A dreamy voyage through a cold, dark, mysterious snow filled planet courtesy of Misha Shyukin.Watch the full video after the jump.
Artist Ed Fairburn is using maps and star charts as a base to draw detailed portraits. Inlaid in the weave of the roads, signs and lines, the faces appear textured and emotional.
Ed Fairburn draws dashes or fills up a specific area on the map. Playing with the existing colors symbolizing lands, water or housings. It takes him a couple of days to a month to complete a drawing. The artist draws on vintage road maps looking forward to discovering uncommon names or places he once visited in the past. The star charts drawings confer a different atmosphere, a poetic mood to the faces trapped in the constellation. He chooses his ‘canvas’ himself. The patterns and orientations are key for him to start drawing. In terms of details, lines, names printed on the maps; the more cluttered, the better outcome.
The more contrast exists between the lines, shapes and shadows on the portraits, the more depth it creates on the overall drawing. Not two inches are ever the same, and yet the accumulation of dashes and small lines create a pattern inherent to a part of the face. For either the road or star maps; the association of a land, a space with a human face resonates with evasion and travel. The possibility for the viewer to escape from reality and dive into a foreign land, a dream destination. ( via Booooooom)
Ed Fariburn’s drawings will be displayed at the Mike Wright Gallery in Denver, Colorado until December 19th 2015.
Japanese artist Yo Fukui currently has an exhibition up at David Salow Gallery until August 15th. I love the extraterrestrially crafted space-age battleship he constructed (above, from star date 3003, apparently). Though emerging from the cold hard star-steel of space lit only by an eerly lunar glow, Fukui creates his battleship from lovingly pastiched felt squares. It’s like Fukui is lovingly wrapping his grandmother’s quilt on the steely shoulders of the vast and infinite unknown future. Perhaps love still can exist even in the void of a black hole…at least, according to Fukui. If you are in the LA area, be sure to check out this exhibition.
Paul Fryer is an artist based in London, England. We featured his works in 2011, but his stunning sculptural installations—which explore agony and human folly in passionate tandem—warrant a second examination. His works unsettle the cultural imagination by coupling mortality with religious imagery, depicting human figures on the verge of destruction and death.
One notable work is a sculpture of winged Lucifer, thrashing amidst a net of telegraph cords that suspend him above the altar steps of the Holy Trinity Church, Marylebone. This piece was part of a solo exhibition called Let There Be More Light, shown in October of 2008. The dramatic lighting casts Lucifer in dramatic shadows, and his tarnished, corpse-like skin gleams with antiquity and the torture of life-within-death. This work signifies the fallible human, and the chaos and terror of one’s own making. The venue—with its stained glass windows and domed ceiling—provides the perfect space for this dramatic, allegorical scene to unfold.
Also shown here is Fryer’s “Blue Pieta” (2010), the martyr in the electric chair, and Lilith (2010), a fallen angel bound to a platform by golden wires. In more recent years, Fryer has created jellyfish-like sculptures out of Murano crystal. You can view more of his strange and dark world on his website. (Via Empty Kingdom)
Photographer Todd Davis doesn’t just take snapshots of gas and fluids, he creates beautiful, ever-interesting abstract images that are impressive and captivating. In his Viscosity Series, he presents different forms of smoke in hundreds of variations – as a colored lump, twisting and turning in on itself, or as a light and airy wisp, silently falling down and fading into the background. Reminiscent of lava lamps, or science experiments when you test different chemicals out against one another, Davis’ work is a gorgeous juxtaposition between weightlessness and form. The smoke exists on the boundary of disappearing or falling apart. Here’s an excerpt from his representative gallery:
The Viscosity Series is a photographic study of the fleeting, random shapes created when two or more dissimilar fluids are introduced. The series is called Viscosity because fluids of different densities permit a moment of suspension before they disseminate in the other giving one the appearance of being more viscous. (Source)
In true abstract fashion, his photos take on many different ideas and images. They can look like paint thrown at a wall and left to coagulate into gooey lumps, or some strange marshmallow cake that’s spilled over the edges of it’s dish, or like a blob of inks and dyes dumped into a glass of water.
Davis not only is able to flatter inanimate subjects (including beverages and tabletop set ups), he also takes beautiful portraiture photography, showing off his skill with intricate lighting configurations.
The Analog Watch Co. got into the spirit of April Fool’s Day with their absurd Ant Watch. Reminiscent of an ant farm, this accessory was purported to hold three to five live harvester ants that move within the tiny face. Each watch kit would come with shake-resistant sand, a food/water dropper/tweezers, a case-opening tool, and a care guide.
At first read, Analog’s watch listing sounds believable. They provide detailed instructions on how to add your ants to the small farm: (place their shipping tube in the fridge for 10 minutes to put them to sleep) and when to fed them liquid sugar (one to two times a month).
The longer you read the listing the more bizarre it sounds. Ants are only expected to live four to six months and all orders come with a one year supply of real ants. New ants ship every four months. Analog Watch Co. also adds that if your old ants are still alive to just set the other ones free. Luckily, the company stipulates afterwards that it, “ships never because April fools.” Whew. (Via Design You Trust)
Photographer Jonathan May reveals a poignant narrative of the lives of former Mexican gang members now united through a love of art and tattoos. This series, titled Desert Ink, explores a compelling story of eight men now leading honest lives away from the troubles of their past. Coming from a background filled with gangs, violence, drugs, and death, the men have set out for a new life to change their fate and future. Now living in Indio, California, these once criminals are bonded together in a different kind of brotherhood, one that is connected through their passion for tattoo art.
The men, Chip, Dreamer, Sinner, Lazz, Assault, Case 1, Angel, and G-Money, all began tattooing due to unforeseen circumstances. Those of them who spent time in prison began tattooing themselves and other fellow inmates. The others were also self-taught, creating homemade tattoo guns to pursue their newfound artistic talent. The eight of them, now working in their own shop, find redemption and purpose in focusing on something as positive and meaningful as tattoo art. It is a chance to make a permanent imprint on someone, almost literally. By rechanneling their efforts and talents into a constructive outlet, these men have found a shared talent that has united them for life. Jonathan May sheds a warm light on men who by no means have had it easy, but have found a way to change their lives for the better. (via FeatureShoot)
For his series, Wilder Mann, photographer Charles Fréger traveled to 18 different countries to capture the costumes and masks of folk festivals and traditions. Creatures like bears, stags, mysterious hybrids and the occasional Krampus appear otherworldly—fashioned from materials like animal hides, bells, antlers, twigs and leaves. Photographed within their natural settings, the results are more film still than portrait instantly conjuring primitive stories and fairy tales. (via)