Collage Art With Contemporary Vintage Appeal

Hollie Chastain - Collage

Hollie Chastain - Collage

Hollie Chastain - Collage

Hollie Chastain is a collage artist from Chattanooga, Tennessee. Her eye for puzzling together found paper scraps with cut images, shapes, or silhouettes, matched with a rainbow pop of arresting color, gives her collection a vintage yet contemporary appeal. So, it’s no surprise to see her work grace the covers of not only the literary Oxford American but also musical albums from The Figgs and Lightyear.

Most recently, Chastain had brunch with The Jealous Curator to discuss her love of antiquing for found imagery and her pretty heavenly book cover series (above), noting her process: “I never plan them ahead of time. When I find one I like, I sit down with my scraps and move things around until something feels perfect. Most of the time, I will first decide what I can’t bear to cover up on the original cover and that is the beginning of the shape of the composition.”

Charles Fréger’s Wilder Photographs Explore Folk Traditions On The Edge Of Wilderness

For his series, Wilder Mann, photographer Charles Fréger traveled to 18 different countries to capture the costumes and masks of folk festivals and traditions. Creatures like bears, stags, mysterious hybrids and the occasional Krampus appear otherworldly—fashioned from materials like animal hides, bells, antlers, twigs and leaves. Photographed within their natural settings, the results are more film still than portrait instantly conjuring primitive stories and fairy tales. (via)

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Rebecca Ward’s Intricate Tape Installations

Rebecca Ward lives and works in Brooklyn, NY. She uses miles of colored tape to transform white exhibition spaces into dynamic rooms with vibrant intersections. The nature of the medium results in a temporary transformation and adds to the importance of in-person viewing. From her bio: “Ward frequently works with tape installations whose primary concerns are colour and space. Tape adheres to the gallery’s ceilings, walls and floors converging with the architecture. This perceptual play of colour, texture and light is set into motion by the viewer’s interaction with the work.” (via)

Performative Sculpture And Photography Mash-Ups

Trisha Holt - Photography

Charlie White + Katy Grannan

Trisha Holt - Photography

Man Ray + Francesca Woodman

Detroit artist Trisha Holt builds performative sculpture from blown-up photographs twisted, masked, or hugged onto live models in everyday settings, then reshoots for a surrealistic effect. This series, titled Love Child, creatively cross-breeds two iconic & artistic souls with one another. The top image, for example, is the offspring of “Charlie White Katy Grannan“. The second one is of “Man Ray + Francesca Woodman”. Both are titled so accordingly. Can you see the resemblance?

Holt’s work is a stunning collection of mash-ups which humorously and humbly troubles over its own worth in the world, playfully echoing this song by The Supremes: “Love child, love child / Never quite as good / Afraid, ashamed, misunderstood / But I’ll always love you.”

Curiot (Favio Martinez) At FFDG

birth_of_the_omuktlans 63_8163345900f75238b748bchant_for_pleasureThe work of Mexican artist Curiot is still on display at FFDG in San Francisco. If you find yourself around those parts and have not yet seen the exhibition, then fear not- you still have three days to roll through. Age of Omuktlans closes this Saturday. I would get there before then if I were you. Curiot’s technique is looking pretty solid with this new batch of paintings that allude to Mexican traditions (geometric designs, Day of the Dead styles, myths and legends, and tribal tinges). His characters seem to exist outside of time, and possess so much magnetism that the artist’s compositions maintain a certain vibrancy even in the absence of any background elements. Spring is here, and these works express a lot of the churning, dynamic forces coming into play outdoors right now. Rain or shine, Curiot seems to have a handle on the natural dynamics constantly at play around us. And if you can’t make it to the SF institution’s IRL location, click past the jump to see more images from the show.

Made With Color Presents: The Drawings Of Ben Tegel

Ben Tegel Ben Tegel

Beautiful/Decay has partnered with premiere website building platform Made With Color  to bring you some of the most exciting contemporary artists working today. Made With Color allows you to create a website that is professional and easy to use with just a few clicks and no coding. This week we bring you the unbelievably detailed work of Ben Tegel whose gleaming white and minimal website was built using the Madewithcolor.com platform.

LA based artist Ben Tegel is a master of line. His work ranges from loose gouache paintings to pen and ink drawings so dense they look like they look like 17th century etchings. But no matter what medium he’s using Ben’s work has a sense of humor that is satirical and biting- a commentary on the ethos of our time. Both his celebrity caricatures and his portraits of every day people bring to light aspects of that person’s character that usually remain unseen.

Eco Conscious Street Art Made Out Of Grass And Moss

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Mosstika Urban Greenery is a NYC based collective of eco-minded street artists, using gorilla tactics to evoke the call of man back to nature. They believe that if everyone had a garden of their own to cultivate, we would have a much more balanced relation to our territories. It is with this notion in mind, that Mosstika, aim to collide the worlds of art and nature, creating havens of unexpected greenery, within the colder harsher environment. Together they aim to give green guerrilla tactics a new twist by creating works meant to be touched, in turn aiming to touch the souls of all that pass by. Mosstika strives to call back to mind a more playful existence, returning man to nature, even among the barren patches of urban existence.

Radiant Figurative Photographs Created With thousands Of Hand Made Pinholes

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Christopher Bucklow is one of the leading figures of the contemporary British ‘cameraless’ photography movement. His other-worldly photographs of radiant men and women set against grounds of color are made through a complex multi-step process which begins with the artist projecting the shadow of his sitter on a large sheet of aluminum foil and tracing its outline. He then makes thousands of small pinholes in the foil silhouette. Using a contraption of his own device that places the foil over a large sheet of photographic paper, Bucklow then wheels his homemade “camera” out into daylight and pulls the “shutter” to briefly expose the paper to direct sunlight. Thus each finished picture becomes a unique photogram silhouette composed of thousands of pinhole photographs of the sun. The intensity of light on a given day and the length of exposure create unique color variations on how the resulting piece appears.