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Andi Schreiber Documents Middle-Age And The Need To Be Desired

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Andi Schreiber refuses to disappear. In her ongoing series, “Pretty Please”, she documents life as an aging suburban mom in a youth-obsessed culture. “Middle-aged mom” must be one of the least sexy descriptors around, redolent of yoga pants and stretch marks and sun-damaged skin. Yet as the years have passed, Schreiber has continued to feel young and sexual, even as she’s felt that society has closed those roles to her. She says:

“When I was in my thirties I heard the expression “Invisible Forties.” I couldn’t imagine how sexually inconsequential I’d feel throughout this decade.”

The powerful documentary style photos in “Pretty, Please” beg you to look. Honest and vibrant, they are not always comfortable. Victoria’s Secret has trained us to expect sexy lingerie on a young, taut body, not on folded and stretched skin. And yet, why isn’t this just as beautiful? Grow old or die, those are the only options. Why can’t we appreciate the child-scarred body of a woman who wants to be seen?

Self-portraits are interspersed with images from Schreiber’s life. A drop of blood on the toilet seat symbolizes her ebbing fertility; the lit interior of her closet holds neatly hung clothes and shelves of shoes, but also, stashed up and away, naked kewpie dolls, whimsical and eerie.

“You get into your 40s and things are very different, your perspective changes, and the way the world looks at you changes as well.”

In “Pretty, Please” we’re looking at Andi Schreiber and she’s looking back. This is definitively her — her life, her body, her blood — and yet this desire to be seen, to be valued on her own terms, could also represent the scores of middle-aged women who chose family and stability and have had their sense of self sacrificed to their suburban houses, and diapers, and carpools.

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Chelsey Scheffe’s Faceless Faces

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A series of photographs by Chelsey Scheffe.

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Electronic Duo Matmos Release The Marriage of True Minds

Photo by James Thomas Marsh

Matmos – ESP (Live at Thrill Jockey 20th Anniversary) from Thrill Jockey Records on Vimeo.

You do remember electronic duo Matmos, don’t you? They’re the DJ’s that worked with Björk on Vespertine and also toured with her around the world, that’s how I first heard of them anyway. Well, they just released a new album, The Marriage of True Minds on Thrill Jockey earlier this week and from their press release it looks like it could be something very special.

“The Marriage Of True Minds is Matmos’ first new full-length album in five years and follows 2012’s The Ganzfeld EP, which was the culmination of four years of parapsychological experiments based on the Ganzfeld (“total field”) experiment. Test subjects were put into a state of sensory deprivation by covering their eyes and listening to white noise on headphones, and then Matmos member Drew Daniel attempted to transmit “the concept of the new Matmos record” directly into their minds. The resulting transcripts of the videotaped psychic experiments became poetic and conceptual scores used by Matmos to generate the nine songs on this album, which prominently features vocalists and voices for the first time in Matmos’ work. Guest musicians include Dan Deacon, Dominique Leone, DJ Dog Dick, Leslie Weiner and Holger Hiller (Palais Schaumberg), Jason Willett (Half Japanese), Angel Deradoorian, Jenn Wasner (Wye Oak) and more.”

See what I mean? The whole project sounds incredible and they’re currently on tour in the U.S. with only a handful of shows left, including a date at Public Works in San Francisco on  Sunday, February 24th and a show at the Masonic Lodge at the Hollywood Forever Cemetery on Monday, February 25th. The last two shows before heading to Europe in March are at The ND in Austin, TX on February 28th and Zanzabar in Louisville, KY on March 2nd.

Check out their amazing version of the Buzzcocks‘ ESP that was shot live at Thrill Jockey’s 20th Anniversary show last September in Baltimore where they are currently based. This should cement the idea of seeing one of their upcoming shows.

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Ryo Yoshii’s Evocative Watercolor Portraits Bleed With Internal Beauty And Intensity

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Ryo Yoshii is a Japanese artist who produces beautiful and evocative watercolor portraits. With an impressive control of the medium, Yoshii is able to capture the minute details of the face — such as the lines around and light within the eyes — while also introducing a surrealist blur: hair melts into the paper, tears streak and divide the body, animal faces are fractured over top of human ones. In a haze of dreamlike pastels, the portraits express both external character and internal life, unveiling moments of deep introspection.

Brimming with depth and sensitivity, Yoshii’s work can be read as metaphorical explorations of inner emotional worlds. Despite the stoic faces, which steadily meet the viewer’s gaze, there are signs of fluidity and instability within. The unpredictability of the watercolor medium lends perfectly to this depiction of inner turmoil and intensity, as the colors — much like our emotions — bleed invisibly from the body into the surrounding environment. As expressed in the beautiful blend of colors, no emotion exists in singularity in Yoshii’s work; instead, everything fuses together in a spectrum of experiences.

Yoshii is currently studying art in Japan, and his works can be viewed on his DeviantArt. (Via Art Fucks Me)

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Katy Grannan

Katy Grannan’s striking portraits. Great interview with her at Dailyserving.com.

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Antoine Rose’s Risks Death To Take These Bird’s Eye Photos Of Miami Beaches

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Photographer Antoine Rose captures Miami’s beaches and its coastline in the series Up in the Air Miami. Shot from a bird’s eye view, umbrellas, beach goers, and yachts are miniaturized and abstracted, and look like tiny toys used in a diorama. The candy-colored images offer an unusual glimpse into a day on the water, as we see only a general depiction of the beach yet its captured on a large scale. We aren’t offered many details, but still, there is a lot of energy in these photographs. Rose communicates leisure, and minuscule figures evoke the famous French post-impressionist “bathers” series by Cezanne.

Emmanuel Fremin Gallery in New York City is exhibiting Rose’s works, and they describe how the extreme point of view affects what we’re seeing:

… people sharing common behaviors and exposing themselves like hedonistic herds. The stills of people swimming, surfing or just sitting down on their beach pads suggest a showcase or, given the distance, an Insectarium. One can even see a religious connotation: the bird’s eye view makes people seem insignificant dots in the infinite space of the universe, crushed by the immensity of the water field, recalling the biblical universal flood; seen from the sky, like through god’s eyes, people and nature coexist in harmonic or tense relationships. -Eduard Andrei

Miami isn’t the first or only place that Rose has photographed. Previous series of Up in the Air include the Hamptons, Long Island, and Wollman Skating Rink in New York City. To capture these images, he is situated outside of a helicopter that flies as low as 600 feet.

View Up in the Air Miami at the Emmanuel Fremin Gallery from February 27 – May 3.

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What You Would Look Like If you Were Simultaneously A Kid And Adult

Parisian photo retoucher Cristian Girotto believes that somewhere inside each of us, there’s a young core, instinctive, creative but also innocent and naïve. He wondered “what would happen if this intimate essence would be completely revealed? ”

With the help of photographer Quentin Curtat L’ Enfant Extérieur (The Outer Child) was born, miraculously combining the innocence that are in children’s eyes with the pesky facial hair that one has to deal with as they transform into an adult. Simultaneously funny and poignant L’ Enfant Extérieur begs the question if age matters and if one can still keep the passion of youth alive in an adult world full of corruption, responsibilities and disappointment.

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Pier Francesco Martini’s Painted Pixels

Pier Francesco Martini‘s digital self portraits are an interesting twist to one of the oldest practices in art.

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