Judy Fox creates these bizarre, and stunning life-like sculptures that re-create figures from ancient world mythology and historical depictions. Isolated from their typically mystical surroundings, they become somehow both more and less magical, if that is possible. What amazes me most about them is that Fox creates these entirely out of terra cotta(!)- sort of a fitting material, used to depict Osiris from Egypt, legions of warriors at Qin Shi Huang, Indian gods and goddesses- you get the idea. There is something universally biblical in their man-fashioned-from-clay likenesses…oh and then they are painted over in oils! Some process shots as well for the sculpture of a Satyr above below the jump- all kind of looking like relics from Indiana Jones.
South Korean artist Seung Mo Park crafts wire into sculpture and the two-dimensional into the three-dimensional. With his Maya series, he painstakingly recreates photographs into holographic wire sculptures with downright ethereal results.
Using stainless steel wire mesh, Park creates his sculptures layer by layer, snipping away to create the illusion of depth and shading. In some cases, it looks as though an artist’s doodle has popped out of his sketchbook. Park shows his versatility in creating boldly three-dimensional sculptures as well as pieces that perfectly imitate the graininess of a black-and-white photo.
His work is stunningly photorealistic.
Though many of his sculptures are hauntingly evocative, his subjects caught mid-despair or appearing like vengeful steely-eyed angels, Park also has a playful side. In a work called “MAYA MONA LIZA,” he pays homage to the most mysterious smile in the world. In his Object series, he recreates known objects such as a contrabass and famous sculptures like “The Thinker.” With his treatment, they almost seem to emerge out of the static, in some cases only merely suggesting form and function. A piece called “Buddha,” created with bronze wire and fiber glass, looks as though a person is being buried in a sand dune of time. In other works, from his Human series, his subjects spring to life fully formed.
If you gaze at Park’s work for long enough, it almost seems as though he has dialed into some special channel caught between realities. A slight turn to the right and maybe his subject will become a real boy once and for all. A slight turn to the left and these ghostly figures might be subsumed forever.
When photographer Jennifer Loeber’s mother died, Loeber began to photograph her belongs as a way of coping with her grief. She matched her photos with vintage pictures that her father had taken of her mother and posted the pairs on Instagram. The resulting series, “Left Behind,” is a poignant memorial, both deeply personal and universal.
The everyday objects that remain when loved one dies become an instant museum of sorts, freezing that person in time. A favorite pearl ring will never be replaced by a diamond; an unmatched glove will never be matched to its mate. A used lipstick, valueless in itself, becomes a cherished object, chosen and applied by the person so missed. Many times these everyday objects are the most touching and the most difficult to dispose of.
“I found myself deeply overwhelmed by the need to keep even the most mundane of my Mom’s belongings when she died suddenly this past February. Instead of providing comfort and good memories they became a source of deep sadness and anxiety and I knew the only way I would be able to move past that was to focus on a way to interact with them cathartically. I had recently become active on Instagram and realized that utilizing the casual aspects of sharing on the app was a way to diminish my own sentimentality towards the objects my Mom left behind.”
Reframing the objects allowed Loeber to experience them without searing grief. Instead of the items feeling haunted, they became imbued by fond memories of her mother’s life. By matching them with her father’s photos she was able to make a fitting memorial to her mother, one that was less about personal pain than about remembrance.
“My dad refused to hold a traditional funeral service because he and I believe you should celebrate a life, not mourn it. I’m sure this body of work falls in line with that concept.” (Source)
Chestnuts roasting on an open fire, sleigh-bells ringing, snow falling softly….and a brand new season of Holiday Apparel from Beautiful/Decay! We are proud to unleash a brand new collection of 11 designs just in time for the holidays, including stand-out graphics by artists Rob Shields, Sentimental Soycheese, Kyle Thomas, Pablo Alfieri, Vladimir Sengotskiy, Sylvain Bousseton and Ben Thomas.
Get a head-start on your holiday shopping- buy Beautiful/Decay designs at the online shop and the designs after the jump!
Sound artist Zimoun creates simple but arresting sound art installations. His stark installations use common objects to noise atmospheres. Zimoun often uses small DC motors with small cotton ball mallets in his work. His newest piece using the motors may be his largest yet. Utilizing over 300 motors, Zimoun neatly installed his piece inside an abandoned chemical tank. The drone of the cotton balls and the echo within the tank produces a hypnotic hum. Check out the video of Zimoun’s installation in action after the jump. [via]
Beautiful/Decay recently created a lookbook for our Spring/Summer 09 seasons. The concept behind the shoot juxtaposes evocative objects & optical affects with our apparel, to complement the shirts in abstract ways. Still life images of disco balls, prismatic rings, shag carpets and balloons contrast the light, color and texture of the shirt graphics. See our apparel line come to life in new and unexpected ways! Photography by Luke Stettner.
I recently ran into Dan Sabau‘s haunting and ethereal abstract-figurative watercolors at YES Gallery in Greenpoint, Brooklyn. I was immediately drawn to the dashing bright colors and the flow of lines that maintained a definitive form despite allusive strokes of paint. Faces and figures are distraught and aloof, some hidden and others morphed into voluptuous loops. There’s a confounding element of ghastly transparency and confrontational forwardness that makes them disturbing and addictive.
Some simple yet beautiful photos from swiss artist Yves Sinka.