Roger Weiss is a Swiss-born photographer educated at the Accademia di Brera, in Milan. His fashion and fine art photography displays an obsession with the human form. Weiss teases sensuality and subversive themes from his subjects, flaunting them in evocative ways to touch on issues of the objectification of women.
Human Dilations is a study in the feminine form and foray into the subject of beauty and it’s stereotypes. A woman is often boiled down info a series of visual queues that objectify and define her. This project studies whether each form—in it’s distortion and elation—is a physical whole, or simply an object.
“Human Dilatations does not fear the marks of frailness of the body and its imperfections,” said Weiss. “But rather, encourages the female image to appear as a whole: a shape by itself, in a game of distortions that allows one to differently relate to the image, entirely detached from the stereotypical and hypocritical notion of beauty.” (via savage)
Kristina Diamond‘s photography series, “I Will Be Dying and So Will You,” makes you feel like you’re having one of those dreams that you don’t particularly care to wake up from. You know, the one where you’ve finally discovered the other fantastic and terrible world residing just around the corner of your consciousness. You have those dreams too, right?
Well, Diamond does. She has developed a moody sort of wonderland in which man is not king, in fact he, or she in this case, seems to be struggling to maintain her very existence. Falling from rocks, blotted out by shrubbery–I don’t believe our flaxen-haired heroin is long for this world.
It’s this sense of anxiety in Diamond’s photographs that is most intriguing, the sense that something awful is about to happen. Diamond captures that bittersweet lull before the storm with delicate accuracy. But is our heroin simply afraid of waking up? Or is the disquiet caused by something more menacing?
Alva Bernadine is a British photographer known for his color-saturated, surrealist style and subversive content. Contained within his oeuvre are several series of unconventional nude photographs; from conjoined torsos to uncanny perspectives to disembodied legs and fetishized footwear, his works are story-filled portraits that engage and entice as often as they confound (or even repulse). Inspired by surrealist artists such as Rene Magritte and photographers Cheyco Leidmann and Guy Bourdin, Bernadine’s works contain elements of absurdity mixed with eroticism, glamour, mystery, and oftentimes humor.
This particular series incorporates mirrors to attain Bernadine’s signature stylistic effect. He was inspired to create these images when he bought six small mirrors in a £1 shop. “I have used mirrors before in my work but never in multiples,” Bernadine explained in a statement provided to Beautiful/Decay. “After initially trying to get as many into an image as possible, I then started thinking up different permutations, finally working my way back down to one mirror […]. As the mirrors were so small, you can only reflect a small portion of the body with one, which led me to try to reconstitute a woman with several.”
The results are provocative, to say the least. From playful self-examinations to fragments of orgasmic bliss, the images entice us with a unique — but not wholly transparent — form of voyeurism. We can see the nude models engaged in acts that hover between private intimacy and exhibitionism, but we are not given the whole picture; we are never truly certain of what is occurring in the room behind the camera. This ambiguity heightens the erotic effect by taking some control away from the viewer/voyeur in their engagement with the photos. Speaking of his work generally, Bernadine expresses how he is consistently trying to “produce a sort of unresolved picture, an inconclusive narrative, that the viewer has to finish for [him]” (Source). Thus, instead of passive consumption, Bernadine’s images stimulate the imagination, engaging us on both cognitive and erotic levels.
Bernadine’s work has become deservedly well-recognized over the years. He worked his way up as a self-taught artist and collaborated with magazines. He eventually won the Vogue Sotheby’s Cecil Beaton Award for young photographers for The Fetish, a series of photographs showing a high-heel shoe in a variety of strange contexts. In 2001, Bernadine published Bernadinism: How to Dominate Men and Subjugate Women, which won him the Erotic Photographer of the Year in Britain (2002). Another book, titled Twisted, recently came out in 2014. Visit Bernadine’s website and Facebook page to follow his fascinating, creative, and unconventional work.
The images of photographer Álvaro Sánchez-Montañés‘ series Indoor Desert seem like elaborate installations. However, he actually found them this way. These buildings were once part of a town named Kolmanskop in southern Namibia. It had been situated near a gold mine. When the mine ran dry it was abandoned as was the town. The strong winds quickly overtook the town filling its buildings with the sand of the nearby Namib desert. The homes now filled with desert instead of families only emphasizes each photographs loneliness and underscores the immense power of nature.
Welcome to Musii, an island of emotion where you can play, feel and listen. Feel like you need a hug? Musii will give you one! This instrumental blow-up stands for Multi-Sensory Interactive Inflatable. A device that lights up and provides a sense of comfort for anyone who interacts with it. Large, soft nylon spires make up its body and extend upward. Pressing down on them creates a spectacle of feeling, brushing all emotion.
Beneath the milk white exterior is an audiovisual system equipped with LED sensors and vibrating speakers that radiate music from a selection of more then 50 sounds. Musii was specialized with the intentions of providing sensory therapy for children with special needs. The inflation and deflation of the spires creates a “humming bird” musical of sound accompanied by rays of changing color. The adjustment of light, sound and volume can be accessed through a touchscreen remote.
Doug Johnston’s imagination knows no boundaries. His list of interests and mediums includes architecture, photography, installation, performance, music, and fiber art– which primarily involves stitching nylon thread around coiled rope to create functionally simple, yet playful forms.
His collection of weaving, shown here for example, includes a “wearable hut” for those looking for a unconventional dose of “anonymity and privacy” and deliciously modern “light sculptures” which structurally investigate varying unconventional shapes.
I really like how the isolation of the object and their illumination by the camera give the plants human characteristics- those not getting any love. The ones in our office are slowly resembling these :[