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Gay Men’s Vagina Illustrations Prompt Book Project

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“Gay Men Draw Vaginas” is exactly the project it sounds like. Three years ago, Keith Wilson and Shannon O’Malley were eating at a restaurant with a group of homosexuals when the topic of vaginas came up. This led to O’Malley asking Wilson to draw a vagina on the table with a crayon. This inspired more conversation and more drawings from the gay men at the table. A few months later, the duo decided to explore this idea even further, setting up a “vagina collection booth” at gay establishments across San Francisco. While they were given a few sneers here and there, most of the gay men who participated were excited to dive in and contribute to the project.

O’Malley observes, “In casual conversation, at surface level, I knew asking gay guys to draw vaginas was funny because it zeroed in on what some people might have perceived as ‘opposites.’ What I kept to myself were my navel-gazing meditations on ‘queer identity’ and ideas people (and the culture) hold about women and bodies.”

The duo recognize that the drawings range anywhere from misogynistic to celebratory to puzzling and enigmatic. They hope to eventually get people like Dan Savage, Neil Patrick Harris, Perez Hilton, John Waters, and/or George Takei to participate. “Ultimately, though, we hope people do a lot of things; we hope they’ll laugh, we hope they’ll think about what it means to identify as a ‘gay man,’ we hope they’ll think about ideas our culture has about bodies and body parts. Their responses are part of the study, part of the art,” they explain.

O’Malley and Wilson are currently running a Kickstarter for their book project. With 3 days to go, they have raised $56,500, exceeding their projected goal of $37,000. You can follow their project on Instagram, Twitter, and Facebook. (via huffington post and vice)

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Photos Of Life In Retirement Highlight The Fun Had In Old Age

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There’s a city in Arizona that caters exclusively to retirees and where residents must meet be a minimum of 55 years or older. This unique place is called Sun City, and Los Angeles-based photographer Kendrick Brinson documented it in her series titled Sun City: Life After Life. It’s home to 42,500 individuals, with 10,000 of them in their eighties, and has a youthful energy about it. There are dozens of recreational activities including synchronized swimming, cheerleading, dancing, car shows, and much more.

Brinson’s photographs reveal day-to-day life in Sun City. We see that the mood is cheerful and bright, as the clear desert sky makes the bedazzled outfits appear even shinier. Here, it’s an enclave of folks getting old, and they want to keep it that way. Grandchildren under the age of 18 are only allowed to visit for a limited amount of time, as to not disrupt the mood of the place by reminding the residents of their age.

As people enter their twilight years, probably after working for decades and raising kids, it seems that they are encountering a second youth. It’s one that’s filled with experience and wisdom, rather than naivety, but still full of fun and little responsibility. The elderly seem to realize that they aren’t invincible (as so many teenagers do), but that they are entitled to enjoy the rest of their lives however they like. (Via Feature Shoot)

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Whimsical Paintings Reveal How Animals Are Created

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Mexican artist Ricardo Solis has re-imagined both the divine and evolutionary theories on the origin of life. In his whimsical paintings, artist depicts various animals — from a goldfish to an elephant — being colored, carved out of stone or even weaved as the friendly mama bear below. Solis’ works connect the realistic style of painting with his tameless imagination.

The viewer is presented with a variety of animals, painted in an almost anatomically accurate manner. Under closer inspection, the works reveal a Guliver-inspired action: tiny humans crawling up and down the monolithic animals, covering them in paint, sculpting or attaching ribbon stripes from a flying Zeppelin. Although Solis’ creative interpretation is far from reality, his lighthearted version of genesis is relaxing and fun to observe.

Solis was born in Guadalajara, Mexico. Despite being brought up in a large metropolis, he was always attracted to art and nature. After graduating from the School of Visual Arts and becoming a professional painter, Solis has a chance to link these two passions together and channel them through his dreamlike works of art. In his website Ricardo Solis claims to believe in “the undeniable existence of a Creator” which seems like the epitome of his work. (via Lost At E Minor)

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Jim Goldberg’s Powerful Series “Rich & Poor” Reveals The Dichotomy Between The Affluent And Destitute

USA. San Francisco, California. 1977. "My life is personal, but I will tell you one thing I'm too fat."

USA. San Francisco, California. 1977. “My life is personal, but I will tell you one thing I’m too fat.”

