Photographer David Emmite snaps pictures of a different kind of still life. A plate of spaghetti and meatballs is supplemented with yarn and knitting needles; a thick steak is cut directly from the flesh of a table, finely marbled by wood grain.
Emmite’s whimsical take on classic everyday objects in his series “Pot Luck Dinner” seems to occur entirely within the confines of a dollhouse neighborhood. There’s a playful sense of imagination that permeates all his photographs, especially his TV dioramas. Tiny green army men burst out of a handheld television set, literally breaking the fourth wall. A retro TV houses a floating model of the starship Enterprise, recalling the nostalgic days when model-building was a widespread hobby.
The sense of nostalgia is not misplaced; according to Emmite’s artist’s biography, his interest in tinkering and bringing playtime to life started from an early age. Fortunately, he didn’t leave his imagination in the past, instead choosing to stage miniature scenes and bring them to life. (h/t Behance)
I’m not exactly sure of how I feel about these digital expulsions by the Poster Company. I think my reaction came in 3 stages: first oscillating between questioning the validity of their artfulness, then awe at the convoluted jungle of pixels, then back to confusion again.
Erica Magrey is an New York based artist and musician exploring the ways in which fantasy shapes reality and identity. Much of her work takes a cue from sci-fi and kids’ TV shows, employing costumes and handmade miniature sets to portray alien worlds and beings. There’s some humorous writings on her site that would give you more insight into her idiosyncratic and wild videos but I couldn’t post them here but they’re all graphic images…so go to her site and read ’em!
Jim Callahan is a multi-talented creative who lends his bold pop-icon vibrant graphic style to a potty-mouthed vision of vulgar humor and the macabre. His humorously outlandish take on his subjects disarms their gritty gore visuals of exploding skull & brains, guts and the spray of blood. James Callahan also runs his own fledgling deck company: Nowhere Skateboards, and has illustrated comics, such as Strange Detective Tales and Rotting In Dirtville. He is also responsible for the DVD covers to the daybyday films, among art for piles of records, CD’s, shirts, toys, posters, and beyond.. James was interviewed in issue: D of Beautiful/Decay magazine and designed the three-dimensional stunner “Barf 3d” for Beautiful/Decay Apparel- which featured, of course, a three-dimensional skull puking a cacophony of vile beasts. Most recently he contributed the mind-blowing (no pun intended) graphic “Kersplat” that shows someone’s brain literally exploding from reading B/D!
Lea Anderson is an American artist who creates beautiful and “propagating” wall-mounted installations. Exploding and evolving like particles, individually crafted parts (or “pods”) made of soldered tin cans, socks, wire, and flowery digital prints merge into beautifully flowing units, enveloping walls with an ecstatic, quasi-infectious fervor. Inspired by the unstructured nature of memory, thought, and hope, Anderson’s works represent the free-flowing multiplicities that compose our emotional lives. In a statement provided to Beautiful/Decay, she explained her process:
My work is fertilized by personal fascinations with the parallels found between the tangible, biological world, and the world of ideas, thoughts, and emotions. My work begins with a question about how a particular unseen reality might present itself if it were actually re-produced in physical form: What surprising form would the energy of ‘creative intention’ take on if it were visible? How might your memories flex and intermix with one another if we could see them all at once? What does the cumulative energy of one’s entire life look like when, through the grief of loss, it is transformed into love?
Many of Anderson’s works emerge from pain as projects of healing. “Matters,” for example, is a tribute to the enduring memories and influences of her late mother and father; “Rebirth of a Life” grew as an artistic response to the possibility of never having another child. In each case, Anderson dismantles mazes of pain by “sprouting” matter in infinite directions; as in the natural world, there is always a way to initiate healing and renewal by embracing the ebbs and flows of uninhibited thoughts and ideas. Without a predictable structure, Anderson’s works provide visual environments for highly subjective interpretations:
I hope the works stimulate curiosity and resonate on both the most fundamental and highest levels. The meaning I personally infuse in the work isn’t required for a link to be established. The language of color, shape, and form are powerfully unifying and universal ways of communicating. Responses reflect who each individual is in that moment. In that way the ideas are germinated within the mind of another, and the evolution continues.
Japanese artist Mr. built an installation in the Lehmann MaupinGallery that is a gorgeous messy heap of cultural garbage/treasure. Using old anime posters, tarps, wood veneer cabinets, bouncy balls and the like, Mr’s installation overwhelms us with the incredible amounts of Stuff we as a society create; a physical version of contemporary internet culture’s constant sensory overload. His show is up for another three days, so if you’re in the NY area, catch it while you can! Press release:
“Mr. has envisioned a complex, chaotic installation that serves as immersive sculpture by forcing viewers to interact with the work and places them in a scenario that is psychologically unsettling. His new body of work aspires to blur the distinction between the interior and exterior through the construction of structures and atmospheres inhabited by familiar objects that are conversely used to communicate the unfamiliar: in this instance, an experience most people have not lived. Viewers are given insight to the psychological state of Japan all the while remaining alien to the experience. Composed of garbage and everyday objects from Japanese life, this installation stands as a reminder of the debris that blanketed Tohoku in the aftermath of March 11.”
Ottawa-based artist Howie Tsui uses a mix of traditional Asian themes with Western aesthetics. His paintings depict scenes of terror that are very nightmare-like. “Tsui’s work is informed by a variety of dark subjects, including Asian ghost stories, Buddhist hell scrolls, Hong Kong vampire films, neo-conservative propaganda, and twentieth-century genocides such as the Nanking massacre.” We dig it.