The incredibly innovative, tech-infused work of artist Sprios Hadjidjanos is created from an impressive variety of methods using modern technology. He combines the amazing world of 3D printing and other modern devices with the natural, tranquil world of plants. When you first glance at his series titled “Displacement/Height Maps,” it is almost impossiple to tell how the work was made. Using UV prints on carbon fiber, Hadjidjanos miraculously births an amazing hybrid representation of a part of our natural environment and made-man substances. Large-format, Technicolor images of different flora are created, colored brilliantly in all different hues of the spectrum.
Sprios Hadjidjanos beautifully captures the balance of the natural world in juxtapose to artificial elements in his other series, which transforms the photography in the historical book Uniform der Kunst from 1928. The artist’s unbelievable techniques have rendered these blooming flowers three dimensional, allowing you to see every line and detail. He did by scanning the original photographs, then using intricate algorithms, printed the images onto hundred of points. The artist’s version of the photography looks similar to the original, but look much more mechanical in an almost science fictional way. He not only uses modern technology in his processes, but also displays them in his art, like his larger than life iphone. His installations, like Network Gradient, use a combination of wireless routers, optic lights, and electronic circuits to forms beams of light like that of another world. His artwork ingeniously lays our world of technology out in a strange, futuristic way that is both strange and beautiful. (via Hi-Fructose)
Jae-Hyo Lee’s latest work is a true work of perfect imperfection. He works with the imperfect forms and patterns of wood and reworks them in order to produce smooth, polished, and functional works of art. The combination of the wood’s natural shapes and the work he puts into the wood himself make for a series of pieces that are a perfect balance of nature and the presence and interference of man in nature. He creates a sort of hyper perfection which relates our relationship with beauty to our relationship with nature.
The process of Lee’s work is equally interesting to note: he spends time assembling an assortment of bits and pieces of wood, which he then spends time polishing and burning. This process allows him to rework the structure of the wood and create the meticulous shapes that can be seen in the final product.
Lee’s work is however not only a process of creation: he expresses the way in which he works very much with the natural structure of the wood, He says that he likes to “ make the most out of the material’s inherent feeling”, which underlines the fusion of nature and the man made. His project is full of a positive energy that brings a new perspective on the roles of wood its presence in our everyday lives. The fact that his series includes both sculpture and furniture adds to its beauty and complexity.
Flavia Carvalho is a Brazilian tattoo artist who provides voluntary service for women left with scars from domestic violence and mastectomies. The project’s name is A Pele da Flor (The Skin of the Flower), deriving from the Portuguese expression “A flor da pele” (deeper than skin). In support of the healing and empowerment of women, Carvalho’s scar tattoos are entirely free—all the client needs to do is to choose a design. Her goal is to help women feel better about their bodies and selves by reclaiming their scars as marks of transformation and strength.
Everything began two years ago, when Carvalho worked with a client who had been stabbed in a nightclub by a man she turned down. Over her abdominal scars, Carvalho tattooed blooming flowers and a bird—symbols of beauty, sensitivity, and growth. After seeing how deeply touched the client was with her tattoo, Carvalho decided to bring her services to more women. Since then, her project has received deservedly positive reception on social media, raising important issues related to domestic violence, the battle with cancer, and body image.
In an interview with Huffington Post, Carvalho speaks about the emotional impact of her project—turning feelings of shame into self-love—and the deeply rewarding connections she creates with her clients:
“The feedback I have gotten from women who were helped by this project has been extremely surprising. The sense of affection, sisterhood and camaraderie is deeper than I ever imagined. They contact me from all over the country, as well as from abroad. They come to the studio, share their stories of pain and resilience, and they show me their scars. Embarrassed, they cry, and hug me. Then we design the tattoo and we schedule the session. They become excited, optimistic. It is wonderful to see how their relationship with their bodies changes after they get the tattoos.” (Source)
Ella & Pitr are offering the world another version of their art. At a smaller scale, they hand draw and hand make lithographic prints. Always representing their signature characters in the style that defines them. With their ‘Only drawings’ pieces, they add another way to communicate with people, and offer the possibility for their fans to own a piece of their world.
In the video featured below this article, the duo is filmed in the process of making a lithographic print. Lithography is an ancient printing process which uses a stone or a metal plate with a smooth surface to produce paper prints. We watch them drawing together, synchronized and helping each other out. While one is drawing with a paintbrush, the other one is drawing with a nib. The illustration is carefully detailed and it takes the couple five hours to finish it. The characters remain the same approachable, poignant personalities facing life with fear and humour. This drawing called ‘Le Poids De Choses’ meaning the ‘The Weight Of Things’ is developed into a series. Each drawing is personalized, signed and annotated with a serial number; which makes each of them unique and singular.
