In 2004 TINKEBELL. made a purse out of her dearest cat Pinkeltje. Pinkeltje was a ‘depressed cat’ who couldnt be left at home alone. By killing her and making her into a purse, TINKEBELL. could carry her always with her.
The extensive attention to her project ‘My dearest cat Pinkeltje’ received from activists and the media demonstrates that this approach certainly meets with its share of resistance. In this project, she killed her cat with own hands and then had it stuffed and made into a hand bag as a product for consumption, thereby directly bridging the gap between house pet and animal for consumption/production and thus painfully bringing the matter to light. A collection of the threats generated by this and other projects was later published in the book ‘Dearest TINKEBELL
As a life long vegan and animal lover I have been struggling with whether I should post the work of TINKEBELL. Not only do I find the work in terrible taste but I generally don’t like to promote work that involves killing of any kind. However I think this work brings up some interesting questions about what can be considered art and how we define animal cruelty as well as our distinctions between animals that are killed everyday for food, clothing, accessories, and even art (leather) and what animals we wouldn’t dare touch because we have grown to live with them as pets and companions. How do we justify slaughtering millions of cows for Louis Vuitton purses yet get bent out of shape when someone turns a cat into a purse. If I had it my way neither would ever happen but I find it hard to justify one without the other. So what do you think? Is this art and how do we draw distinctions between one animal over the other?
I’m not sure if Uffie is a rapper, a pop artist, or permanently drunk, but she is interesting. Here’s a video of her walking down an endless trippy hallway while barely mouthing her lyrics. The best part is at the end where she runs with her back at you like a toddler.
Aorta is the name of a collaborative project between photographers kristian kraen and marco grizelj. since 1998 the two swedes have been working as a creative team in the most diverse photographic areas. the range of aorta includes people, fashion and still life photography for advertising, editorial and artistic purposes. kraen and grizelj are characterized by a playful use of film elements and a mode of expression that includes pathos and mysticism, as well as a fair allowance of profound humor which gives their photographic scenarios an unmistakable emotional concentration.
As part of our ongoing partnership with Feature Shoot, Beautiful/Decay is sharing Alison Zavos’ article on Photographer Hal.
When looking for couples to model for both this series, Couple Jam, and his ever popular work, Flesh Love, Tokyo-based Photographer Hal goes to underground bars in Shibuya and Kabukicho (Tokyo’s Red Light District), places he describes as “luscious nighttime bee hives”. Musicians, dancers, strippers, service workers and businessmen are all fair game as models as long as they are willing and able to contort their bodies to fit in the confined spaces Photographer Hal obviously has an affinity for.
These photographic “events” take place in the models bathrooms. Photographer Hal explains, “I think of the bathroom as being one of the most private and intimate place in anyone’s home, this provoked a shyness in the models, and created a unique excitement and inspiration in the scene.”
Meet writer turned knife maker Joel Bukiewicz of Cut Brooklyn. He talks about the human element of craft, and the potential for a skill to mature into an art. And in sharing his story, he alights on the real meaning of handmade—a movement whose riches are measured in people, not cash. Watch the full documentary by Made By Hand after the jump.
Some works of art look so wonderfully tactile that you’re drawn to want to touch them. Such is the case of Séance by American artist Sheila Hicks. The larger-than-life installation features huge tufts of colorful fabric stacked on top of one another. It was recently presented by Demisch Danant at Design Miami/Basel’s Design at Large Program.
A black-painted curved wall is covered with giant splotches of vibrantly colored wool, linen, and cotton. Crafting them utilized a processes that originates as pure powdered pigment and is later combined with a binding agent that creates a pliable fiber. This process is symbolically thought of as translating color into 3D form which is then repeated again and again for the purpose of Hick’s installation.
The multi-faceted Séance features a suspended column and a “color table” in addition to the things against the wall. A waterfall of individual strands pour from the ceiling onto a stack of blobs below them, carrying a powerful visual. The color table encourages viewers to create color combinations based on their own associations. When they’re done, they can share and trade them with other participants and piece together a unique narrative. (via designboom)
Aaron Leif Nicholson has an affinity for creating life-sized sculptures of imposing characters (like witch doctors and Yetis) that seem to have stepped straight out of a nightmare. Nicholson’s “Coney Island Star Man” is a prime example: faceles and hunched over the ground, he lurks on a beach as if he’s watching you. Nicholson brings his sculptural background to other works as well, which include mixed-media drawings and paintings, lending traditionally two-dimensional art a three-dimensional quality.