Star rain is a metasigil, a materialized digital wish, a artistic virus that wants to change the operating system of our reality. It is a creation myth that tries to exemplify that all come from the same source from the 5th dimension outside the barrier of space and time, where anything that can be imagined exists. By Charles Glaubitz.
Los Angeles based photographer Aaron Feaver.
Australian illustrator Stuart McLachlan works in a variety of styles but his cut paper pieces for fashion and editorial are the most powerful. These intricate hand made pieces have been used extensively on the fashion runway and have been published in Vogue, Karen magazine, on book covers, posters, editorial and commissioned art.
“Paper is a medium without boundaries, it can be molded, formed and cut into almost any form imaginable, I endeavour to push its physical boundaries and create imagery and art that is not expected from such a delicate structured material. The goal of art is to surprise and excite, to bring something new to the table.
Art is our universal language, one which all of us relate to in one way or another, be that sculpture, painting, film, music or even sport. The practice of ‘hand making’ my work is integral to what I do as I believe this is what fascinates people, they love rediscovering that it is still possible to create arresting objects and images by hand, and I get great joy from the challenge of bringing them to life.”
It pains me to say that an extraordinary intern of ours, Alexis Kaneshiro, will be leaving the Beautiful/Decay offices today! Alexis is a budding creative talent studying Fine Art at USC (not to mention a pleasure to work with) and will be missed here! Anyways, her personal artwork is really lovely- marked by a characteristic sense of fancy, sincerity and whimsical charm (sort of like her!) I love the cake she made, above, that interprets the tactile “softness” and festive nature of a birthday cake through the crafty materials of felt, balloons, googly eyes, pearls and candles. Constructed from these materials, the fleeting nature of the cake is transformed into a permenent and bittersweet effigy to her father. More of her work below!
Seattle based illustrator Stacey Rozich’s work is littered with vibrant tribal patterns and drawings based on folklore. She brings an animated, lively, modern perspective to stories of myth. Her pattern work and line work are nothing short of exhilarating, playing reference to southwestern art, and tribal marks.
Benedetta Falugi only recently discovered her love for photography, but in the space of a couple years, she has taught herself how to work with film with incredible results. She prefers an unplanned approach to her work, taking long walks in the Tuscan Maremma in her native Italy and effortlessly letting shots compose themselves.
This Saturday 12:00p-4:00p Beautiful/Decay will be participating in a one-day dont-miss event at University Park Campus, USC. Shelf Life: A Big Day for Small Press spotlights small press writers, designers, artists and publishers address issues concerning the future of independent publishing. B/D will have a table at the bazaar, featuring all our favorite indie and small press magazines, books and other great stuff. Admission is free. Yes, there will be a taco truck. Heres a map. Harris Hall is the building with two courtyards, visible along the bottom edge (Exposition) of the campus map.
Multimedia artist Alex Kiessling works with different ideas of how the future can be. He combines the ideas of fine art and high technology. He has used robots as painting assistants and exhibited it through a live stream to a worldwide internet-based audience. This series of paintings give the impression that they were made with digital help. Their colorful layers are overlapped just like a screen print gone wrong, but of course this is intentional. But despite appearances, Kiessling has achieved this striking effect by painting acrylic on canvas – by hand.
The series, titled Shift, ties in with his larger ideas of augmented reality, simulation, hybrids, and the existence between reality and dream. He explains a bit more:
In the static scenes of my paintings, the protagonists remain mostly resident between the glaring colorfulness of virtual realities and darkness, which is inherent in most of our dream sequences and memories. Both of these worlds are paramount due to their systematic character, which is connected to the simulative, and are projection surfaces of the human psyche. (Source)
His paintings have the affect of dreaming – you feel like what you are seeing isn’t really right, and maybe you should look a little harder. He has a beautiful way of describing his work:
In my work I concentrate on dreams and all kinds of dreamlike structures and explore its borders and bridges to reality. I try to visualize the “no men`s land” between the absurdity in our existence and the concrete concerns that come with our human mind or spirit. I am fascinated by the interacting vibrations between virtual reality, dreams and the basic common ground of our world`s so called reality. (Source)
Kiessling is interested in fragmented identities, and the fact that most of us now-a-days live our lives out in many different spheres or realities – in the physical as well as the digital. His painting series Shift is just another visual exploration of the theme that is becoming more and more relevant to this generation. (Via SuperSonic Art)