Photographer James Florio created the series Homeless in Orlando. Alternating between slides of text and black and white photographs. The series captures the home and life of a homeless couple, Robert and Heather. Robert and Heather live in the woods of Orlando, Florida. The words and images describe the events that led to their home among the urban forests of the über-developed tourist hub.
The series feels much more like a film with its strong and touching narrative. Using a minimal amount of words and elegant photographs, Florio presents Robert and Heather in a way that is surprisingly emotionally engaging. He shows how typically simple tasks such as taking a shower, can become absurdly challenging. Homeless in Orlando provides a rare insight and is especially affecting. The rest of the Robert and Heather’s story unfolds after the jump. You’ll want to see it through to the last image.
The photoseries Skins by British photographer Rosanna Jones has all the necessary elements of alluring art; a distinctive and unique perspective, inventive technique and haunting imagery. Describing herself as a fashion and portraiture photographer, as well as a mixed media artist, Jones currently studies photography at Falmouth University in Cornwall, UK. Created as part of her Final Major Project, Jones began the series investigating how the face many of us present publicly ends up being the front which conceals our true nature from ourselves. This perspective is particularly poignant for a fashion photographer, who no doubt has seen firsthand an industry which is quite openly based on hiding and disguising imperfections. Says Jones, “…my theme was Concealment – looking at concealing ourselves until we’re no longer recognisable.”
Jones’ work was also inspired by another photographer known for obscuring the human form, Rik Garrett and his Symbiosis series. Garrett explains his artistic goal in the over-painted photos as “erasing the boundaries of the human body. By applying paint directly to the surface of photographs, I have actualized an impossible dream…” a process that when paralleled to Jones’ Skin series creates a unique bond between the two photoseries.
Jones is intentionally vague on the specifics of how the over-painted and (possibly) collaged images are created, which only adds more allure to the shrouded and obscured works. Says Jones, “A few people were confused when seeing them in real life about what they literally were – the more mystery the better I say – but they’re digital photo collages which are then overpainted”, giving each work both emotive beauty and metaphorical weight rarely seen in conventional fashion photography.
aka…. (Bong Rips, Magical Potions, Mystical Flora and Avatars) is the pretty amazing title of our very own B/D founder & Creative Director Amir H. Fallah’s upcoming exhibition at Baer Ridgway Exhibitions. In case you couldn’t tell, the show pretty much deals with all things next level stoner awesome, from new age crystals to plants mourning their own existential crises. If you happen to be in SF, the show opens January 9th, 4p-7pm and runs until February 13th.
Jamie McCartney is a multi-disciplinary artist who specializes in sculpture. For “The Great Wall of Vagina,” McCartney casted the vaginas of 400 women, ranging in age from 18-76 years. Casts of mothers, daughters, twins, trans men and women, pre- and post-natal women, and a woman’s pre- and post-labiaplasty are all featured in this large piece. “In creating this work, I set out to alleviate the needless anxiety that is driving so many women to contemplate cosmetic genital surgery.” “The Great Wall of Vagina” book is for sale and features testimonies of over 100 women who took part in the piece. The piece even has an entire site dedicated to it, featuring images and videos and other information about the project.
For “The Spice of Life,” McCartney casted the genitals of flaccid and erect penises, vulvas with closed and open legs,and breasts of a variety of people. “4×4” depicts a panel of 16 erect penises. McCartney claims that many people have engaged with his work in positive ways, noting the variety and lack of “normality” across the spectrum of featured genitals. People often use pornography to gauge normalcy of their genitals, even though these representations are skewed or exaggerated.
McCartney’s pieces, “Old Glory” and “O Limp Pricks,” feature casts of the tip of the artist’s penis. For “Internal Affairs,” McCartney casted the inside of vaginas, transforming the vagina into an external, almost phallic organ.
In all of these pieces, McCartney seeks to satisfy our curiosity and asks us to engage with the relationship we have with our own bodies.
Chicago-based Andy Burkholder has been posting a consistant supply of mind-clearing one-pagers on his wonderful tumblr. He’s got something special going, and he’s just riding the wave real hard. His work outside of the one-page bits is just as impressive, but more focused on experimentation, as opposed to a formally consistent body of work. Check out his web, his flick, and visit him at CAKE. A buttery smooth man.
Welcome to Nathan Alexis Brown’s blank generation. Where punk dudes drink forties and hang around a camp fire with luchadores and werewolves. All while wearing a few of the most mind blowingly cool denim vests that would even make Tezz Roberts drool.
Illustrator Catherine Campbell is the kind of artist that really speaks to my imagination. I mean, what young girl didn’t dream of owning a carousel-horse teacup big enough to bathe in? I did! I feel like these drawings are so sweet and delicate that I don’t even want them up on the big, bad internet–I want to stick them in my hope chest and keep them safe. Assuming I have a hope chest…