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Soo Kim Cuts Apart And Reconstructs Photographs Of Cityscapes Until They Become A Whole New Concrete Jungle

Soo Kim - Hand cut, Inkjet PrintsSoo Kim - Hand cut, Inkjet PrintsSoo Kim - Hand cut, Inkjet PrintsSoo Kim - Hand cut, Inkjet Prints

Artist Soo Kim severs, cuts, and reconstructs photographs until they become a more ethereal, delicate version of what they once were. Kim’s work portrays buildings fading away, and creates new geometric forms from different objects. Her cityscapes turn into beautiful framework of a concrete jungle after she slices them into their new form. They become a new, unique style of architecture and design that is created from layers of hand altered and manipulated photographs. Her highly architectural work examines these manmade forms in the midst of their environments. She often snips away at the manmade structures, but leaves the lush landscape in the background alone.

Often using photographs of scenes from different cities all over the world, these once extremely diverse places now are stripped down to their bones where they look somewhat similar. Soo Kim’s hand-cut structures unify these contrasting places, creating a balance of harmony. The incisions in her layered and cut two-dimensional work form a sense of volume, a three-dimensional element is added with her manipulation of foreground and background. Soo Kim’s art can often be more abstract, creating more vividly colored work with the same incredible cutting technique. Not always focused on architecture and manmade structures, the artist’s body of work also includes several ephemeral scenes of nature. With a light and airy palette, her tree branches droop, curve, and jut out of the composition in every direction, creating an amazing sense of depth. Make sure to check out more of her work on Angles Gallery’s website, where she is represented.

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Damien Hirst’s Little Pink Pill

Damien Hirst - Installation

Damien Hirst - Installation

Damien Hirst - Installation Damien Hirst - Installation

Damien Hirst is often known for his menagerie of carefully curated animals. You may have seen his cow, somewhat deconstructed, or his 14-foot tiger shark preserved in a tank of formaldehyde. In his new exhibit, “Schizophrenogenesis,” Hirst turns to a different kind of preservative: the kind that humans use to maintain a delicate mental balance or for the good of our health — or so we have been told.

“Schizophrenogenesis” is a tongue-in-cheek homage (or opposite thereof) to the sleek contemporary design of pharmacology. These IKEA-worthy pills are shown in neon prints or as sculptures, much larger than life. “Pills are a brilliant little form, better than any minimalist art,” Hirst says. “They’re all designed to make you buy them… they come out of flowers, plants, things from the ground, and they make you feel good, you know, to just have a pill, to feel beauty.”

Though out of the ground indeed did they come, the modern-day herbs and remedies Hirst depicts are anything but natural. Viewers are asked to contemplate their artificial curves and edges and the distant bold-faced type of a prescription (“Take SIX capsules FOUR TIMES DAILY,” one says urgently). One bubblegum pink capsule declares, “PFIZER.”

“Schizophrenogenesis” is currently on display at the Paul Stolper Gallery in London until November 15th. (via Artsy)

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Leah Rosenberg’s Stacks Of Dried Paint

Leah Rosenberg lives and works in San Francisco. Using layer upon layer of dried acrylic paint she creates colorful monuments that blur the line between painting and sculpture. These luscious slabs appear to be wet, ready to curl and swirl at any moment. In her own words these “…bodies of work combine systems of accumulation and elements of layering to explore how our experiences, emotions, and memories build up over time.”

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Safwat Saleem’s Bunch Of Crock

Safwat Saleem’s Bunch of Crock project is a response to the current public discourse and the political landscape in the US. Being a Pakistani immigrant living in Arizona, Safwat has been inspired by both by his location and his experiences as an immigrant. His body of work includes beautifully designed prints, video installations, audio installations, and a game (aptly titled Fling Some Shit Game) . For more info visit his site and help him raise awarness about the absurdities of the political system and the unfortunate role of minorities.

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Vaughn Fender’s Animated Type

Designer, illustrator, and printmaker Vaughn Fender is a big thinker when it comes to typeography. His type is big, bold, and full of character!

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Awesome Video Of The Day: Youtube My Facebook

Cedric Vella shows us what happens when your Facebook page comes to life to perform in the biggest and baddest musical collaboration between you and your 1,000 closest friends. Watch the full video after the jump!

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Awesome Video Of The Day: Good Man By Raphael Saadiq

Raphael Saadiq”s video for Good man is a great example of how to tell a story through music. So much music these days is just a bunch of nonsense with nothing behind it but Saadiq has hit a home run.I don’t even really like R&B and I love it!

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Norway’ Unveils Poetic Memorial For Tragic Mass Shooting

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A memorial to the victims of the worst mass shootings in modern history was recently announced, as the country revealed the selection of a design by Jonas Dahlberg. Almost three years ago on the island of Utøya, Norway, a gunman set off several bombs and killed 77 people. Rather than erecting a building or edifice in remberence, Dahlberg’s submission chose to focus on nature itself, separating the end of the island with a man-made fjord where the shooting took place. Across the channel, the names of the victims will be etched in stone, which will be seen by visitor’s in the viewing area. Separated from them physically, Dahlberg explained, “The concept for the Memorial Sørbråten proposes a wound or a cut within nature itself. It reproduces the physical experience of taking away, reflecting the abrupt and permanent loss of those who died.”

The Swedish designer’s submission was unanimously selected (his project description can be read in full here) Dahlberg explained the presence and loaded feelings upon visiting the future building site, “An emotional observation informs my overall concept. During the initial site visit to Utøya, I noticed how different the feeling was of walking outside in nature, compared to the feeling of walking through the rooms of the main building. The experience of seeing the vacant rooms and the traces of extreme violence brought me — and others around me — to a state of profound sadness. In its current state, the building kept close within it the memory of the terror acts of July 22, 2011. Like an open wound.” (via gizmodo)

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