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Timothy Callaghan Passes The Time With Paint

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With simplified brushstrokes and a sophisticated sense of color, Ohio-based painter Timothy Callaghan‘s most recent works carefully construct a narrative around the passing of time. His eye for immediacy takes the form of crumpled love letters, a buzzing neon sign and the stillness of shirts hanging in a closet—each piece a quiet, tongue-in-cheek observation of daily life.

Callaghan released his first book this week through William Busta Gallery, highlighting his own work, as well as that of several other contemporary artists working in observational painting. Definitely worth a look.

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James Jean At Martha Otero Gallery

James Jean is probably one of the few artists that has emerged out of the illustration/street art/comic book world who is successfully transitioning into the fine art community. His upcoming show at Martha Otero gallery is sure to a smash hit with the lush painting, rich subject matter, and amazing sense of color. Show dates, times, press release, and another sneak peak at a new painting after the jump!

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John Malta

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Okay Master Debators – we have a hot debate for you to weigh in on.  We received a submission from John Malta.  We think his work is really cool… but we can’t help but notice a similarity to Matt Leines.  This illustration style seems to be popular nowadays.  Is it just the current style or is John influenced by Leines?  You can see some comparisons after the jump.  We have no intention to bash John’s work, but we are interested to hear your opinions on the matter.  What do you think?

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Gravity-Defying Objects Created With Magnetic Clay

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Dutch designer Jolan van der Wiel creates unusual ceramic sculptures using the conflicting properties of metallic clay and magnets. His latest project “Magnetism Meets Architecture” features a number of fantastic gravity-defying architectural models and explores the possibility of using magnetism in architecture.

The process of making such sculptures starts by mixing clay with water to create a slip, a mixture with the consistency of cream. Then he adds metallic powder like iron with the ratio typically being 90% clay, 10% metal. The whole blend is then transferred to a nozzle similar to the one confectioners use for cake icing. Carefully building layer after layer, van der Wiel allows surrounding magnets to pull them into various shapes resembling a drip sand castle (passing a magnetic field through the material provides an opposing force to gravity, thus the clay is pulled upwards and suspends in its place).

Van der Wiel is fascinated with the idea of using magnetism in architecture.

“I’m drawn to the idea that the force would make the final design of the building – architects would only have to think about the rough shape and a natural force would do the rest. This would create a totally different architectural field.”

According to the artist, he got the inspiration from Catalan architect Gaudi who used gravity to calculate the final shape of his famous building La Sagrada Familia: “I thought, what if he had the power to turn off the gravitation field for a while? Then he could have made the building straight up.” (via Wired)

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Noriko Ambe’s Sublime Traces

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I know I’ve seen the book on the left circulating on all sorts of blogs, I had been wondering who’s work it was. Now I share the wisdom.

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Awesome Video Of The Day: !!!

I imagine the inspiration for !!!’s Jamie, My Intentions Are Bass video is 70’s porn set meets 2010 hip motion reel meets Miami pool party where a spontaneous performance piece by a recent MFA takes place.

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Kimiko Yoshida’s Hyper-Styled Self

Kimiko Yoshida - Self Portraits

Decadent self-portraits by artist Kimiko Yoshida.

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Tom Snelgrove

Gorgeous monochromatic paintings by Tom Snelgrove.

“I began my current body of work to make a broader statement about the basic relationship we have with each other and our world. I have been interested in how closely each creature and object is tied to the next. It occurred to me that this interconnectivity is so unrestrained and natural that most of us are not even aware of how one thing can affect the other.


The way I chose to communicate this idea was to illustrate various situations with the veil lifted. I begin each piece with what is usually an average, everyday scene, familiar to each of our daily lives. Playing the “what if” game, I make adjustments, both small and large, until the final work has developed into something far different from where it started. The process of “connecting the dots” is exceptionally free-flowing and something I enjoy exploring. From afar, my candy-colored pieces may appear strictly lightsome and playful, but upon closer investigation, they reveal that things are not always as they seem.


Working in this manner has provided me an endless number of ideas and stories to cultivate, producing finished works that are both telling and captivating.”

 

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