“Scribbled Line People” is a digital collaboration between New York-based illustrator Ayaka Ito and programmer Randy Church. Part of a “3D Motion and Particle” course, the two decided to embark on this project after discussing how to create an interface that could incorporate 3D scribbled lines into photography. Mutually inspired by Rachel Ducker’s wire sculptures and Erik Natzke’s Flash paintings, the duo uses both Flash and Photoshop to reconfigure photographic subjects into shredded images that are gracefully incorporated into their background compositions. Ito says, “Our objective in approaching the visual, was to create a series of answers to show how scribbled lines could develop normal portraits into abstract art.” (via the creator’s project) Read More
Baltimore-based artist Jordan Kasey creates large-scale oil paintings of surreal scenes that include monumental figures and objects. In these strange worlds, her subjects occupy entire compositions and are often distorted by a canvas’ constraints. Although they could seemingly exist anywhere, we see them fused with both the aquatic and natural landscape.
There’s an emphasis on hands and fingers in Kasey’s paintings. We’ll often see pair of hands hugging or carefully cradling colorful, rock-like objects. Fingers on opposing hands match up to form tiny arches that make her faceless subjects look as though they’re plotting something. It doesn’t feel sinister, though, but almost absent of any emotion whatsoever.
While some of Kasey’s works are devoid of identifying details, others replace the expected with the unexpected. Facial features are altered with aquatic rocks, coral, and sea plants. It creates an odd-yet-familiar place whose tightly-rendered subjects begin to approach a level of uncanniness. While we know Kasey’s work is fantastical, it looks realistic enough that we might try and apply logic to it.
In his soulful, surreal paintings, Eddy Stevens imagines a world dominated by intuition and emotion, abandoning the mundane for an ethereal landscape dominated by female sensual power. In his wondrous vision, the woman, a heroine modeled after his wife Sophie, sheds her clothes, forging a primal connection with the natural world. The horse, in his majestic equine glory, mirrors the innocent nakedness of the woman, his massive muscles rippling parallel to her bosom.
In Stevens’s evocative images, raw, exposed sexuality is a source of spiritual strength rather than shame, fueling miracles like levitation and mysterious candle lights. Here, the domestic space of the house cannot contain the divinity of woman, and its walls crumble at her feet; she, like the horse, is free to roam infinite wildness.
Stevens’s cornerstone motifs, the nude female and the white horse, are reminiscent of the work of surrealist master Salvador Dalí, whose 1946 painting The Temptation of Saint Anthony also imagined the gift of levitation. But Stevens’s impressive body of work differs in its treatment of the nude and the equine creature; where Dalí presents them as perverse and frightful temptations, both symbols of the desires of the flesh, Stevens depicts them tenderly, as embodiments of purity and strength. This vision is perhaps most fully realized in “Birth of a Dream,” a painting depicting a trinity of nudes following a horse as he ascends into the clouds above. In a stunning reversal of Dalí’s imagery, the parade is shown from the back; instead of falling to earth, they climb to the holy heavens. Take a look. (via HiFructose)
Being on social media makes us vulnerable. Anyone can track down your present or your past; the information is there and it is available. Even by tweeting and facebooking about the most mundane of things, Google and whichever company buys information off Facebook are able to know what to sell to you. This feeling of you when you’ve had that dream about being naked in public, yeah, Facebook and Google’s privacy invasions sometimes feel the same way.
In hopes that they could provide a more visual picture of what it means to be part of this post-privacy world, Xuedi Che and Pedro Oliveira of NYU’s Interactive Telecommunications Program create x.pose, a “wearable, data-driven sculpture” made out of flexible, 3D-printed mesh and layers of reactive displays which are controlled via Arduino, an open source electronics prototyping platform specially made for creative interactive objects.
The dress is divided into sections, each corresponding to whatever neighborhood the wearer is tweeting or posting to Facebook from. This means that when the wearer logs onto Facebook or sends a tweet via smartphone, the dress connects via Bluetooth and becomes less opaque in the “area” where he or she is currently active, revealing a part of the wearer’s body.
