Crystal Wagner‘s immersive installations are attractively textured, instantly eye catching, elegantly dramatic, and undeniably wonderful. She carefully arranges pieces of paper bought from office stores into organic explosions of florescent color. She invites visitors to walk through and navigate her neon universe of oceanic waves, throbbing bubbles, and swollen mountains.
Wagner’s work is not only aesthetically organic, bu so is the very nature of her process. She talks about how each complex piece is created:
Each installation, and each drawing is a different conversation I am having. The gesture is the introduction, the first impression, and everything else tumbles out. (Source)
Wagner uses her time spent in the many National Parks of America as a lot of her inspiration. Aspects of Yellowstone and Joshua Tree National Parks find their way into her work. The scale of her installations do make you feel as if you are standing in front of a gigantic cliff – dwarfed and in awe. But she is also a child of the modern world, living in an urban jungle, and is very familiar with plastics, paper, and concrete. Wagner explains the importance of this dichotomy in her work:
My latest installation titled Urban Kudzu explores ideas related to people and their disconnection from the natural world… In my own experience with the world, I have a deep rooted understanding of what the plastic feels like, of what man made materials and spaces feel like, and tend to perceive the natural world through a very exotic lens. (Source)
Her work reminds us that although nature is wonderfully powerful and can annihilate anything at any given time, the modern world can also be just as destructive. In both situations we are reminded of our smallness and how easily we can loose control of that around us. (Via Sweet Station)