Here are the last three in B/D’s series on cut paper.
Madrid based design studio Patten pushes typography and playful layout to the forefront of all their work regardless of whether they are creating bold digital illustrations that jump off the page or delicately drawn fashion illustrations by hand.
A couple of weeks ago, we featured Mark Licari on the B/D blog, and the response was so positive that we decided to catch up with the man himself and ask him some questions about his work, squids, and life in LA. Licari’s world is full of sea creatures, crawling bugs, exploding volcanoes, and the degenerative force that turns a clean room into a big fat mess. In addition to his vibrant works on paper, elaborate lithographs, and hilarious sculptures, he also creates dramatic wall drawings that will make you ‘ooh’ and ‘ahh’ like a little kid. His show at the Monterey Museum of Art is on view through February 14th, so go check it out!
Cathy Opie has created a stunning new selection of portraits exploring lesbian identity in her latest body of work, “Girlfriends.” The women in her portraits range from Madonna and Angelina Jolie’s ex-girlfriend Jenny Shimizu, to Le Tigre’s JD Samson. Both honest and alluring, her photography recontextualizes the paradigm of femininity. Currently on view at New York’s Barbara Gladstone Gallery through April 24.
If you’re in LA make sure to save some time on November 21st for a day filled with art, design, artists signings, apparel and more. Perfect for your Xmas shopping! Visit designercon.com for more info.
Reveling in the small, quiet corners of everyday life, Bay Area photographer Amanda Boe explores themes of isolation, curiosity and mise-en-scene in her strange, stunning work. When looking through images from her series Here and There, it’s easy to let your mind wander into each frame, gently prompted to think about time, place, and what it feels like to be “passing through.” The crisp simplicity of her work is charged with her natural sensibilities as a curious, highly-engaged observer—collecting visual treats as she moves through the world. Boe investigates the places in-between the larger moments of life, and reports back with work that is meditative, personal and poetic.
Looking into Rogan Brown’s artwork is like diving into a microcosm of ultra-detailed organisms. The artist creates a myriad of tiny sculptures made out of paper, arranged into one piece which he calls a ‘Magic Circle’.
The sets of paper sculptures are hand and laser-cut. With a scalpel or a knife, Rogan Brown cuts out patterns and motifs inspired from cell structures, tree moss, bacteria, coral, diatoms and radiolaria. The work is laborious and meticulous, taking up to several months for the artist to complete. The choice of paper is deliberate. This mean represents within a same concept, both the fragility and durability of nature. By looking at the infinite details comprised within the final piece, we understand the slow process of growth and decay, life and death which characterizes the cycle of nature.
The artist wishes to mix science and art to metaphorically suggest that a vast range of observations is subconsciously modified by individual imagination. The complexity of nature attracts human curiosity and its need to observe, analyze and classify. A process endeavored by science which is often stopped by too much existing data. Rogan Brown says his “work similarly attempts to frustrate categorization”.
The artist reveals in the profusion of his artistic microorganisms his main belief. Nature can be the source of infinite imagination. (via This Is Colossal)
Jeremy Laffon‘s series of installations are entirely constructed from chewing gum. He painstakingly builds each of his installations with this unusual material. The precision and care he gives to his work is contrasted by the material itself. Chewing gum isn’t particularly strong or sturdy – the lattice work structure buckling under its own weight, or tiled gum easily giving way underfoot. Chewing gum is also associated with casualness, rude to chew in formal settings, spit out when finished with: a pleasant surprise in an often stuffy art world.