Barcelona based artist Conrad Roset defines the “Muse” in his incredibly seductive works made using watercolor and ink. Pulling inspiration from the raw nudes of Austrian artist Egon Schiele, his female figures stretch and bend in elegant ways, forming distinct, bold lines across the composition. He uses deep, black ink that covers up these women’s bodies like a veil, creating a harsh contrast to their pale skin. Each muse wears this blanket of black beautifully, as if it is her own shadow. Conrad Roset uses sparks of color to highlight the flora that appear in his work and also in certain rosy cheeks and the tips of fingers and toes. The subtly of the color and line creates a delicate contrast to the richness of the heavy black ink.
Conrad Roset explains that,
“I search the beauty the body exudes, I like drawing the female figure.”
He is intrigued and focused on the female figure as a subject. The women in his illustrations are undoubtedly stunning, and can also seem both fragile and strong. They are bold in nature but delicate in beauty. Roset’s body of work has a high fashion flavor, as he has done work for clients such as Zara and Elle Magazine. His captivating works are on view now at Spoke Art Gallery in San Francisco. His debut, solo exhibition titled Pale will be on view there until September 26th. (via Hi-Fructose)
In the series Daimones, photographer Federica Landi adorns pictures in a family album with her saliva. The new works feature bubbly spit obscuring faces, bodies, and create diffused patterns across the compositions.
On her website, Landi uses this quote to describe the importance of the drool:
The saliva replaces the seminal fluid in many cultures, used as magical element that can cure and fecundate through the single contact. Since it comes from the mouth and preserves the vital energy, it is often associated to the essence of the breath and the soul. (Craveri E. Michela,Intrecci di culture, 2008)
Photography is one way that we can keep the past with us, even after it is long gone. From Landi’s statement about Daimones:
The inclusion of saliva (a fluid certifying identity) on the photographic surface, creates a layer of contingent “presence”, intimate re-appropriation of the family archive, attempting to ‘cure’ the fallacious nature of memory and to ‘fecundate’ its connection with our current time.
Saliva is thus the glue that keeps together two dimensions: the motionless time of photography and the contingency of identity. (Via Tu recepcja)
It’s been sometime since we’ve heard from Natasha Khan’s Bat For Lashes, but that all changes on Oct. 23 when her new album, The Haunted Man is released in the US on Capital Records. The Guardian has a preview of six songs that I’ve been listening to on repeat . She’s playing a handful of shows in Europe in the next couple of months so definitely try to see her live if you can. What do you think of the cover photo by Ryan McGinley?
Want more Bat For Lashes? Check out the video for the new single Laura after the jump!
Valerio Loi is a photographer who currently works between London and his birthplace of Cagliari, Italy. In a series of images called Web Popularity Products, Loi envisions a future where online popularity has been turned into physical commodities, just like food at the supermarket. With bright colors and labels stamped with the familiar icons of Facebook, Twitter, Instagram, Badoo, and LinkedIn, Loi’s “products” sit inconspicuously on store shelves amongst mayonnaise and cans of corned beef. While things like Instagram followers can already be purchased online (although it is often a ridiculed practice), the increasing value of one’s online presence could one day mean we consume simulated “popularity” alongside our processed and over-packaged foods.
“The more social networks are born, the more purchasable services to increase users’ popularity are created,” Loi observes on his project description. “Alongside our physical life based on face to face interaction, nowadays many of us consider . . . online image and networking [to be really important]” (Source). In some ways, Loi’s work displays an anxiety over the current trend of social media that seems to undermine genuine human connections; his other personal project, titled Human Feelings as Drugs, similarly explores this fear of the commodification and loss of our deepest experiences and emotions. However, Loi photographs his Web Popularity Products in a relatively innocent light, allowing the viewers to decide for themselves whether social media will lead to practical transformations of human identities, or the spiritual bankruptcy thereof.
Beautiful colors with the thickness and brightness of animation cell art, Chinese artist Zhou Fan’s works are inspired from childhood dreams of jellyfish parades in the sky falling to the ground to become mushrooms. She’s found that these dreams which have left a deep impression on her also capture more of her focus than reality. I don’t blame her!
Nicholas Alan Cope is a photographer based in Los Angeles. Aside from heavy commercial engagements, he creates wonderful, stark pictures that turn the mundane into extraordinarily arresting figures of motion and texture. He’s recently collaborated with Dustin Edward Arnold (see above image), and the results are mind-blowing. See Cope’s personal work and more Arnold collabs after the jump.
Check out this new video of street art legend Dan Witz putting up creepy pieces along the freeway just in time for Halloween!
B/D Cult trivia: Did you know long before Dan was a big name in the street art community B/D featured him in Issue: C? You can still get the issue on our shop and read about Dan before he took over the street art world!
Loris Cecchini explores the nature of structure. His amorphous forms resemble the most basic element of life which is a cell, and with that basic shape the artist comments on human experience. His interdisciplinary installations have appeared worldwide garnering him praise and interest. They have been called visual poetics because his work prefers to be seen and experienced opposed to talked about.
Some of Cecchini’s grander projects have included a series called Intro. Environments. In this work the artist created large, site specific installations with forms that look similar to broken tree branches, natural sponges and cell structures. He placed these organic items randomly throughout a space and attached them to electric power lines, on trees or connected to flying wires. The impression here is that life is all around us. Even if we cannot see it we should always be conscious that something is growing and living nearby.
Another piece called Extruding Bodies created wall relief structures studying sound waves. These visual vibrations appeared to be moving and in some cases ear forms could be seen within the structure. Putting the pieces directly in the wall allowed for an optical illusion to occur which turned cinematic. Since sound waves are invisible the attempt to give the viewer an idea what they might look like is the type of question Cecchini answers and why his work is significant.
The artist was recently commissioned to design a class one watch for Chaumet. Only 300 of the special edition were made and the exclusive jewelry company used one of his wall wave structures on its face covered partially in diamonds. (via fubiz.net)