We want you to contribute to our blog! In celebration of International T-Shirt day June 21st, Beautiful/Decay and Tee Junction are pairing up to dish out an awesome new contest. Leave a link to an artist’s portfolio you think we should feature on the B/D blog in the comments section, along with a brief description of how you heard about them and why you like their work. If we choose your artist to be posted on the blog, we’ll send you a free Beautiful/Decay Apparel shirt! Submissions are due by Monday, June 8, 9PM PST. We can’t wait to see your contributions!
*Sorry guys- this one’s limited to domestic entries- shirts will only be shipped within the U.S!
Designed and authored by Richard Hefter, Martin Stephen Moskof, A Shufflebook is a nonstructured reading and storytelling “book” which is designed to offer children maximum variety and flexibility of image grouping. The 52 illustrated cards can be arranged to make an endless number of word and picture stories.
I’m loving this project by Jose Guizar called “Windows of New York.” Every week, Jose walks the streets of his city streets in New York and documents the neighborhood windows. After picking out windows of interest, he takes them into illustrator and makes magic happen. In his own words: “I’m into all kinds of visual things, sharing good stuff with great people, and apparently, staring creepily at windows.” Check out a selection of Jose’s windows after the jump, and follow along at windowsofnewyork.com
For her series AMMO, Sabine Pearlman documented a collection of World War II era ammo with some 900 images. The bullets are bisected to reveal its inner workings, like some kind of munitions autopsy. The simple compositions burn off the vaguely violent shroud that envelops the images of bullets and their symbolism. Instead, Pearlman presents the purely technical mechanisms of war, a reification of weaponary. The photographs reveal the surprising amount of innovation and craft dedicated to causing physical harm. [via]
Michael Steele lives and works in Australia. He utilizes familiar elements from cartoons and films such as Back To The Future, Ghostbusters, Masters Of The Universe, and Star Wars to create pop culture cluster paintings. Typography, characters, weapons, landmarks, and other recognizable objects are consolidated into one large iconographic mass. Deciphering what the objects are sourced from allows for a dissection and assimilation of pop culture while also commenting on the bombardment of entertainment and advertisement.