Lisa Alonzo’s sugary technique obscures a dark symbolic core. The images are beautiful and the technique is divine. In fact, the technique is a refinement of one of the high points of Modern painting, Pointillism, and Alonzo adds another, almost hysterical layer to Seurat’s Le Grande Jatte, by combining the beauty of Pointillism’s ballet of color with the designer frosting florets of a confectioner. According to the press release from Claire Oliver Gallery, that excess of beauty, when compared with the otherwise violent or mundane subjects, a hand grenade, a gun, a beer can, is a critique aimed at consumer desire. As a painter who has often struggled with acrylic painting, I was really impressed by the freshness of these paintings. You can see Lisa Alonzo’s new work at Claire Oliver until April 26th. Photos courtesy of Claire Oliver Gallery.
Kike Besada’s layered posters and illustration perfectly combine digital illustration and vintage paper collage to create imagery that is contemporary yet has a dash of antiquity tossed in for good measure.
Kike Besada is presented by Next Day Flyers who make poster printing easy and affordable. For fast postcard printing services, order online.
There’s not much that’s better than adding three of our limited edition, hand numbered books to your personal art library. That is unless you get all three books for the price of two! That’s right, for a limited time we’re spreading the wealth and giving our readers our Class Clowns, Strange Daze, and The Seven Deadly Sins book for the price of two. That’s over 500 full color pages of incredible painting, sculpture, illustration and design by some of the leading artists of our time bound in beautifully designed full color books. So get to it and head over to the B/D shop to take advantage of this special deal that will surely inspire you for years to come.
I absolutely love this house, designed by William Hirsch for art director John Holmes, (no, not that John Holmes!) most famous for his original cover art for “Jaws.” Their home is comprised entirely of salvaged, hodge podge reclaimed building materials, making it a sort of living, breathing, thrift store turned frankenstein-like architectural collage. Ah, the free-wheeling spirit of the 70s that kicks modernism’s dutch-minimalist-eames-clean line-stainless steel-white cube’s ass!
Photographer Millicent Hailes recently completed a two-month stay in Los Angeles where she traversed some of the city’s finest strip clubs. “You can find the erotic anywhere, you just have to look for it,” Hailes told Dazed, and her journey included spots where Courtney Love danced pre-grunge era.
Hailes was on the hunt for a club that breaks away from the chauvinistic, clichéd joints that we’re used to seeing. She found a string of clubs where women hold the power, prostitution is low, and the women actually enjoyed themselves. In a place called Cheetahs, Hailes explains, “The girls each had a different style of dance and look, and each danced to a song of their choice,” she says. “It felt a lot more personal, and it was a lot of fun.”
To pay tribute to Cheetahs, Hailes began a project that mirrors the separation between dancer and customer. She placed a sheet of plastic between herself and model Nadia Lee. “The plastic sheeting is a metaphorical barrier between the model and the audience. She is pressed up against it, but you can’t fully see her or touch her,” Hailes explains to Dazed Digital. “I wanted the shoot to seem very ‘bodily’, and by having the body pressed against the plastic and capturing the breath creating a fog over the images, it feels a bit intrusive, but also has a distance because of the sheeting.” (Via Dazed)
Artist Kerry Skarbakka creates Struggle to Right Oneself, a series of photographs that capture the artist himself in moments of suspended threat: falling from trees, tumbling head over heels in painfully precarious falls, or teetering on the edge of a fateful leap from a railway bridge. The images may be comical yet unavoidably painful to watch. According to Skarbakka, the idea of the fall comes from Martin Heidegger’s description of human existence as a process of perpetual falling. What are we without our falls and broken bones? The photographer captures a loss of control, that inevitable moment, prior to a fall, when one feels uncertain and scared, unable to know what happens next.
I continually return to questions regarding the nature of control and its effects on this perceived responsibility, since beyond the basic laws that govern and maintain our equilibrium, we live in a world that constantly tests our stability in various other forms. It is my understanding and my perspective, which relies on the shifting human conditions of the world that we inhabit. It’s exploration resides in the sublime metaphorical space from where balance has been disrupted to the definitive point of no return. It asks the question of what it means to resist the struggle, to simply let go. Or what are the consequences of holding on?
Skarbakka utilizes special climbing gear and other rigging to achieve each shot, the final images, however, are truly convincing. (via Colossal)
In the newly-published book titled Hollywood Frame by Frame, author Karina Longworth examines the contact sheet, a necessity in film making before the advent of digital technology. The prints were used by photographer as a way to review and edit their work, and the sheets contain small thumbnails of multiple shots. They were marked, scribbled on, carefully examined to find the perfect shot later used in advertising.
These sheets are alluring; not for how interesting and different each individual frame is, but it’s a tiny glimpse into what went on behind the scenes in famous films. You’re able to see what was and wasn’t chosen, as well as the outtakes. A description for Hollywood Frame by Frame describes it as, “…it’s often the photos not chosen that best capture the true spirit of their subjects and the life they lead after the director yells cut. This was never truer than in the classic Hollywood era, where behind-the-scenes photos were carefully vetted for marketing purposes and unapproved shots were never expected to be seen again.”
Some of the films included in the book are: Some Like It Hot, Breakfast at Tiffany’s, Taxi Driver, and Silence of the Lambs. It was published by Princeton Architectural Press.
Dido Fontana‘s photography-vérité, is candid, relaxed, naturalistic (okay, not natural for everyone) and funny. Using film and developer, acid and dark rooms he discovers his girls and their midnight romps are beautiful, it just might be their off day and that’s okay.
Read more about Dido in this interview & check out some preview images from his newly release book.