We wanted to take a moment and share some of these amazing (and horrifying) photographs that The Atlantic posted of the Japan earthquake and Tsunami. Our friends out there are still putting back the pieces and we want you to join us in sending lots of positive vibes and wish them a speedy recovery. Since we’re in a “Sending” mood why don’t we also reach into our wallets and send a few bucks to the Red Cross to help in the relief. You can fill out a quick form on the Red Cross site or just text 9099 to make a $10 donation. More photos after the jump.
Amanda Lear: previous male, current female, muse of Salvador Dali, multimillion selling Disco Queen three decades ago, subject of an incredibly long Wikipedia entry (yes, her official site is hosted on Tripod), feast for ironic art eyes, and just strange strange strange. Whenever I watch her videos I wonder “is this shit for real?”. But yeah. It is.
Nedda Afsari (aka, Muted Fawn) is a LA-based photographer who infuses fashion photography and portraiture with elements of the eerie, erotic, and strange. Influenced by a combination of music, art horror films, the supernatural, and her own lucid dreams, her images stir the imagination as powerful, semi-surreal visions. Women in strappy, edgy lingerie pose sedately with their faces hidden in washing machines and behind walls; a masked matron symbolically opens an empty birdcage; another sits up on a desert road, her body swathed in plastic wrap. In every image, her figures exude a stunning sense of otherworldly calm, beauty, and confidence.
When I asked Afsari what impressions and feelings she hopes her viewers will take from her images, she expressed the desire to connect and empower:
“[M]y main hope is that the viewer is able to feel an emotion from my photographs and formulate their own meaning. I enjoy photographing women that have a strong feminine presence and love to capture that seductive power and alluring mystique. I tend to be pretty shy, so in a sense I feel like I’m sometimes vicariously living through some of these ladies I photograph and it’s helped me open up a little more personally.”
Afsari explores femininity in a way that crosses the decades of fashion photography, seamlessly blending vintage pin-up-style portraiture with a more contemporary latex-occult fetishism. Feminine power is not rooted in conventional notions of sexuality, exploring women as ethereal and dominant presences. She regularly collaborates with artists who share a similar aestheticism, such as the alternative designers Hopeless Lingerie and Creepyyeha.
As for upcoming projects, Afsari is currently working on collaborations with photographer Kristin Cofer. She is also putting together a gallery show in LA and Miami and aims to create more video projects in the near future. Check out her website, Facebook, and Instagram to follow her inspiring work.
French digital artist JC Debroize has created an unsettling font called “The Human Type” using modeling clay and digital effects. Debroize completed this project as the creative director for the graphic design studio Kerozen. After using modeling clay to render the shapes of the letters, Debroize took photos of both the letters and the faces of the 7 Kerozen team members. “Then I made a mapping of skin textures on the letters with Photoshop and added the hair and the eyes,” Debroize elaborates. “It was not a problem to show an unflattering image of us. We laughed a lot making this.” (via laughing squid)
London-based artist Gerry Judah has been widely known for his large-scale outdoor installations. Especially noteworthy are his works commissioned for such famous car brands as Jaguar, Porsche, Mercedes-Benz and others. Collaborating with the sponsors, Judah has created a series of gravity-defying suspended installations featuring scale-sized model cars shooting as high as 35 meters in the sky.
Gerry Judah has been building his car-themed sculptures since 1997. His tremendous structures have always been a sight at the annual Goodwood Festival of Speed in Sussex, England. Judah works extensively with steel. Naturally the amount of it consumed for each installation can go as high as whopping 175 tonnes (Jaguar, 2011). Despite the rugged material, Judah’s structures seem to be incredibly lightweight flexible. His works are particularly appreciated for the cohesion with the style of cars they represent. Here’s Judah talking about the design of Porsche 911 monument (above):
”The 911 is a fantastic shape that can’t be deconstructed or embellished, so in this context, the sculpture had to provide the right platform for the car to soar up and shine in the sky. <…> The concept was that each car is shooting into the sky, supporting one another, racing each other, captured in a perfect moment. Like the cars it displays, the sculpture is superbly engineered, lightweight and reflective of the Porsche 911 itself: simple, pure and built for the job.”
His latest work for Mercedes-Benz (below) features a 160-tonne steel sculpture with two Mercedes-Benz cars passing each other in midair. The installation is 90 meters long and soars 26 meters into the sky. It celebrates the 120-years-anniversary of motorsport heritage by Mercedes-Benz.
I have to admit that one of my guilty pleasures is watching an occasional episode or all day marathon of the tv show Hoarders. Maybe it’s the fact that seeing the chaos in someone else’s life makes me feel better about my own never ending laundry pile. I admit it’s not my finest moment but hey at least it’s not the Jersey Shore.
Given the above confession it should come as no surprise that I was immediately captivated by the series The Art Of Keeping by Argentinian photographer Paula Salishchiker. Since 2011 Salishchiker has been working on this fascinating project documenting the homes of hoarders in the UK. (via feature shoot)
I photograph the houses of people who have difficulty in throwing things away. Their objects help them feel safe, they take their time, they require their care and are there for them. However, they also make their lives difficult, sometimes forcing them out of their own homes, suffocating them with their never ending expansion. – Paula Salishchiker
It’s really hard to pull off a painting with a white center but somehow Greg Bogin has done it. With a minimal amount of paint and some carefully shaped canvases greg manages to create beautiful work that packs a powerful punch. It also doesn’t hurt that he jam packs his work with one of my favorite things in life…gradients!