Norwegian-born, Seattle-based artist Sail Uselessarm has a somewhat comic-like and dark style of illustration. Most of his work is labeled as mixed media, with use of gouache and acrylic, amongst other mediums. What really stands out in his work is the stark contrast between the background and the subject, the intense and heavy shadowing within the scene, and how this tight control of light creates an ambiance of film noir that feels very photographic and, in the same breath, filmic. His tendency to off-center the compositions reveals an implied motion that is also quite cinematic.
Concerning his work, Sail related the importance of the narrative:
“I try to tell a story with each piece or at least hint at a larger narrative. Suggest a history, a movement, even if you’re only seeing a moment… I think the weight of that history should exist in that moment. We’re defined by our experiences. I don’t think art is any different. Pulling from folklore and mythology as I do a lot of these characters come with a story, so it’s hard to not have some of that come through in trying to represent them.”
Sail will have a new body of work up in his next show, titled “Canna Intrat,” opening in Seattle at the Roq La Rue Gallery on October 2nd and showing through November 1st.(Excerpt from Source)
Richmond artist Ryan McLennan’s new inaugural art book, “The Cost of Comfort,” goes on pre-sale today to be officially released July 1st. The book is a loose-leaf art book featuring 20 prints. McLennan’s paintings explore the dualities of nature: innocence and savagery combine to create a world that we, as humans, have become increasingly out of touch with. The book is published by Triple Stamp Press.
Artist Mark Farid is attempting to undertake a strenuous social experiment and is asking for your assistance. He has a Kickstarter project called Seeing-I which is aimed at raising enough money to develop a headset that he will wear for 24 hours a day, for 28 days in a row. With the piece of technology he will live his daily life completely and utterly through the experience of another person. He will see everything through the eyes of the second person, including when they go to the cinema, to the toilet and having sex. The only prerequisites for this other human – naturally called “The Other” is to be over 21 years, a heterosexual male, currently living with his partner, and they must agree it to. If you personally suit those guidelines, you can apply here to become a part of the experiment.
Farid will throughout the process be living completely on display in a small box containing only a bed, a toilet and a shower. All of his actions will be open for all to witness and completely transparent. Because of the intensity of this project and what could be mentally damaging to most people, Farid will have the support of one psychologist for one hour a day, and will be the only time he is able to talk to someone.
The Seeing-I project will result in a documentary wanting to explore just how virtual reality affects us emotionally, the role of the individual in the larger society, how we define ourselves through what we see, and we know of ourselves. Farid says about the integrity of the project:
I don’t think any of the realities in which we live are genuine. We take this physical reality as ‘real’, but, you know, every building, road, park and garden has been designed… Everything within our existence is unnatural. We live in an entirely man-made world, where none of it is ‘real’. (Source) (Via Dazed Digital)
Much of the work of Jonty Hurwitz plays with perspective. This is perhaps most obvious in the art pictured here. Hurwitz creates severely warped sculptures that are snapped back to shape in the reflection of a cylindrical mirror. He does this by scanning objects, digitally manipulating them, and fabricating the digital models. This explanation, though, is extremely simplistic. On his process, Hurwitz says:
“I usually start by expressing a concept using mathematical tools, often involving billions of calculations and many months of preparation. I then explore ways to manifest these formulae in the physical world.” [via]
Using up to 30,000 volts of electricity, artist Dries Ketels tries to capture a quality usually unseen in most portraits. His latest series, called Our Souls Captured in the Electromagnetic Field is an exploration of the human condition. He says by using a unique combination of different chemicals, painting materials and electricity, he is able to capture something more about his subjects. He wants to go deeper into their psyche, and to reveal something about people that is usually unseen. In the process he has come up with some pretty striking images.
He raises some pretty interesting questions while trying to reveal the working of our inner selves:
What is this soul or this character of an individual other than a bunch of electromagnetic interactions in the brain of that individual? What is the most important thing that a portrait should grasp? Are our actions, that define us as a human being, more than electromagnetic interactions? (Dries Ketels)
Ketels also makes the connection in his images between the patterns formed from the lightning and veins in the body, or synapses in the brain. He links the macro-world to the micro-world; the external universe to our internal one. The young artist is interested in new, exciting and innovative methods and ideas:
For a few of my series around realism I leave the traditional realism behind and present the reality of realism. One of the most important attitudes that helped me developing a relaity of realism and becoming what I am is the simple act of going left when everybody else is going right. It’s the only way to discover the new and push the boundaries forward. (Source)
To see more of his boundary pushing art, see here.
Thanks to everyone that made it out to our screening of Marc Jacobs & Louis Vuitton documentary screening last night at Space 15twenty. The screening was a great success, with great summer time weather and comfy beach chairs to relax on. All the seats were filled within minutes and a few troopers even stood for the entire length of the movie!
Born in Belgium in 1969, Anja Van Herle combines a European sense of high fashion in her artwork with an American sense of wonder. Her childhood years were devoted to exploring the fundamentals of her art using crayons, pencils and watercolors. In 1987, she enrolled in Belgium’s Higher Institute for Art Education where she earned a Master’s of Fine Arts in Painting. In 2003, Anja relocated to Los Angeles, where she now concentrates on figurative paintings that are inspired by both classic and contemporary fashion while exploring issues of identity, emotion and human interrelationships. As timelessly chic as Audrey Hepburn in Breakfast at Tiffany’s, Anja’s women are playfully sexy, and their expressions and eyes tell stories that go far beyond the simple exhibition of fine fashion. In Anja’s masterful hands, fashion becomes alive.
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Anyone who has been around me for approximately the last 96 hours will know that I am slowly becoming a CDL (Crazy Dog Lady) for my 12 week old puglet, Ziggy Stardust! He works hard for Beautiful/Decay each day as our unofficial office mascot! Anyways, here is a picture of him above modeling the collaborative sticker insert with Mat Brown that will go into each and every copy of Book 1! It’s pretty much a valient warrior riding a narwhal-unicorn cross breed into an apocalyptic sunset….yeah. More pictures below. Anyways, Book 1 is almost booked up for the July 1st ship date (woohoo!), so be sure to subscribe soon! (And tell me what you think about my dog, ha!)