As you may know for the last couple of weeks B/D has joined forces with 20th Century Fox to bring you the Fresh Blood Hunt competition to celebrate the release of Abraham Lincoln Vampire Hunter. The contest was a huge success with submissions coming in from all over. Although it was difficult to choose there could be only one winner and we’re happy to report that the talented Emily Jane was the clear choice. Not only did Emily win thousands of dollars worth of prizes but her artwork was immortalized on one of London’s busiest streets as a massive four panel mural! Watch a time lapse video of the mural getting painted after the jump!
The talents of James Callahan, Tommy Ruets, and James Quigley are now available on 3 wildly colorful 1″ buttons. These mini treats, complete with custom full-color packaging, are ready to adorn your clothing and other accessories–take B/D wherever you go! Visit our apparel shop to order your own button pack today at the button-size price of $2.95.
For these new additions to our shop, we worked with Six Cent Press (located in Vancouver, Canada), and were extremely happy with the results! We highly recommend their work, as they quickly prepare and ship buttons to clients worldwide. These buttons are great as promotional tools for bands, portfolio take-aways for artists, et cetera!
Photographer Suzanes Heintz is a self-proclaimed spinster. As a single woman, she got fed up with the bombardment of questions about when she was going to get married. Tired of being pittied, she decided to confront this issue head on. She purchased two mannequins – one male and one female child – and the series Life Once Removed was born. Dressing up and posing with her fake family, she stages witty representations of the American Dream. Ski trips, vacations, and stereotypical romantic moments are all acted out by Heintz, and she sets the scene perfectly. These colorful images feel saturated, in both how they look and the emotional exuberance of the her expression and body language.
Heintz rejects the notion that to be a successful woman means that you have to fulfill a laundry list of achievements, not limited to an education, career, home, family, accomplishment, and enlightenment. In an interview with Feature Shoot, she explains why she created Life Once Removed:
I’m simply trying to get people to open up their minds and quit clinging to antiquated notions of what a successful life looks like. I want people to lighten up on each other and themselves, and embrace their lives for who it has made them, with or without the Mrs., PhD. or Esq. attached.
All of these photographs are shot on location. When Heintz lays her head in mannequin’s husband’s lap while in the park, it’s totally real, and an important aspect to Heintz’s series. She goes on to say:
While I need the public to act as character and context for the actual photo or video, I also need their responses to make the effort a success as an instigator for social change. The reaction can vary from a raised eyebrow with a head turn, to a blast of laughter, to taking their own snapshots while posing with the mannequins. It depends a lot on the location. But most importantly, it stops people in their tracks long enough to ask me what the heck I’m doing. Because the project is so audacious and flat-out funny, it helps me reach the public, and actually get them to let their guard down long enough for me to have a conversation with them. (Via Feature Shoot)
Hair. That’s right, I said HAIR. Agustina Woodgate gives new life to discarded human hair. After I saw “I Wanted to be a Princess” and “Sleepers“, I knew immediately that this was stretching the boundaries of what people consider art. Woodgate creates with stunning realism a portion of a castle reminiscent of one from Rapunzel, made with 3,000 blocks of human hair. In Sleepers, she constructed a pair of… slippers, perhaps even sturdy enough to wear outside. Through her work, she explores the relation between everyday objects and places and the overarching narratives that condition our unnatural relationship to the natural world.
Tim Noble And Sue Webster make art that directly addresses the waste and aesthetic vulgarity of advanced consumerism and repositions the litter and gaudiness as a powerful visual allegory of human mortality, love and hope. The duo’s recent monograph British Rubbish, showcases their work from 1996 to present day in all its meticulously crafted glory— including the die cut book cover itself revealing the portraits of the artists.
Extravagant, irreverent, and always sharply clever, British Rubbish is both a paean to and sly denunciation of conspicuous consumption.
Both artist’s work share an obtuse unearthly charm as a common language, and their work promises to have an energetic and productive conversation in their upcoming exhibition.
Great show up at FFDG in San Francisco right now. Eric Shaw and Henry Gunderson spent a couple weeks on the beast coast cooking up some vibey abstractions for us and now they’re ready to be seen! Both artist’s works definitely play off each other really nicely, and if you’re out in SF, this one is not to be missed. See more from the show below.
Images courtesy of FFDG.