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Sponsored Post: Michelin Premier A/S Tires

Whether you’re driving to your studio to make work or going out to openings you want to make sure that you’re car is in great shape and ready to take anything that the elements may throw your way. One of the best ways you can do so is by using Michelin’s Premier A/S tires. These new tires with EverGrip help your car stay on track during rain or shine. Using a proprietary mix of silica and sunflower oil the tires grip the road in wet condition like no other tires before. If that’s not enough the Premier A/S tires also has specially designed expanding rain grooves that maintains the amount of water that the tires can channel away even as the grooves lose depth over time.  So hit the road with Michelin’s Premier A/S tires and feel safe knowing that all you’ll be riding safe during all of our creative adventures in the city and beyond!

This is a sponsored post by Michelin.


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Extremely Detailed Steampunk-Inspired Bronze Sculptures By Alain Bellino

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Talented French sculptor and restorer Alain Bellino creates extremely detailed, ornate bronze sculptures from metal leftovers. He transforms various old items such as cutlery or chandeliers by welding them into fascinating works of art.

Born in 1955, Bellino has been learning gold and silver plating and bronze restoration in his father’s workshop. Only in 2010, after years of practice and technical research, artist developed his personal style which was highly inspired by both Renaissance and steampunk. As described in his website:

“In his work of re-directing and re-assembling, which is both iconoclast and highly rigorous from a formal point of view, at the crossroads between past and future, Alain Bellino sublimates and rehabilitates the ornamentation.”

Various steampunk motifs and floral ornamented skulls are frequent objects in his work. Bellino’s vanitas are often infused with extra surrealism, for example castles and ships and mounting on top of skull sculptures. His latest work, the Darth Vader mask, demonstrates how delicately Bellino’s creations connect modern and antique worlds.

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A Giant Bouncy House Made Of Boobs And A Phallic Rock Wall Take Over NYC

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This unusual carnival certainly isn’t the kind you find at a kid’s party. For “Funland: Pleasures & Perils of the Erotic Fairground,” artistic duo Bompas & Parr show off a series of bold and whimsical installations at New York City’s Museum of Sex. Immersive artworks include “Jump for Joy,” a giant bouncy house composed of blow-up breasts and “Grope Mountain,” a rock wall featuring phalluses and vulvas. As visitors munch on tasty treats, they are invited into “The Tunnel of Love,” a maze that ultimately ends at the G-Spot, an erogenous zone in the vaginal canal discovered by Ernst Gräfenberg.

While this all may seem like fun and games, the exhibition also illustrates earnest cultural ideas. Here, the artists worked closely with Professor Vanessa Toulmin, the Director if the UK National Fairground Archive, to illustrate the historical associations between traveling fairgrounds and sexuality. Toulmin proposes that at the apex of the industrial revolution of the mid-19th century, carnivals began to emerge as sites for “immoral” behavior.

The St. Bartholomew fair, she notes, was singled out for its sensuous—and overtly erotic— atmosphere. In this uncanny universe of play and mischief, the puritan ideals of the upper classes were tossed to the wayside. The fast-paced amusement rides were quite the novelty at that time, and dark tunnels and cars allowed for discreet caresses to pass between lovers. Some fairgrounds even charged admittance for burlesque and strip-tease shows. Bompas & Parr’s “Funland” certainly captures both the thrilling and the farcical aspects of the carnival scene. Simultaneously amusing and disturbing, the exhibit engages both the mind and the body. The show is currently on view and will run through Spring 2015. (via Design Boom) Read More >


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Christopher Blackstock Hallucinates Through The Desert In Search Of Redemption

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Oakland based artist Christopher Blackstock creates the ‘The Lone Stranger’ a series of illustrations that explore the life of an imagined character who finds himself experiencing the ultimate journey of self-discovery in a hallucinatory, post-apocalyptic remote desert area. The vibrant, cartoonish aesthetic puts emphasis on the surrealism of it all. Finding yourself in a desolated space can become lonely but exciting all at once.

According to the artist, the stranger, the recurring character, has experienced his fair share of tragedy and is now in search for answers, and maybe some sort of redemption through a spiritual quest. His tale, one of existential turmoil, redemption and self-discovery coincides with the collapse of the ecosystem as climate change reaches a more advanced stage and renders California completely arid.

Blackstock, a muiti-media artist who works in painting, sculpture and illustration, rendered these as digital drawings first and then turned them into laser-cut panels which were then placed onto canvas and hand-painted with acrylic and spray-paint.

Blackstock’s ‘The Lone Stranger’ will be on view at Oakland’s Loakal, starting July 4th through July 30th, 2014.

