Catherine Nelson Creates Landscapes From Hundreds Of Photographs

Approaching Storm

Approaching Storm

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Approaching Storm – detail

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Lost

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Lost – detail

Catherine Nelson’s newest series Expedition is comprised of hundreds of photographs, collaged and digitally “painted” together to make five imaginary landscapes. Using her experiences in the creation of visual effects for feature films like Moulin Rouge and Harry Potter, Nelson assembles the countless photographs into one seamless, vibrant, and surreal image. This style of working isn’t new for the artist, and we’ve previously featured her incredible floating worlds before.

In a short statement, she describes what her motivation was for her style, writing:

When I embraced the medium of photography, I felt that taking a picture that represented only what was within the frame of the lens wasn’t expressing my personal and inner experience of the world around me. With the eye and training of a painter and with years of experience behind me in film visual effects, I began to take my photos to another level.

When you see the images up close, you appreciate at her photo manipulating skills even more. They are flawlessly put together and not to mention rich with great details. She features luscious greens of all kinds, plants, animals, and even humans, making references to mythologies like the story of Narcissus. All elements were inspired by Nelson’s memories of growing up along the east coast of Australia. (Via Colossal)

Sexual Experience Deconstructed In Erotic Photos (NSFW)

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The photographer Sarah Anne Johnson snaps shots of the most intimate kind, asking friends and acquaintances to sit for her while engaging in sexual activity: intercourse, foreplay, kissing, masturbation. Later, the artist enters into a new kind of dialogue with the erotic photos, covering her portraits in glitter and gold plate or scratching away their emulsion in strategic places.

The form of Johnson’s series, titled Wanderlust, brilliantly echoes its content. In penetrating the materiality of the photographic medium by altering its surface, Johnson makes as much of a statement about artistic or creative lust than she does about human sexuality. The gently cracked, ashy layer of a burnt chromogenic print mirrors a lover’s tender caress; similarly, a halo of scratches parallels a couple’s orgiastic pleasure.

Despite Johnson’s unconventional process—perhaps even because of it—Wanderlust seems a powerfully honest rendering of sexual intimacy. At times, human closeness becomes cosmically infinite, a moment of love solidified in gold plate or starry glitter. But many of the photographs complicate the notion of what it means to be truly vulnerable; often, her collage work obscures and flattens one lover, leaving his or her partner alone, isolated in the frame and utterly naked.

Johnson’s work relies on this tension between connection and isolation, a theme which serves to imbue the series with a palpable sense of sexual tension; for instance, two bodies are deconstructed in Puzzle Pieces, formatted to appear unified under one complex and paradoxically disjointed aesthetic. Simultaneously penetrating the viewer and and leaving us to gasp for air, the body of work is a must-see. It is currently on view at Toronto’s Stephen Bulger Gallery. (via Art in America and Feature Shoot)

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Norway’ Unveils Poetic Memorial For Tragic Mass Shooting

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A memorial to the victims of the worst mass shootings in modern history was recently announced, as the country revealed the selection of a design by Jonas Dahlberg. Almost three years ago on the island of Utøya, Norway, a gunman set off several bombs and killed 77 people. Rather than erecting a building or edifice in remberence, Dahlberg’s submission chose to focus on nature itself, separating the end of the island with a man-made fjord where the shooting took place. Across the channel, the names of the victims will be etched in stone, which will be seen by visitor’s in the viewing area. Separated from them physically, Dahlberg explained, “The concept for the Memorial Sørbråten proposes a wound or a cut within nature itself. It reproduces the physical experience of taking away, reflecting the abrupt and permanent loss of those who died.”

The Swedish designer’s submission was unanimously selected (his project description can be read in full here) Dahlberg explained the presence and loaded feelings upon visiting the future building site, ”An emotional observation informs my overall concept. During the initial site visit to Utøya, I noticed how different the feeling was of walking outside in nature, compared to the feeling of walking through the rooms of the main building. The experience of seeing the vacant rooms and the traces of extreme violence brought me — and others around me — to a state of profound sadness. In its current state, the building kept close within it the memory of the terror acts of July 22, 2011. Like an open wound.” (via gizmodo)

Nir Arieli’s Photographs Capture The Movements Of Male Dancers

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A self-declared lover of beauty and gentleness Nir Arieli‘s photographs of male dancers combine those passions with great technical skill.  For this series, which he titled “Tension,” Arieli described his role as being a “visual choreographer.”  The portraits  are the outcome of a verbal dialogue between the photographed dancer and Arieli and of the work he says, “I don’t pre-determine the result-insisting on well-planned perfectness-but rather establish a strong understanding, let the dancer improvise and capture his movements.  Afterwards, I experiment with layering various photos on top of each other, searching for intriguing combinations.”  Dependent on coincidence and uncontrollable movements, Arieli trusts the physical intelligence of his subjects.

