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Tomoo Gotika’s Abstracted Playboy Girls

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Tomoo Gokita’s abstracted erotic paintings have a very nostalgic feel. As a child, Gokita snuck to read his father’s playboys, which he says are still a big influence on him now. His father created the images for advertisements in Playboy for its launch in Japan in 1975. Gokita now keeps the entire collection in his studio, and this influence shows heavily in his work. The curves and teasing stances of his characters are obvious references to such imagery. The forms and colouring make for a very retro feel, but the strange dot-eyes or the patterned zigzag head of the tuxedoed man have more of an Internet age vibe.

Gokita never reveals faces, except for the subtle suggestions in the dots.  Often he flattens them completely or creates intestinal-looking deformities oozing from their head. Gokita says that he doesn’t depict faces because he became tired of them, and now he is instead interested in masks: “to hide a face and to become a different character.” This too seems to relate to his fascination with the women in Playboy. Although the images are extremely revealing, they’re also highly composed, and act almost like a mask of sexuality. Both the paintings and the images they are inspired from are a fantasy or a caricature of a woman’s true and much more deeply complex sexuality. Gokita’s paintings reduce them to be even more elemental, and also reveal their oddity. This is done very acutely due to his respect and love for the imagery. It’s a fascinating way to examine the inner workings of commercial erotic images. (Via Hunted Projects)

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“Intifada Rap” Captures The Culture Of Rap Music In Palestine

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As a generation in Palestine confronts misery, violence, and rejection, the hip hop scene is an outlet to express themselves. Photographer Pierre Mérimée and journalist Jacques Denis capture the young people involved in this scene in their new book, Intifada Rap. In it, we meet MWR’s Mahmoud Shalabi, the girls of Arapyot, and the “veterans” on the scene, including Said Mourad, the voice of the first Intifada.

The book’s press release describes it as:

A dive into the heart of the Palestinian hip hop scene, Intifada Rap bears witness to the incredible strength of the musical movement, from the suburbs of Tel Aviv through to Ramallah. Pierre Mérimée and Jacques Denis’ work shines a glaring light on the reality of Palestinian rap while offering an unprecedented view into the daily lives of a generation confronted with misery, violence and rejection, fighting back against it all to escape their imposed fates. Far from the shocking image of television news and the continual discussion of the Israeli-Palestinian conflict, the two journalists have documented the day to day lives of youth facing a dark future, for whom hip hope is more than just an escape. Armed only with their words, these men and women on the cusp of their twenties express their need for freedom, hope and equality through lucid texts and heavy beats.

 

You can purchase Intifada Rap here.

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Furry Cats And Naked Girls Star In Martin Eder’s Kitschy Erotic Paintings

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Martin Eder combines two common subjects in his oil paintings and comes up with something surprisingly seductive, erotic, even perverse. Painting naked girls mostly in domestic scenes, accompanied by over sized fluffy cats, his work has a surreal kitschy feel, like some sort of illustrative pornographic fairy tale book. Eder places these women in a magical dreamlike setting, with the cats either looking on disdainfully, or not interested at all in the situation happening around them.

Quite often the girls are in some sort of intimate activity – perhaps in a sorority room during down time. Surrounded by these adorable cats it seems as if the ladies have a special bond with their pets, there’s something quite secretive happening. They seem to mimic each other, or at least share an understanding of one another.

Eder manages to paint in a cute and sexually suggestive way at the same time, and this has confused some people, even created a bit of controversy. He is surprised about some reactions people have to his art:

“I don’t know what’s provocative about my work. I’m painting things that are absolutely ordinary, like a naked human or a house pet. Where’s the problem? What’s provocative about these things? If I were painting a bunch of hanged people, people wouldn’t be interested. But a pet, yes a pet, is apparently provocative.”

Also working with the same subject in watercolors, Eder has quite the impressive fascination with girls, cats, girls and cats, and cats and girls.

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Miracle Paintings: Wild Child Dan Colen Gets (Kind Of) Sober

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Dan Colen has been dubbed in the past one of Warhol’s Children, a famous or notorious – depending on which critic you’re asking – New York post-pop prince. His earlier work was made of gum and simulation bird droppings, and although his artwork received heavy criticism for imitating or ridiculing artists and the high-art community, he continued to be successful and his career flourished. It seems there’s always a place for the unaffected artist-rock-star character type.

Recently, Colen has taken a more subdued approach to his practice. In light of the death of his good friend and artist contemporary Dash Snow, who died of an overdose in 2009, Colen has tried to curb his own lifestyle choices. This slow down is reflected in his artwork, namely his current exhibition at Gagosian: Miracle Paintings. Perhaps in the context of another artist, paintings of star streams and neon explosions would be a bold subject, but in comparison to his whoopee cushion installation Blowin in the wind, the medium is much more conventional and less provoking.

