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Mattias Adolfsson’s cluttered little sketchbook

 

Mattias Adolfsson doesn’t leave much space on the pages of his notebook. Get lost in the whimsical clutter of robots, shelves of stuff, wires, cables, rockets, and just about everything else you can think of after the jump.

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Sasha Kurmaz

Ukranian Sasha Kurmaz’s portfolio is full of well composed still lives and  delightfully awkward figurative photography.

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Yo Fukui @ David Salow Gallery

Japanese artist Yo Fukui currently has an exhibition up at David Salow Gallery until August 15th. I love the extraterrestrially crafted space-age battleship he constructed (above, from star date 3003, apparently). Though emerging from the cold hard star-steel of space lit only by an eerly lunar glow, Fukui creates his battleship from lovingly pastiched felt squares. It’s like Fukui is lovingly wrapping his grandmother’s quilt on the steely shoulders of the vast and infinite unknown future. Perhaps love still can exist even in the void of a black hole…at least, according to Fukui. If you are in the LA area, be sure to check out this exhibition.

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Jordan Wolfson’s Provocative And Sassy Female Life-Like Robot That Will Boss You Around

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An animatronic busty dancer lasciviously moves and converses with the public, speaking with a men’s voice and hyper sexual tones. The life like robot imagined and produced by Jordan Wolfson, dressed up with a leather dress and white thigh-high vinyl boots, sassily swivels her hips and watches her spectator through her dirty greenish mask. The dirt reveals the past of the robot; she has escaped from something but isn’t hurt; she’s here with us and she’s ready to put up her show. Like a real spectacle, the public is only allowed for a couple of minutes with the dancer.  A closed set, a twosome controled by an assertive and repetitive speech and a powerful vision.

Jordan Wolfson is interested in the strange. Therefore he is not focused on the meaning of his art. He is aware of the influence of You Tube and other social media platforms within its generation but he is fascinated by the power of images, the way they are thrown at us and the way we accept it, with or without consequences. The artist works in a non associative way, giving us a non judgmental rendering of his vision. Like his life in Los Angeles where he now resides, his pieces are intuitive and fictional. His concept and art statement has lead the public and the art world to label him as a provocative contemporary artist.
“I’m not telling anyone what to think. I don’t have that responsibility. I’m expressing myself. It’s as simple as that.” He uses art as a safe place where he can express, without fear, his traumas and anger.

Jordan Wolfson art work is exhibited as part of a group show at the Whitney Museum in New York until September 2015, and at the Serpentine Gallery in London this fall 2015

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Axel Void’s Disturbing Paintings Of People Wrapped And Suffocating In Plastic

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People trapped in plastics. This is the theme of the 8 oil paintings by Axel Void for his series titled “Sehnsucht”. Forced or consensual wrapping? After examining the paintings for a minute, the debate does not seem so obsolete. Axel Void suggests an alternative explanation on how to consider these people ; they are pleased with their fate. The title of the exhibition translates as nostalgia; a wistful affection for a period in the past; implying the period of time the artist misses and which is called absurdism. Absurdism symbolises the tension humankind has created for himself, wanting to define the value life without ever being able to do so.

The dichotomy between the classic style of the paintings and the psychologic, almost psychiatric representation of the artist’s nostalgia leaves us disturbed. Moreover, the interpretation of the cellophane or plastic bag can evokes protection, eroticism or asphyxiation. Leaving us full of doubts about what will happen next to these people.
Axel Void highlights in a dark way  “the confusion and state of wellbeing within our basic necessities and longing for something else”.

This intermission in which those people are caught, some of them suffering, others patiently waiting is the state of mind of absurdism. For there is no explanation to how we all have gotten here and there is no logical reason to how we will get out of this state either.
The art of Axel Void is a picture of the society issues in a social and psychological way. He interprets in his paintings the stigma of what society is experiencing in response to a quest for answers that will have no ending.

Axel Void’s “Sehnsucht” series is currently showing at BC Gallery in Berlin until August 15th 2015. (via HiFructose)

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Hundreds Of Copies Of The Wizard Of Oz Create Hypnotic Waves Of Color

Dennis Neuschaefer-Rube

The Wizard of Oz experiment from Dennis Neuschaefer-Rube on Vimeo.

When creating his reinterpretations of Technicolor masterpiece The Wizard Of Oz, German artist Dennis Neuschaefer-Rube didn’t limit himself to a singular medium. Dabbling in video manipulation, installation and printed ephemera, his “experiment” exists as a deep dive into what happens when the artist points the focus away from narrative, and instead zeroes in on visual velocity. He chooses to takes a step back, and re-imagines the film as a series of frames—laid side-by-side in a technique he refers to as “stilling film.”

In this 2-minute preview of Neuschaefer-Rube’s video piece, you can see hundreds of copies of the film, playing simultaneously in a hypnotic wave of color fluctuation. In the exhibited form, this work is accompanied by a printed version of the investigation, a singular film still, and a large (somewhat ominous) black box designed for viewing. Neuschaefer-Rube’s ability to steer the viewer’s attention from piece to piece is masterful, with each element of the experiment hitting just the right notes—perhaps making a slight nod to the Great and Powerful himself.

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Jiha Moon

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meticulously fluid paintings by Jiha Moon. Most of Jiha’s work depicts classic asian landscapes with lush brushstrokes that at once look like clouds and debris floating through the air and a tip of the hat to abstract expressionism.

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Diana Al-Hadid

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Diana Al-Hadid’s transfixing sculptures remind me of the point in the Neverending Story where the white light castle slowly begins to disintegrate from the Nothing, as well as the prison in Lord of the Rings Gandalf is kept in. I think it’s because her sculptures are somewhat mystical, doomed to deconstruct and somehow seem in the process of changing, growing, or collapsing- possible only in some sort of imagined fantasy space. Although here they are, despite all odds, as if teleported from a strange alternate universe of kings and mages and black wizards….

 

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