Zeroing by Andrey Nepomnyasochev makes me think: What if the entire world was a crumpled sheet of paper sitting tightly in someones hand waiting to be torn apart.
Designer Noa Raviv‘s “Hard Copy” collection has been bending space-time as well as turning heads all over the fashion world. Raviv revs fashion up into high tech: She uses 3D printing technology to create the vectors, grids, and curved polygons that act as the centerpieces of her futuristic dresses.
At first glance, her collection looks like something Escher would come up with if he had gone into outer space — and learned to put the pedal to the metal on a sewing machine. Raviv’s 3D-printed dresses utilize negative space and evocative bold lines that abruptly end, a trajectory to nowhere. Some mark outlines around the stoic models, almost reminiscent of cut-out paper dolls.
If you were to describe Raviv’s designs as purely brainy, though, that wouldn’t be entirely correct either. Her pieces are mash-ups of the classical and the plugged-in modern, organic yet precisely calculated. The recurring hollow grid pattern seems to inevitably draw a comparison to wire frame mannequins, perhaps implying that the work is incomplete with the wearer, who — in this case — gazes archly from amidst blossoming toruses and geometric anemones.
According to Raviv, she wanted to explore “the tension between the real and the virtual, between 2D and 3D.” After having won the 2014 Finy Leitersdorf Prize for her creative efforts, it would seem that her experiment was certainly a triumph.
Japanese artist Kohei Nawa created an amazing foam installation that took over the entire room of a gallery in Japan. The perfect finishing touch, tiny specks of light like a night’s sky, added a dash of poetry to the ambiance.
Titled Foam, Nawa experimented with various combinations of glycerin, detergent, and water until he had realized the ideal, perfect, pliable foam, one that would not be affected by gravity or lose shape. The installation, which was being altered continuously by eight different pumps in the room, had an eternally shifting presence which made the clouds even more realistic. Looking at it scientifically, he said:
“Small cells bubble up ceaselessly with the slight oscillations of a liquid. The cells gather together, totally covering the liquid as they spontaneously form a foam, an organically structured conglomeration of cells. The risen volumes of foam link together and reach saturation, but continue to swell, occasionally losing vitality and spreading out over the ground.” (Excerpt from Source)
Ash Thayer photographs are the reflection of her life. Portraits, landscapes and places that represent the beginning of her life as a young woman braving the intense city of New York. ‘Kill City’ is her memoir through those years. It’s a compact diary comprised of photographs taken when she was living in the See Skwat squat after she got evicted from her first apartment in the city. The pictures are raw and incredibly emotional. It’s not a wish to uncover a way of living, it’s a desire to extract the beauty that lies inside the characters and scenes she witnessed.
At 19 years old, Ash Thayer found herself evicted. With no resources and no family, she found in a Lower East Side building a shelter, a roof to call home. She surrounded herself with a new family, punks surviving just liked her. Soon realizing that she was deeply touched by social activism and protest movements she took part in defending and documenting the subculture she was living in.
The subjects of her photographs are simple and honest. People from her daily life posing naturally under the dim lighting of the squat. There’s no intention in claiming a harsh living situation or showing off extreme conditions. In her pictures, the artist depicts vulnerable sincere souls supporting each other. “On the street [people saw us as] street hustlers, trouble makers, vandals—that just wasn’t really the case. We were hanging out, drinking and watching 90210 around one TV, like 15 of us”.
I’m not usually a big fan of photorealism but these paintings by Lee Price are unreal!
I’ve always been interested in the creative energy that comes out of Australia and Nick Thompson’s work is just another reason to love the land down under. His work is clean, bold, and full of impact. Watch the video for the image above and see a fantastic selection of his creative output after the jump!
Presented by Next Day Flyers, the leader in same day business card printing service.
We continue our month long series of free outdoor screenings at Space 15 Twenty this Wednesday, May 13th, with “Basquiat.”
The screenings are projected on the large outdoor screen located next to the Snack Bar. Seating is limited so arrive early to secure a chair, but if you get there late, no worries you can always sit on the floor or bring your own chair! Last week we even had a couple of troopers stand and watch the film!
Basquiat examines the meteoric rise to art stardom of Basquiat, a young artist renowned for his loose and expressive style- and dating Madonna at the ripe old age of 24! If you’ve never seen this film, Basquiat is the classically Shakespearian figure of the romantic and mysterious tragic-fated artist. The film also continues to explore themes of trends and commodity.
Drinks, Snacks and Popcorn are available at Snack Bar!
Basquiat- Wed, May 13
1520 N. Cahuenga Blvd
Los Angeles, CA 90028
See more Beautiful/Decay Movie Times for the month of May after the jump!
Brooklyn, NY based painter and sculptor Lisa Beck creates reflective, Rorschach like abstractions that function simultaneously as murals, paintings, sculptures, and installations.
“My work has always been driven by certain preoccupations and obsessions, that can be seen as divided between the particular and the universal. The particular is shorthand for the observable aspects of reality, the stuff around us (the landscape, our bodies). The universal is a shorthand for things that are too vast or too tiny for us to grasp completely ( space, atomic physics)— that necessarily become a kind of abstraction. Those are the things that I think about, with an emphasis on the relationship between those things — the place where they meet or interact, rather than the divide. I’m concerned with where I stand, or where anyone stands, in relation to these aspects of existing reality … the act of observation of the place in between; visual awareness and perception as a way of understanding existence, like a filter.
I tend to be attracted to opposing but related visual phenomena like positive and negative, pattern and randomness, color and grayscale, flatness and depth, representational and abstract imagery. I always want to go in both directions a once and much of my work has involved trying to find ways to integrate these opposites. My most prevalent motif has been the circle in all its forms and references. Atoms, dots, spheres, solids, voids, cells, selves, stars, eternity, emptiness- it’s amazing how much can attach to this form.” (via)