The more personal data is released via smartphone, the more transparent the dress becomes. (via The Daily Dot)
Spanish artist and illustrator Isabel Chiara creates impressive gif collages, some uncannily reminiscent of animations in the Monty Python vein. Chiara cites the great masters of painting as her influences, and that’s something you can easily identify in her gif collages. One of her gif collages, “George Clooney is Inside,” was recently awarded Best Gif Collage at The Giphoscope Award 2014. Blending popular culture, absurdity, and classical aesthetics, Chiara creates unique animations that captivate your attention by telling a story. Juxtaposing classic and vintage human figures with modern, surrealist elements undoubtedly yields humorous and enchanting results. Visit Behance to explore more of Chiara’s work. (via cross connect)
Her toes were broken when she was a kid, then constantly bound to make them smaller until she couldn’t walk straight anymore. At the age of 88, Zhang Yun Ying is among the last witnesses of China’s infamous tradition of foot binding.
It has been recently brought to attention by a British photographer Jo Farrell who is already known for documenting endangered traditions and cultures. Her ongoing project “Living History” captures the lives of some of the last remaining women in China with bound feet. According to Farrell, in the past year alone, three women she’s been documenting have passed away so she feels it is “imperative to focus on recording their lives before it is too late”.
Tiny feet (with the ideal being no bigger than 3 to 4 inches) were once considered to be the symbol of beauty and social status. Young women would crush and bind their feet hoping to marry into money. Concealing the bound foot from men’s eyes also instigated an erotic approach towards it. Even though the inhumane custom was banned in 1912 by Chinese government, it was still practiced behind closed doors.
Apart from showcasing the shocking photos to the public, Farrell wants to make a point that modern women are not so different from the elders she works with:
“In every culture there are forms of body modification that adhere to that cultures’ perception of beauty. From Botox, FGM, breast augmentation, scarring and tattooing, to rib removals, toe tucks and labrets.”
For those who are not regulars at their local gun club, you might be surprised to know that shooting targets aren’t all the classic bullseye or silhouetted portrait. No, some of them are much more realistic, as the Amsterdam-based magazine Useful Photography has pointed out. The publication collects everyday images, and for issue 11 depicts several decades of targets from tens of thousands of shooting ranges in the United States. The results are disturbing, to say the least.
While traditional targets were once anonymous figures, they are now much more lifelike. You’ll find photographs of dictators, women, children, and everyday people pointing a gun back at you. It gives the target a personality, and you can practice your aim and get swept up in the grim, suggested narratives. Some manufacturers have gone too far, and which includes a line of targets called No More Hesitation that featured small children and pregnant women holding guns, and a bleeding “ex-girlfriend” (masquerading as a zombie). Both were pulled off the market.
Erik Kessels publishes the magazine and explains to Fast Company:
We found that shooting targets in the U.S. are getting more and more bizarre with what they show. Our biggest question on the topic was what scares a nation–gunman who hold children ransom or infamous terrorists? In this age of high impact gun crime, are the participants seeking protection or accelerating the violence?”
He goes on to say,
“By taking these images from their original context and putting them together in a magazine we hope that people start to look at them again.”
(Via Fast Company)
Sam Alive is a New York city-based photographer who has truly aced the digital lens of an iPhone. His project “Through the Phone” features stunning landscapes, urban cityscapes and natural sceneries all captured with a mobile camera.
The key to Sam’s work is the juxtaposition between the sharp and detailed view presented on the mobile screen and the blurry unrecognizable background behind it. To mock the late influx of smartphones in our lives, artist takes these wide breathtaking vistas of sea shores, valleys and skyscrapers, and crams them into a tiny 4-inch display. Thus, limiting the viewer’s vision and making a good point about the change in our perception.
“Life is like an adventure, because you never know what is going to happen next; you only have one life, all we can do until we die is live everyday to the best of our ability. As long as I am still alive, I will continue to take pictures everyday of my life.”
Sam started his project “Through the Phone” two years ago and already had a chance to travel and take photographs all over Taiwan, Japan, Hong Kong, San Francisco and New York. In his Tumblr blog, he promises to keep on traveling and updating his project with more captivating shots through the phone. (via designboom)