Neil Mota brings together the beauty of fashion photography and Pirates of The Caribbean costumes and accessories. This certainly is a tough task but Neil has managed to create an accomplished body of work that does it with ease.
We’re gearing up B/D Apparel for another season of collaborations with artists from around the world. It might seem like we just send our the art for the shirts to the printers and wait for them to ship us finished shirts but that’s far from the truth! We spend weeks camped out at our printers fine tuning every single shirt. The process can be grueling with some shirts taking an entire day just to get right. Here are some shots from a recent day at the printer….
Art meets commerce in this video directed by the legendary Joe Pytka. Pytka, a cinematographer, director and film maker was so inspired by New York-based artist Nate Lowman’s Just One Eye project with Converse he was inspired to create a short filmed that embodied the spirit of the project.
In the video, the viewer is welcomed into an enigmatic scene with a disembodied eyeball, blood and dimly lit hallways. Something sinister and grim is afoot and then we meet our one-eyed protagonist. It leaves the viewer thinking, just what is going on here? What’s going on is a collaboration between artist Nate Lowman and Converse to make a custom Chuck Taylor shoe. Lowman has cut one of his paintings (depicting a copy of Willem de Kooning’s 1954 portrait of Marilyn Monroe) into as many pairs of unique high-top Chuck Taylors as possible.
The great thing about these collaborations is that it exposes a whole new audience to art and allows them to incorporate it into their every day lives. Lowman’s work has been described by New York Times chief art critic as “down-and-out excursions into collage, graffiti and appropriation.” Lowman’s first critical acclaim came about as a result of a show with P.S.1. He has also collaborated with brands like Supreme to create exclusive products. Each pair of Chuck Taylors from the Just One Eye: Nate Lowman collaboration is a unique piece of art in and of itself, a fragment of a whole. Everyone who owns a pair of this collection will be part of this unique part of Converse history.
This post is sponsored by Just One Eye
Jorge Rodríguez-Gerada is known for his culture-jamming renegade advertising disruptions, and even more so for his large-scale charcoal portraits of local residents on the buildings in their neighborhoods (previously featured here). But his newer works have gotten bigger, so large many of them can be seen from Google Earth.
“Working at very large scales becomes a personal challenge but it also allows me to bring attention to important social issues, the size of the piece is intrinsic to the value of its message,” says the Cuban American artist. “Creativity is always applied in order to define an intervention made only with local materials, with no environmental impact, that works in harmony with the location.”
Works like WISH (above) took several years to complete, and involve a time-consuming process which begins by using a plotted grid system and only recently available Topcon GPS technology to map the area. 30,000 wooden stakes were applied as markers to an open area in Belfast, Northern Ireland’s Titanic Quarter shipyards, resulting in a portrait drawn by volunteers using nearly 8 million pounds of sand, rock and soil. The massive scale of the project is balanced by the delicacy of its subject, an anonymous local girl Rodríguez-Gerada met while planning the project (via blog4uuntitled).
I came across photographer Paola de Grenet’s photo series, “Albino Beauty,” today. Her figures are ethereally beautiful, almost sculptural.
Pia Bramley uses ink wash to make impressionist drawings that are marvelous embodiments of the word Dreamy. But unlike surrealist artists, who consciously try to render a dreamscape and thereby make us think more about the idea of said painting being an interesting dream, Pia’s just make you feel like you’re dreaming when you look at her work. Which we could probably all agree is a real treat. If they look familiar, you might have seen them in the New York Times or on plates from Anthropologie.