Ashley Zelinskie is making art for computers. I admit when she told me about it, I was a little freaked out. Basically, she constructs three-dimensional sculpture on the computer, then has it printed in three-dimensions. It consists of a form humans understand, like a chair, and a code computers can understand too. Zelinskie also makes “paintings” which consist of a series of numbers, after the jump you can see Van Gogh’s Starry Night recoded for artificial intelligence.
Artist Christina Córdova sculpts beautiful and enchanting ceramic figures. The artist, now living in Penland, North Carolina, grew up in Puerto Rico where she was raised heavily embedded in Catholic imagery. The classic posses and the notion of reference and body positioning as story telling has deeply made an impact on her work — the figures within her art hold poses that can be found in both theological and mythological images. Each piece has an almost magical realist feel: while her pieces can be traditional in execution, they always feature an element of surprise and surrealism. Through blending moments of texture with perfectly sculpted human forms and strange depictions of wild animals, her works somehow achieves the ability to be screaming a secret — to be demand attention yet offering no specific answers, only curiosity and inquisition. Each work has a story. Each figure has a history. Her use of a classic material, ceramic, truly allows her work to exist within a plane of antique elegance. However, through her use of pattern and color, Córdova’s work is contemporary and fun, yet undoubtedly sophisticated. She tends to use found materials such as metals and wood from her homeland, Puerto Rico. Because of these materials, her ceramic finishes mimic a sort of rawness that truly gives her sculptures their “relic” like quality. Córdova’s sculptures are absolutely stunning and genuinely radiate a aura of mysticism and truth. (via juxtapoz)
Artist Alex Podesta creates life-sized sculptures that feature grown men in bunny costumes. The realistic-looking figures wear head-to-toe fluffy suits with two giant ears on top of their head. Podesta poses his characters and puts them into different settings that are both in and outside of a gallery. We see several identical statues looking over the roof of a building, as well sitting inside and playing with marionettes and trying to tame a snake. Their actions and attire don’t read as one of grown men, but of young boys. And, that’s partially the point of Podesta’s work. From his artist statement:
…I have culled the rich fantasies, daydreams, misconceptions and experiences of childhood and re-contextualized them through the filters of adulthood, experience and education. This effort has been made in an attempt to plumb the depths of the creative and comprehensive naiveté of youth; to illustrate, in engaging and serio-comic ways, the role of fantasy, “othering” and conflict in nascent self-awareness; and, through the time honored tradition of solipsistic navel gazing, to pick gently at the loose thread of wistful escapism inherent in a quiet, downhill slide into maturity.
These men exist in a liminal space that’s in between boyhood and manhood, and Podesta goes on to explain that his subjects “…will be forever locked in the Sisyphean toil of misapplication, miscomprehension and misunderstanding.” (Via ARTNAU)
Acid Drops is a breathtakingly exquisite yet simple ongoing animation series by Matt Box that psychedelically captures the individual styles of influential skateboarders.First up is one of my favorite skaters, Jason Dill. Watch the full video in all its technicolor glory after the jump.
Pedro Varela’s tightly packed paintings and installations leave no part of a room safe with paint on canvas, walls, floors and even ceilings.The imagery is clearly based on dense landscapes that one might find in a busy metropolitan area with massive skyscrapers sitting next to old art deco structures that leave little space to build except up into the sky. Like a new city that is just taking shape Varela’s scattered yet dense city systems pour onto every surface acknowledging the galleries architectural structure yet denying to stop just because the wall ends and the floor begins. (via)
Carolina Fontoura Alzaga is a multidisciplinary artist out of Los Angeles with a penchant for re-purposing castoff materials and exploring sociopolitical themes. She’s currently selling some chandeliers made from used bicycle chains at her Etsy page. You don’t even have to be into cycling to like these. The heavy chains almost give off a medieval vibe and they look like they give off some really nice, warm light. Looks like they’re being offered at some pretty affordable prices as well. (via)