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Megan Greene Is Morphing

Megan Greene’s meticulous drawings bend, morph, and transform from one texture to the next like a woven embellished creature that is continually on the move.

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Behind the Scenes Look At Salvador Dali’s Bizarre Photograph “Voluptuous Death’ (NSFW)

Salvador Dali & Philippe Halsman - Photography

Salvador Dali & Philippe Halsman - PhotographySalvador Dali & Philippe Halsman - Photography

In 1951, surrealist artist Salvador Dali teamed up with photographer Philippe Halsman to create In Voluptas Mors or Voluptuous Death. A black and white photograph, this image is simultaneously strange, complex, and alluring. It features a giant “skull,” a living picture that is made up of seven nude female models that took three hours to arrange and photograph. The final product has the artist standing next to the skull, looking like the ring leader of a circus. And, in many ways, he is.

Additional photos have recently surfaced that reveal some behind-the-scenes moments of In Voluptas Mors. Not only do we see the apparatuses needed to hold the models, but we see how the skull was constructed with bodies. From the looks of it, there was a process of getting one section of the skull situated and balanced. This would repeat until the structure was stable enough to be captured on film.

In Voluptas Mors was not the first time that Dali and Halsman collaborated, nor was it the last. They originally met in 1941 and worked together over the course of 30 years.  All of their efforts were eventually published in a 1954 compendium titled Dali’s Mustache, an homage to the artist’s facial hair. Check out the upcoming exhibition at The Musée de l’Elysée, which runs from January 29 until May 11, 2014 to see these images in person.

(Via Huffington Post and Film’s Not Dead)

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The Things That Hold Art

the things that hold art

With the motto, “Great art, and the weird ways it’s displayed,” The Things That Hold Art is a tumblr website that collects interesting mixed media in both art and design. What’s fun about it too is that you can contribute by sending images to the website. Check it out!

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Zoe Keller’s Charming And Elaborate Illustrations Of Flora And Fauna

turtle1 zoe-keller-mushroom-postcard-snail zoe-keller-july zoe-keller-mushrooms1

Portland, Oregon based artist Zoe Keller creates intricate and whimsical nature themed illustrations and designs. After her graduation from Maryland Institute College of Art (MICA), Keller found herself spending time in rural areas such as the rocky cost of Maine, on a blueberry farm in Michigan, and the quiet town of Hudson, New York. Inspired by her experience and her surroundings, Keller’s work aims to explore the “intersection of art making, activism and the natural sciences.” Using graphite renderings that are sometimes enhanced with digital coloration, Keller’s drawings are flawless and comprehensive. Each work, exploring a stylized still life or, in some cases, a more narrative focused composition, acts as a tiny shrine to nature. Many of her drawings depict endangered species, allowing her art to serve as a form of education, awareness, and perhaps memorial. For example, her piece Life Cycle portrays the various phases within the life of a Black Racer Snake, an endangered species native to Maine. Another piece, Endangered Turtles, is a charming composition of North American endangered turtles stacked by size. Her drawings have a lithographic feel, allowing them to act as a part of the classical tradition of drawing as documentation. Her images clearly pay homage to the vintage botanical drawings once used before the days of photography. Painstakingly detailed, yet simultaneously fun and carefree, her images have an almost fairytale quality. Keller’s work is undoubtedly endearing and her craftsmanship undeniably elaborate. 

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Cod.Act’s Ingenious Choir Sings And Dances In The Air With The Help Of Hydraulic Jacks

pendulum choir pendulum choir

Cod.Act’s Pendulum Choir is an original choral piece for 9 A Cappella voices and 18 hydraulic jacks. The choir stands on tilting platforms, constituting a living, sonorous body. That body expresses itself through various physical states. Its plasticity varies at the mercy of its sonority. It varies between abstract sounds, repetitive sounds, and lyrical or narrative sounds. The bodies of the singers and their voices play with and against gravity. They brush and avoid each other creating subtle vocal polyphonies. Or, supported by electronic sounds, they break their cohesion and burst into lyrical flight or fold up into an obsessional and dark ritual. The organ travels from life to death in a robotic allegory where the technological complexity and the lyricism of the moving bodies combine into a work with Promethean accents. (via)

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Michael Skattum

Michael Skattum is another one of those artists that seems to barely exist outside of Flickr- which is a shame. His serigraphs and paintings of 3d melting monsters will leave your eyes weeping for more.

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Brent Christensen’s Castles Made Out Of Icicles

Brent Christensen constructs massive towers that he has coined Ice Castles. The monuments are made entirely out of ice with no supporting substructure. “Christensen’s series of Ice Castles are unpredictably constructed towers of ice fortified by more ice. The enchantingly frosty structures start off with a pool of water, naturally frozen atop grass, as their foundation. From there, the artist attaches countless icicles, using water to cement them in place, with the help of about 20 crew members who work tirelessly to deliver Christensen’s self-made icicles from his personal rack, where water drips and forms 3,000 to 5,000 icicles per day. Millions of gallons of water are used for each castle’s assembly, allowing it to reach heights of 20 to 25 feet. Additionally, the interior design of the chilly architectural constructions include tunnels, archways, walls, and stairs. At night, they’re even illuminated from within by multi-colored LED lights, heightening the magical air of the setting.” (via)

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Zipora Fried

Zipora Fried

Meticulous attention to detail helps Zipora Fried transform ordinary objects into compelling works of art. I recently saw several sculptural pieces by Fried at the Greater New York 2010 exhibition at P.S.1 and thoroughly enjoyed her use of playfully poignant and enigmatic materials, along with her sustained focus on repetition. Arduous process? Yes. Emphatically handmade? Yes. Beautiful in it’s simplicity, yet endlessly complex? Yes, indeed.

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