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Ray Bartkus’ Clever Waterfront Mural Comes To Life Only When Viewed In Its Reflection

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Lithuanian artist Ray Bartkus has recently painted an intricate mural on the sides of a building near water in the Lithuanian town of Marijampolé, depicting swimmers, dolphins, and other aquatic scenes. Upon first glance, it merely looks like upside down street art. However, this mural has one very particular characteristic: it is painted upside down, in such a way that it must be reflected into the water in order to be complete.

The reflected version of the mural makes it seem like the water is full of swans, boats and people swimming. He has managed to create a clever combination of art and nature, by painting his art upside down; he has made it dependent on the reflection of the water in order for it to reach its full potential. Once the mural is projected into the water, it becomes a whole new work of art.

On top of the originality of this idea is the execution itself. The precision with which Bartkus has painted his landscape is amazing. He gets up close to the wall to paint all the lines, dots, and shapes necessary to achieve perfect symmetry in his mural’s reflection. He has managed to paint everything upside down and by doing so, he has a created a mural that goes both towards the sky and into the water.

 

 

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Still Sculptures Evoke Dream-like Performances

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Ángela Lergo is a Sevilla based artist specializing in sculpture and set design. Much of her work is centered around the human body and its evocation and relationship to its environments. Her background in set design has allowed her to play with the way space, lighting, and sculpture arrangements contribute to a particular atmosphere. Though the works are sculpted and stationary, they evoke a hint of performance in their presentation. Using human figures as a mode of expression, Lergo creates dream-like landscapes and resonances that are both poetic and emotional. Lergo uses a variety of materials for her installations, including ground stone, polyester resin, epoxy resin, wax, LED lights, video, sandstone, aluminum, feathers, industrial containers, and black oil.

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Next Day Flyers Presents: Stephen Kelleher

Stephen Kelleher’s iconic illustrations blend playful typography and geometric illustrations to create timeless graphics.

 

 

Presented by the brochure printing shop, Next Day Flyers, where prices are low and turnaround is fast.

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Frank Marshal’s Journey Into The Heavy Metal Subculture Of Sub-Saharan Africa

Heavy Metal africa

Frank Marshall

Frank Marshall

Frank Marshall

Renegades, a photographic series by Frank Marshal, captures the Heavy Metal subculture in Sub-Saharan Africa.

As we know, Heavy Metal audiences have traditionally been Caucasian and Eurocentric. All of these things, however, are not an obvious description of Sub-Saharan Africa. Marshall’s portraits offer a vision of an unlikely Heavy Metal subculture in Botswana, his subjects are an anomaly, a reaction to a strictly occidental genre. Marshall aptly labels his subjects as renegades, as he renders portraits of rebellious individuals who form part of “an ulterior, emergent rootedness where traditional identities and political histories in Botswana are subverted”. Furthermore, Marshal’s portraits break down established archetypes of ethnicity, cultural identity, and ideology. These individuals are on the fringe of a society that is already situated within the ‘geographical and ideological’ space of the Other, meaning that they are already viewed as exotic by the Occident.

The peculiar thing here is, that we see the ‘Other’ under an completely unpredictable light.

Tribe-like, Heavy Metal possesses an unconscious sense of brotherhood that transcends race and nationality in the context of Renegades. So too, Marshall’s renegades unpack popular stereotypes, transcending traditions, blurring the boundaries between liberty and fraternity, helping to delineate the power structures inherent to Heavy Metal, which may be misinterpreted as a trace of an oppressive past. This is in keeping with the extremism of Heavy Metal ideology, embracing anything that popular culture finds unacceptable.

(via Rooke Gallery)

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max boufathal’s The Fighting Solar Bros

Max Boufathal’s gorgeous sculptures. The Fighting Solar Bros pictured above.

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Henrijs Preiss

henrijs preissHenrijs Preiss was born in Latvia, and has lived in Riga, Berlin and London. His Russian Icon and Italian Renaissance influenced paintings are pretty sweet. Preiss translates archetypal symbols from Islam, Judaism and Christianity into textured paintings composed of gold, silver and red. His abstract paintings are constructed in a process that recalls the practice of alchemy. Keep the medieval paintings coming!

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Eric Lebofsky

ericlebofsky3Somethin’ weird and awkward about Eric Lebofsky’s drawings and paintings. I like his descriptions for the series he creates too: “A selection of drawing work from the earlier to middle part of this decade. Topics broached: systems of measure, schadenfraude, genetics, underwear, psychoanalysis, prison tattoos, man-shaped ice cream sandwiches, solipsism, violent rainbows, intercourse (sexual and verbal,) Arthur C. Clarke, C.S. Lewis, Ashkenazic DJ’s, The Upper East Side, and more.”

 

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An Art Service

DADDY V, (TEEN DADDY)

DADDY V, (TEEN DADDY)

DADDY V, (TEEN DADDY)

Continuing today’s incidental perversion theme: An Art Service is a graphic design and Art Direction Company located in New York City, working mostly with artists (hence the name) in publications, branding and identity, and web design. Their work for Daddy magazine (published by Peres Projects) includes a puzzle on the front cover as well SPECIAL TEEN STICKERS. I really like how it’s photographed on quintessential pedophile plaid. Mmm mm mm.

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