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Bob Egan Superimposes Iconic Film and Music Images Onto Their Corresponding Shooting Locations

Breakfast at Tiffany's

Breakfast at Tiffany’s

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Van Morrison, Too Long In Exile

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Billy Joel, 52nd Street

Taxi Driver

Taxi Driver

Bob Egan, a real estate agent during the day, becomes a “pop culture detective” by night. Egan’s PopSpots features images of album covers and television and film shots superimposed on and lined up with a photo of the shooting location as it appears today. Though Egan has researched images that were shot in other places, most of the images he researches have been shot in New York City, with many in Manhattan, a part of the city that is continuously in flux. Accompanying each superimposition are details of Egan’s research, including maps and resources he’s used, such as the New York Public Library’s digital archives, to deduce exact locations based on image details and correspondences surrounding the creation of each iconic image. Egan’s project began with his curiosity of where Bob Dylan’s “Blonde on Blonde” cover was shot, a place he has yet to discover. He has been able to find other Dylan album covers, however, and cites classic rock as his “music comfort food,” something that is not surprising based on the particular albums Egan has so far superimposed. Over time, Egan’s project evolved to include television and film stills, as well as other iconic photographs from the same era. (via open culture)

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William Hundley’s Mysterious Invisible Floating Figures

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“Entoptic Phenomena” is an ongoing photo series by Texas-based multi-media artist William Hundley. The project features people jumping under colorful pieces of fabric and creating mysterious floating sculptures. The final photographs are then edited to remove the subject and leave the viewer with nothing but the ephemeral cloud-like figure hanging in the air.

“My work started with the influence of Erwin Wurm and Maurizio Cattelan, these absurdists. I love the practical-joke nature of it; if I can make humor and beautiful aesthetics come together, that’s the biggest powerhouse I can imagine.”

The name of the project comes from the term entoptic phenomena, meaning “visual effects whose source is within the eye itself”. In simpler words, it’s those dots and wrinkles that sometimes appear in our sight due to bright light or pressure applied to closed eyes. Entoptic images have a physical basis and are not considered to be illusions. However, they share one common feature: the observer can’t share a specific view of such phenomena with the others.

By merging real and unreal – the scientific explanation of entoptic phenomena and his own visual representation of it – Hundley introduces disguised absurdity to his project and proves our knowledge of the world is only a matter of perspective.

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Justin DeVine Creates An Amusingly Strange Mashup Of The Muppets And Twin Peaks

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Our society, by and large, seems to love mashups of popular culture. Adding to the growing list of amusing combinations is Justin DeVine’s illustrations of Muppets as Twin Peaks characters. Kermit the Frog, Miss Piggy, Fozzie the Bear take the roles of Special Agent Dale Cooper, Laura Palmer, and the Log Lady, respectively. DeVine’s watercolor drawings include the clothing, scenes, and quotes from David Lynch’s cult classic television show but whose characters are replaced with the gregarious Muppet clan.

If you aren’t familiar with Twin Peaks, it’s a surreal drama that follows the investigation headed by FBI Special Agent Dale Cooper into murder of homecoming queen Laura Palmer. It takes place in a small town, and explores the facade of small-town values and the seedier layers that lurk beneath it. Pairing this with the happy-go-lucky Muppets creates some strange imagery; not necessarily in the same way as Lynch crafted Twin Peaks, but odd nonetheless.

All of these illustrations are available as prints in DeVine’s InPrnt shop.

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Heart-wrenching Burial Photos Of Dead Animals Abandoned On The Road

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For her series Natura Morta, the Russian photographer Maria Ionova-Gribina gives burials to dead animals. Much like fellow artist Emma Kiesel, she finds her deceased subjects abandoned on roadsides. Biking to the sea in summer, she was confronted with roadkill and creatures who had died of natural causes.

Where most might avert their eyes, she examined the called bodies, adorning them with fresh blossoms tenderly picked from her own garden or nearby flower beds. Yet she does not remove or bury the remains; instead, she allows the process of photographing them to stand in for funerary rites, poignantly preserving them in her lens instead of in the earth.

After having these powerful post-mortem portraits taken, the animals are once again vulnerable to the decay and ravages of death, but in this single magnificent instant, their humble yet miraculous existences are celebrated and revered. Juxtaposed against bloodied muzzles, open wounds and limbed stiffened by death are ripe, vibrant flowers symbolizing life and rebirth. On these breathtaking beds of pink, blue, and deep red hues, the creatures appear to be simply sleeping.

Over these dead bodies, we are invited to mourn the individual as well as the fact of our own lost innocence. The series itself is inspired by Ionova-Gribina’s childhood, when she and her brother would bury dead animals they discovered in their paths. Where the adult gaze scans over reminders of death, perhaps the child’s engages with them, and grieves the inevitable hold of mortality. Take a look. (via Feature Shoot)
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