Adam Friedman is a painter who is drawn to the similarities between the geologic process and human institutions (financial, governmental, etc.) He is interested in showing a million years on one canvas through the changes the surface, ridges, etc of the earth undergoes through time. But more importantly, he attempts to show a world that is healed of the human intervention it is currently suffering.
Salutpublic is a graphic design studio based in Brussels. They started in 2002 and specialize in book design, architectural identity of graphic design, and web design. They invite you to take a look at their new website!
If the Beatles were right and all you need is love, I’ll take Morag Myerscough and Luke Morgan’s version thank you very much. Built for the Festival of Love held in Southbank Centre, London (June 28 – August 31, 2014), The Temple of Agape is a visual feast. Neon colors, geometric patterns, and bold typography combine to make love a vibrant, exciting place to be.
The structures are inspired by those encountered by Myerscough in India and elsewhere in Asia where bamboo is used extensively for scaffolding as well as the Watts Towers in LA. The vibrant colours and handpainted lettering are similarly inspired.
Much of the success of the design is due to the restraint shown by Myerscough and Morgan, which may seem counterintuitive when looking at the riotous structure. Look closer, though, and you’ll see that there is one typeface and one type treatment. The color palette is strictly controlled, a neon rainbow, plus pink, black, and white. All of the shapes are simple and geometric; even the counters of the letters are removed, streamlining the shapes of the letters. Minimizing the design elements allows the installation to be ebullient but not overwhelming.
The Festival celebrates the legalization of Same Sex Couple Act by choosing seven Greek words describing love. Myerscough and Morgan’s were given Agape, a spiritual, selfless love; the love of humanity. Their temple represents the power of love to conquer hate.
“The Temple stands proud like a peacock with its giant Martin Luther King quote, expressing the power of love to the world,” say Myerscough and Morgan. “Inside its heart is calm and dappled with light for contemplating complex emotions, a place that can transform with Love expressed within.”
This is a temporary construction, which is a shame. The world could use more love, especially when it’s executed so beautifully. (Via Creative Review) Photos by Gareth Gardner.
Inquietto (Oscar Marchal) is a art director and creative director, specialized in Motiongraphics with background in animation, (quite convincing) 3D graphics, illustration, graphic design, cinema, tv graphics and multimedia applications.
With continuing scientific investigation, perception and consciousness increasingly seem to be much simpler than they truly are. Its no surprise a great deal of contemporary art address issues of perception, and many artists are skeptical of assumptions about it. This is where photographer Isabel M. Martinez picks up the topic with her series Quantum Blink. She explains the series by saying:
“According to quantum mechanics we have forty conscious moments per second, and our brains connect this sequence of nows to create the illusion of the flow of time. So, what would things look like if that intermittence was made visible? This body of work explores that hiccup, that blink, that ubiquitous fissure in the falling-into-place of things.”
Martinez modified her camera to allow her to capture two exposures in an alternating stripe pattern to create one image. The two exposures are timed only a moment apart and in a way mimic the model of perception she describes above. Perhaps, what is most powerful about the images, though, is what they don’t capture: the moment in between the two. Her series appears to mischievously encourage a curiosity and suspicion about our perception of the world around us and the amount assumption involved. How much creativity is involved in simple observation? This series is in line with Martinez’ larger art practice.
Specializing in state-of-the-art projects and renowned for their sleek aesthetic, digital artists Ewelina Aleksandrowicz, known as Tikul, and Andrzej Wojtas, or mi$ Gogo, collectively comprise Pussykrew, a partnership focused on inventive new media projects.
Experimental in nature and out-of-this-world in design, the work that makes up Pussykrew’s exciting oeuvre evokes a futuristic sensibility. Through video installations, methods of 3D-printing, performance art, and electronic works, the duo seeks to construct “gender-bending visual journeys, filtered through carnal data mesh, liquid apocalyptic dysphoria and 3D fantasy shuffle.”
While the methods used and the materials explored by the twosome vary, perhaps their most celebrated projects are their 3D-printed pieces, for which they were christened the “Artist of the Year” at London’s 3D Print Show earlier this year. Spanning lustrous blobs of ambiguous, organic shapes slathered in car paint and androgynous busts with seemingly liquefied skin, Pussykrew’s 3D-printed pieces capture both the duo’s innovative process and their inclination toward a streamlined aesthetic. Noting that “the boundaries between the virtual and the physical has been obliterated, [and] carnal matter exists with a technological component as a hybrid,” the pair gravitates toward this method of sculpture, combining their experience in the digital realm with their inherent artistic abilities.
One of my most favorite designers has updated his portfolio! Actually some of the work isn’t super new, I just wanted to give it some face time on the B/D site. Also check out some of the other projects Jonathan has going on at TRU$T FUN! (where these “Glory Scarfs” came from) and FASHEMATICS.
The paintings of artist Jeff Soto are nightmarish and captivating, as they seem to glow iridescently in cool colors of greens and purples. As if from another planet, Soto’s artwork shows landscapes of an extraordinary nature, covered in shiny crystals, mossy skulls, and unforgettable owl-like creatures that stare at you with hypnotizing eyes. Each painting is a world upon a world, as many of his figures and forms sprout out from even more bizarre, living things. Even his frequently repeated spiky, happy heads contain an eerie quality. Each painting seems to have a story behind it, perhaps representing a mythical fable.
The Los Angeles based artist is a triple threat; a painter, illustrator, and muralist. As you may have guess by his surreal style, his technique is influenced by traditional painting methods, but with a razor sharp edge. Inspired by graffiti and street art, Soto’s otherworldly landscapes heavily embody a pop-surrealist, contemporary style that appears almost futuristic; like a window into the future when our planet is transformed into a whimsical landscape with foreign creatures. This is a place both frightening and beautiful, full of strange magic. His work leaves us filled with a sense of wonder, wishing that we could travel and explore these unusual places and meet these frightening creatures. Jeff Soto’s amazingly adventurous body of work draws inspiration from youthful nostalgia and pop-culture. With an ominous and haunting palette, Jeff Soto’s unique style exudes originality and imagination. (via Hi-Fructose)