Chef Stephen McCarty is giving new meaning to the relationship between art and cuisine. Under the name Sukhavati Raw Desserts he creates cakes which are made from all vegan ingredients and decorated with exquisitely designed Mandalas. With intricate detail he comprises his vegan cakes in unique colors with the thought that it will all be consumed and gone in a few days. Very much like Buddhist Monk sand drawings there’s so much care involved in creating something beautiful which at the same time is transient. Just another symbolic example of life’s impermanence and how it should be relished moment to moment.
The colors used in McCarty’s cakes are all made from natural plant and fruit extracts. Some of the mouthwatering flavors include banana jungle nut butter chocolate cheesecake, coconut lime raw vegan cheesecake and acai blueberry mango cheesecake. The names like the colors of this talented chef’s cakes are well thought out and executed beautifully. Some resemble tie dye t-shirts while others reflect complex new age patterns. The coconut lime cheesecake looks exceptionally good not only in taste but appearance as well. A deep green is the primary pigment used to create its minimal but detailed design. One ultimately good enough to eat.
Micaela Lattanzio creates works of art that go beyond the traditional forms of photography. This collection, called “Frammentazioni,” shatters photos into bits and pieces, enabling Lattanzio to play with space and texture. Her mosaic-esque pieces contain a sort of kinetic energy, suggesting form and movement in a subtle way.
Like other types of art that use human features, it’s hard not to assign emotion to Lattanzio’s work. She literally uses human images as jig saw pieces, evoking a sort of psychological depth that could be read as anxious or even playful.
Some of Lattanzio’s works are use the various pieces of photographs as pixels, rearranging them around each other but maintaining some semblance of the original shape. Other pieces lace together long stripes, looking like the result of two inkjet printers communing (via Hi-Fructose)
Korean born and New York City based Jay Sae Jung Oh’s dynamic functional sculptures is made out of manufactured objects conspicuously transformed into unexpected new forms, making a strong statement about our current cultural condition of abundance. Sharp attention is focused on reconsideration of the ordinary. In this project, Jung Oh started by collecting discarded plastic objects, assembled them together, and finally wrapping them with a natural plant fiber (Jute). The transformation occurs in the amalgamated form and its concealment. Innovation, invention, and beauty can emerge from anywhere, even the most familiar, ordinary and everyday. (via)
Restrepo is one of the many stories to come out of our endless war with afghanistan. The movie spends one year in the most dangerous valley in Afghanistan where death is a daily threat. It’s brutally honest, sad, and poignant. Go see it at your local art house theater.
New York sculptor Thomas Doyle works in miniature, creating detailed scenes capturing specific moments in his tiny people’s lives. Some of these moments are rather mundane, while others are epically dramatic. What all these sculptures share however, is best put in Doyle’s words:
The pieces’ radically reduced scales evoke feelings of omnipotence—as well as the visceral sensation of unbidden memory recall. Hovering above the glass, the viewer approaches these worlds as an all-seeing eye, looking down upon landscapes that dwarf and threaten the figures within.
Conversely, the private intensity of moments rendered in such a small scale draws the viewer in, allowing for the intimacy one might feel peering into a museum display case or dollhouse. Though surrounded by chaos, hazard, and longing, the figures’ faces betray little emotion, inviting viewers to lose themselves in these crucibles—and in the jumble of feelings and memories they elicit.
So hopefully you watch Family Guy (or at least Disney as a child) to understand how amazing this is… the show imagined what it would look like if the characters were all transported into the wonderful world of Disney. The illustrators did an amazing job on this one. Total classic.
We have featured the work of San Francisco based Alexis Anne Mackenzie in the past (here). She continues to master the art of hand-cut collage with her pieces that spell out various words entirely with found imagery. In recent works she has disregarded letters in favor of abstract compositions on found paper. New forms are constructed from tenuous slivers of paper layered over book pages of flowers and various plants. The result is a meticulously crafted body of work that addresses natural beauty and fragility.
Premier website builder Made With Color and Beautiful/Decay have teamed up again to bring you exclusive artist features. We show you exciting artists and designers who use Made With Color to create a clean and modern website. But it doesn’t just help artists create a minimal, mobile-responsive website; Made With Color also allows them to do it in only a few minutes without have to know any coding.This week we’re excited to share the work of Made With Color user Francisco Alarcon Ruiz.
In Francisco Alarcon Ruiz’s work one finds a surprising harmony between nature and technology. Ruiz brings digital techniques such as routers, 3D printers, CAD and animation software and seamlessly blends them with wood and other natural materials to create abstractions that look like a futuristic archeological dig. The surface of each piece is carved and scraped by machines exposing a hyper spectrum of color that was once hidden. Using chance and randomness to his advantage he intentionally adds a method that can potentially add errors. These elements of chance don’t hold his work back. In fact they add a playful element to the work that brings about unique elements that might not otherwise appear. The artist states
‘My work oscillates between contingency and control, visualized through material experiments resulting from new techniques that I develop to negotiate with the representation of abstraction.’