I am really enjoying Marcel van Eeden’s work. I am particularly amused by his A Cutlet Vauderville Show in which he depicts two pieces of meat performing song. Marcel van Eeden was born in 1956 in The Hague, Netherlands.
Star Wars is a popular franchise that spans decades, so it’s no surprise that it has crept up in many artists’ work. We’ve seen it in paintings, expressed through Legos, and it’s even influenced engagement rings. Clearly, the fictional story has resonated with many. Cedric Delsaux can also count himself as someone who finds inspiration from Darth Vader, droids, and the vehicles made famous in the films. He’s expertly inserted Star Wars characters into desolate urban areas that look abandoned and dismantled. The results are images both poignant and haunting; and, given what we know about the characters, Delsaux sets the scenes for alluring narratives that are like a suspenseful novel. Something is going to happen, but we aren’t sure what.
His bleak and stylish works have caught the attention of many, including George Lucas himself:
Over the years, many artists have interpreted Star Wars in ways that extend well beyond anything we saw in the films. One of the most unique and intriguing interpretations that I have seen is in the work of Cedric Delsaux, who has cleverly integrated Star Wars characters and vehicles into stark urban, industrial – but unmistakably earthbound – environments. As novel and disruptive as his images are, they are also completely plausible.
It may be an understatement to say that the artist that simply goes by the name of Mossi is interested in lines and line-making. His drawings are incredibly intricate, containing innumerable lines. Mossi uses typical color pens to create his a typical work. Each piece is a sort of portrait. However, more than faces, the drawings are just as much investigations of lines, pattern, and facial composition. The portraits are meditative, perhaps as much for the viewer as they were in creating for the artist. The bright colors, and extremely detailed pattern make for psychedelic-like work that’s easy to get lost in.
Wouldn’t you just love it if all your everyday interactions with household items were as fun as looking at these cute crochet creations? Nicole Gastonguay, a graphic designer and fiber artist, replicates mundane objects- food, toast, pickles, and even boom boxes- by using yarn. She puts a smile (or a frown- depending on what the object is) and a pair of big googly eyes in all her creation. (via Brown Paper Bag)
German sculptor Stephan Balkenhol‘s carved, expressionless wooden figures and reliefs have many critics wondering just what they are about. Balkenhol sculpts stoic characters standing on top of plinths with minimal detailing, wearing basic, unfussy clothes and who are often staring off in space. His figures are everyday people, caught in a disengaged daydream. Working in African Wawa, Oak, or Lebanese Cedar wood, Balkenhol uses a hammer and chisel to reveal the figure, choosing to leave bits of shavings, knots, grains and cracks visible in the finished piece. The rough hewed sculptures are then painted over in bright block acrylic color, emphasizing the plainness of their shape. Balkenhol manages to remove all personality and emotion from his figures, effectively turning them into a blank canvas, ready for the viewer to project their own story, and interpretation onto them. The artist explains:
I’m perhaps proposing a story and not telling the end, just giving a beginning or fragment. There is still a lot for the spectator to complete… (Source)
Balkenhol has been carving the human form for a few decades now, and has shown it in many different forms. He has figures dancing on top of plinths, carrying out various dance steps; a lady in a green dress with an animal head, standing still with her hands on thighs; a man in black trousers and a white shirt with his hand slouched in his pocket. But all are as nondescript as the next. One critic dissects his work:
In the crowd, the individual is freed from the tyranny of distance and transcends the limits of his own person. If Balkenhol’s heads remain anonymous individuals, it is because they have a memory of the crowd embedded within them. (Source)
Blankenhol’s figures are a little bit of all of us – humans as individuals, and humans as a mass group; the everyday people.
There is an undeniable sense of morbidity that pervades Czech artist Monika Horčicová’s meticulous replicas of skeletal parts, but to call them simply morbid is to take away from their staggering beauty. Fused together and crafted through cutting edge 3D-printing technology and polyester resin casts, Horčicová merges bones into everything from running wheel-like statues to kaleidoscopic patchworks, each piece rooted in a mesmerizingly acute understanding of our complex skeletal system. Originally from Prague, Horčicová now lives in Brno where she attends the Faculty of Fine Arts at Brno University of Technology. The mathematical arrangements in Horčicová’s pieces, where hip bones can merge perfectly into an open fan of legs and ribcages fit snugly within one another, serve as surreal reminders of the deeply complicated framework that makes up each of our bodies.
Some of Horčicová’s pieces also stand as signifiers of mortality, such as Relikviář, in which 3D-printed pelvises, skulls and more are packed into neat boxes within a black metal display case. Here, they assume a more medical, typified presence, as most bones do when under examination and study, as Horčicová makes clear in her exquisite reproduction. The mutated forms Horčicová’s skeletal constructions take on are mesmerizing and vivid reminders of our own mortality, presented brilliantly within a cycle of infinite possibility.
Lithuanian photographer Tadao Cern has created a series of photographs entitled “Comfort Zone” that depicts resting sunbathers at the beach – people who are sprawled out on blankets, their few beach belongings sitting around them. The series asks the observer to create a narrative of the unknown person, to let the details speak for the narrative. Cern says, “I started this series because I was surprised how a certain place or surrounding can affect people’s behavior. During our everyday life we attempt to hide our deficiencies, both physical and psychological. However, once we find ourselves on a beach – we forget about everything and start acting in an absolutely different manner. Is that because everyone else around you is doing the same?”
Cern seems to be addressing the seeming lack of inhibitions and the overall embracing of comfort that the beach environment courts. The variety of body shapes and positions paired with patterns of swimsuits and towels/blankets create a unique aesthetic of comfort for each sunbather – an aesthetic that is relatable and immediately puts you at ease. In these photographs, the towels and blankets don’t just serve as practical (and comfortable) beach gear – they also serve as backdrops for each portrait, framing the sunbathers but not confining them.
Cern asserts that the sunbathers had no idea they were being photographed, and that he purposely chose to only photograph people with concealed faces in order to “grant an observer with an opportunity to calmly scrutinize each and every detail without being distracted. It also helps to avoid empathy or connection between people in the photos and the observers. It really does not matter who they are – the details not only reveal their stories, but make us face ourselves as well.”
According to Cern, the selection of photographs found on his website is only part of the entire series which consists of 24 large scale prints. Images are for sale in limited edition. In addition to his personal page and Behance, you can find him on Facebook and Instagram. (via david’s sketchbook and behance)
Lee Jeffries lives in Manchester in the United Kingdom. Close to the professional football circle, Lee began his career photographing sporting events. But a chance meeting with a young homeless girl in the streets of London changed his artistic approach forever. Lee Jeffries recalls that, initially, he had stolen a photo from this young homeless girl huddled in a sleeping bag. The photographer knew that the young girl had noticed him but his first reaction was to leave. He says that something made him stay and go and talk with the homeless girl. His perception about the homeless completely changed. They become the subject of his art. The models in his photographs are homeless people that he has met in Europe and in the United States: «Situations arose, and I made an effort to learn to get to know each of the subjects before asking their permission to do their portrait.» From then onwards, his photographs portray his convictions and his compassion to the world.