USA. San Francisco. 1981. Untitled. Goldstines. "My wife is acceptable. Our relationship is satisfactory." Edgar G "Edgar looks splendid here. His power and strength of character come through. He is a very private person who is not demonstrative of his affection; that has never made me unhappy. I accept him as he is. We are totally devoted to each other. Dear Jim: May you be as lucky in marriage!" Regina Goldstine

USA. San Francisco. 1981. Untitled. Goldstines.
“My wife is acceptable. Our relationship is satisfactory.” Edgar G
“Edgar looks splendid here. His power and strength of character come through. He is a very private person who is not demonstrative of his affection; that has never made me unhappy. I accept him as he is. We are totally devoted to each other.
Dear Jim: May you be as lucky in marriage!” Regina Goldstine

USA. San Francisco. 1977. "I love the picture. I am a homosexual. May be if I send one of the pictures you gave me, Jim, to my nephew he will understand how hard his uncle is struggling."

USA. San Francisco. 1977. “I love the picture. I am a homosexual. May be if I send one of the pictures you gave me, Jim, to my nephew he will understand how hard his uncle is struggling.”

From 1977 through 1985, Photographer Jim Goldberg took documentary-style pictures of transients in the Mission District and well-off San Franciscans in their homes and had the subjects write on their portraits. The combination of text and image is still incredibly intimate, even in this age of Instagram and Facebook. The dichotomy between the affluent and the destitute is obvious, yet the universality of the emotions the writers share is striking: pain, loneliness, disappointment, joy, security, contentment.

“I think my outrage about the desperation of the poor — and the dissatisfaction of the rich — stemmed in part from my belief that they represented a derogation from that path, a veering off course that had to be rooted out and documented.”

The combination of image and text is what makes this series so arresting and raw, but at the time of its initial publication in 1985 it was a radical decision, derided in a New York Times review as “a sad lack of trust on Mr. Goldberg’s part in both the power of his photographs to speak for themselves and in his viewers to understand them without comment.” Contemporary artists such as Brandon Stanton from Humans of New York, have taken this format and breathed new life into it through its immediate dissemination on the Internet.

Out of print since 1985, Jim Goldberg’s Rich and Poor has been completely re-designed and expanded by the artist for Steidl. Available for the first time in hardcover, Rich and Poor builds upon the classic combination of photographs and handwriting and adds a surplus of vintage material and contemporary photographs that have never been published or exhibited. (Source)

What comes across in these images is the shocking discrepancy of material goods and environments. The writings expose an expanded truth, though. There is obvious inequality in education and writing ability, leading to the impression that the poor suffer more than the rich. And that may be true in some ways — lack of opportunities, healthcare, and hope are all devastating. Pain is pain, though, and suffering is universal, as is love and gratitude. These portraits—touching, tender, hopeless, and sad—speak to our commonalities, as relevant in 2014 as in 1985.

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Wim Delvoye’s Photographs Give Mundane Messages Monumental Exposure

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In 2000, Belgian multimedia artist Wim Delvoye composed a series of photographs which appear to capture text and note style messages etched on the side of mountain faces. Known for his quirky sculptural style, like his elaborately carved tires, Delvoye manipulated these photographs in order to juxtapose the mundanity of the displayed messages with the sublime, natural beauty of the world’s structures. With messages like “RUDE BUT CUTE 18 YEAR OLD BABE 018 83 87 480″ and “HONEY, DON’T FORGET TO TAKE OUT THE GARBAGE. NINA,” Delvoye cleverly elevates the status of these banal declarations to a monumental scale. In Delvoye’s images, absurdities are reinforced while the overall importance of the messages – because of their ubiquity – is not entirely dismissed. Delvoye’s aesthetic is one of recontextualization and deconstruction – even the structure of website is a testament to his implementation well-known imagery in order to create an accessible and familiar user experience. (via public delivery)

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Invasive Jewelry That Harvests Energy From Human Body

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Blinker. Placed on the bridge of the nose and across the eyelids, it harvests energy from eye-blinking.

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Blinker. Placed on the bridge of the nose and across the eyelids, it harvests energy from eye-blinking.

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Blood Bridge. Each spike is inserted into a vein; blood stream spins the wheel and creates movement likely to be turned into electricity.

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Blood Bridge. Each spike is inserted into a vein; blood stream spins the wheel and creates movement likely to be turned into electricity.

