Argentinean artist and designer Francisco Miranda creates work in a variety of media from digital animations to graphic design. However his geometric wood collages are what really catch our eye. Miranda creates multi-layered wall objects and spatial installations from elaborately cut wooden forms. Reflecting on the architecture of his native city Buenos Aires, he looks at how the old has evolved into the new. His work combines elements of art nouveau and art deco to create an intricately ornamental species of caryatids to shape a futuristic Argentinean metropolis. (via Ignant)
Jesse Greenberg lives and works in New York City. He utilizes a wide variety of materials to create foreboding structures that reference the natural world as well as the artificial. The majority of his work is made from plastic and displayed so that viewers may touch what they see as the tactility of the work adds to the experience. Greenberg takes a cheap mass produced material that many take for granted and morphs it into deteriorated monuments that comment on consumption and decay.
Tegels is an animation made of a large photographic collection of street tiles. By viewing this collection of photographs as a sequence, different movements and processes become visible within the frame of the tiles. Both music and animation are trying to find a balance between a thought-out arrangement and an arrangement of ‘chance’ deriving directly from the tiles. Watch the full video after the jump.
There’s only 3 days left until we ship out Beautiful/Decay Book:7! To celebrate the occasion we are offering a discounted subscription rate to you our loyal readers. We only discount our subscriptions twice a year so if you’ve been putting off getting that subscription now is the time to do it.
Enter in discount code “discountdecaysub“ during your check out and receive $6.00 off a one year subscription! This deal will only be good for until this monday at midnight PST (12/5/2011). So act now or get stuck paying full price!
Dutch designer Yoni Lefevre’s series Grey Power has the simple aim of honoring our old and wise grandparents in a quirky, fun, and imaginative way. Using children drawings of their grandparents Lefevre transforms the hilariously bizarre drawings into charming and playful photographs that depicts grandparents as active and fun heros.
About the project Lefevre states:
“We are living in a rapidly ageing society. A majority regards this as a negative development. Older people are perceived as standing on the sideline, having lost their independence. But I see the great value this generation can offer. For ‘Grey Power’ I used drawings made by children of their grandparents, to create an image boost for this generation. Children do not regard their grandparents as grey and withered, but as active human beings who add color to their lives. Their fresh perspective can contribute towards a more nuanced and positive view on the composition of our society.”
We at Beautiful/Decay abosolutely love this project as it is proof that sometimes a simple concept can pack a powerful (and hilarious) punch. (via designboom)
The Analog Watch Co. got into the spirit of April Fool’s Day with their absurd Ant Watch. Reminiscent of an ant farm, this accessory was purported to hold three to five live harvester ants that move within the tiny face. Each watch kit would come with shake-resistant sand, a food/water dropper/tweezers, a case-opening tool, and a care guide.
At first read, Analog’s watch listing sounds believable. They provide detailed instructions on how to add your ants to the small farm: (place their shipping tube in the fridge for 10 minutes to put them to sleep) and when to fed them liquid sugar (one to two times a month).
The longer you read the listing the more bizarre it sounds. Ants are only expected to live four to six months and all orders come with a one year supply of real ants. New ants ship every four months. Analog Watch Co. also adds that if your old ants are still alive to just set the other ones free. Luckily, the company stipulates afterwards that it, “ships never because April fools.” Whew. (Via Design You Trust)
It’s Halloween season, and campy macabre aesthetic surrounds us, making the general public a little more open to the darker parts of our existence. Reflecting back on the origin of this holiday, All Hallow’s Eve and Samhain, the pagan celebration, it’s clear that death and the unseen world is the foundation. Our ancestors believed that the veil to the other side became thin or disappeared completely on this night, allowing the spirit world to comingle with the physical and living world. There are many people and cultures that still hold this belief and practice today.
In light of the season I began searching through aesthetically significant contemporary art that finds its foundations in death and dying. This is Part 1 of 2 of the scope of art about death, ranging widely in medium and other interwoven themes. Damien Hirst, Angelo Filomeno, Joel Peter Witkin, Konrad Smolenski and Doris Salcedo all embrace the subject of death and dying in a widely varied manner. As well, all are highly revered in their own right for their individual continuums of art produced over the years.
Damien Hirst is no stranger to controversy as an artist. He always delivers shock value well and does not shy away from creating work that makes viewers squirm. Materials he used to create the pieces featured here range from dead flies, to animal carcasses, formaldehyde and maggots. Hirst’s works don’t just discuss the business of birth, death and dying- they display it in action right before your eyes, in a way that some of the work nearly becomes about life itself.
Today’s Art Works Every Time interview is with Colin Strandberg, whose work is a playful exploration of color and shape, straddling both abstraction and figurative work. Colin contributed our grand prize winning graphic, which can be seen on our show flyer. We’ll also be printing T-shirts with the design for the exhibition- first 100 visitors get one for free! Just 5 days away now til the show!