The feeling in the paintings is of excitement and solemnity. They’re easier to digest but still pack a visual punch. There’s life, death, and tranquility. It’s probably a pivotal moment in Colen’s career. Will he be able to remain successful without the contrarian stunts he is known for? It should also be considered that these paintings are much more pleasant to consume: Is he riding the comfort of his position in the New York art community, or pushing new personal boundaries? Personally I enjoy this series, but could also see how some of his fans might be disappointed in the relatively understated nature of the works.

Miracle Paintings is on at Gagosian until October 18th.

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Seung-Hwan Oh Fuses Art With Microbiology In Bacteria Manipulated Photographs

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Using homegrown bacteria, photographer Seung-Hwan Oh warps and manipulates his photographs, surrendering his art to a higher ecological order. Oh, who also goes by the name Tonio Oh, explains that his intention is to “explore the impermanence of matter as well as the material limitations of photography.” It brings the artist’s studio into the laboratory, marvelously blending the organic and the artificial.

Oh’s website describes the process:

“As the microbes consume light-sensitive chemical over the course of months or years, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale.”

It’s an interesting approach to photography that takes a normally still medium and adds a dimension of something active, live, and dynamic. When you view Oh’s photographs, the question is no longer the significance of what is depicted; instead, what catches your eye is the tension between what is shown and what is already lost. Though art is naturally created to be consumed, in this case, the art itself is the act of consumption, the parts of the photographs that have been literally eaten away by a relentless force of nature. The result, in Oh’s word, can be witnessed as something that is “entangled creation and destruction that inevitably is ephemeral”.

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Sally Hewett Fills Embroidery Hoops with Butts, Breasts, and More (NSFW)

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Sally Hewett is a UK-based embroider who gives new meaning to a sculptural approach to the craft. Instead of stitching subject matter like flowers, puppies, and generally happy scenes, she fills embroidery hoops with butts, breasts, and genatalia. The circular compositions rise from the surface and Hewett uses well-placed stitches to give form to these bulbous shapes. In addition, she’ll use dangling threads to simulate public hair, both trimmed and natural.

In her artist statement, Hewett states that she’s interested in ideas of beauty and the things that people do because of it. She writes:

Men and women almost ritualistically shave and remove hair from their bodies – beards, underarm hair, pubic hair, leg hair etc, whereas other hair – hair on the head, eyebrows, eyelashes – are valued and encouraged to flourish. But there is other hair which not everyone has. Sometimes this special hair seems to be reason to feel ashamed. A large number of women and men submit their bodies to extraordinary procedures in the name of convention or beauty – liposuction, implants, scarification, surgery, laser treatment, electrolysis etc.

Embroidery is often see as an innocuous craft, and part of the reason that Hewett works this way is to see how the medium affects how the content is seen. Is it more shocking, amusing, or beautiful simply because it’s portrayed with a needle and thread?

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The World’s Largest Flower Parade Is A Surreal Feast For The Eyes

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Corso Zundert, the famous flower parade, takes place every September in Zundert, a small town on the Belgian border. Known as the world’s largest flower parade, participating districts work arduously to out-do the other competitors in creating the most wild and unique float possible. There is no set theme for the parade, but competitors must adhere to two parameters: their floats must be made entirely of dahlia flowers and be smaller than 20 by 10 meters. Included here are photographs of floats from this year and past years as well. With the huge crowds surrounding the floats you can really see just how immense and outrageous these structures really are.

Starting in 1936, Corso Zundert is an ongoing tradition within the Netherlands. Using an unimaginable number of dahlias, people painstakingly construct and adorn these gigantic floats. The twenty floats, once completed, make their way through the city, everyone hoping to win first place. For the 2014 parade the prize went to a horse-themed float called Horsepower. What would your float look like?

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Illuminated Girls – Vasya Kolotusha’s Neon Soaked Retro Illustrations

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Ukrainian illustrator Vasya Kolotusha has a great eye for pattern, texture and color. Taking inspiration from fashion blogs and models, she captures a playful essence in her sketches and animations. With a clean aesthetic, and a slight 80s twist, her images are cool, stylish, classic and quietly humorous. Illustrating for magazines, bands, and posters, Kolotusha’s lux style is a popular one.

Her latest experiments with adding neon light tube details to her sketches are a good match. They are reminiscent of 80s hairdressing signs, a piece of art from a time when sign writing was champion. She has a very simple yet effective technique of isolating her subjects and placing them inside a very graphic background. Her drawing style is so detailed and rich, they succeed in being intriguing, and translate well into animations.

Experimenting with the GIF format, Kolotusha is exploring the process of sketching – making visible to us viewers the preliminarily lines, the building up of color. We can almost see her hand adding background detail and extra flair and then continue on to edit everything we have seen her create. By exposing the whole drawing exercise, she captures our attention, rather than boring us with fussy detail.

Following on from her previous series of people wearing helmets, this series of illuminated girl portraits are a promising sign of things to come. This illustrator is one to watch!

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