Kevin Hayes is a Los Angeles based photographer with some really interesting and compelling imagery. What I find most interesting about his work it’s the way he captures and unveils the many characters in the photographs. Playing with the muted colors, lighting and backgrounds there’s is the sensation that time has stopped and a tension of what would have happened next after the shot was taken.
Architectural artist Alex Chinneck has turned heads this week in Covent Garden by making it look as if the top part of the Market Building in the piazza is floating in mid air. From all angles it seems as if the building is hovering above it’s foundations, not joined to any part of the base. Not only is it an impressive optical illusion, but also a display of amazing technical ability. Taking over 8 months to plan and involving at least 50 people, this project has been a logistical feat. The actual materials used in the replication includes digitally carved polystyrene that has been distressed by scenic artists and attached to hidden beams. Chinneck’s technical team worked over 4 days to help install the trickery, cladding plaster around structures to look like stone columns and inspecting the finish on the paintwork.
Playfully titled Take My Lightning But Don’t Steal My Thunder, Chinneck makes sense of the installation in this way:
“there are things which always come together but are always slightly apart….the shape of the crack was reminiscent of the lightning bolt. It’s a very cataclysmic scene.” (Source)
Known for his gravity-defying architectural projects, Chinneck also created an awe-inspiring installation last October in Margate. Called From The Knees Of My Nose To The Belly Of My Toes, that project involved a brick facade that appeared to separate from it’s roof and slide down into the garden in front of the apartment block. He has also “flipped” old livery stables in Southwark – recreating the windows and door frames, but around the wrong way. Chinneck seems addicted to talking on these overwhelmingly complex projects, but thinks of them in quite a different way:
“The idea itself is actually quite simple. I don’t get too bogged down in concept or meaning or message. It is what it is. It’s playful and fun.” (Source)
Canada to New York to Chicago, Magalie Guerin is an excellent young painter/photographer fresh out of SAIC. She’s currently investigating shape and color relations via painting with quite lovely results, and I’m genuinely looking forward to seeing where her work goes next. Magalie has recently shown works with The Suburban, Poor Farm Experiment, Julius Ceasar, and Autumn Space. More jams after the jump!
Frieke Janssens’ dramatic photographs of kids smoking stopped me dead in my tracks as I was going through various projects on the talented Belgian Photographers website. Here is more on the project in her own words.
“A YouTube video of a chain smoking Indonesian toddler inspired me to create this series, “Smoking Kids”. The video highlighted the cultural differences between the east and west, and questioned notions of smoking being a mainly adult activity. Adult smokers are the societal norm, so I wanted to isolate the viewer’s focus upon the issue of smoking itself. I felt that children smoking would have a surreal impact upon the viewer and compel them to truly see the acts of smoking rather than making assumptions about the person doing the act. Coincidentally around the time of the “Smoking Kids” gallery opening, a law was passed, and smoking has been banned from Belgian bars. There was an outcry from the public about government intervention, feelings that freedom was being oppressed, and that adults were being treated like children. With health reasons driving many cities to ban smoking, the culture around smoking has a retro feel, like the time period of “Mad Men,” when smoking on a plane or in a restaurant was not unusual. The aesthetics of smoke and the particular way smokers gesticulate with their hands and posture cannot be denied, but among the different tribes of “Smoking Kids,” – Glamour, Jazz, and The Marginal – there is a nod to less attractive aspects, on the line between the beauty and ugliness of smoking.To assure you of the safety of the children, there were no real cigarettes on set. Instead, chalk and sticks of cheese were the prop stand ins, while candles and incense provided the wisps of smoke.”
Watch a video of the photo shoot after the jump and let us know what you think about this series.
Old magazines and documents are given new life in Mark Powell’s work. Instead of using a blank piece of paper he incorporates a used surface with one of his drawings. This adds a bit of nostalgia and makes his sketches unique. He created a series of animal portraits on the covers of 1940’s National Geographic magazines. These were done in Powell’s ultra realistic style, where he used a common bic ballpoint pen to create dramatic renderings. In this instance, the wild animals offer the viewer a striking view of not only Powell’s expertise as a draftsman but a certain comfort level in seeing a familiar title.
A series of map drawings by the artist cleverly uses historical and literary figures. Mostly portraying old men, Powell fuses the lines on their faces perfectly with the map borders adding an interesting element. The idea itself preserves a time and place. Birds, insects and chimpanzees create another body of work that incorporates more reappropriation. The intricately drawn specimens appear on anatomy text book pages, old letter envelopes and historical editions. These are rendered with scientific precision similar to botanical studies. Their placement on the used surface opens up a collage sensibility.
Powell uses a tool that also holds historical significance. Before the bic biro pen was invented only cumbersome fountain pens were used. These were messy and inconvenient. A newspaper editor named Lazlo Biro noticed that newspaper inks dried quicker and with his brother Gyorgy, a chemist, created the first ballpoint writing pen. Because of the moving ball at the pen’s end the inks were allowed to dry making it easier to use. (via faithistorment)