by early 19th century photographers like Gustave Le Grey. He photographs the world’s major cities, seeking out views that resonate for him and noting the precise time, angle, and latitude and longitude of his exposure. As the world rotates around its axis the stars that would have been visible above a particular city move to deserts, plains, and other places free of light pollution. By noting the precise latitude and angle of his cityscape, Cohen is able to track the earth’s rotation to places of atmospheric clarity like the Mojave, the Sahara, and the Atacama Desert. There he sets up his camera to record what is lost to modern urban dwellers.
French artist Antoine Corbineau does a little of everything–painting, graphic design, video. Regardless of the media, his pieces “feel like carnivals or boardwalks, bursting with energy and life.” Corbineau’s organized chaos is achieved through bold injections of text and a bright but controlled color pallet.
Since living in Baltimore, I’ve had the chance to attend several burlesque shows and enjoyed them all. I’ve seen performers of all ages, including a few older women, which is often my favorite part of the show; I love seeing these women confident about their bodies, especially in a society that values youth. A photography series by Stephanie Diani captures this same idea. She photographed The Legends of Burlesque, an older group of women burlesque dancers. Diani found these women when she visited the Miss Exotic World pageant many years ago. They made an impression on the photographer, and years later she sought these woman for her project.
All the women photographed are septuagenarians, and performed in burlesque shows well after turning 50, 60, or 70. Even at this age, they still exude a mature sexuality and eroticism. In each portrait, Diani had the women pose for pictures in their favorite Burlesque ensembles or meaningful garment. The resulting images portray glitzy, over-the-top outfits, complete with feathers, fur, beading, and jewels. This is an amusing juxtaposition with their homes, which, not surprisingly, are reminiscent of your grandmother’s home. Each woman looks self-assured and strong, and it isn’t an act. Diani remarks about the women on the Slate photo blog, Behold:
I loved spending time with the women: they were wry and smart and playful. In June 2009, I photographed Hall of Fame legend Big Fannie Annie, by her own account 450 pounds of sizzling sex, in a hotel room in Vegas where she and Satan’s Angel were getting ready to perform during over Hall of Fame weekend. Angel asked Fannie: ‘Do you have any of that cum-in-a-can I can use?’ — a reference to the industrial strength hairspray that is an essential tool of their trade. Another, Toni Elling, took her name from Duke Ellington, whom she used to know. (via Huffington Post)
Here’s the lowdown from Mr.Jonze himself ” The other day, I was lucky enough to be at an event to bring the arts back into schools and got to see an amazing collaboration between Yo-Yo Ma and a young dancer in LA, Lil Buck. Someone who knows Yo-Yo Ma had seen Lil Buck on YouTube and put them together. The dancing is Lil Buck’s own creation and unlike anything I’ve seen. “
Watch the full video after the jump.