The Brazilian duo Bicicleta Sem Freio (‘Bicycles without brakes”) have broken away from murals and are now concentrating on some fine art work. Its two current members Douglas de Castro and Renato Perreira first met while attending art school in Goias, Brazil and started collaborating on large scale outdoor and concert poster projects. This led to a series of street art and other prominent commissions all over the world. They recently had their first gallery exhibit in London at “Just Kids” art space. This allowed visitors to see the work on a smaller scale in a white box environment.
Peter Saul’s perfectly grotesque; strangely cartoonish paintings are filled with political and anti-political content. Having been born in the 1930’s, he has lived through an immeasurable amount of political turmoil. His highly illustrative paintings come bursting with endless social commentary, with more than just a bit of humor. Associated with the Chicago Imagists and the west coast Funk Artists, Saul’s style contains heavy influences from pop culture and surrealism. His distinctive style is harshly cartoonish due to the brilliant colors and flattened space. The characters in his paintings have bizarre, exaggerated features such as big, bulging eyes that pop out of the person’s skull, and tentacle-like appendages that bend and stretch clear across the composition. Although this may remind you at first of the cartoons you watched as a kid, examine the paintings longer and you will see enormous nude body parts and plenty of oozing bodily fluids. These hilarious and misshapen characteristics further express his thoughts on these characters; some real, some fiction.
Although Saul’s style is derived from sources many may see as lowbrow, his skills as a painter and an artist cannot be denied after seeing his complex, multifaceted compositions. Saul is a master at taking silly, iconic imagery from pop culture and mixing it with the grim, violence of reality. Experiencing his paintings is a journey through time, as they include imagery of the Vietnam War, Martin Luther King Jr., and Ronald Reagan. However, the messages and situations depicted in these scenes still ring true today. Peter Saul’s long art career is memorable to say the least. You can see his powerful work in person at Venus Over Manhattan gallery in NYC where his exhibition From Pop to Punk will be on display until April 18th.
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“The satisfaction in our work comes from the moment the audience engages with the piece and they forget where they are, who they are, and they discover this new world between nature and technology.” (via This Is Colossal)
Scott Bisson is an Oregon-based glass blowing enthusiast. Ever since he bent a piece of glass over a flame in his high school Chemistry class when he was seventeen, Bisson has been passionately creating beautifully colorful hand-blown glass creatures. Working as a flame and furnace worker, he is well accustomed to the world of heat and molten materials and works prolifically. He has been creatively active for nineteen years, and now specializing in borosilicate flame-work, Bisson has created work for over 80 galleries across America. These snakes, octopuses, lizards and squids are but a small sample of his many endearing pieces.
Bisson creates whimsical representations of the animal and natural world around him – including many different types of flowers, reeds, corals, reptiles, insects and bugs. Each are a labor of love and have an incredible amount of detail to them. The artists explains his obsession with getting it just right:
I put a little bit of myself into every work of art I create. That is how I breath life into each piece. If I don’t lose a piece a day from getting in over my head, then I am not pushing myself hard enough. Skill is the raw material of a great piece, and drive and energy make it take shape. (Source)
His perseverance, dedication and risk-taking shows in each piece. To see more of his curvaceous, elegant designs, visit his website here. (Via Bored Panda)
Los Angeles-based photographer Alícia Rius captures the beauty of sphynx cats in her dramatic series aptly titled Sphynxes. Placed against a stark black background, the photos highlight the incredible characteristics of the fur-lacking animals. Where their coat would normally cover up folded skin and birth marks, here we see it all. And, we get a sense of just how simultaneously fragile and powerful these small creatures are. If they sit a certain way, it shows every bone in their spine. Muscle definition, prominent cheekbones, and their impressive claws are all visible in ways you wouldn’t see from other breeds of cats.
Sphynxes were developed through selective breeding in the 1960s, and it’s not everyday that you see one. Especially on the Internet, it seems that fluffy cats are shared over and over again. But, through Ruis’ stunning photographs, she proves that these felines have their own type of ominous-yet-regal beauty.
Ruis’ Disturbing Beauty Of Sphynx Cats is an ongoing project. If you have a Sphynx and live in Los Angeles, please contact her at [email protected] and include a photo of your cat to be considered. Find out more on her Facebook and follow along on Instagram.
Sybille Paulsen is a fiber artisan and designer who crafts beautiful and symbolic artifacts from human hair. As she writes on her website, “Hair is a unique and enchanting material that evokes a lot of sentiment” (Source) — as part of our physical identities, it is integral to the way we see and understand ourselves, and as it grows it signifies both personal change and transformation.
The loss of one’s hair as a result of chemotherapy is a devastating change, representative of the emotional and physical trauma of the disease. To try and help people understand this loss, Sybille has embarked on a project to turn the hair of cancer patients into beautiful necklaces. The project is called Tangible Truths, plural because it refers to the diverse experiences of each woman enduring illness and treatment, “tangible” as it transforms abstract pain — the loss of hair — into a touchable, wearable art piece imbued with sentiment and hope. As Sybille writes:
“The loss creates something new and the helplessness is juxtaposed against a tangible artefact. This object can be the introduction to an exchange of difficult feelings that are otherwise hard to communicate.” (Source)
For over 4 years, Indian artist Valay Shende put together his politically-loaded sculpture, now on show as a part of the group exhibition Migrating Histories of Molecular Identities at the Bhau Daji Lad Museum in Mumbai. Transit is a life size truck with 22 people standing on the back of it and has intensity to it, with a very moving back story. The structure is an intricate piece, made up out of thousands of metal disks all soldered together, and printed with the faces of the farmers who committed suicide from the Vidharba region and their families on them. The wing mirrors on either side of the cab have video footage of London, Mumbai and Dubai playing, to give the impression the truck is literally in transit. Shende says:
It gives a feeling that the truck is moving, but the people are actually not going anywhere, just like in real life. (Source)
Aimed at raising awareness of the increase in farmer suicide and starting a conversation about the larger political issues in India, Shende has created a powerful visual statement. This social awareness is the backbone of his practice.
Valay’s works are in subtle ways, his attempts to question the maladies afflicting urban societies and humans today. He is a keen and sensitive observer of his surroundings and is concerned about the common’s mans trials and tribulations of day-to-day life. He feels an artists owes a responsibility to the society and firmly believes an ideal world can be re-created. He wishes the audience to reflect upon the social issues plaguing man today. (Source)
(Via This Is Colossal)