The cities of Amy Casey exist precariously. Buildings tower, tilt, and balance about to topple. Much like actual city life, the metropolis’ in Casey’s paintings can seem like a hard-fought existence bound by community. Further tying her paintings with actual cities are the buildings that actually inhabit both worlds – amazingly, every single home and building in Casey’s paintings is based on one of her numerous photographs of actual structures. In her statement, Casey says of her work:
“Cities are fascinating creatures that I am just beginning to scratch the surface of. The work and organization that goes into a city’s creation and evolution, the constant shifting and adaptations, and the sometimes hidden history of these changes and a city’s dependence on civilian cooperation are things I like to think about.”
Also, check out a short documentary on Amy Casey here.
Roseline de Thélin, a Spanish artist, creates stunning, larger-than-life holographic light sculptures and installations. Her projects feature what she calls, “Homos Luminosos,” or luminous beings. Using scientific properties of light such as reflection, conduction, refraction and transparency, Roseline creates these transparent, mystical bodies that look like they are hovering in mid-air. These fantastical works are inspired by astronomy, quantum physics, definitions of perception, and other-worldly-creatures.
Thélin uses a wide range of materials including mirrors, wires, chains, fiber optics and quartz crystals in her work. She combines the use of digital technology and exhibition space, as she works on producing these mystical beings by creating illusion and deception effects withing specific sites. The empty spaces between the light points serve to create a loose definition of what real space is. Are we looking at something that truly exists? Or is it just as illusion? Furthermore, is the visibility of the illusion a justification for its existence in the tangible world?
Her latest holographic sculptures, presented in FREQUENCY 2011, the Lincoln Festival of Digital Culture at the Saint Swithin Church in Lincoln, England, are a reflection on life, illusion and the evolution of mankind. This series features a series of these ‘light beings’ that exist in a parallel, timeless dimension.
African-Mexican-American photographer Hannah Price reverses the power of the male gaze through capturing spontaneous photographs of men that catcall her. Through them, Price transforms these men’s taunts into an exercise of reflection and observation.
“This project is a work in progress documenting a part of my life as an African-Mexican-American, transitioning from suburban Colorado to consistently being harassed on the streets of Philadelphia. These images are a response to my subjects looking at me, and myself as an artist looking back.”
The bold project is neither a judgment on men nor a comment on race, but it is certainly a way for her to take control of a situation that she would not be able to control otherwise. Through her camera, she captures the actions of her ‘suitors’ in a precise and spontaneous way, and although she is taking control, she does not intend for her actions to cause these men to reconsider their actions. In a sense, she wants them to be themselves; this is the only way for her to further understand their behavior and find the humanity that lies within their actions…if there is any. (via feature shoot)
The countdown towards Book 3 has begun! In case you missed it, we showed a little iPhone sneak peak last week at the proof from our printers. It has officially been approved, which means our lil book-babes are being born as we speak, and will be arriving in just a few weeks! This one is filled with hundreds of new artists and is a great source of inspiration to anyone creative. Be sure to subscribe today so you don’t miss out…and of course save 33% off cover!
The Street Hands project is the brainchild of Spanish artists Octavi Serra, Mateu Targa, Daniel Llugany and Pau Garcia who created the site specific installations as commentary on Spain’s political and economic climate. The plaster cast hands are placed throughout the city reminding passerby’s that uncertainty, danger and turmoil could be right around the corner unless they do something about it. The result is a poetic and poignant reminder of life’s daily challenges and that our future sometimes is best dealt by our own hands.
Watch a short video about the project as well as the artists in action after the jump. (via)
I have a massive library of artist books piled towards the sky and I’m always seeking the next artist monograph to add to my book collection so it was a special treat to get Erik Parker: Colorful Resistance in the mail last week.
Erik’s been a friend of Beautiful/Decay for a long time now, first appearing in a feature length interview in Beautiful/Decay Issue: O complete with cover art (Get your copy here). Since then we’ve kept in touch with Erik and followed his work as it continuously evolves, grows, and pushes forward into mind bending and candy coated directions. Colorful Resistance is the first retrospective look at Erik’s work with over 256 pages and 300 massive images of almost everything Erik has made since the 90’s to feast your eyeballs on. If that’s not enough Erik’s close friend Kaws did a fantastic interview with him at the end of the book where they discuss everything from collecting other young artists artworks to how flowers can look like genitals.