Greedy Hen is a multi-disciplinary studio functioning partly as an art collective and partly as a design studio, housing the collaborative works of Katherine Brickman and Kate Mitchell. Working mainly with the music industry Greedy hen creates layered images with a classic vintage feel.
Greedy Hen is presented by the online printer, Next Day Flyers. Next Day Flyers offers rack card printing which is quite popular in the tourism marketing industry.
Anita Bruce combines her love of craft and zoology and biology into her unique works of art. Creating string and wire lace pieces, Anita crochets plankton, starfish, octupii, coral… all wonderfully marine and beautiful. Surprisingly, she’s part of a whole subculture of marine crochet, just google it and you’ll see what I’m talking about.
Artist Eamon Ore-Giron has lived in Peru, Spain, Mexico, and the Southwest, all of which have shaped his work and inspiration. His installations and paintings blend graphic design, folk art, tourist art, and Surrealism. Ore-Giron has an upcoming series called the Road to Ruins at the Steve Turner Contemporary. So if you happen to be in LA on September 11th check it out!
Just in time for Valentine’s Day, we have stumbled across this bizarre series of graphic illustrations warning soldiers against the dangers of Venereal Disease. In a nationwide crusade aimed at changing a whole population’s sexual habits and attitudes, the American government enlisted the help of creative professionals. Artists, designers and ad-men teamed up to create these striking and very frank posters.
At a time when discussion of sexual activity was anything but frank, the VD posters of World War II addressed the topic directly using clinical language, ominous symbolic imagery, and jingoistic slogans to help enlisted men steer clear of sexually transmitted infections. While American sex-ed programs have taken many forms over the last hundred years, the military’s VD campaign left a unique trail of ephemera in its wake, featuring imagery that’s both gorgeous and deeply unsettling. (Source)
Found by Ryan Mungia in the National Archives and the National Library of Medicine, this series of posters caught his eye primarily because of their aesthetic, more so than the unusual subject matter. He describes them as
…reminiscent of film noir or B-movie posters from the ’40s, those pulpy-style poster designs, and they also reminded me of the Works Progress Administration artwork, which I love. (Source)
Using bold shapes and colors, the designs were a success in capturing people’s attention. Plastered all over the walls at bases and training facilities, they were sure to get people talking – during a time when sex, and certainly not sexual diseases, were discussed publicly. After a significant drop in VD by 1945, the need for the poster campaign no longer existed. Even though the campaign was a success, the message had quite shocking undertones. Mungia explains more:
Once I was looking at them as a whole, I started to see certain themes arise. Women are often portrayed in a negative light, and it surprised me how they used Nazi imagery or depictions of Hitler and Mussolini to drive their message home. There’s somewhat of a disparity in them because the posters are very attractive, but their messages are very dark. There’s one in particular of a woman who looks like a skeleton and is walking arm in arm with two Axis leaders, Hitler and Hirohito. I think it’s so interesting that they suggest that the Axis powers were behind venereal disease. (Source) (Via Collector’s Weekly)
Peruvian artist Cecilia Paredes gives new meaning to the term “wallflower.” In her recent collection of photographs, entitled “Landscapes,” Paredes seamlessly disappears into a dizzying array of patterned wallpapers, using only paint and, in some cases, simple costumes to complete the transformation. Paredes’ self-painting is so precise that, oftentimes, the only hint of her presence is a flash of sleek brown hair or a pair of gleaming white eyes peering out from the background. Through this disappearing act, Paredes explores themes of displacement and migration, illustrating the difficulties of blending in to new surroundings without completely casting off one’s roots.
CF, offspring of Fort Thunder, and Providence-based artist/musician has consistently created some of the best comics in the underground genre. His work in undeniably his own, and although it is often duplicated, his work remains distinguished from the rest. The delicacy and humor of his masterwork, POWR MASTRS (1,2,3), puts him easily in my top 10 for contemporary comic artists. He blogs and twits, he is a Picturebox regular, and he performs under the moniker Kites while he blasts out sonic booms. He is a gem.
While living in Germany for the past seven years, photographer Samaneh Khosravi noticed that there were many misconceptions within the Western understanding of Iranian culture. In a project titled “Among Women,” Khosravi seeks to shed new light on a lesser-known facet of modern Iran: its diverse women’s fashion and beauty scene. In the photos, Khosravi accompanies the women as they shop, socialize, and even visit with their plastic surgeons. The images were compiled into a book titled Among Women, which Khosravi describes below:
“This photo book documents the beauty ideals of today’s Iranian society, which are hardly known outside of Iran. It focuses on the young, confident Iranian women, who define their ideal of beauty with the interplay between modernity and tradition. More often, the simple beauticians are not enough for the young Iranians, and therefore the plastic surgeons need to lend a hand sometimes.” (Source)
In a world wherein the media is so often dominated by Western standards and perceptions, Khosravi’s project is important in providing us with an authentic glance into her culture—one that hasn’t been filtered through a Western lens. We see familiar images—the nail salons, the shopping arcade, the self-conscious glance in the mirror—but Khosravi’s candid style reveals a cultural distinctness in Iran’s approach to beauty, one that has its own nuances, such as the combination of traditional head scarves with modern makeup styles. “Iran is different,” she writes. “Iran is not only different from Germany, but also from the image presented by mainstream media” (Source).
It is Khosravi’s dream to disseminate this detailed perspective of Iran to the world. She is currently seeking support to publish her book with Kerber Verlag, which means it would reach a greater number of people. If you’re curious about Iran and you wish to support an image of the country that doesn’t fall under the umbrella of Western unilateralism, be sure to visit her crowdfunding page and help her reach her goal. The book is aimed for publication in October 2015. Visit Khosravi’s website, Facebook page, and Instagram to follow her progress and learn more.
Taiwan based Hsiao-Ron Cheng’s work alludes to the deformation that physically separates humans from plants and animals. The environments and situations that she paints are often surrealist in nature nature, reminiscent of her life as a student in school, and partly based on fantasy. Hsiao-Ron’s aim is to create more complex worlds with complicated stories of childlike and cruel creatures, showing the fragility of life.