Have you ever had anything stolen? Perhaps a cellphone, or bag, or bike, or even a car? Well if you have been the victim of someone’s swift fingers, then you will really like this project. Some clever individual has decided to be pro-active and beat the thieves at their own game. After purchasing a brand new VW van, they have enlisted the help of UK based vinyl wrap company Clyde Wraps to avoid being the target of any crime.
With some clever coloring and detailing, they have made their 2014 Volkswagen T5 Sportline look like a rusty old van that shouldn’t be fit to drive around the city. Big rust stains drip down from the handles, the side panels look like they are disintegrating in front of your eyes, and the wing mirrors look like they have seen better days. Of course the actual body of the car is fine – the tires, the lights, and the windows all seem brand new and dent free.
But for someone looking quickly to see whether it is worth the trouble to steal this van, they will look twice. And who knows? Maybe the owner will even be able to leave their vehicle, walk around town and get away with not locking their doors! (Via Lost At E Minor)
If Raul Gonzalez had a soundtrack to accompany his drawings, it would be a mash up of old Disney movie themes, Death Metal and Mariachi music. It’s a bizarre mix of badass and cute, (cute like a two-year old giving you the finger) all on color splotched and stained pages that make you feel like you’re getting a secret look into Gonzalez’s personal sketch book. You can imagine the free-association process that went into each image, each element building, as if at some point Gonzalez thinks to himself, ‘it would be rad if the chicken was coughing up a human tooth,’ or ‘this guy should have a beat up severed head in one hand and a flaming cigarette in the other.’ And what may look like stains or scribbles reveal themselves to be crucial compositional devices that contribute to the overall success of each illustration. Best of all is the playful freedom: while the characters are often beheaded, impaled, beaten, or in some state of peril, there is always an aspect of humor and joy. Even if it’s the kind of joy some of us got from frying an ant hill with a magnifying glass as kids. Gonzalez brings to mind some of most underappreciated cartoons to hit the glowing screens in American homes, shows like Ren & Stimpy, Beevis and Butthead, and even Itchy & Scratchy on The Simpsons. Shows that are so awesomely gross and hilariously violent they pull at the heart strings of those of us who liked to poke dead things with a stick.
Woohoo! The press keeps rolling in for our Spring 2010 line! This week has seen a number of other excellent reviews, including a mention by TWBE that Ben Tegel’s t-shirt, “Greetings from LA” above, looked as “if Paris Hilton turned into Heidi Montag.” I’d say that’s pretty accurate. Other great reviews from Spanky Stokes & Addicteed. Thanks guys, for the blog love!
Lutz Bacher‘s recent exhibition at San Francisco’s Ratio 3 included the series The Celestial Handbook: offset book pages taken from found copies of amateur astronomer Robert Burnham Jr.‘s 1966 handbook of the same title. Each page — there are 85 in the series — is individually framed, forever capturing timeless subjects in a dated format. What we see are images of things that surpass the power of imagery with captions that can’t help but fall short in describing things that surpass the power of language. (via)
Canadian artist Keith Jones is a prodigious muralist who makes illustrations that remind me of those in Business Weekly or Reader Digest magazines. In them are scenes detailing the updated version of battle scenes on cave drawings or Greek urns. They are also sort of Where’s Waldo-ish.
Finnish photographer Janne Parviainen‘s mesmerizing light painting photography is created manually, with no post-production alterations or enhancements. This type of photography is created using various light sources like colored strobes, flash lights, light toys, or tools specifically designed for light painting, and manipulated during periods of long exposure. While a photograph is being exposed, it can be used like a canvas with light as a tool for painting or drawing. Parviainen’s photographs are usually figurative and evoke a ghostly surreality that is beautifully startling. Parviainen uses Finnish urban landscapes as his canvas, exploring and transforming these landscapes into scenes with haunting apparitions.
Parviainen: “What interests me most in light painting is the ability to draw in three dimensional space and the possibility to alter the reality without post processing programs. I like to use in my photos different kind of figures such as skeletons and ghostly light creatures. By using these figures I can add more humane stories into my photos and alter the cultural learned feelings they cause in the viewer of the photo. I especially like to use the skeleton figure because of it’s strong pre-learned emotional concept and place it in totally different situations and emotional stages than in which it’s usually seen in popular culture. ”
These are real legos. Nathan Sawaya works with the popular toy to create large-scale figurative sculpture. Legos’ shatter-prone tendencies and the plastic material involved lend a fractured, modern quality to these. The cold geometry involved in each sculpture sets up a nice opportunity for reflection, and Sawaya’s emotional posing of the figures spurs even further questioning.
But the sculptures work just as well when taken at face value: legos were, and are a lot of fun to play with.
Lately, Sawaya’s been placing 15-inch “Hugmen” in various public spaces (see above), adding a little love to the daily grind. Click past the jump for more lego sculpture.