Montreal-based artist Jon Rafman‘s series New Age Demanded is dominated by a distorted, bodiless figure made from textures and skin taken from paintings by artists – such as Gerhard Richter and Franz Kline – and made anew. With the aid of photoshop, Rafman collages numerous different elements onto the deformed classical bust and its background to mix old with new, high art with low art, and craft with technology. More after the jump.
I love Matthew Brandt’s Lakes And Reservoirs series of photos. Each print is soaked in the body of water that it depicts giving each photograph a unique abstract film of color and texture. It’s like getting two photos for the price of one!
When Michael Anderson says that the “street is my palette,” he actually means it. It’s not a metaphor. Anderson’s practice, which Beautiful/Decay detailed in a studio visit over the summer, involves snatching up posters from the street at night. Anderson has collected posters all over the globe, but lives in Harlem, and brings the energy of that place into his work. His current show, The Street is My Palette, up at Claire Oliver in Chelsea until December 30th is a virtuoso exhibition of collage with the flair, rhythm, and charisma of the street.
Beautiful/Decay is feeling festive this year….and so, we are having a holiday sale from now until January 1st. ALL merchandise on our online shop is 20% off! Yes everything, from B/D apparel, wallets, Beautiful/Decay subscriptions, jewelry, art zines and books….you name it! Just type in our special code BDXMAS20 at check out to save on your entire order! Hurry though- most orders must be placed by Dec. 16th-23rd to arrive in time for the Christmas holiday- check shipping deadlines after the jump!
Miao Chunxiao’s new media work employs the latest three-dimensional computer technology to create montage images and virtual realities that interpret historic artworks, especially classic paintings before and after the Renaissance.
Mikie Poland does what he wants, and that is awesome. Some might read this and think that it’s juvenile, but in a world where most people play a passive role in their own lives – I’m truly inspired by someone who is willing to pursue their passions with everything they have at their disposal. Poland is on the road about half the year touring with one of the two bands he plays in (Giving Up or State Champion), and spends much of his remaining time working odd jobs and helping to promote Sophomore Lounge Records in whatever way he can. As the web manager, primary art director, and right-hand-man of the label’s creator (Ryan Davis) you might wonder where he finds time to do much else. As it turns out, there is a good amount of “downtime” in the van in between gigs, and Poland often spends this time productively. Whether he is drawing posters for upcoming shows or clever illustrations referencing everything from Jazz to Dracula – Poland stays busy.
The nature of his practice could force a comparison to Raymond Pettibon, but Poland’s aesthetic is very much his own. There is certainly a gritty quality to the work, but his quick wit and keen understanding of texture and mark making have an intentionality to them that belies the crude manor in which many of his illustrations are fashioned. Having a fine arts degree from a conceptually oriented school like the School of the Art Institute of Chicago (where Poland received his undergraduate degree) often leads one down a path of pretention that can be hard to escape, but Poland manages to keep things in perspective. His observations are honest, the tone is real, and I enjoy looking at the work. If you scroll through these drawings and at least one of them doesn’t put a smile on your face I think it might be time to re-evaluate how seriously you take yourself. Giving Up will be on an east coast tour this June, and if you like what you see below I encourage you to check out their shows and pick up one of Poland’s expansive zines at the merch booth.