You may be wondering if we here at Beautiful/Decay are mustache friendly. Why yes, yes we are. Super Intern Mike Hahn not only sported an irreverently dashing upper lip duster during his entire stay here at Beautiful/Decay, but graced us with tawdry tales of his mustachioed musings all while helping us at the office here with the..how you say…joie de vivre pictured above! Yes, he really wore button downs, pastel argyle sweater vests, candy striper twill Bermuda summer shorts, Dockers boating shoes and an American flag cape each day to work! Thank you for all your hard work here Mike, we will miss you as clean shaven face misses the warmth of a well manicured ‘stache in the dead of a Minnesota winter! Check out Mike’s artwork after the jump or at his website, whoismoch.com.
There are only 7 days left until the deadline for the Beautiful/Decay Business Card Giveaway! So don’t forget to send us your most creative business card ideas!
One piece of advice we impart to our interns at Beautiful/Decay is that a well-designed, professional business card is one of the most critical tools anyone seeking a job can have- especially in the creative field! So, Beautiful/Decay is presenting a competition to see who can design the best business card for themselves and/or their business. Please send us your most innovative, eye-catching card graphics! The most creative card will win 500 free cards printed courtesy of UPrinting.com! (Note: We will be posting the winners on the blog–so if you don’t want your personal information broadcasted please also send a version of the file with dummy text.)
Deadline: July 28th, 2009 6:00pm PST
-Email submissions to: firstname.lastname@example.org with the subject line: Business Card Contest
-Format is 2 x 3.5″
-Business card graphic includes front & back, full color
-Winner may select any paper type
-For all template & file specification requirements please visit UPrinting’s guidelines.
Romanian illustrator Aitch creates colorful images that are ripe with magentas, turquoises, electric yellows, and more. But, don’t let those bright pigments confuse you. While cheerful, there are some macabre moments that add an intriguing element to her detailed paintings.
Aitch is inspired by her travels, naturalistic illustrations, naive art, and folklore from around the world. You definitely get the sense of this through her series like The Garden of Good and Evil and Alice’s Adventures in Wonderland. Both, as you might guess, are the retelling of stories – original sin and the C.S. Lewis tale, respectively – but through her own imagery and voice. Here, full-sized women with an array of unusual tattoos interact with the psychedelic landscape and a cast of fantastical creatures.
The same women appear throughout Aitch’s work in other series like Coffins. Here, it’s much like it sounds – we see decorative coffins, people buried underground, and a meditation on what happens after we’re gone. Her style lends itself to a more lighthearted, beautiful depiction of death and a return to nature where we’re wrapped up in gorgeous vines and flowers.
Ryoji Ikeda’s Test Pattern project, which was first shown in 2008, converts any data – from text to photo to sound to film – into barcode visualization and binary patterns of 0s and 1s. The visuals are set to a soundtrack, creating an overwhelmingly impactful experience with stunning black and white video. Throughout October, Ikeda’s project will be on display on five screens in Times Square from 11:57 to midnight each night until the 31st.
There have been many iterations of the Test Pattern project. This is the U.S. premier. Ikeda works primarily in Kyoto, Japan and Paris, France and is internationally renowned. His artwork is highly mathematical, and divided equally between sound and imagery. For all of the complex programming and equations that go into Ikeda’s work, the final product of Test Pattern is refreshingly simple in presentation, though monumental in scale.
In contrast to Test Pattern, Ikeda’s most recent work, Supersymmetry examines particle physics, a far loftier subject to tackle. Although it is beyond my own comprehension I’m going to have a go at it anyway. Apparently supersymmetry is an extension of The Standard Model, and helps to converge two types of elementary particle models, to explain how particles have mass. These two models have explained basic elements of our physical universe, but cannot explain everything, which is where supersymmetry helps to fill in the gaps. Ikeda’s installation is an experience that allows the viewer to witness his artistic vision of this phenomenon (I think…) (Via Papermag)
London-based artist Oddly Headdepicts classic films in his series titled Hollywoodland, but it’s all with a dark(er) twist. Using iconic scenes and images from the likes of Poltergeist, Jaws, and The Wizard of Oz, he interjects different narratives. The drowned Statue of Liberty in Planet of the Apes is still but in Oddly Head’s telling it overlooks happy beach-goers. Likewise, celebrity Simon Cowell’s face appears on the Poltergeist TV rather than its original eerie glow.
By stripping the shocking/memorable parts of the original scenes, Oddly Head takes some luster away from Hollywood. Instead, he’s made them seem trivial, silly, and completely changes the tone. Julie Andrews in The Sound of Music suffers a distressingly-painful fate and is hitched to crosses. This much more sinister than its mostly-cheerful tone. Singing in the Rain also has the same treatment. As Gene Kelly belts out his the lyrics, a homeless man sleeps next to a graffitied door. Hollywoodland is part absurd and part amusing, and will definitely make you look at these films in a different light.
If you enjoy Oddly Head’s work, check out his intricate prints made from thousands of tiny vintage images.
These may look like photographs of abandoned buildings but in fact they are photographs of meticulously made dioramas by Lori Nix. Each image is painstakingly created by hand, taking into consideration scale and lighting over the course of seven months. The result is an apocalyptic vision of the world where everything has fallen apart, decayed, and is slowly returning back to nature.
The work of Scott Young is a playful turn on food photography. His fruits and vegetables seem not so much delicious as rebellious. Young photographs various produce covered with studs usually found on clothing. He mixes the language of punk rock fashion with that of food photography to in a way that each undermines the other. The simple idea is strangely amusing. The disparate context of each crash together to create a new one that seems to somehow make sense in its own way.