At the best of times, embroidery can be impressive and time consuming, but this project shows us just how much of an art form it can be. Flickr user NanaAkua has been uploading pictures of her grandmother’s embroidered balls for a while now, educating us all about an ancient art form popular in Japan. Called Temari balls, they are folk art that originated in China, but were quickly adopted by Japan. And this very talented Japanese grandmother in particular has been embroidering Temari balls for over 30 years – building a collection of over 500 balls. Made from the threads from old kimono, the Temari balls are intricate, full of imaginative patterns and as diverse as they are colorful.
They are traditionally cherished as objects of friendship and loyalty. The bright colors symbolize luck and happiness for the recipient of the gift. And it isn’t only considered an honor to receive a Temari ball, but also to produce them. To qualify as a Temari ball artist, the individual has to display a high level of skill and technique.
Here’s a little bit of more information on the amazing art form that are Temari balls:
Traditionally, temari were often given to children from their parents on New Year’s Day. Inside the tightly wrapped layers of each ball, the mother would have placed a small piece of paper with a goodwill wish for her child. The child would never be told what wish his or her mother had made while making the ball. (Source)
Two of my favorite upcoming artists, Timothy Bergstrom & Denise Kupferschmidt recently opened up solo shows respectively @ Halsey McKay in East Hapmton. Tim brings a new suite of his gluey material paintings that visually imitate sounds, while Kupferschmidt shows a series of studies surrounding a sculptural installation, as well as a lovely mural. Good stuff, more after the jump.
Midwest illustrator Sabrina Burbaker is a self described is an illustrator, pack rat, insomniac (robot), horror enthusiast, eldest child, dog lover, & maybe-possibly-probably wino. When she’s not busy being all of the above she spends her time making beautifully detailed pen and ink illustrations with a slightly dark sense of humor.
The painter Alexander Paulus works in the grotesque, visualizing the ecstatic realm of human excess; in his disturbing images, desires of the flesh are celebrated as both revolting and magnetic. In the Primitivist style of Paul Gauguin and Paul Klee, the artist weaves viscerally-charged narratives that center around the erotic self. Through Paulus’s masterly, globular brushstrokes, the human body becomes a site of lust, gluttony, and a disgusting brand of pride.
Here, the allure and seductive powers of the flesh veer into excess and are thusly robbed of their beauty; a painting titled Blond haired blue eyed beauty imagines the female embodiment of Western beauty ideals as a rounded, egg-shaped monster, her ravenous, gummy open mouth revealing gnawing teeth. Similarly, in a piece titled Bette Davis eyes, the artist reinterprets the famed Kim Carnes song; in his rendition, the teasing seductress has an absurd about of tiny, beady eyes, and she takes the form of Queen Elizabeth I, a historical figure renowned for her spurning of male suiters.
Within Paulus’s intentionally crudely-rendered paintings lies a harsh indictment of modern culture. The works, dripping with satire, lay bare society’s worshipful treatment of sexual satisfaction; Crowing glory hole shows a roughly drawn anus adorned with a primitive crown, and Mount blue balls elevates thirsty and desirous phallus and testicles, complete with an ironic smiley face, to awesome level of the tallest natural peak. In Just the tip, thick, messy brushstrokes are also equated with the phallus and sexual desire left unquenched. In Paulus’s expertly seen world, the beautiful is merely an illusion, masking our basest desires. Take a look.
The work of art collective Ghost of a Dream uses lottery tickets and romance novel covers to mezmerizing effect. Often employing thousands of dollars worth of scratch-off tickets ($70,000 worth of tickets in the last installation alone), the work conjures a culture of hyper-materialism. The gaudy coloring of the tickets and cheap imagery of romance novels reflect the nature of the object they cover. Like the dream of striking it rich, the art of the collective is hypnotic and absorbing.
If you want to see more work from Ghost of a Dream be sure to check out their exclusive feature interview in Beautiful/Decay Book 9. The collective explores Greed in this Seven Deadly Sins themed edition.
Beautiful/Decay has partnered with premiere website building platform Made With Color to bring you another exclusive artist feature. Each week we join forces to bring you some of the most exciting artists and designers who use Made With Color to create their clean and sleek websites. Made With Color doesn’t just help artists create gorgeous websites but allows them to do so in a few minutes without having to touch a line of code. This week we’re happy to bring you the mixed media collages of Tim Furey.
The work of New Jersey based illustrator Tim Furey is full of texture, shapes, neon colors and best of all aliens! Combining a wide array of media in his collages Furey creates psychedelically hued interiors, still lives, and narratives that will hint at the story without giving away the plot. Inexpensive craft paper meets holographic stickers and crayon scribbles create images that are as primal as they are futuristic. The result is a hypercolored world where aliens mingle with mankind to create unknown future worlds.
A smart new campaign launched on Earth Day (April 22) in Hong Kong has ambitious plans aimed at changing the littering epidemic the city is facing. Called ‘The Face of Litter’ and developed by The Hong Kong Cleanup, in partnership with Ecozine and The Nature Conservancy, it is a multi-media attempt to curve people’s messy habits. Groups of scientists have targeted certain areas around the city, and with the help of DNA phenotyping and specialized software, an image of the litter culprit is developed. Then by considering the type of litter found, and where in the city, an even more accurate description of the person and their demographic can be developed. The faces of the guilty litterbugs are then displayed around the city, in different bus stops, on billboards and on social media.
By publicly shaming people who drop their rubbish, The Hong Kong Cleanup hopes to drastically change their citizen’s habits. China and Indonesia are among the top polluters around the world, and now many people are acting to change this sooner rather than later.
95 per cent of marine refuse in Hong Kong comes from local sources, with over 80 per cent originating from land-based activities. Additionally, more than 70 per cent comprises plastic and foam plastic items. (Source)
Lisa Christensen, Founder and CEO of The Hong Kong Cleanup, says:
We are thrilled to be part of this innovative campaign, which is sure to have a positive impact on people and the community. Last year, during the six-week Hong Kong Cleanup Challenge, 418 teams comprising 51,064 participants, collected a total of 3,894,000 kilograms of litter from city streets, coastal area’s and country trails. Sadly, we suffer from a serious ‘pick up after me’ mentality, and this simply must change. (Source)