CREATE YOUR VISION FOR A BETTER TOMORROW AND GET FEATURED IN BEAUTIFUL/DECAY BOOK 6
We want to see the world you want to live in, your Future Perfect. Submit your work of art based on the Future Perfect theme; you are free to use any medium and interpret the theme as you see fit. On March 15th we will pick one lucky person from the submissions who will get a package of Beautiful/Decay goods valued at $300 and a 10-15 page interview in Beautiful/Decay book 6! Up to 70 additional future perfect submissions will also be selected and published.
Share your vision, plan a better tomorrow and join Beautiful/Decay to create a Future Perfect.
A good collaborative gallery show is like a good relationship—each artist’s work supports the other without being repetitive or unharmonious. “The Give and Take,” an exhibition in The Joseph Gross Gallery at The University of Arizona School of Art by Kristin Bauer and Emmett Potter, works on both levels. The married couple often collaborates and has exhibited together on numerous occasions.
The artists both work in multimedia and they share a similar aesthetic and point of view. Bauer says,
“I often juxtapose two or more iconic references or material of my own creating, drawing from a wide range of sources that spans anything from Renaissance sculpture to Jayne Mansfield, Shakespeare to Spielberg films, the Great Gatsby to Cheap Trick. How we make meaning of things as cognitive creatures, what we attach to and what we are repelled by is what keeps me engaged.”
Similarly, Potter incorporates vintage comic book imagery into his work. He combines different color palettes and emphasizes what is absent against what is present, making pointed statements about pop-culture. Both Bauer and Potter adapt, appropriate, alter and excavate our shared public domain in an attempt to decode how we attach meaning to the iconography of our culture.
On exhibit since May 28, a closing reception for “The Give and Take” will be held on August 29 from 5:30-7 p.m.
Gianna Commito makes paintings that feel almost sign-like – like a road sign warning you that the road has erupted and time is about to stop. The watercolor and gouache, or w.color and casein paintings don’t let you through the rabbit’s hole too quickly, but when given consideration they transform into tumultuous, imploding space scapes with virtuoso shifts in direction and scale. Using architectural source imagery allows the abstract paintings to have oddly real looking color and light shifts. In an interview Gianna compared the space in her paintings to origami or the inside of a tent. More paintings and a studio shot after the jump…
Scot Sothern is an older photographer, who due to a gnarly motorcycle injury, now walks with a cane. His stunning black and white photographs taken years ago explore what many consider to be the world’s oldest profession, prostitution, while his recent color shots document the random scenes he encounters on a daily basis. And while many of us roll up our windows and try to avoid even subtle eye contact with street corner hookers, Sothern welcomed them into motel rooms to pose for his unnerving lens and even partake in debauchery reserved for a pervert’s imagination and Charles Bukowski’s pen. He was probably the only person to ever shoot his subjects with something other than a gun or semen and his photos, mostly taken in the late 1980s went largely unseen until his first exhibit in 2010 at DRKRM Gallery in downtown LA – just blocks away from where a fan could’ve gotten into some serious trouble if they were inspired by the work. Besides living a wild life and making sure to have a camera there to capture it all, Sothern is also a wonderful writer who is able to describe his experiences with literal crack-addicted whores like they were the most elegant things you’ve ever read about in your life. WARNING: This post contains images that are NSFW.
We’ve covered designer Gareth Pugh’s funhouse fashion before, and his 2015 ready-to-wear line is no less delightfully deranged. Pugh drapes his models in the regalia of pagan rituals, occasionally borrowing from the mind-expanding sensibilities of modern glitch art.
One design harkens back to the scarecrows of ye olde corn fields, complete with a material reminiscent of burlap; at the same time, another figure is shrouded in geometric mystique like a Magic Eye illusion.
“I wanted it of the earth, rather than landed from a spaceship,” Pugh said of the collection. To do so, he draws on raw textures of chiffon thistles and gauzy silk, and for inspiration, he reimagines a time when masquerades and ritualistic sacrifice were still a thing. One of his designs calls up the image of a court jester, reincarnated as something slicker and more sinister. A woman stands under the brim of what brings to mind a stalk of wheat, dressed in virginal white. Some of them are crowned with papier-mâché skulls.
The result, even with the modern twists, is nothing short of raw occultish charm, a wonderful mixing of the ethereal and the profane. (via Style.com)
Nothing like a penis popsicle to wake you up on a Tuesday morning. Ewa Mos, who likes to go by Moscva, has a fun illustration style that feels childish, in a good way. She also is a talented photographer, which you can discover on her photo blog.