Hugo Germain, a French student who studies math and physics in order to become an engineer, also creates images and animations inspired by these very fields of study. Germain typically comes with a concept and makes a quick doodle before he begins to create his gifs using After Effects or Cinema 4D. Germain explains,
“Each gif has its own story but mainly it’s a way for me to provide inspiration and make people question basic things we take for granted. I often wonder “What if this or that was different/existed ? What would that look like ?”. Being able to actually create an answer to that question is very exciting for me, and I guess that’s also what people like about it.”
Applying his engineering skillset to the art of animation, Germain’s gifs are a playful fusion of wonder and execution. (via really shit)
In a world of online matchmaking and social media, the artist Noortje de Keijzer offers a simpler option: an art piece and product entitled My Knitted Boyfriend, a knit pillowcase that comes to life when stuffed. In this witty critique of modern dating and expectations, My Knitted Boyfriend eliminates all the messy parts of a human relationship, conforming to individual preferences; he will enjoy whatever you enjoy, and he “can be adjusted to your own tastes” with the use of accessories like facial hair, tattoos, or glasses.
Although humorous in its somewhat cynical outlook on modern love, the piece is unexpectedly sentimental. The boyfriend himself comes along with an illustrated book narrating the story of de Keijzer and her cuddly lover, much like children’s picture books that include a stuffed animal. Also like a children’s storybook, the text and illustration follows a simple, nostalgic format: we are told that they “sleep together” and are offered an innocent sketch of the pair doing just that. The boyfriend, though he is not real, becomes a precious manifestation of the fictional—or imaginary—friend that enchants the young mind.
Complicating the delightfully sweet story of the artist and her beau is the work’s clever take on the domestic theme. As seen in her charming short film, the relationship is build not around professional ambition or the public realm; instead, they eat breakfast and watch movies. In fact, the man himself is knitted and therefore associated with the home. This 1950s-style domestic romanticism is brilliantly complicated and subverted by the fact that the male and not the female here is the homemaker; in place of the mid-century ideal of the perfect wife, My Knitted Boyfriend is that crucial element that makes a house a home. In the artist’s own astute words to her knitted partner, “You fit in my interior perfectly.” (via Design Boom)
Meet Noodles, Loli, and Scout, the radiantly emotive canine subjects of the photographer Elke Vogelsang’s personal project “All Good Dogs…” For the series, the artist captures the psychological lives of her trio of rescue animals, each honestly and earnestly displaying his or her own personal inclinations and attitudes.
Vogelsang explains that all her dogs love participating, knowing that they will get rewarded with treats and play; often it’s hard to limit a shot to one or two dogs, as Loli (the diva), Scout (the patient daydreamer), and Noodles (the excitable trickster) all vie for her camera’s affections.
What emerges from this unique and intimate play between dog and human is a touching archive of self-expression, a whimsical catalog of physical impulses and profound yearnings shared between species. Vogelsang’s lens treats the animals’ instinctive movements with the utmost care and fascination, capturing their desires (for treats, for activity, for love) by tracing the slightest movement of a pink tongue or a snout prickled with excited whiskers. Viewers are invited to empathize with a tilt of the head, a glint in the eye.
The artist’s sensitivities and attention to detail allow for effortless harmony not only between artist, viewer, and canine but also between individual dogs. Noodles, Loli, and Scout feed off of one another’s energies and restraint, moving with astounding purpose while remaining in synch with one another. In one image, two share a powerful yawn or bark, opening their eyes and mouths wide to the camera. Aligned in a perfect tryptic, the three are shot in black and white, each with their noses sniffing upwards and their lips carefully parted.
Simultaneously earnest and humorous, this standout series reminds viewers of the wisdom and longings of our canine friends, who are indeed “All Good Dogs…” (via Colossal and Bored Panda)
Australian artist Joseph Marr creates remarkable human-sized sculptures that are made out of sugar. The translucent candy-like texture gives the naked bodies a sensual feel and its color and whimsical appeal. Marr colors the sculptures with ingredients like cola and raspberry fruit; don’t try eating them, though—most are protected by a layer of polyurethane.
Marr uses the delicious medium in order to convey that sexually charged aura that accompanies the stripped down sculptures. According to TreadHunter, the juxtaposition between the sugary syrup and the naked bodies represents the way that sexual relationships can be sweet and satisfying, but also the way in which people get themselves into sticky situations over lust and desire.
Sex sells and so does candy- the combination of both is bound to create extra appeal to the already wonderful creations.
