This documentary features the story of self-made curators Herbert and Dorothy Vogel, a couple who began collecting works of unknown artists in the early 60s, crowding their little one bedroom apartment with tiny artworks by following two rules: 1. affordable, 2. small enough to fit in their apartment. The collection developed into one of the most important contemporary compilations – many of the amateurs they befriended in their early years continued on to become world renowned artists. Today, the collection is worth millions of dollars, but the couple has yet to sell a single piece. Their apartment got so packed, Dorothy reminisced, “Not even a toothpick could be squeezed in.” The couple donated a great part of their collection to the National Gallery of Art in Washington D.C. The Vogels still live in the same little apartment, and have restarted their collection again. “Curatorial visionaries,” they started their collection on meager means, Herbert a postal clerk and Dorothy a librarian; even with the rising fame of their collection, the two have maintained a humble lifestyle, sharing their space with fresh art, 19 turtles, fish, and a cat!
This exhibition themed around sex will definitely separate the prudes from the promiscuous. Aptly titled “Sex Monsters”, 10 different artists explore the topics of gender bending, prostitution, fetishism and vice. A combination of photography, illustration, collage and assemblage, we get the chance to view some light erotica while questioning our accepted norms of sexuality.
Explicit drawings of sexual acts, photos of exposed bodies or advertisements for sexual encounters ask us to consider what is “slutty”, “indecent”, or “perverted”. More than just a simple display of modern sexuality, “Sex Monsters” is an exhibition showing something other than the normal heterosexual depictions of sex we are surrounded by. Photos of large amounts of condoms, strip clubs, and rows of newspaper listings shows the extent of the sex industry and how easily mundane these things can become in a world over-saturated with suggestive innuendo.
Encompassing genres like Sexploitation, Pornography, Soft-core, BDSM, this exhibition is intended on titillating and exciting us viewers. Aimed at the inner voyeur in us all, “Sex Monsters” will most definitely capture your attention. Unfortunately the exhibition has just closed at No Romance galleries, but you can still satisfy your curiosity by looking up the artists involved in the privacy of your own home…. Mike Krim, Pietro Cocco, Jennifer Calandra, Lorenzo Fariello, Amy Hood, Jonathan Leder, Sean Maung, Chelsea Nyegaard, Robert Farber and Kilroy Savage. (via Huffington Post)
Rune Olsen has created an installation for Johansson Projects in Oakland, CA. The piece addresses the issue of children on leashes, with a nod to Duchamp’s Mile of String. Apparently, Olsen and myself have both become skeptical of this rather primitive method for controlling one’s child. I mean, this is 2010, Lindsay has a scram bracelet, Coco the Pomeranian is accosted with high-pitched buzzing from her collar every time she barks–where are the similar techie solutions to child rearing? Oh right, normally we reserve that sort of methodology for criminals and dogs.
Olsen approaches the issue with a similar sense of humor, while creating a highly confrontational space for the viewer to interact with. A playful installation, addressing a serious concern.
I’m loving this series of photographs by Miru Kim wandering various cities naked. I especially like the photos after the jump where she’s in various train tunnels and abandoned buildings. Talk about Beautiful Decay!
Spanish artist José Manuel Castro López seems to have the ability to transform the structural properties of rocks. He manipulates the surface of stone to create a new formation. He turns a classic object of solid nature into something strange, malleable and soft. His work, for just a moment, forces the viewer to question reality. For what should be “as hard as a rock” becomes reminiscent of having a materiality as flexible as dough. With loose folds, simple cut outs and pinches, it seems the artist is able to sculpt rocks as if they are as supple as clay. Each piece has a certain sense of humor to it, as it is an optical illusion that kind of asks the viewer to reflect upon his or her own common sense. Yet, simultaneous to its comical, light hearted absurdity, the work also has an almost unusual, uncomfortable resemblance to flesh, giving the work a darker, more complex facet. With these flesh like objects — quite literally for some of them, as they depict faces — the properties of what seems like skin begin to become distorted, perhaps depicting the moments directly after pain has been inflicted. For example, his sculpture of what looks like a ring puncturing skin. Or, the sculpture of what looks like the result of flesh that has been stretched through it’s ability to be elastic. With a large array of pieces, José Manuel Castro López creates clever work that truly plays tricks on your eyes. (via deMilked)
If you’ve ever wondered what it would be like to live and work out of a airstream then watch this great short documentary about landscape architect Andreas Stavropulos. Watch the full doc after the jump!
Ari Saarto’sIN SITU documents the temporary structures and shelters that the homeless create. These primitive structures are reminders of how fragile life can be and highlights the instinctual need for man to have a place called home, regardless of how basic or unrefined it is.