Jerusalem-based industrial designer Naomi Kizhner created a series of sci-fi jewelry than harvest kinetic energy from a human’s body and turns it into electricity. Titled “Energy Addicts”, Kizhner’s graduation project addresses world’s forthcoming energy crisis. Her jewelry is an attempt for an existing renewable energy source that hasn’t been tested yet.

“It interested me to imagine what would the world be like once it has experienced a steep decline in energy resources and how we will feed our energy addiction. There are lots of developments of renewable energy resources, but the human body is a natural resource for energy that is constantly renewed, as long as we are alive.”

The jewelry is made from gold and 3D-printed biopolymer. Each piece contains sharp stings that neatly pierce the skin and serve as bio energy harvesting devices. The energy is generated from the body’s subconscious movements, such as blood flow or blinks of an eye. Kizhner created several designs to be worn on different body parts and to draw energy from specific physiological functions.

According to the designer, technology is not too far from turning these ideas into reality. However, she argues that the important part lies in human psychology: “<…> Will we be willing to sacrifice our bodies in order to produce more energy?” asks Kizhner. With her project, artist yearns to provoke people and spark the discussion on our possible future. (via Dezeen)

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Jennifer Loeber Photographs Her Dead Mother’s Belongings To Cope With Her Grief

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When photographer Jennifer Loeber’s mother died, Loeber began to photograph her belongs as a way of coping with her grief. She matched her photos with vintage pictures that her father had taken of her mother and posted the pairs on Instagram. The resulting series, “Left Behind,” is a poignant memorial, both deeply personal and universal.

The everyday objects that remain when loved one dies become an instant museum of sorts, freezing that person in time. A favorite pearl ring will never be replaced by a diamond; an unmatched glove will never be matched to its mate. A used lipstick, valueless in itself, becomes a cherished object, chosen and applied by the person so missed. Many times these everyday objects are the most touching and the most difficult to dispose of.

“I found myself deeply overwhelmed by the need to keep even the most mundane of my Mom’s belongings when she died suddenly this past February. Instead of providing comfort and good memories they became a source of deep sadness and anxiety and I knew the only way I would be able to move past that was to focus on a way to interact with them cathartically. I had recently become active on Instagram and realized that utilizing the casual aspects of sharing on the app was a way to diminish my own sentimentality towards the objects my Mom left behind.”

Reframing the objects allowed Loeber to experience them without searing grief. Instead of the items feeling haunted, they became imbued by fond memories of her mother’s life. By matching them with her father’s photos she was able to make a fitting memorial to her mother, one that was less about personal pain than about remembrance.

“My dad refused to hold a traditional funeral service because he and I believe you should celebrate a life, not mourn it. I’m sure this body of work falls in line with that concept.” (Source)

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Photos of Woodstock Music Festival Capture Peace, Love, and Rock ‘n’ Roll

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It’s been over 45 years since the iconic Woodstock Festival first took place. In 1969, nearly half a million music lovers made their way to the Catskills for the event that offered peace, love, and rock’n’roll. Thirty-two bands performed at there, including Jimi Hendrix, Janis Joplin, and The Who. Two LIFE photographers named Bill Eppridge and John Dominis capture not only the music, but of the crowds, muddy fields, and lush woods where young people celebrated their youth.

The epic festival was originally supposed to be a ticketed affair, with booths set up to charge the $24 admission. But, they were never installed thanks to the unexpected surge of music fans, and the surrounding fences were torn down. This act declared that Woodstock was a free event. Over the course of just a few days, these documentary-style photos tell us a lot. They depict the communal living and the aftermath of a five-inch rainfall that turned everything into a giant mud pit. Concert-goers are seen receiving medical care, bathing nude in the streams, and standing as one giant mass with lighters in the air.

John Fogerty of Creedence Clearwater Revival recalls a 3:30AM start time (delayed because of rain), and how incredible the experience was:

We were ready to rock out and we waited and waited and finally it was our turn … there were a half million people asleep. These people were out. It was sort of like a painting of a Dante scene, just bodies from hell, all intertwined and asleep, covered with mud.

And this is the moment I will never forget as long as I live: A quarter mile away in the darkness, on the other edge of this bowl, there was some guy flicking his Bic, and in the night I hear, ‘Don’t worry about it, John. We’re with you.’ I played the rest of the show for that guy.

You can see additional photos by John Dominis and Bill Eppridge to learn more about Woodstock.

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