Kristen Liu-Wong is a Los-Angeles artist who paints darkly humorous and bizarre scenarios—ones that often involve violence and/or human depravity. The bright colors and cartoonish figures are initially misleading; look closer into her grotesque doll house of images and you’ll see people decapitated, vomiting, and performing sexual acts. It’s a bit like the Sims on bad acid; people stand around in ordinary-looking rooms while engaging in absurd (and placidly horrific) situations. It’s all in good humor, however; Liu-Wong’s characters smile diabolically and carry on, no matter what mayhem is occurring around them. She also paints still-life-like images with the same surreal edge.
Liu-Wong draws her inspiration from a variety of styles, ranging from American folk art to Japanese paintings to 90s “lowbrow” artists. She cites Clare Rojas as a main source of inspiration (Source). Her subject matter—a figurative representation of the world and human behavior—is a product of her vivid imagination. Visit her website, Tumblr, and Instagram for more high-energy and detailed scenarios that will leave you amused and guessing. There is an interview with the artist available on Pacific Dissent. (Via Art Fucks Me)
Pepa Prieto is very much in touch with her inner kid; her playful doodles are complex while maintaining the spirit of innocence and fantasy. Prieto is truly multi-talented, designing not only for print, but also television, and even airplanes for MTV! Did I mention that she was also a pro snowboarder?
German artist Martin Roller constructs assemblages of objects in hilarious and astonishing ways in his body of work. Taking found object from the streets of Berlin, he photographs interesting mash-ups of everyday objects and remnants of trash, transforming their original function. Setting the scene similar to commercial photography, each newly created object looks as if it is on display in an ad, waiting to be bought. Who knows, maybe Roller’s banana shoes will be the next big thing, although they are not exactly wearable. This colorful and clever series is both aesthetically appealing, with its perfect color blocking, and intriguing, as each item is not altered digitally.
At first glance, you may think that Roller’s images are digitally spliced photographs that together create the finished product. Although this would take some skill, each object is more impressively built by the artist’s own hand, and therefore, actually exists in real life. Roller explains that we live in an age where technology has given us endless possibilities that are accessible to a vast majority of people. Because these digital alterations, as well hand-cut collages, are so common today, these techniques are of no interest to him. He instead aims to assemble his own “collage” from a more realistic source, the objects themselves. Each image displays an amazing combination of real life objects, with an eye on modern design.
I love you, Sarah Doyle. I love your obsession with celebrity, your ability to draw/paint/whatever on mirrors, your perfect way in attacking myspace “talk”…. and of course, your affinity with the king, Michael Jackson. Sarah Doyle makes art from what us girls draw in class instead of take notes, but times infinity. Keep it up.
Kristian Hammerstad is a illustrator/designer hailing from Oslo, Norway. His prints for various going-ons in his hood are absolutely a-ma-zing. I’ll keep this write up very brief, just go look at them after the jump!
The work of Stefanie Gutheil is a wonderful mess. Her current exhibit at the Mike Weiss gallery has the atmosphere of the precise moment a party becomes a riot. Gutheil’s paintings incorporate fleshy globs of oil and acrylic paint, fabric, glitter, hair, and fur. The seemingly turbid materials match the paintings’ libidinous subject matter. Even some of the paintings frames only seem to exist in order to be defied – cat’s tails, pants, hats all push past gilded frames and off the canvas. In what she portrays and how she portrays it, Gutheil’s work pinpoints a curious place precisely between fun and horror – the moment before the last finger loses its grip.
Bill Dunlap‘s portfolio is a wealth of revulsion. These images, from Dunlap’s “Black” series, look like viscera made of paint and bad moods. Woe betide the five-year-old who finds one of these faces lurking under their bed at night.
Berlin-based artist Ivan Prieto sculpts colorful figures whose very existence seems to be burdened by their own body. In his 2014 exhibition titled Icarus, a cast of characters pepper the gallery, each with their own affliction. One lean figure has an intrusive rock growing from its skull. Another is armless and has its torso wrapped in large red coils. As a whole, the group is beautiful yet tragic.
The name of the exhibition could give us some clue about these character. It refers to the Greek mythological story about Icarus, the son of Daedalus who dared to fly too near to the sun on wings of feathers and wax. Before takeoff, his father warns of him of having hubris and requested that he not fly too low or high because the sea’s dampness would clog his wings while the sun’s heat would melt them. Since he flew too near, his wings melted and he fell into the sea.
Like their namesake, there’s a sense of these characters suffering physical consequences for their choices, be them foolish or misguided. You feel for Prietro’s sculptures, because they could be any of us.