Jordan Westre (Living Couch) is a Canadian artist who creates beautiful and critically engaging collages from amalgams of modern and vintage print media. While Westre’s works are all highly unique and nuanced, many of them share recurring imagery, including landscapes, space travel, war, and the feminine body. From a broader aesthetic perspective, her collages are seamless and evocative; Westre has a brilliant ability to weave together seemingly disparate images in a holistic way. The more you look, however, the more a deep — and often dark, or disconcerting — social commentary emerges, one that examines cross-generational anxieties regarding the state of society and its relationship to human sexuality.
Westre’s artistic process begins with a self-impelled assembly of aesthetically-pleasing images. As she explains: “I don’t set out with a definite vision, I just flip through magazines […] or books with vintage photographs or illustrations, [and] pull out anything that might serve as a good subject, background, or element.” From there, she lays everything down and seeks compelling combinations — “and that’s where the inspiration comes about.” Currently, she uses liquid glazes on canvas or canvas board, but is planning on experimenting with hot and cold-pressed papers and spray adhesives.
When it comes to the meaning behind her work, Westre says that most of it unconsciously materializes as “anxiety-riddled observation[s]” of society. The collages depict the world in an oscillating utopic/dystopic state; or indeed, as an oft-idealized place that is festering at its center. In Westre’s words: “[My work is] grappling with the awareness that a lot of our society and the path we’re on is utterly fucked — for lack of a better phrase — while we’re all smiling and laughing and consuming […]. Polish & the rot beneath.”
Westre also brings human sexuality into these critiques, exploring what she identifies as the “ultimate vulnerability and ultimate power” of sex. Desire — which is represented here by eroticized images of the female body — vacillates between states of seduction, submission, and destruction. It is unpredictable; hence why it might contribute to Westre’s fear of a world slipping into chaos. Check out Living Couch for more of her incredible work.