South Korean artist Lila Jang is a sculptor who creates distorted effigies of traditional 18th-century French furniture. From bloated footstools to levitating wall lamps, Jang’s anthropomorphic furniture subverts upper-class affectations into warped Lewis Carroll-inspired imagery, evoking wonder and bewilderment in equal measure at the surreal shapes her furniture take on. Jang received her BFA in Sculpture from Honik University in her hometown of Seoul before moving to Paris to attend École Nationale Supérieure des Beaux-Arts for her MFA, and has since gained international acclaim through group shows and art fairs around the globe. According to Jang, her work is a representation of the current state of humanity, stuck “in the midpoint of that constant struggle between reality and the ideal.”
Jang drew inspiration for the series of fantasy furniture from the limitations she found within her cramped apartment in Paris, where tables and chairs only seemed to fit if they were bent out of shape first. The surreality behind the work is also inspired by Jang’s desire to break away from a quotidian routine, turning familiar, unremarkable furnishings into exceptional works of art. Although the pieces are gestural and whimsical in design, the true achievement of the work lies in its retention of the practical applications of the furniture. Even with the canapé climbing the wall, don’t you still want to curl up in it with a book? It’s all the same with Jang’s less functional pieces, such as the warped dining chairs: one can easily picture her pieces fitting right in at any number of houses built by contemporary architects. Jang’s most recent solo exhibition took place at the Centre Culturel de Coreen in Paris where she now lives, presumably in a larger apartment filled with her collection of fantastically anthropomorphic fittings.
When all else is gone, it is often the things we most take for granted that endure, like an old, torn t-shirt. For her collaboration with writer and actress Hanne Steen, photographer Carla Richmond collects intimate portraits of the brokenhearted, women wearing shirts left behind by ex-lovers. Hanging loosely about the contours of bodies they do not quite fit, the shirts and their wearers remain anonymous, their words recorded only in unending, stream-of-consciousness style poetry.
Alone in Richmond’s tight frame, against a simple and unembellished background, the women clutch at the forgotten fabric, hugging themselves and bracing against the intrusions of memories. The irresistible poignancy of the work lies in the inextricable nature of the banal or incidental with the profound and monumental. The shirts’ unexplained tears, accidental stains left by the passage of time, and obscure graphic lettering collide with mournful faces, eyes both resolute and pleading. These t-shirts, gifted by accident or on purpose, serve as the painfully insufficient evidence of great loves, irretrievable losses, and things unsaid.
At times, the shirts themselves become integrated into the very fabric of their wearer’s being. A woman wears a grey-blue shirt and dusts her eyelids with shadow of the same hue; similarly, a scarf or ring might match the color of a now-faded garment. As the only tangible remnants of something that exists no longer, the shirts become reminders of something in danger of being forgotten, a soft comfort that may be turned to in quiet, private moments. (via Feature Shoot) Read More >
Whether you’re driving to your studio to make work or going out to openings you want to make sure that you’re car is in great shape and ready to take anything that the elements may throw your way. One of the best ways you can do so is by using Michelin’s Premier A/S tires. These new tires with EverGrip help your car stay on track during rain or shine. Using a proprietary mix of silica and sunflower oil the tires grip the road in wet condition like no other tires before. If that’s not enough the Premier A/S tires also has specially designed expanding rain grooves that maintains the amount of water that the tires can channel away even as the grooves lose depth over time. So hit the road with Michelin’s Premier A/S tires and feel safe knowing that all you’ll be riding safe during all of our creative adventures in the city and beyond!
Talented French sculptor and restorer Alain Bellino creates extremely detailed, ornate bronze sculptures from metal leftovers. He transforms various old items such as cutlery or chandeliers by welding them into fascinating works of art.
Born in 1955, Bellino has been learning gold and silver plating and bronze restoration in his father’s workshop. Only in 2010, after years of practice and technical research, artist developed his personal style which was highly inspired by both Renaissance and steampunk. As described in his website:
“In his work of re-directing and re-assembling, which is both iconoclast and highly rigorous from a formal point of view, at the crossroads between past and future, Alain Bellino sublimates and rehabilitates the ornamentation.”
Various steampunk motifs and floral ornamented skulls are frequent objects in his work. Bellino’s vanitas are often infused with extra surrealism, for example castles and ships and mounting on top of skull sculptures. His latest work, the Darth Vader mask, demonstrates how delicately Bellino’s creations connect modern and antique worlds.
