Rob Matthews is an east coast designer (I’ve noticed a lot of good work coming from Minneapolis!) with a penchant for the ironic. His “Wikipedia” project takes articles from Wiki’s Wikipedia’s featured articles. Other projects include: T-shirts and posters that wrap around your head to make you become his friend ‘Trevor Burks’ (who he misses), and turning drawings into photographs which is kind of like the opposite of what people are used to when they’re first practicing art.
Edit: Friend & video artist Party Food (Joe) has sent me a map to show me where MPLS is, thank you. If you are like me, geographically challenged, please refer to this image.
Though the medium of stereoscopic optics have been blowing minds (and crossing eyes) since the late 1800’s, artist and designer Ryan Colditz takes the media to surprising new ends. Colditz plays with this dazzling visual trope to breath new life (and dimension) to graphic design and photography, creating a startling new aesthetic that literally manages to pop off the page. Beautiful/Decay recently discussed Ryan’s home made 3-D camera, process, inspiration, and beyond- read more after the jump!
“Gay Men Draw Vaginas” is exactly the project it sounds like. Three years ago, Keith Wilson and Shannon O’Malley were eating at a restaurant with a group of homosexuals when the topic of vaginas came up. This led to O’Malley asking Wilson to draw a vagina on the table with a crayon. This inspired more conversation and more drawings from the gay men at the table. A few months later, the duo decided to explore this idea even further, setting up a “vagina collection booth” at gay establishments across San Francisco. While they were given a few sneers here and there, most of the gay men who participated were excited to dive in and contribute to the project.
O’Malley observes, “In casual conversation, at surface level, I knew asking gay guys to draw vaginas was funny because it zeroed in on what some people might have perceived as ‘opposites.’ What I kept to myself were my navel-gazing meditations on ‘queer identity’ and ideas people (and the culture) hold about women and bodies.”
The duo recognize that the drawings range anywhere from misogynistic to celebratory to puzzling and enigmatic. They hope to eventually get people like Dan Savage, Neil Patrick Harris, Perez Hilton, John Waters, and/or George Takei to participate. “Ultimately, though, we hope people do a lot of things; we hope they’ll laugh, we hope they’ll think about what it means to identify as a ‘gay man,’ we hope they’ll think about ideas our culture has about bodies and body parts. Their responses are part of the study, part of the art,” they explain.
John Chae’s digital illustrations are suffused with bright colors, provocative images, and pop culture references. These digital worlds are odd and labyrinthine and reflect a pastiche of influences. While strangely captivating, his use of patterns and repetition is quite hypnotic. His work feels like a hybrid of Charles Burns’ and early mimetic internet styles. From his website:
안녕하세요! My name is John (희택) Chae and I was born in the year of the dragon (1988), but I’m technically a rabbit. My birthday jam is Tiffany’s Could’ve Been and my blood type is B, but I’m not sure whether I am B+ or B-… I was born in Boulder, Colorado but I grew up in Seoul, Korea. I graduated with a BFA in painting from the Maryland Institute College of Art. I currently reside in Jacksonville, FL.
Olivier Ratsi‘s latest project Onion Skin is an attempt to create an unreachable plane by physical means. Two walls are connected at 90 degree angles, and a series of visual light displays plays simultaneously off of the joined walls, created a uniquely intangible, unreachable dimension. This type of work is typically elaborate for Ratsi, who describes his works as “The deconstruction or fragmentation acts mainly as an emotion trigger, which does not aim at showing what things could be, but more at questioning their references.”
Shapes that begin to form are quickly changed, morphing into others and blending into a seemingly 3-Dimensional landscape. Ratsi, who is also the co-founder of visual art label AntiVJ, gives the viewer a sound component to coincide with Onion Skin‘s hypnotic geometric shapes overlapping, peeling and unfolding. Ratsi explains, “Its aim is to generate a break with the meaning of the original items, to propose a new viewing angle and to provide the public a new field of experience, another way of looking at space and time.”
Onion skin is currently installed in Belo Horizonte, Brazil (until November 30th, 2013), after which it will be included at an exhibition at the Parque Lage in Rio De Janeiro (December 7th and 8th, 2013). (via designboom)
Start your Monday and the right foot (or should I say paw?) with The Zax’s Nothing To Celebrate video which tells the story of “Peke” a mature pekingese dog and his mistress, the ‘Pink Lady’, living a lavish lifestyle and an having an impossible romance while bored to death in their pink apartment drinking pink champagne and playing all day and all night. Watch the full video directed by Ben And Julia after the jump.
Sarah Hallacher’s gifs explore the different opportunities for pangs of heartbreak that exist in social media and technology. She uses texts, instagram, facebook, linkedin, googlechat, and email, to demonstrate the difficulties of the remnants of a relationship that linger in the age of the Internet. Each gif is set in the format of each platform, to show how the different type of information and notifications can have effect on you. They’re all pretty familiar, even probably to people who haven’t gone through a tough break up. For instance, the text message notification buildup when none is from the person you wish they were could even extend outside the realm of a romantic relationship; Everyone’s experienced disappointment or annoyance in not receiving a response from someone. Others are very specific to relationships, like the Facebook relationship status.
Hallacher presents these everyday difficulties in the most straightforward way, allowing the viewer to understand the significance of the aspects of a relationship that echoes through the Internet. Of the project Hallacher states:
“My goal was to pinpoint the exact place where something might feel painful for a moment,” she says. “I was trying to capture both the technology and the experience of it. If you’re not speaking to a person, you don’t know why they are taking these actions online. The online version of their action is very dry and cold, without context. I just wanted to highlight that. The computer is just a computer, and it doesn’t feel sorry for you.” (Via Co Exist)
The massive large scale ink drawings of French graffiti artist Deck Two are a narrative that you can really get immersed in. At over 29 feet long, his sketches are a part of a series called Expanding Drawing. And they are exactly that – drawings that stretch out and don’t end at the usual borders. For this particular project he was based in Tokyo and has tried to capture the all-encompassing feeling of the city. Every inch is filled with intricate details about city life, and we can really see just how much of a living, breathing organism major metropolises are.
His drawings are like precise, architectural illustrations made of a future city. Motorways curve around beautifully, and merge together, running into the center of the urban sprawl. Deck Two profiles mega cities with a gracefulness reminiscent of the Francis Ford Coppola film Koyaanisqatsi. He talks about his idea of a utopian place:
My idea of a perfect town is a place where young and old people can live together; poor and rich, who always have access to culture and art. (Source)
The French artist is interested in many different forms of art, involving different aspects of the urban landscape. From motion design to illustration, VFX to storyboard, drawing to graffiti – Deck Two likes to switch from computer to wall painting, and vice versa. He has painted walls, cars, and numerous murals. Be sure to check out his other work and a few videos showing the artist at work, here and here.