From giant drawings on rooftops to smaller scaled illustrations, Ella & Pitr are demonstrating that they can appeal to any kind of viewers. They are always careful to go back to street art as it’s their original way to get attention and to create interaction with the public.
Dutch photographer Maurice Mikkers’ latest project “Imaginarium of Tears” shows that tears, much like snowflakes are all different. His series explores the magnificence of tears on both an aesthetic and molecular level. By placing tears under a microscope, he provides us with a close examination of crystallized tears in such a way that allows you to observe the different sections and patterns present within each tear. Mikkers’ series is based in his interest in tears from a scientific perspective and the way they are each composed of different elements and each have their own chemical structure.
His fascination for the individuality of tears I all the more interesting given the way in which he has chosen the tears to use for his project. Mikkers selected a group of his friends and asked them “what they would like to cry from”. He then gave them a selection of tear inducing activities such as cutting onions, looking into a fan, or eating hot peppers. He says he was highly interested in examining the ways in which each individual tear looks different when examined closely.
The process itself includes capturing the tears with a micropipette, placing them on a microscopic slide, and then letting them settle. The result of his project is a series of tears that are so meticulously different in all their details and, on a larger scale, a merging of science and art.
Felice Varini’s site-specific paintings will have you dizzy as they distort your reality by altering your perception. Depending on where you stand or how you look her work, it looks completely different. One moment you are standing in front of a spiral of bright oranges, if you move to a different angle, skewed and broken. Her public works are painted on beams of buildings, walls of galleries, windows, and much more. The artist incorporates the entire space that her work inhabits into clever optical illusions, manipulating your eye into seeing something amazing.
Her eye-popping, bold shapes and vivid colors that she uses in her works make it impossible to ignore if you are lucky enough to spot one. Each shape the artist creates is like a piece to a puzzle that only fits together at the right moment, forcing you to pay attention to your surroundings. Varini’s optic art demands that you slow down and take a second to enjoy all that is around you, including her incredible artwork. If you don’t, you may just walk right pass it, only catching hints of blues and reds where there should have been squares and triangles. Felice Varini, originally hailing from Switzerland, now lives and works in Paris where she installs many of her brilliant works. (via Ignant)
Half humans, half birds; Sarah Louise Davey’s ceramic sculptures are the symbol of emotional duality. She is blending a woman’s face with a beak and a feathered gaze. The eyes seem so real, they are preventing us from looking away. Insisting that we come closer and try to understand the meaning of it all. The other sculptures are hanging from leather cords and chains. Two arms ending with birds’ feet with rose metal claws. The arms and the faces are covered in wrinkles, leaving us wondering how old these creatures are, and if this is what will happen to us too. It will, in the artist’s imagination.
Looking at the sculptures, it feel like we’re entering the world of the wizard of oz meets the barnyard, fantasy meets reality. Isn’t it what we’re living daily? If we think about it, the result is far from being pretty and perhaps this is Sarah Louise Davey’s purpose. In order to reflect deeper on society, norms and beauty we need to stretch the limits of our understanding. When the artist exhibits those pieces, she is almost questioning if we, as individuals are not all freaks after all. Freaks that need to be analyzed and understood, because underneath the wrinkled skin and the animal features we each have a complicated unique soul giving us an infinity of possibilities. ‘At the heart of these works is the eternal push and pull of the spirit’.
The artwork of Andrew McAttee erupts from the canvas in an atomic explosion of vivid colors and bold lines. His compositions suck you in like a vortex of cosmic proportion. Like an explosion of atoms, asteroids, fire bolts, and lightning, McAttee’s dynamic, large-scale paintings catch your eye and demand your attention. Each painting is layered in acrylic paint and spray paint in incredible, bright colors. The artist mixes flat lines and shapes like that in a comic book, with a variety of more dimensional elements.
This repetitious explosion present in McAttee’s work hints at themes of cause and effect. Both beauty and destruction can be seen in the breathtaking palettes and the collisions of the color combinations. It is almost as if his painting are molecules ready to erupt. The artist’s comic-pop style combines the occasional action word such as “Smash!” straight across his compositions. He is very apparently influenced by comic books and graphic novels, and also pulls inspiration from pop art and abstract expressionism. Street art and graffiti also has a hand at play in his multifaceted paintings, as he is known as a street artist as “STET”. Andrew McAttee is represented by Stolen Space Gallery in London and works and lives in the UK.
”My aim is to provide the viewer with a colourful riot of gravity-less forms set in highly layered, seemingly endless space with a sense of ambiguity, humour and celebration”
– Andrew McAttee