This unusual carnival certainly isn’t the kind you find at a kid’s party. For “Funland: Pleasures & Perils of the Erotic Fairground,” artistic duo Bompas & Parr show off a series of bold and whimsical installations at New York City’s Museum of Sex. Immersive artworks include “Jump for Joy,” a giant bouncy house composed of blow-up breasts and “Grope Mountain,” a rock wall featuring phalluses and vulvas. As visitors munch on tasty treats, they are invited into “The Tunnel of Love,” a maze that ultimately ends at the G-Spot, an erogenous zone in the vaginal canal discovered by Ernst Gräfenberg.
While this all may seem like fun and games, the exhibition also illustrates earnest cultural ideas. Here, the artists worked closely with Professor Vanessa Toulmin, the Director if the UK National Fairground Archive, to illustrate the historical associations between traveling fairgrounds and sexuality. Toulmin proposes that at the apex of the industrial revolution of the mid-19th century, carnivals began to emerge as sites for “immoral” behavior.
The St. Bartholomew fair, she notes, was singled out for its sensuous—and overtly erotic— atmosphere. In this uncanny universe of play and mischief, the puritan ideals of the upper classes were tossed to the wayside. The fast-paced amusement rides were quite the novelty at that time, and dark tunnels and cars allowed for discreet caresses to pass between lovers. Some fairgrounds even charged admittance for burlesque and strip-tease shows. Bompas & Parr’s “Funland” certainly captures both the thrilling and the farcical aspects of the carnival scene. Simultaneously amusing and disturbing, the exhibit engages both the mind and the body. The show is currently on view and will run through Spring 2015. (via Design Boom) Read More >
Oakland based artist Christopher Blackstock creates the ‘The Lone Stranger’ a series of illustrations that explore the life of an imagined character who finds himself experiencing the ultimate journey of self-discovery in a hallucinatory, post-apocalyptic remote desert area. The vibrant, cartoonish aesthetic puts emphasis on the surrealism of it all. Finding yourself in a desolated space can become lonely but exciting all at once.
According to the artist, the stranger, the recurring character, has experienced his fair share of tragedy and is now in search for answers, and maybe some sort of redemption through a spiritual quest. His tale, one of existential turmoil, redemption and self-discovery coincides with the collapse of the ecosystem as climate change reaches a more advanced stage and renders California completely arid.
Blackstock, a muiti-media artist who works in painting, sculpture and illustration, rendered these as digital drawings first and then turned them into laser-cut panels which were then placed onto canvas and hand-painted with acrylic and spray-paint.
Blackstock’s ‘The Lone Stranger’ will be on view at Oakland’s Loakal, starting July 4th through July 30th, 2014.
Bob Egan, a real estate agent during the day, becomes a “pop culture detective” by night. Egan’s PopSpots features images of album covers and television and film shots superimposed on and lined up with a photo of the shooting location as it appears today. Though Egan has researched images that were shot in other places, most of the images he researches have been shot in New York City, with many in Manhattan, a part of the city that is continuously in flux. Accompanying each superimposition are details of Egan’s research, including maps and resources he’s used, such as the New York Public Library’s digital archives, to deduce exact locations based on image details and correspondences surrounding the creation of each iconic image. Egan’s project began with his curiosity of where Bob Dylan’s “Blonde on Blonde” cover was shot, a place he has yet to discover. He has been able to find other Dylan album covers, however, and cites classic rock as his “music comfort food,” something that is not surprising based on the particular albums Egan has so far superimposed. Over time, Egan’s project evolved to include television and film stills, as well as other iconic photographs from the same era. (via open culture)
“Entoptic Phenomena” is an ongoing photo series by Texas-based multi-media artist William Hundley. The project features people jumping under colorful pieces of fabric and creating mysterious floating sculptures. The final photographs are then edited to remove the subject and leave the viewer with nothing but the ephemeral cloud-like figure hanging in the air.
“My work started with the influence of Erwin Wurm and Maurizio Cattelan, these absurdists. I love the practical-joke nature of it; if I can make humor and beautiful aesthetics come together, that’s the biggest powerhouse I can imagine.”
The name of the project comes from the term entoptic phenomena, meaning “visual effects whose source is within the eye itself”. In simpler words, it’s those dots and wrinkles that sometimes appear in our sight due to bright light or pressure applied to closed eyes. Entoptic images have a physical basis and are not considered to be illusions. However, they share one common feature: the observer can’t share a specific view of such phenomena with the others.
By merging real and unreal – the scientific explanation of entoptic phenomena and his own visual representation of it – Hundley introduces disguised absurdity to his project and proves our knowledge of the world is only a matter of perspective.