Illustrator, Raymond Lemstra, acts to create a bridge that brings together the youth and the mature through his illustrations. His nostalgia for the sense of wonder we all experienced consistently in our childhood inspires him to create a world in which his audience might find the inspiration, and imagination to re-live that sensation once again.
From Futura Standard to Helvetica Neue, designer Aleksi Hautamaki refits vintage neon letters, previously destined for the bin, with a touch of LED lighting to resuscitate their glow for another 10 years.
Character, his company, sells each piece to the public, intending to cultivate a “second life cycle” capable of creating “new value for everybody involved.”
Likewise, portrayed here in a series of artful photographs, each previously abandoned bit of font now haunts the city, with a fresh sense of freedom, searching for a new artful context, home, or environment outside its previous life in advertising.
Tucked away in the middle of California’s Mojave Desert is a tiny pool whose location is unknown to the public, identifiable only by guarded GPS coordinates. It was imagined by Austrian artist Alfredo Barsuglia, and is technically open to the public. If you want to swim in it, all you need to do is ask the MAK Center for Art and Architecture in West Hollywood about the longitude and latitude points and obtain the special key to open the pool’s cover.
The four-foot by 12-foot body of water is available for 24 hours to any one person or small party, and you must bring a gallon of water per person to replenish the pool. Its minimalist stylings are painted white and stands out against the sandy and arid terrain. Alone in the desert, it’s an oasis for a weary traveler or nomad. Barsuglia calls it Social Pool, and meant for the swimmer to consider the societal ramifications of this outdoor installation. A description of the project reads:
The work embodies the massive socio-economic changes that have taken place in the last forty years. It thus understands itself as the product of an economy in which privacy and immateriality have been fully commodified… For many a consumer, art is expected to operate according to the principles of the service economy rather than following humanist ideals of intellectual or moral stimulus and education.
Whether or not this pool encourages this deep thought or is simply a well-thought gimmick remains to be seen. (Via Huffington Post)
Untitled (Tower), 2009, paper, ink & acrylic with cut wall, 3' dia x 10" deep, all images via Jane South
Jane South‘s architectural paper constructions has had a firm place in my heart since I encountered her show at Whitney Altria a few years back. I was drawn to the hand cut and crafted composition, the obsessive repetition, and the illusionistic moire patterns that make up these layered industrial constructions. In a recent show at Spencer Brownstone one monumental free standing sculpture greets us with a dizzingly array of perspective, giving the viewer freedom to enter its inside and marvel at its surprising silence and delicacy.
Claire Healy and Sean Cordeiro’s large scale installations leave us feeling a bit overwhelmed or claustrophobic, and this is perhaps maybe the point. Their installations use recyclables to not only emphasize the gluttony of spending, but even more so, to confront the looming power of clutter and our strange animalistic aversion and contrasting need for it.
Of their work, the two say, we “live in such an organized society where detritus is not an issue. You put your garbage in a bin, and it goes somewhere. When you start to look at detritus, you automatically think about refuse. Or even more about consumption…getting caught up in the cycle of consume, consume, consume. And how these objects start to quantify your life.”
Charlotte Niel’s series Behind the Curtain captures the moments before, during, and after patrons’ engagements with carnival and fair photo booths. These photographs are light and fun, bright and summery. Photo booths have consistently been a place of discovery and wonder, a place to experience the excitement of pulling a curtain behind you to allow some privacy in the midst of a very public setting. In a culture where so much of our photography experience is digital, and the tangibility of the photograph does not seem to be as privileged or common as it once it was, the photo booth is a place that offers this immediate experience. I particularly enjoy the variety of color in these photographs and Niel’s captures of the bottom halves of the photo booth’s subjects. There’s a sense of mystery and curiosity that these images evoke, and I think that largely has something to do with the merging of these private moments in a public setting captured with a public eye.
Of her series, Niel explains, “How many times have we looked at an old photograph and wondered about the person in the frame? People or family members we never knew, set in places we never visited or that have changed beyond recognition. Photos are often the only means to link us to our past or the past of others. They help us not to forget. They become visual memories. For these reasons, I find it fascinating to watch what happens at photo booths at county fairs. People come with family and friends to celebrate anniversaries, birthdays, friendships or just to make an annual visit to the booths. For others, it is just a way to capture who they are or with whom they are at that moment, on their own private stage. The result is a body of work of people who shared with me moments that took place in front of and behind the curtain, documented for unknown viewers. With my camera, it became a transformation of a private moment into a public one.”
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I don’t know anyone who loves donuts quite as much as Josh Atlas and so it’s wonderful to see him utilizing his passion within the context and even materials of his fine art practice. He’s made sculptures incorporating real elements of frosting as well as encasing a donut within a picture frame surrounded by sprinkles. However, don’t panic, since he does it all in a way in which he’s able to preserve the materials so that they don’t disintegrate or attract fruit flies. After all, besides being one of my favorite artists working today, he’s also kind of a genius. I mean, he recently graduated with his bfa from Carnegie Melon University!!! But what I think draws me to his work most is that it’s all about what he calls “The Holy Trinity of Want” – food, love, and sex – and he showcases it all with a gigantic sense of elegant humor.