This week we’re bringing you another talented artist as part of our partnership with premiere website building platform Made With Color. Each week we bring you some of the most exciting artists and designers working today who are using Made With Color to create clean and sleek websites that are optimized for desktop, mobile, and tablet. Made With Color sites aren’t just good looking, they also feature powerful yet simple backend which allows anyone to create a professional site with just a few clicks.This week we are excited to share the detailed paintings of Scott Greenwalt.
Oakland based painter Scott Greenwalt’s dense paintings sway back and forth between abstraction and representation in a nervous frenzy. With references to cosmic galaxies and the human nervous system, his otherworldly paintings weave both the familiar and the unknown through one another creating ornate futuristic worlds.
“Scott Greenwalt presents images that illustrate with an uncanny precision the palpable horror of our physical situation. And like the alchemists of old, he instills in the work an element of the mysterious, a fantastical imagining of our souls and bodies transformed in matter and energy.
The result is landscapes and portraits populated and magnetized by cloudy æther, sinewy, degraded and corporeal fragile forms, fine filaments of hair and flesh transmutated by rays of energy streaming from eyes and orifices. The work captures a moment of profound fantastical physical change and refer to a thing larger than that what we can see with our own eyes, a nightmarish dimension of the alchemist’s gaze made manifest in all its magnificent terror.” – weekend
Ballroom Luminoso is a wonderfully different kind of ballroom. A series of six chandeliers by artists Joe O’Connell and Blessing Hancock hang under an overpass in San Antonio, Texas. The chandeliers are constructed from recycled bicycle parts, structural steel, and custom LED fixtures. Shadow patterns of bicycle sprockets paint the surrounding area alongside colorful light. Accompanying the bicycle parts are carefully carved imagery referencing the areas Hispanic, agricultural, and ecological heritage. The artist statement goes on to say:
“The medallions are a play on the iconography of La Loteria, which has become a touchstone of Hispanic culture. Utilizing traditional tropes like La Escalera (the Ladder), La Rosa (the Rose), and La Sandía (the Watermelon), the piece alludes to the neighborhood’s farming roots and horticultural achievements.” [via]
Stefanos created a Euro Banknote Bombing project by incorporating minimal ink bled illustrations of a callous nature and torpid situations. The human figures he incorporates into the Euros embody the social and economic instability in Greece has been facing for the past few years. On a 100 euro, the Grimm Reaper “reaps” in the shadows. A “bomb” effect to showcase social decay and violence. This is just one of the many heartless illustrations that grace the paper.
Stefanos hijacks the European document, exemplifies artwork through a lack of reality, then returns it by spending it-sending it flight for circulation. By defacing the euro, he expresses his dissatisfaction for the economy to share in the hands of others. The graffiti euros have successfully branched all over, showcasing his depiction of this noise that Greece faces.
Nancy Liang‘s GIFs and illustrations are peaceful and full of quiet wonder. Much like the imaginings of Chris Van Allsburg in his book “The Mysteries of Harris Burdick,” Liang’s work captures moments from larger stories. They depict scenes of midnight contemplation as well as magic of a subtler flavor: an upside down house surrounded by snow floating up toward the moon; a boat drifting down an empty street; a small child accompanied by a ghostly spirit animal. These are only ghosts and flights of fancy that evoke the shape and landscape of a wider fantasy world that intersects with ours in the shadows.
According to her artist’s statement, Liang “often explores social and cultural narratives in an ironic, metaphoric and emotive way.” These narratives are especially clear in her illustrations that shine a light on suburban life and escapism. The paper textures and lines of graphite bring a storybook quality to her artwork that makes them seem childlike and gives them a kind of universal accessiblity. (via I Need a Guide)
Andrew Firth is an Australian artist who turns skulls into creepy, lush landscapes. His work started in 2013, when he decided to channel his ingenuity and spare time into something creative. Each “Bonsai Skull” is artificial, made of PVC plastic cast off of a real human skull. Firth than adorns the dead visages with verdant grass, miniature trees, and graveyards. In one piece, named the “Spring Bonsai Mountain Skull,” a waterfall appears to pour like tears from an empty eye socket. No skull is identical.
Firth’s works are like dark “Treasure Islands,” deriving from his imagination and experience as a boat builder. He creates under the title “Jack of the Dust,” which refers to an obsolete US Navy job designation from the 1800s; this person was the ship’s steward, who worked with the dusty ingredients of flour and biscuits. In Firth’s adaptation, Jack is the name of the skull, and “dust” refers to the matter of death. By upholstering “Jack” in foliage, Firth’s works convey the relationship between rot and rebirth.
While many of us as tourists may walk looking up at the tops of buildings, artist Thomas Lamadieu is looking at the sky. Lamadieu uses negative space to create playful drawings and illustrations. Utilizing photographs of a sky squeezed between rooftops, he illustrates within the patches of blue. The pieces of sky cut out by the buildings are a point of inspiration for Lamadieu culling stories from the shapes he’s dealt. Rather than being a limit, they become a point of departure.