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This video is complete nonsense but I’m amused. This kid is creative!

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D-BROS’ Mirrored Teacups Create Geometric Harmony With Their Saucers

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D-BROS, a Japanese design company that produces ultra-modern housewares, has crafted the beautiful Waltz Cup and Saucer — a teacup with a mirrored, palladium finish that reflects the geometric patterns of the plate on which it is placed. The product is well-named, for like two dancers, the saucer and cup must be in proximity and working together in order to create a work of art. The product is made out of Hasami porcelain on the island of Kyushu in southern Japan, which is known as one of the world’s great pottery hubs. Each cup is carefully handmade so that the surfaces are completely smooth; “after all, even the slightest scratch would create distortions throughout the reflection.” (Source)

The cups, once removed from their beautiful saucer-companions, will of course reflect everything else surrounding them — the color of your sweater, or whatever ordinary items are lying around your kitchen table, for example. And at ¥7560 (approximately $62.00 USD) per set, the cups and saucers are less practical than a piece of art, but there is something to be said for the integration of art, geometry, harmony, tranquility into our everyday lives; interestingly, these are the spiritual and aesthetic values which are present in the Japanese traditional practice of tea ceremonies (Chanoyu), wherein the functionality and practicality of drinking tea is subsumed into ritualistic acts that achieve refinement, simplicity, beauty, and peace. Thinking of it this way, there is much significance to be appreciated in the harmony and creativity ingrained in D-BROS’ designs.

While sold out elsewhere, the Waltz Cups and Saucers can still be bought from D-BROS. Visit their website and explore some of their other intriguing designs. (Via Laughing Squid)

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Pierre Dal Corso

Exquisite fashion photography by  Paris based Pierre Dal Corso.

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Peter Stichbury’s Unsettling Clone-Like Portraits

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Hyper-realism reaches a point of surreal alienation in New Zealand-born Peter Stichbury’s paintings. These alienated and alienating faces, doll-like and expressionless, detail what could be a new race of clones, mannequins, or digitally rendered animations. Well-dressed, exceedingly manicured, completely devoid of facial emotion, their middle gaze lost on an unknown point, they carry an unsettling quality about them. Too clean and too polished, there is an unwelcoming aspect permeating from their presence. They emit either ennui or psychopathy, but it’s hard to tell which, and the need to sort that distinction is a major part of the allure with his work; trying to articulate the intention of the face staring out becomes the major connecting point. But don’t stare too long…

His work, as summarized on Artspace:

“Peter Stichbury’s portraits of wide-eyed, flawlessly polished, and sharply dressed figures are both captivating and uncanny. Stichbury employs a cool color palette—icy grey for the eyes, mannequin-cream for the skin—expelling all traces of human warmth or internal, emotional activity. Despite their manicured appearances, the figures avert their eyes as if nervous or insecure. Like the generic representations of celebrities and other public figures from which the artist culls some of his subjects, the images he produces incite stifling feelings of isolation and alienation. Painted with stunning precision, Stichbury’s painting technique invites comparison to airbrushing and the compulsive obsession with cultivating the perfect public image. ” (Excerpt from Source)

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The Operators

Exquisite photography of the bizarre, funny, and grotesque by London based design studio The Operators.

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Artist Writes The Word “Crisis” With €1000 Euro Coins On A Wall In Bilbao; The Work Disappears In 24 Hours

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The current political situation in Greece is on everybody’s mind at the moment. So the installation by Madrid based artist SpY couldn’t be more poignant. Made up of €1000 worth of 2c coins, he glued the coins to a neighborhood wall in Bilbao, spelling out CRISIS in bold, eye catching capital letter. Not surprisingly, given the current financial state across the continent, the passing public helped themselves to the work, and in less than 24 hours, all of the coins had disappeared.

An active urban artist since the 80s, SpY has been long involved in making subtle social commentary for all to see. He often installs large letters or text-based work on the sides of buildings, or creates shapes in ivy on walls; has wrapped up a police car in plastic and has also formed inaccessible areas that make people look twice. He interrupts people’s daily routes to work, or comments on the urban structures that surround them.

The bulk of his production stems from the observation of the city and an appreciation of its components, not as inert elements but as a palette of materials overflowing with possibilities. His ludic spirit, careful attention to the context of each piece, and a not invasive, constructive attitude, unmistakably characterize his interventions. (Source)

No doubt SpY’s techniques are effective – his irony and positive humor draw attention to pressing social matters, and in a non-aggressive way, make viewers think twice about their political and physical environment.

SpY’s pieces want to be a parenthesis in the automated inertia of the urban dweller. They are pinches of intention, hidden in a corner for whoever wants to let himself be surprised. (Source)

(Via Design Faves)

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Sandra Osip Sculpts Ruined And Piled-Up Houses Inspired By Detroit’s Decay

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In a dark series of sculptures titled Broken Dreams, Brooklyn-based artist Sandra Osip captures the decline and decay of suburban Detroit. The works are inspired by Osip’s memories of the city: the streets she roamed as a child, the corner stores she visited, and the neighbourhood—now destroyed—that surrounded her former high school. She sculpts the skeletal husks of houses that are burnt down, collapsed, and decaying, evacuated of all life and purpose. In more abstract renderings, Osip has created “junk heaps” of urban ruin, crushed-up buildings that represent entire neighbourhoods left to the cruel forces of time and neglect. In the following statement, Osip explains the deeply personal inspiration for the series:

“Recently I visited my childhood neighborhood in Detroit, Michigan, and to my disbelief my house was no longer standing; neither was the corner store where I bought my penny candy, nor my friend’s house down the street, nor the empty lot I used to ice skate on. This is now an empty wasteland and overgrown by nature. The day after my visit the news reported that a block away from where I lived they found two decomposing bodies. The news stated at least a dozen bodies in twelve months have been found in this abandoned and neglected part of the city.” (Source)

Nostalgia is a painful concept in these sculptures; instead of comforting childhood origins, Osip is left with rootless memories, and a sense of “home” that’s deteriorating and forever changed—haunted, even, by literal images of death in the form of human bodies. “Many of my fond memories have now vanished,” she goes on to write, explaining the pain of having part of one’s personal history obliterated. She approaches the series with a profound awareness tinged with irony; one work, titled “Beautiful Homes and Gardens,” incongruously depicts a stack of cadaver-like houses. However, by consciously reworking her attachments to the now-ruined streets of her youth, Osip’s work demonstrates a courageous exercise of healing through the release of the past.

Visit Osip’s website to view more of her works.

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The Vivid Spots, Swirls And Girls of Andres Guzman

Andres Guzman is a Peruvian artist based in Minneapolis, Minnesota and also 1/3 of the art and music collective STEAKMOB.  He’s an artist I’m surprised we haven’t already featured before.  STEAKMOB is a loose crew of creatives who do everything from design to sounds to illustration.  They invite anyone who is their creative  to work with them in their space (an attic studio).  “We just love to make stuff for the eyes and the ears,” states Andres.  Which I think to “the T” describes Andres perfectly.  He has always been drawing and experimenting, trying out new techniques and mediums to further expand his artistic vision.
Andres is a force to be reckoned with when it comes to his sketching ability.  He never ceases to have new journal entries to share of ladies and heated Midwestern narratives, a vast portfolio of hand-drawn typography, and a keen sense of nailing portraiture.  Andres is currently working on a music video animation for Tame Impala, and working with Colonel Blimp UK.  I included more illustration samples than the usual after the jump because he has so many golden pieces on his tumblr and his other blog!  All of his portfolios are worth your time to check out and contemplate.

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