Arieli began his career as a photographer for the Israeli military.  Perhaps this is where his interest in capturing the physical abilities of the male body emerged. Unusual in their depiction of the male (versus female) form as a source of grace and beauty, the images are striking for their sense of movement.  In his statement Arieli says, “I can’t dance, I can’t in my room, nor in a club, let alone any kind of stage.  Whenever I am forced to try I stumble or freeze or drink enough to disappear.  However, this time, for the first time, I found myself actively involved in dancing-even if by using someone else’s body.”  Indeed, as a viewer, we feel involved with the dancer, as impossible as the postures might be for us.  Arieli wonderfully captured the movement and allowed us to feel a part of it.  (via LensCulture)

 

Prisoner Creates Epic Mural Out Of Bedsheets, Hair Gel, And Newspapers As a Meditation On Heaven, Hell, And Redemption

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Artist Jesse Krimes stands in front of his 39-panel mural Apokaluptein:16389067 (federal prison bed sheets, transferred New York Times images, color pencil) installed, here, at the Olivet Church Artist Studios, Philadelphia. January, 2014.

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In 2009, Jesse Krimes (yes that is his real name) was sentenced to 70 months in a federal penitentiary for cocaine possession and intent to distribute. The judge sentenced Jesse to a minimum security prison in New Jersey, close to support network of friends and family, but the Federal Bureau of Prisons (BOP) opted to send him to a medium security facility in Butner, North Carolina.

His way of coping with the life-changing sentence went a bit more differently than you would expect. He got by with a little help from federal prison bed sheets, hair gel, The New York Times, and some color pencils. Although money was limited in prison, he never struggled to gather enough money to purchase these objects. You might be thinking these are random, but, in fact, they are what made prison life a somewhat more passable experience.

While experimenting with these four materials, Krimes discovered that he could transfer the newspaper images onto the prison bedsheets. At first he used water to do this, but that did not work. Hair gel, on the other hand, had the requisite viscosity to do the job. He was not aware that three years after, he would end up with a 39-panel mural. Each transfer took 30-minutes. Thousands make up the mural. Krimes only worked on one bed-sheet at a time, each of them matching the size of the tabletop he worked on. The laborious routine kept Krimes sane, focused and disciplined.

Eiko Ojala’s Delightfully Minimal Cut Paper Illustrations

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Eiko Ojala (whose cut-paper illustrations were previously featured herecrafts quietly-detailed work which straddles the lines of art, design and commercial illustration. Beginning with hand-made illustrations, Ojala then combines physically cut, layered paper and occasionally digital to continue reducing the images until they are clear, concise and minimally fantastic. Subtlety seems to be the strongest method of delivery for the Tallin, Estonia-based illustrator and graphic designer, who describes himself as one who “ likes to study the forms of shapes, and to work closely with light and shadow. He likes to keep his illustrations minimal and well-advised.”

This most recent blue series was created for Intel as an effort to show the insides of anything, and seems a perfect match for the illustrator’s deceptively simple trademark style. Ojala has been increasingly recognized for his commercial efforts, having been been nominated in 2013 for a Young IIllustrators Award at www.illustrative.de, a YCN professional Award and ADC Young Gun. (via hi-fructose)

Alvaro Laiz Captures the Secret Lives of Transgender Mongolians

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In Mongolia, where the weight of tradition and Soviet rule still hang heavy, it is considered dangerously taboo to be a homosexual. Gays, lesbians, and transsexuals must keep their identities secret, often secluding themselves or participating in prostitution, in an attempt to safeguard their lives against violence and discrimination. In 2011, photographer Álvaro Laiz decided to capture the secret lives of these Mongolians in his series “Transmongolian.” Laiz initially traveled to Mongolia because he was interested in how the country’s newly opened borders affected the population, with the tradition of Mongolian culture meeting with Western influences from the outside. His research led him to connections with transgender individuals whose stories he decided to document with his photography.

They cannot express themselves normally except in certain places,” Laiz explained to Slate. “Your life becomes a scenario in which you are pretending to be someone else. Your job, your relatives become part of this performance, and little space is left to act as you would really want to be. It is insane.”

Laiz captures these ostracized Monogolians conducting their day-today lives alongside images of them in traditional Mongolian queen costumes. Laiz’s Mongolian series is the first of a larger project exploring transgender people in societies across the world. (via huffington post)

Christopher Rimmer’s Haunting Photographs Of Towns Consumed By Sand

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Christopher Rimmer’s haunting photography series Sign of Life chronicles two towns that are slowly being buried by sand. The desolate and surreal works were shot in the diamond mining towns of Elizabeth Bay and Kolmanskop in South Western Namibia. Here, we see the hospital, ballroom, power station, theater, casino, and more slowly filling up of sand. The amount of it makes these places indistinguishable from one another as well as uninhabitable as the spaces are totally devoured.

The juxtaposition of the once-ornate interiors and the giant drifts of sand is fascinating. We see how the material, which is the same thing that’s used to build children’s sandcastles, is really destructive,  as it takes doors off its hinges and works of filing rooms to the brim.

With Sign of Life, Rimmer explores the ultimate futility of human endeavor. The now ghost towns depicted in the work were extremely wealthy due to diamond mining and were once a symbol of growth and prosperity. After the diamonds ran out, the last resident moved away in 1951 and left the town to the elements. Now, they are no match for nature as it destroys the structures residents worked so hard to build. (Via Yellowtrace)