A group of students from the Hasso-Plattner Institude in Germany have designed a mechanism called the Protopiper that allows you to make three dimensional sketches in space. Created from a modified tape gun, the Protopiper works by dispensing and rolling packing tape into strong, hollow tubes. Then, after the desired size has been formulated, the machine seals the tube and cuts it off while simultaneously creating a wing formation which allows each piece to be easily connected. Every tube can be programmed for a specific length and therefore can create models of specifically sized objects. The Protopiper allows you literally create and organize a room with furniture you haven’t bought yet, or brainstorm the layout design and attributes of an installation, or physically sketch the building blocks to the formation of a piece of a sculpture. Through a simplistic handling and inexpensive material, The Protopiper truly allows you to draw three dimensional throw away sketches. This little invention is great for anyone interested in design— it takes the process from being one of painstaking two dimensional drawings that are then to be projected into a physical space through imagination into one where the physical reality of a project can be played with and manipulated (it also just looks super fun). (Via Junkculture)
There is something peaceful and almost soothing about the charming characters in Edward Kinsella’s illustrations.
Mike Leavitt’s Intuition Kitchen churns out a plethora of playful and multidimensional pieces. From portable homeless shelters to wedding cake toppers and DIY vending machines, his career in the creative world knows no boundaries and ignores all stigmas. He just grabs inspiration and goes for it. For instance, Leavitt pays homage to Christo by shaping his image from polymer clay, a staple at Michaels or any craft supply store. This, and other Art Army Action Figures, embrace a lovely contrast between materials and content in an loveable and pitch perfect manner. It’s not just cheap plastics imported from overseas factories, nor is it about elitism in the commercial art world, nor is it a rebellion against any of it. Each art star figurine is simply built from hand in a limited edition of 10 with a raw passion and appreciation for the entire spectrum.
American artist Robert Wechsler is a bit of a trickster. He takes everyday objects and transforms them into unexpected oddities and puzzling sights. He alters things and spaces, changing our understanding of the most understated and mundane item/place. His latest ‘practical joke’ Money was commissioned by The New Yorker and involves him cutting notches into different coins and slotting them together to look like atoms or complex cube shapes.
He has a fine sense of humor, and has practiced it extensively through previous projects. He has welded nine bikes together to create a giant carousel, re-plumbed a public drinking fountain that fooled thirsty members of the public, and instead of quenching their own thirst, watered nearby plants. Wechsler has also worked with currency before – he has cast a penny 30,000 times it’s size and replaced a manhole cover with it. He explains his motivations:
My focus is necessarily on the familiar. Comfortably accustomed to everyday objects and spaces, we are blind to their unseen beauty and elegance. Who looks at a shopping cart or a toaster for the object itself? This state of static expectations is fertile ground for surprise. It is a conscious re-examination of my subjects that re-instates the novel back into the familiar. This is the moment of surprise, the moment we discover what is unseen in what is always seen. In reverence for what initially appears modest we get a small glimpse of the boundless elegance of our world. (Source)
Check out the artwork of Japanese artist Takahiro Iwasaki. “Not only are his small buildings and electrical towers excruciatingly small and delicate, but they also rest on absurdly mundane objects: rolls of tape, a haphazardly wrinkled towel, or from the bristles of a discarded toothbrush. Only on close inspection do the small details come into focus, faint hints of urbanization sprouting from disorder.” (via).
Adam Friedman is a painter who is drawn to the similarities between the geologic process and human institutions (financial, governmental, etc.) He is interested in showing a million years on one canvas through the changes the surface, ridges, etc of the earth undergoes through time. But more importantly, he attempts to show a world that is healed of the human intervention it is currently suffering.
Slightly gory yet somehow charming and fun, SEKDEK is part performative, part sculptural, part photographic, and part ritualistic. The artists behind the work refer to it as a “spirit extraction kit/ demon extraction kit.”
The project, in their own words,
“is a series of fantastically colorful, expressive & psychedelically gory sculptured head and torso images that were caught using an expressionistic painting/ messy visual chaos technique that includes throwing, spreading and or spitting clay, acrylic paint, glitter, fake blood, wigs, fabrics and flour etc.. all over ourselves.”
The inspiration for SEKDEK comes from a large spanning vat of various sources. To name a few, the project takes visual cues from artist such as Mathew Barney, Björk, and H.R. Giger (the guy responsible for the creature from Alien [which he won an Oscar for] and apparently also the inspiration for “biomechanical” tattoos). They also name film influences such as the 1990 dark fantasy horror film Nightbreed, the 1988 satirical sci-fi movie They Live, and the opening scenes from Where The Wild Things Are. Also the heavy metal band Gwar (still not sure if this band is a joke or not) and images from National Geographic tribal indigenous documentaries.
Extensively absurdist yet clever and elaborate, SEKDEK is a unique project that invites imaginative thinking as it lives between the borders of fetish, gore, kitsch, and perhaps just plain ol’ innocent fun.
In his first eleven years of life, the Serbian artist Dušan Krtolica has already exhibited his drawings at two nation-wide solo shows. He began his drawing career at two-years-old, displaying an astounding visual ability; since then, the prodigy has focussed his efforts on depicting wildlife and natural worlds, both existing and extinct. As with the notebooks of Renaissance master Leonardo da Vinci, Krtolica’s pages are filled to their edges with rich anatomical and zoological studies. Though passionate about drawing, the fifth-grader hopes someday to pursue his passion for animals by becoming a zoologist.
Krtolica’s drawings magically marry a childlike sense of wonder with a more seasoned visual precision; though startlingly detailed and studiously seen, his work maintains a frenetic and unabashed curiosity. His ocean floors and vast jungles are seemingly blessed with creatures of different periods, as if more mature and evolved animals could intermingle with primordial beasts. The bodies of animals overlap in the midst of a wonderful chaos, and an armed knight is envisioned with the same degree of specificity as a tiny beetle.
Though powerfully scientific and unfalteringly observant, Krtolica’s images contain within their borders an ineffable quality of life and vitality, as seen through the rubbing of hybrid wings, the weaving of a spider web. The artist possesses both the awe-filled eye of a child and the technical ability to render his imaginings on paper, and that is a truly magical combination indeed. Take a look. (via Demilked)