Since 1996 Carlo Bernardini has been using fiber optics to create bold and dynamic sculptures and site specific installations. Each piece uses the power of fiber optics to create minimal geometric line drawings which change as you walk around and into them and from certain angles become three dimensional drawings that come alive in space. (via triangulation)
Despite the psychedelic colors, Ketta Ioannidou paints calming, ethereal images, reminiscent of grasses drifting underwater. Her common use of the spiral, a symbol of feminine fertility, and the rhythmic nature of the paintings, lends her pieces a kind of ancient mysticism. These paintings make me feel like I’ve forgotten something really important, not like I just missed another court date, but something that really matters.
Using discarded inner tubes and a needle and thread, South African artist Hannalie Taute embroiders portraits onto rubber. She takes cuts the abandoned material and cuts them apart to stitch together and form a “canvas.” Often, this means that her subjects have a subtle honeycomb pattern as their backdrop. “Besides the durability and availability of rubber from inner tubes found in car tires, I also decided to embroider on rubber because I find the contrast of working with needle and thread on these inner tubes fascinating,” she says in an artist statement.
As you might imagine, rubber is a tough surface to embroider on. Every stitched line is shown, and Taute isn’t able to seamlessly blend together the different hues. The results are fractured areas of color that abstract her portraits, although not to the point of unrecognition. And, this is partially the idea – to subvert materials. The rubber’s coarse texture is offset by the delicate thread, but at the same time the thread can seem rough with its choppy arrangement.
The artist’s inspiration comes from a number of places, but boil down to identity. She writes:
Titles, words, phrases from books, music, stories, sayings and toys play an integral part in conveying meaning and biographical info about me as a mother, wife and artist in society. Relationships between people and objects are something I prefer to explore using my chosen medium.
Observing Brendan Flanagan’s paintings is like walking through a dark dream of regrets, fears, and loneliness. Vague, human-like figures in physical, emotional, or silent turmoil completely transient within their own surreal environment.
Jon Kessler’s installations respond to our current information-saturated culture where the search for the self often occurs within the realm of digital media. His most recent exhibition, “The Web“, immerses viewers in our technology obsessed world. Cameras and surveillance equipment abound, constantly capturing and clicking photos and videos of participants. The installation itself is a conceptual clusterfuck that suggests our importance of ritualistic clicking over what’s actually being captured with the clicks. His other work similarly addresses themes of capture, surveillance, fame, and mass media by using related techniques. These installations confuse us and ask us to consider the nature of reality and the authority we grant to technology and mass media with regard to our own identities.
Ink & Paper is the tale of one of LA’s oldest letterpress printshops Aardvark Press and Los Angeles’ oldest artist paper distributor McManus & Morgan Paper. These two shops were once part of the thriving printing community but with the advancement of cheap (and poor quality) digital presses and inferior low price paper they have lost the booming business that they once had. Hear how these two historic Los Angeles landmarks stay in business and help one another survive in this era of “Cheap Is Better” and If you’re in the Los Angeles area make sure to stop by and support them! Watch the full documentary by Ben Proudfoot after the jump!
Hailing from the Edinburgh College of Art, Sarah Muirhead’s portraits of eccentric strangers conjure an immediate feeling of intimacy. With poignant insight towards her subjects, she offers a sympathetic narrative of their lives by meshing together scraps of the subject’s environment and superficial appearance; these carefully selected details are window dressing compared to the clarity of soul that is depicted. A beer bottle, patch of leopard fabric, facial wrinkles around the eyes, brick with graffiti, a strip of red fence, bodies covered with tattoos – each have their place within the individual’s story. The subject’s gaze is often to the side and aloof; however, this does not prevent the viewer from being captivated. Beautifully painted in acrylic on canvas and board, Sarah’s paintings are compelling representations of passersby easily forgotten in everyday life.
Chris Haas is a Colorado-based artist who creates otherworldly skulls embellished with bright paints and flowing sculptural details. Among his ever-growing collection are various mystical creations, from ghostly green bears to devilish, silver-violet rams. Haas has even fashioned his own hybrids, such as a deer skull with mask-like detailing, a fierce beak, and keen incisors. Eyes like fiery orbs or dark obsidian pools peer from cavernous sockets, engaging the viewer with an eerie, beyond-the-grave vitality. In a final gothic-esque touch, each creature is displayed on ornate wall mounts.
Haas’ work is not your typical taxidermy; his is a project of passion and immense imagination. His studio—pictures of which can be seen on his Facebook—looks like it was transported out of a dark fantasy novel. His style is distinct, blending childlike dream imagery with the aura of the mythical undead. Instilling each skull with its own character, he renews them with life while also attending to the faces of death with respect, curiosity, and creativity. Visit Haas’ website, Facebook page, and Instagram to see more of his remarkable creations.