Snaggs lives and works in Seattle. Inspired by stuffed Nauga Monsters from the 1960′s, she uses vinyl and felt to create pop culture monuments. Her Star Wars heads immortalize a time when action figures dominated and large character cases were made to organize a collection. She also frequently produces large Atari cartridge works that are ripe with nostalgia. In this increasingly digital age we are moving away from the days when packaging meant everything and a physical object was needed to entertain. By increasing the size of these cartridges she allows the viewer to perceive imagery from the 70’s and 80’s in a whole new way.
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Photographer Nina Röder creates Mutter Schuhe (Mother’s Shoes), a series that through a variety of portraits visually explores the evolution of three generations of women: her (Nina Röder), her mother, and her mother’s mother. All three women are wearing Röder’s grandmothers clothes and they are sitting around in the old rooms of her (Röder’s) mother’s childhood home. All women maintain more or less the same expression, one of nostalgia for the most past, as they reenact mundane activities throughout the home. Through her choices of clothes and props, the artist is looking to explore how different individuals, her family, recall the past and how it evolves as time wears on.
“The personal narrative of my mother and my grandmother effects my life in a very dominant way: Almost every artwork I’ve done so far is influenced by conscious or unconscious aspects of family stories. For example, my grandparents were expelled from Bohemia (now Czechia) after the Second World War so they lost everything they had. I guess that is the reason why my grandmother now is keeping all her old clothes or furniture from the last 40 years. Almost all my ‘models’ are wearing clothes from my grandmother.”
(via Feature Shoot)
Dara Scully is a Spanish writer and photographer who captures dark, poetic scenes verging on fairy tale and myth. Nude figures inhabit the faded forests. Esoteric rituals transpire on quiet leaf beds. Death is present in the form of insects, prone bodies, and bleeding wounds, and rebirth occurs as birds escape their abandoned cages. As beautiful and graceful as Scully’s images is her creative biography, which reveals her sylvan, literary essence:
“Forest creature, winter girl. I like birches and aspen leaves. In my other life, I was a white deer, a fox, or a swallow. I’ve never flown. I drink milk tea and my favorite word is chrysalis. My heart belongs to Chopin and my body to the horses, but I’ve never ridden any. I read Jaeggy, Nabokov, Duras, and Müller. I read because it saves me. […] If I have to choose a sound, I’d say: the wind shaking the branches of the trees. Or rain. I always wear dresses and man shoes. I [have] written since I was thirteen. I’m afraid of moths. I have six moles in my pale chest.” (Source)
The power of conceptual photographers like Scully lies in the ability to tell stories in a single frame. Just as she encapsulates an entire sensorial experience in the above paragraph, each photo is a compressed narrative overflowing with hidden meaning and an emotional presence—the innocence of youth, the pain of growing, the sorrow of death. Blending reality with fiction, Scully employs subtly powerful symbols—such as the dead birds—to speak their meaning. Deeply subjective, her ambiguous scenes allow the viewer to instill their own significance.
Chicago based artist Montgomery Perry Smith finds beauty in the unexpected. His process often includes taking discarded elements of once functional objects (i.e. the base of a papasan chair or a broken lamp) and coupling them with meticulously handcrafted details. The end result of which is a strikingly sophisticated body of work. Smith’s sculptures are as sexual as they are formal, but he is never hitting you over the head with it. Drawn forms are delicately paired with altered materials to create elegant compositions that reveal subtle references to sexuality. Since graduating with a BFA from The School of the Art Institute of Chicago in the spring of 2008, Smith’s artistic career has been steadily gaining momentum. A recent solo show at Sabina Lee Gallery marks Smith’s first foray into the Los Angeles art scene, but if the prediction of Smith’s future success by Chicago publication Newcity as one of nine “Breakout Artists” to watch in 2010 is as prophetic as I think it might be – we will be seeing much more of his work in the years to come.
AJ Fusco is a multimedia artist currently living at Skylab Gallery in Columbus, Ohio. His past body of work, seen after the jump, consists of finely wrought, large-scale graphite drawings that put the viewer’s received distinctions between natural and digital imagery in doubt.
In a black & white Paris, little creatures with paintbrush decide to brighten up the city…
Reulf is student project from University of Paris VIII directed by Quentin Carnicelli, Charles Klipfel & Jean-François Jégo as part of our graduate program in Arts and Technologies de l’Image. Music composed by Robert le magnifique & Olivier Mellano.
Caro Suerkemper’s graceless ladies (you know who I am) are somehow classical and vulgar at the same time- perhaps because she uses mediums typically reserved for refined culture or antiquities, such as fine china and delicate gouache wash paintings to convey her gals, usually in awkward stages of self or imposed bondage.