Portland artist OBLVN recently closed a show at Guerrero Gallery in San Francisco. The show, entitled “Different Strokes, Different Folks”, was positioned in the project room, while Ryan Travis Christian’s solo exhibition, “The Second Banana” took the main gallery space. OBLVN brings the clean brushwork of vintage animation design with a clean eye for interesting character work honed through a background in graffiti. I was seriously impressed with the artist’s “100 Paintings” show last spring at Klughaus gallery in NYC. It seems like he’s pushed further since then, as this show features some larger works on wood and canvas.
There is a erie stillness in the work of Korean artist Song Myung-Jin.
Via large-scale installations, Antony Gormley explores relationships with nature in a radical investigation of the body as a place of memory and transformation. His recent work increasingly engages with energy systems, fields and vectors, rather than mass and defined volume, evident in works like CLEARING, BLIND LIGHT, FIRMAMENT and ANOTHER SINGULARITY.
When looking through photographer Caroline Mackintosh‘s visual archive, the themes are immediately evident: beauty, youth, adventure. Using her lens, she paints a vivid storyline of an endless summer, stretched out over empty streets, swimming holes, and desert air. The sun-soaked quality of the colors, and slight dip in and out of focus give her work an air of honesty, as though she’s invited the viewer to casually sifting through a box of snapshots.
Doug Burton’s 3D digital animation “Celestial Mechanics” was conceptualized as a kind of reality-fabric altering pulsating entity. A kind of self-combusting black holes. I am hoping for the day when I actually see the walls wormhole out to an alternative universe! The artist explains: “Through the transmogrification of the matter of the walls and space within and ouside of the studio I have been exploring he realms that exist beyond in a distant past or parallel present.” Heavy!
The technological wizards at Burton Inc. have developed a 3D laser display that can project images onto thin air. By focusing laser beams onto a single spot and firing the lasers in bursts of 100 times per second, images appear out of nowhere like 21st century pointillist magic. So far, the images are rudimentary, looking for the most part like simple sketches in .GIF form. But it’s still a fantastic advancement of the technology.
“This is the only device that can show text and pictures in mid-air, without using a screen,” says Akira Asano, Burton Inc.’s director and head researcher. The first and foremost application of the technology has been for emergency warnings — such as in a tsunami scenario — or as signals in pedestrian-heavy areas, such as at a crosswalk.
Not only does Burton Inc. hope to see this technology implemented in public spaces but also in people’s personal cars, thereby transforming even civilian vehicles into portable 3D displays. (via This Is Colossal)
Adam Hosmer’s delightfully strange photographs are created by mixing the medium of drawing and photography but with a digital slant. Hosmer starts each image by taking a photograph and then drawing on top of it on the computer. Hundreds of digital lines create hairy deconstructed figures that are coming together, falling apart, and constantly morphing. The results are a strange hybrid of the grotesque and humorous, the digital and analog and formal and experimental.