Ramon Coronado is an independent, cross-media visual designer based out of Los Angeles. I saw his work at the Art Center Undergraduate Graduation show and noticed it immediately due to Ramon’s clean and professional presentation. I really liked his Mercado Negro project (after the jump), a 2 week on-taking that deals with reclaiming an ordinary, everyday object and transforming it into a whole new object.
From a distance the extremely dense photographs of Angelo Musco can be deceiving. From afar they look like organic abstractions but as you get closer you realize that the image is composed of thousands if not millions of tiny images of humans swirling into a never ending vortex. See detail shots of these dark and mysterious images after the jump.
Using photography as a tool for generating evidence, South African artist Dillon Marsh approaches the creation of his serial landscape works with the methodology of a researcher. Marsh is constantly looking to capture his subjects “in the wild,” and his watchful eye has yielded a variety of interesting results—with some topics touching on landscape, ownership and disruption in both realms.
For his “Invasive Species” series, Marsh captures instances of oddly jarring, slightly unapologetic occurrences of poorly disguised cell phone towers as they dot the South African landscape. He notes: “In 1996 a palm tree appeared almost overnight in a suburb of Cape Town. This was supposedly the world’s first ever disguised cell phone tower. Since then these trees have spread across the city, South Africa and the rest of the world. Invasive Species explores the relationship between the environment and the disguised towers of Cape Town and its surrounds.”
In the future buildings will crumble and burn, graffiti will warn about the end of the world, drugs will be rampant, creepy guys with black eyes will lurk in the dark, and skinny european bgirls with airbrushed t-shirts will roam earth. Oh and faint electronic music will be the soundtrack to our lives.
Dolls are an appealing motif for artists because, as artist/ doll-maker Marina Bychkoya says, “I’m not content working in just one medium such as painting or sculpture, and dolls offer me a very diverse and satisfying tactile experience. To create a doll I get to do it all: sculpture, industrial design, painting, engraving, mold-making, drawing, metalwork, fashion and jewelry design.” Combining multiple interests and talents, these five artists create some of the most fascinating, bizarre, beautiful and awesome, in the truest sense of the word, dolls I’ve ever seen.
Freya Jobbins says that she is inspired by Guiseppe Archimboldo and his fruit and vegetable paintings; Penny Byrne’s ceramic creations, Ron Muek’s giant people, Gunther Von Hagen’s plastinated corpses, and of course the Toy Story Trilogy. Combining these inspirations with a technique that incorporates plastic doll parts and toys, she creates assemblages of faces, heads and larger busts. Provocative, humorous and perhaps slightly disturbing Jobbins’ assemblages explore the relationship between consumerist fetishism and the emerging recycling culture.
Ana Salvador was born in Barreiro, which is a small town in Portugal. She now lives in Amsterdam and has a passion for sculpture, drawing and painting. Inspired by the human body, antiques, ornaments, fabrics and laces Salvador creates fantastical sculpted figures with distinct personalities.
Marina Bychkova is a Russian-Canadian figurative artist who founded Enchanted Doll so that she could devote her time to creating exquisite porcelain dolls. An artist through and through Bychkova is concerned with each detail on her dolls, from their costumes to their facial expressions.
Anders Oinonen, of Ontario, Canada, just opened “People people”, a solo show at Cooper Cole in Toronto. For a while now, Oinonen has been pushing the features of the face to new bounds in his paintings. The artist has removed familiar eyes, noses, and mouths from their intended plane, and inserted them along the lines of an Expressionist landscape. Such a presentation of the face -associated with communication of our inner life more than any other part of the body- in tumultuous states of despair and incredulity as stimulating blocks of color masterfully applied to canvas arranges a statement which is hard to miss and extensive in depth.