Olafur Eliasson’s dazzling “Your Rainbow Panorama” is a permanent installation on the rooftop of the ARoS Museum in Aarhus, Denmark. The spectacular work of art has a diameter of 52 metres and is mounted on slender columns 3.5 metres above the roof of the museum. Visitors can literally walk through the entire color spectrum viewing the world for the first time in all pink, green, blue and yellow tones.
“Your rainbow panorama enters into a dialogue with the existing architecture and reinforces what is assured beforehand, that is to say the view of the city. I have created a space which virtually erases the boundaries between inside and outside – where people become a little uncertain as to whether they have stepped into a work or into part of the museum. This uncertainty is important to me, as it encourages people to think and sense beyond the limits within which they are accustomed to moving”. -Olafur Eliasson (via gaks)
Dirty Projectors’ David Longstreth performing at the Troubadour February 5, 2013.
Dirty Projectors‘ recent sold out show at the Troubadour in Los Angeles was filled with hardcore fans that even surprised singer David Longstreth, “You don’t see a lot of moshing at a Dirty Projectors show”, but that was exactly what was happening about mid-way through their set. The band who usually performs in much larger venues were definitely in high spirits for the hour and a half show that included many songs from their latest release, Swing Lo Magellan as well as songs from their lengthy discography.
“This is the most reluctant catwalk I’ve ever seen”, Longstreth shouted out referring to the Troubadour’s very small center stage extension as he began to do a little rock star posing of his own. They really shined during their three song encore playing one of their most popular singles, Stillness Is The Move that had everyone in the crowd wildly dancing. They finished with their song, Impregnable Question from their latest which was the perfect ending to one of the best shows I’ve seen them perform.
No other dates have been announced, but last year Longstreth wrote and directed a short film produced by Pitchfork.tv and YouTube called Hi Custodian which stars the band and features the music from Swing Lo Magellan, it’s just over twenty minutes long and is a must see.
The Square is a series of photographs by Korean artist Seokmin Ko. Someone in each photograph can be found holding a mirror toward the camera. Given, the mirror is more easily found in some photographs than others. Still, the mirror in somewhat hides the person holding it, the reflection blending in with the background. This is essentially a camouflage that works by imitating its surroundings. Ko alludes to this in his statement, and draws similarities to social situations. Peer pressure for conformity and social norms compel people to use such a social camouflage. That is to adopt behavior that mimics surrounding groups in order to hide a person’s individuality. Still, fingers peek from behind the mirror – perhaps an allusion to the persistence of individuality.
Of course there are several ways to read Seokmin Ko’s work. Like a mirror it reflects interpretations singular to each viewer. Ko’s most recent solo exhibition illustrates this. Interestingly the curater presents an entirely different approach to the series. In part, the gallery statement brings out:
“Ko is an artist of his own time. The mirrors and reflective glass make more sense as portals to other dimensions—dimensions perhaps similar to ours or radically different. The patterning reflected in the mirror is never a seamless match with the mirror’s immediate surroundings; these works are not about tricking the viewer. In Ko’s images, the human, as the carrier of artifice, is a kind of discrepancy and belongs neither in the natural world nor in the constructed world. This is obvious in the architectural photographs where the human presence disrupts the dehumanizing machine-made grid. Ko’s is a humanist vision amidst a world that has become foreign to its inhabitants as creators, but as Einstein famously said, “In the middle of difficulty lies opportunity.” Ko’s disruptions offer hope.” [via]