We’re happy to present the second installment of Hennessy’s mini documentary featuring Elliott Wilson, Founder of Rap Radar and Editor-in-Chief of Respect. Follow Elliott through Brooklyn as he discusses how he became a prominent voice in hip-hop music and how he discovered his creative voice. Wilson advises that the only way for a young writer to find his voice is to keep writing; eventually you’re going to reach real opinions on a topic that’s important to you. Take a trip down the rabbit hole. Watch more Hennessy videos and learn more about this movement at neverstopneversettle.com.
Brazilian artist Rodrigo Torres creates intricate collages by combining bank notes collected from around the world. Beautiful and painstakingly detailed, they are visually arresting and require a closer look. The ones I find most interesting single out common themes found within a variety of notes, such as crowds, portraits, and buildings/architecture, and showcase unexpected similarities between multiple countries’ approaches to currency design. In Rodrigo’s portrait collage, he positions heads to the right or left, with those silhouettes facing directly to the side seated at each respective end. The majority of head positions are in varying degrees of ¾ perspective; very few bank note portraits seem to face directly forward. Most notes are monochromatic, but differ on the single color used; this in turn creates an aesthetically pleasing rainbow effect. It’s uncanny to see a multiplicity of notes side by side in this constructed context. Despite countless cultural, historical, and environmental differences in nations around the world, their money appears strikingly similar.
Torres’s has been selected by Art Basel Switzerland to be featured in the month’s Art Feature sector in Switzerland, which runs June 14 – June 17.
Jacques de Beaufort’s surreal wizardry takes you across the universe and into alternative worlds.
Artist David Meyer‘s installations could blow away at any moment. He forms these installations of letters and figures from sifted flour. Concentric circles of words spelled in capital script letters surround a gallery pillar. The seeming permanence of the letters disappears as a viewer crouches – each letter clearly becomes only a small pile of flour. In a way, Meyer uses the installation to illustrate the nebulous nature of language and images. While words may at times seem heavy and express real ideas, they begin as hazy thoughts like mounds of flour waiting for a breeze. Much of David Meyer’s work explores similar ideas. His installations conjure thoughts of permanence, memory, and information.
London-based artist Gerry Judah has been widely known for his large-scale outdoor installations. Especially noteworthy are his works commissioned for such famous car brands as Jaguar, Porsche, Mercedes-Benz and others. Collaborating with the sponsors, Judah has created a series of gravity-defying suspended installations featuring scale-sized model cars shooting as high as 35 meters in the sky.
Gerry Judah has been building his car-themed sculptures since 1997. His tremendous structures have always been a sight at the annual Goodwood Festival of Speed in Sussex, England. Judah works extensively with steel. Naturally the amount of it consumed for each installation can go as high as whopping 175 tonnes (Jaguar, 2011). Despite the rugged material, Judah’s structures seem to be incredibly lightweight flexible. His works are particularly appreciated for the cohesion with the style of cars they represent. Here’s Judah talking about the design of Porsche 911 monument (above):
”The 911 is a fantastic shape that can’t be deconstructed or embellished, so in this context, the sculpture had to provide the right platform for the car to soar up and shine in the sky. <…> The concept was that each car is shooting into the sky, supporting one another, racing each other, captured in a perfect moment. Like the cars it displays, the sculpture is superbly engineered, lightweight and reflective of the Porsche 911 itself: simple, pure and built for the job.”
His latest work for Mercedes-Benz (below) features a 160-tonne steel sculpture with two Mercedes-Benz cars passing each other in midair. The installation is 90 meters long and soars 26 meters into the sky. It celebrates the 120-years-anniversary of motorsport heritage by Mercedes-Benz.
English artist Tom Hovey creates beautiful raw illustrations with watercolor.
Flavia Carvalho is a Brazilian tattoo artist who provides voluntary service for women left with scars from domestic violence and mastectomies. The project’s name is A Pele da Flor (The Skin of the Flower), deriving from the Portuguese expression “A flor da pele” (deeper than skin). In support of the healing and empowerment of women, Carvalho’s scar tattoos are entirely free—all the client needs to do is to choose a design. Her goal is to help women feel better about their bodies and selves by reclaiming their scars as marks of transformation and strength.
Everything began two years ago, when Carvalho worked with a client who had been stabbed in a nightclub by a man she turned down. Over her abdominal scars, Carvalho tattooed blooming flowers and a bird—symbols of beauty, sensitivity, and growth. After seeing how deeply touched the client was with her tattoo, Carvalho decided to bring her services to more women. Since then, her project has received deservedly positive reception on social media, raising important issues related to domestic violence, the battle with cancer, and body image.
In an interview with Huffington Post, Carvalho speaks about the emotional impact of her project—turning feelings of shame into self-love—and the deeply rewarding connections she creates with her clients:
“The feedback I have gotten from women who were helped by this project has been extremely surprising. The sense of affection, sisterhood and camaraderie is deeper than I ever imagined. They contact me from all over the country, as well as from abroad. They come to the studio, share their stories of pain and resilience, and they show me their scars. Embarrassed, they cry, and hug me. Then we design the tattoo and we schedule the session. They become excited, optimistic. It is wonderful to see how their relationship with their bodies changes after they get the tattoos.” (Source)