Photographs by Carlos Aires.
Fe, Fi, Fo, Fum. I smell the blood of an Englishman, Be he living, or be he dead, I’ll grind his bones to mix my bread! Someone took the old British nursery rhyme a little too far it seems…In honor of the upcoming holiday, I’ll only be posting creepy art on the blog….In case you’re wondering, no, B/D has not gone into the gruesome business of baking humans- what you see is the artwork of Kittiwat Unarrom, a Thai artist and baker who sculpts macabre edible creations. He got his inspiration from working in his parents bakery- talk about playing with your food! I found a video on YouTube of the artist at work below- it seems to only be Thai but its cool to see the 3D works…
Photographer Polly Penrose’s series A Body of Work was produced over the course of seven years. Her intention was to take pictures of strong, powerful, and interesting nude portraits. So, how did she achieve that? By using herself as a model. Penrose explains in an email to Beautiful/Decay:
…I was always available, and then because I realised something interesting was happening. I could push myself further than I could other models, and by shooting myself the pictures became a visual autobiography. The pictures are very spontaneous within the space, I never plan them I just work with what’s there, it’s like a secret conversation between myself and the space, a bit of silent theatrics which I document. Looking back I can see that my state of mind at the time of shooting definitely feeds into the imagery, my choice of pose and the general mood of the picture.
Penrose sees A Body of Work as ongoing, and that this simply marks its first seven years. “…I want to keep taking them until I can no longer move to do it – it will be interesting to see my body age and how the poses and locations will change with it.” Her photographs showcase a long time, but still relatively short in terms of an entire life span. We see just some of the changes a body goes through in that time and are intrigued with what the next seven will bring.
Kate Bieschke’s narrative photographic series, Performance for the Camera, revolves around the theme of having grown up as the “wild child.” She addresses nostalgic internal issues of needing drama, connection, rejection, and solitude. Through her own relatable explorations, she invites the viewer to anonymously reflect on their self as well.
Earlier this week I posted the Nephicide video featuring little kids projectile vomiting blood complete with black metal face paint. To round things out on the hip-hop side of things I present Yonkers by Tyler, The Creator. Watch Tyler play with giant insects, roll his eyes in the back of his head, have random nose bleeds, and most importantly vomit. If you’re not familiar with Tyler make sure to look him up. He’s part of ODD FUTURE WOLF GANG KILL THEM ALL (OFWGKTA), an LA hip-hop collective that has been getting some much deserved attention as of late. Watch the full video after the jump.
In 1951, surrealist artist Salvador Dali teamed up with photographer Philippe Halsman to create In Voluptas Mors or Voluptuous Death. A black and white photograph, this image is simultaneously strange, complex, and alluring. It features a giant “skull,” a living picture that is made up of seven nude female models that took three hours to arrange and photograph. The final product has the artist standing next to the skull, looking like the ring leader of a circus. And, in many ways, he is.
Additional photos have recently surfaced that reveal some behind-the-scenes moments of In Voluptas Mors. Not only do we see the apparatuses needed to hold the models, but we see how the skull was constructed with bodies. From the looks of it, there was a process of getting one section of the skull situated and balanced. This would repeat until the structure was stable enough to be captured on film.
In Voluptas Mors was not the first time that Dali and Halsman collaborated, nor was it the last. They originally met in 1941 and worked together over the course of 30 years. All of their efforts were eventually published in a 1954 compendium titled Dali’s Mustache, an homage to the artist’s facial hair. Check out the upcoming exhibition at The Musée de l’Elysée, which runs from January 29 until May 11, 2014 to see these images in person.
Italian photographer Massimo Gammacurta takes a candy already filled with sexual innuendo, the lollipop, and takes it’s meaning to a whole new level. However, these sugary delights are not the kind of candy you would give to a child. In his humorously titled series KamaSugar, he recreates positions of the infamous Kama sutra in the form of real, edible suckers. These explicit and surprisingly graphic candies are somewhere between a funny gag gift and very impressive skill. Obviously not made for the practical purpose of eating, these lollipops have brilliant colors that are rich and dripping with passion. Each cool blue and fiery red give the strikingly vivid positions a rise to a whole different kind of vibe. To add to this humor are the sometimes unfortunately placed lollipop sticks. Because the suckers contain shapes of people in which we can see through, we can spot yet another phallic shape sticking in the lollipop.
These sweet and sexy lollipops are not the only suckers that Gammacurta creates. This master of iconography has fashioned brand logos into candy as well. Being a commercial photographer as well as sly candy man of sorts, brands play a large part in Gammacurta’s life. He regularly photographs for Italian Vogue as well as other high fashion clients. His suckers have taken the shape of a many iconic symbols such as a Nike sign, a Channel logo, and the notorious Apple logo. These delectable pieces of art are so popular, that Gammacurta even has a book published dedicated to his entire Lollipop series of work.