With the release of Star Wars Episode VII later this year, the bloggers at Superfi have used the escalating hype to create something rather amusing: “Star Wars Bands,” a series of iconic album covers twisted to match Star Wars-related puns. Lady Gaga’s face from The Fame is mutated into a grinning “Lady JarJar”; Chewbacca throws up Tupac’s “westside” on the cover of 2paca: all jediz on me. Other spoofs include the Sex Pistols, Run-D.M.C., and Green Day. Clever and good-humored, “Star Wars Bands” will amuse music and movie lovers alike.
Superfi’s brand of playful (and somewhat absurd) humor has manifested in a couple of other entertaining series, such as “Classic Beatles Album Covers Recreated by Apple,” “Desperate Movie Sequels” (my personal favorite being a hopeless reincarnation of The Matrix: “Turns out, there was a spoon”), as well as the “Hipster Album Generator.” Superfi encourages participation from their similarly humored audience, so if you have a music-related Star Wars pun of your own, hashtag it #StarWarsBands on Twitter for a chance to be featured.
Vancouver-based photographer Dina Goldstein shoots for magazines and ad agencies around the world. Her series, In the Doll House, examines the less than perfect life of B and K. B is a super doll, the most successful doll in the world. Her partner K is grappling with his sexuality and finds himself in a loveless marriage. He struggles with his position in the household and faces his lack of authenticity.
Artist Valerie Blass reimagines an age-old subject in art, the figure, and uses her distinctive artistic vision to create her intriguing sculptures. She manipulates and abstracts the human form until some of her subjects look like entirely different beings. By constructing her artwork from an eclectic variety of different materials, each figure becomes highly stylized and unique. Ceramic, Styrofoam, paint, plaster, and even artificial hair are just some of the materials that can be found making up Blass’s artwork. Referencing material culture, one can see the many textures and elements transforming each figure.
Valerie Blass’s figures hold in intense, psychological quality due to their lack of identities. Although there are many fine details in her work, Blass often leaves out the figures’ face. Sometimes, even part of the body is gone. These aspects are replaced by surreal characteristics such as a heap of black hair or a colorful, organic mass. Each piece of Valerie Blass’s takes on a life of their own, with their own, unique textures and colors forming a new kind of creature. Her work is both bizarre and beautiful all at the same time, leaving you puzzled about what exactly it was that you saw. This Canadian artist has an impressive body of work, with her art being owned in both public and private collections around the world.
A performance combining digital lines, monochromatic backgrounds and two individuals. The collaboration for ‘Sparks’ music video, between composer/producer Ralf Hildenbeutel and filmmaker Boris Seewald has created a dynamic choreography shrewdly synchronized with the music, a track from the composer’s new album, ‘Moods’.
The geometric motifs are shaped in lines, cubes, circles and appear sporadically while the two women dancers perform. The electro/classical sound is giving the tempo to the intertwined duo and extremely thin traced patterns. At some point, a hidden shape is moving under a black matte outstretched piece of fabric. The choreography is enhancing the voluptuous ballet moves of both dancers. They appear in order. Black, white and then together. The opposition of colors symbolized by the two dancers is unsettled by the lines, triangles and circles.
The music is leading the game. The staccato tempo in the beginning goes along the fast forwarded gestures of the first dancer. Possibly a few milli-seconds ahead of the choreography; the music is giving us the impression that our intuition is predicting the appearance of the geometric lines and the acceleration of the movements. Taken apart, the 3 concepts (music, patterns and performance) wouldn’t have made any sense. Put together, they create a perfect synergy. (via The Creators Project)
Ralf Hildenbeutel’s new album ‘Moods’ is available for purchase.
Street artist Roa keeps things large and in charge with his massive animals. Whether it’s dead gators, or skinned rabbits Roa brings the carnage of the wild into the urban streets for all of us to enjoy.
Recently, Canadian installation/performance studio Moment Factory put on a really ambitious show in Barcelona. The group designed and executed a video projection piece using the facade of Gaudi’s Sagrada Familia cathedral. Looks incredible. MF pulled off the piece three nights in a row during the recent La Merce Festival. It would kill my brain if I tried to engineer a video projection piece using a structure as complex as the Sagrada Familia. More images after the jump. (via)
It may take a few glances to realize the work of Juan Carlos Manjarrez are paintings and not photographs. Manjarrez captures an amazing amount of detail and realism in his work. His black and white palette coupled with a photographic sensibility only add to his paintings’ hyper-realism. Amazingly, Manjarrez is a self-taught painter – though he has attended graduate school, he majored in architecture. Manjarrez has been exhibiting professionally for the past twenty years.