Peter Pincus is a New York-based ceramic artist whose relatively simple forms are punctuated by blocks of color. The clean and modern pots, urns, and cups are mostly gray with accents of blue, yellow, salmon, and more that are laid side by side in thin strips. Occasionally, gold lines the edges.
The forms are very structured, as are their designs. Colors are evenly portioned and thin lines, contrasting-colored divide gray sections of the ceramics. If we were to remove the surface designs from the clay, they could stand alone as abstract paintings. And, that’s partially the point of Pincus’ work. He writes in an artist statement:
I produce three-dimensional paintings out of pots. The studio challenge is to determine a way to create containers that belong not only on the dinner table, but also elsewhere in the home. Many of my pots are status symbols saved for special occasions, generally deemed distinct because of the value of what they hold rather than for what they are. But to me, in between such occasions, they become canvases that visually illustrate the defining spirit of the times, despite their being utilitarian and made of clay, not canvas. They still need to do their job; to be genuine, they must be functional as well as opulent. But they can be so much more.