Bringing nature and humankind together is the purpose of artist Maximo Riera. The Spanish artist is making chairs from wild animals such as elephants, octopus, rhinos, hippos and whales. An homage to the extraordinary creatures we too often take for granted.
It takes the artist approximately 11 weeks to manufacture one piece. With an average of 480 hours spent on the entire process. The process is complex. First, the 3D modeling and then the production achieved with the help of about 30 engineers grouped from five different companies. The animal-shaped chairs are made out of high dense polyurethane and held by a metallic frame. One piece weighs 350lbs.
Maximo Riera is highlighting through the making of these chairs the importance of nature. It’s a subtle metaphor for anyone who wants to hear it, that animals are a innocent presence and that it is human kind’s role to find tame. Like children looking at toys, we are delighted by the idea of perhaps owning one these chairs, or at least try them out. ‘this collection gives us an option of admiring what nature is capable of; this is the main reason why from the beginning I wanted to be faithful to the animal’s physique. this series is an homage to these animals and the whole animal kingdom which inhabits our planet, as an attempt to reflect and capture the beauty of nature in each living thing.’ What about the real ones? The question underlined here is, how can we come closer to nature and respect and live with it? (via Design Boom)
Sam Alive is a New York city-based photographer who has truly aced the digital lens of an iPhone. His project “Through the Phone” features stunning landscapes, urban cityscapes and natural sceneries all captured with a mobile camera.
The key to Sam’s work is the juxtaposition between the sharp and detailed view presented on the mobile screen and the blurry unrecognizable background behind it. To mock the late influx of smartphones in our lives, artist takes these wide breathtaking vistas of sea shores, valleys and skyscrapers, and crams them into a tiny 4-inch display. Thus, limiting the viewer’s vision and making a good point about the change in our perception.
“Life is like an adventure, because you never know what is going to happen next; you only have one life, all we can do until we die is live everyday to the best of our ability. As long as I am still alive, I will continue to take pictures everyday of my life.”
Sam started his project “Through the Phone” two years ago and already had a chance to travel and take photographs all over Taiwan, Japan, Hong Kong, San Francisco and New York. In his Tumblr blog, he promises to keep on traveling and updating his project with more captivating shots through the phone. (via designboom)
Matt Irie is an extremely promising and unfairly slept-on artist from Chicago. In the past five years, I’ve seen Irie produce thoughtful and rewarding works in every medium imaginable and the pace isn’t slowing one bit. After the jump you’ll find a glimpse into Irie’s body of work and some information provided by the man himself.
Woohoo! The press keeps rolling in for our Spring 2010 line! This week has seen a number of other excellent reviews, including a mention by TWBE that Ben Tegel’s t-shirt, “Greetings from LA” above, looked as “if Paris Hilton turned into Heidi Montag.” I’d say that’s pretty accurate. Other great reviews from Spanky Stokes & Addicteed. Thanks guys, for the blog love!
Avid glass blower Kiva Ford spends most of his days making complex glass instruments for use in the science lab. After completing a college degree in Scientific Glassblowing, he creates some pretty wild creations. But not only does he do it as a professional job, Ford twists molten glass in his spare time too. As a hobby, he makes other kinds of complicated glass forms – these ones are geared more toward art and commerce. He crafts delicate, miniature versions of bottles, goblets, pendants, domes, vessels, Champagne flutes and vases, all made from glass. Any even though they are tiny in size, they don’t lack imagination or incredible details.
As a member of the American Scientific Glass Blowers Society, he creates custom made glassware for research and discovery. He makes things that can’t be made by a machine or mass produced – all of his creations are as artistic as the next. For Ford, there is no real difference between the two.
I get just as excited about scientific glass as I do artistic glass. The whole process is beautiful to me. (Source)
Enjoying a tradition started a few thousand years ago in Persia, Ford enjoys using the same techniques that haven’t changed – blowing glass over an open flame. He says he loves coming up with new ideas – trying to see what is possible, and what isn’t possible. He even manages to create tiny animals from glass and fits them into other glass containers – achieving something he says, he hasn’t seen anyone else be able to.
For Ford his main aim is to focus on one skill – and get good at what he does. And it is pretty obvious he is well on his way to being a full fledged master of glass. (Via Trenf)
Thanks to all the artists who submitted work to our Future Perfect call for submissions. We had well over 250 submissions for every single state in the US varying in medium from kinetic installations to drawings. It’s going to be extremely difficult to select only 70 artists from all the amazing submissions. In the next week we will be contacting artists who have made it into the book as well as announcing the grand winner who will get their very own exclusive interview in Beautiful/Decay Book: 6. Thanks to our sponsorToyota Prius Projectsfor working with us to make the Future Perfect book happen and to promote and support new and emerging artists!
Beijing based Ji Zhou’s latest photo series Civilized Landscape depicts models of urban and rural areas composed of books and maps he has modelled and rearranged into mountains, skyscrapers, and other landscapes. The models, placed on backgrounds made up of soothing, cool colors make for series of visually relaxing compositions full of original forms and reliefs. The textures of the various types of paper he uses in his models give the series a sort of irregular uniformity which brings the composition together in a perfect balance.
Civilized Landscape spans beyond aesthetics in the sense that the process Zhou goes through to create the models is also fascinating in its own respects. He creates the models by stacking sets of books and composing mountains from maps. He then photographs the models and creates a sort of in depth illusion that gives his work a sort of three dimensional aspect which in turn reinforces the nature of the optical illusion his project delivers. His work is centered on the idea of the “enhanced reality of illusion” , which he depicts through this series.
His project is also interesting from the perspective of the issues it addresses. Through his artificial depiction of familiar natural and urban landscapes, he raises questions of civilization and evolution as well as a debate on the place of human beings as both creators and destroyers of landscapes.