Joseph Marr was born in 1979 in Australia and now lives and works in Berlin.(via Tread Hunter)
Artist Thomas Doyle’s work is done in a miniature scale, at the size of a model train set or smaller. Taking pieces from these types of sets, he alters them as dark depictions of suburban life. We see natural disasters literally tear homes in two and sometimes turn them topsy-turvy. The scenes are set up as a story with the characters trying to make sense of it all. They are kept under a glass shell and feel like they are suspended in time as if they are in a snow globe.
The scale provides a weird feeling that we’re omnipotent and could crush them like a bug. Doyle notes this in his statement about the work, adding:
Conversely, the private intensity of moments rendered in such a small scale draws the viewer in, allowing for the intimacy one might feel peering into a museum display case or dollhouse. Though surrounded by chaos, hazard, and longing, the figures’ faces betray little emotion, inviting viewers to lose themselves in these crucibles—and in the jumble of feelings and memories they elicit.
We feel a connection to Doyle’s figures, which is a testament to his ability to tell a story. You walk away from this work wanting to know more about these tiny lives. (Via Fast Company)
Yang Maoyuan is a Beijing, China-based multidisciplinary artist noted for his shaping and misshaping of the human form. Born in Dalian, China in 1966, the artist has been witness to one of the most massive cultural shifts ever to occur in human history, so it is not surprising that historical relics and remnants, loaded with archaeological connotations, become source material for Yang.
In a series of work created in 2009, replicas of classical sculptural busts are created in bronze, and systematically sanded, smoothed and rounded out, giving the once easily recognizable faces a new and updated quality. The mirrored effect of these bronzes contemporarizes the pieces, but also forces viewers to see their own reflection in history. Some of the series became Look Inside, while other replicas took their titles from their original source inspirations.
When photographed in their installation environments, the resulting images look similar to 2-Dimensional collages, with smooth cut lines and rounded edges. It is this new verbal language that not only consumes classical sculptural, but also affects the way contemporary audiences will continue to consume culture. (via notshakingthegrass)
Dan Attoe’s newest paintings are set against the northwestern Pacific landscape. It is a place where winding streams run into surfing beaches. The sand skinny dips into dark water that is laced with rolling white foam. The foamy tidal beaches are framed by rocky cliffs, and all those rocks, and that moving water, is surrounded by antediluvian forest. The trees in Washington State can make you feel very small because they are preposterously tall. Some varieties grow to be over 200 feet, pushing outside of the boundaries of a normal tree into something that feels supernatural, or maybe übernatürlich. The forest has the fairy tale effect of making you feel very small in comparison. The beaches, rocky cliffs, streams, and over-sized forests in Attoe’s paintings create spaces that are reminiscent of David Lynch’s television masterpiece Twin Peaks; both literally, because of geographical overlap, and psychologically, because the natural world, by bubbling with life, moving water, and impossible trees, begins to take on symbolic resonance. If you were an explorer on a quest for an enchanted forest, Northern Oregon and southern Washington State are very strong candidates for any enterprising search parties you are leading. When you go you may run into Dan climbing rocks or taking pictures of the moon through his telescope. Dan grew up in the woods, his father was a forest ranger. He is at home there. These paintings seem to take place at dusk, when the sun is just over the horizon. Like that quiet time of evening, there is something quieter in this new group of paintings. The miniature figures in Dan’s paintings seem to be dealing with mistakes of love, faulty desires, friendship, and being part of the natural world with its drumbeat of sun and tides.
You can see Dan Attoe’s new paintings in his show Landscapes with Water at Peres Projects on Karl-Marx-Allee 82 in Berlin. The show is up from March 1st to April 19th 2014. The photos in this interview are courtesy of Peres Projects.
Digital artist and graphic designer Kode Logic (aka Boss Logic) is used to taking existing imagery and adapting, changing and repurposing it. With his newest series, Playing With History, the Melbourne, Australia artist samples some of the most recognizable photos in the history of the medium, and either subtly or blatantly alters them by including superheroes and villains.
Ranging from the construction workers who built New York’s skyscrapers palling around with Spiderman, or an alternate history where Mortal Kombat’s four-armed boss Goro menacingly watches over Ellis Island on the Statue of Liberty’s plinth, Kode Logic plays with both humor and irreverence (exemplified by two separate Kennedy edits – one with Marty McFly skitching on his hover-board, the other featuring The Watchmen’s The Comedian preparing to assassinate the president). Explaining the project (and a premise shared by many from the digital and web-based design and art communities), Kode Logic says, “…as a digital artist we are the new breed of artists and we are all trying to innovate our own style to be remembered and past on as a foundation you laid down…” (via albotas)