Dylan Shields, an artist based in London, creates sculptures that investigate the relationship between classical sculpture and contemporary materials.
The sculptures further explore and build upon the existent relationship between canonical works of art (in this case and its contexts within modern society by creating them out of cardboard, a relatively new (ish) material in the realm of art-making. He uses re-cycled cardboard and parcel tape to produce work that is at both familiar yet fresh by its original use of form and perspective.
“It has been a process of trial and error to perfect my style. One of the challenges of working with cardboard is the limitation of its flexibility. Also, sourcing the right colors has been difficult as I don’t paint the sculptures, so the colors have to come from the cardboard.”
Los Angeles has always held a special place in the hearts and minds of Americans, but for most it exists in an almost fictional capacity. Hollywood isn’t a real place – it’s a postcard, a huge sign on the side of a mountain bracketed with strategically placed palm tree silhouettes. Certainly not a place to call home, but for artist Justin John Greene that’s exactly what it is. Hollywood is a part of his heritage, and the work reflects that. Born and raised in the Los Angeles area, Greene’s work is strongly imbued with the history of the most romanticized industry in American culture. In his most recent solo show at Actual Size (an exhibition space he co-runs in the Chinatown gallery district of east L.A.) the influence of the film industry is in full focus. You Oughta Be In Pictures is a comprehensive installation that utilizes painting, sculpture, and video to create a truly immersive experience for the viewer. Installation may seem like a bit of a leap from Greene’s primarily two dimensional practice, but a closer look into the artist’s process bridges the gap seamlessly. His work is a distinctly enjoyable blend of sly historical references, direct compositional tactics, and cleverly applied humor. If you have the opportunity to see the work in person I strongly encourage you to do so.
Videographer Rob Whitworth together with city-branding pioneer JT Singh create a stunning flow-motion panorama of the mysterious capital of People’s Democratic Republic Of Korea, commonly known as North Korea. “Enter Pyongyang” is their another collaboration combining the stunning effects of time-lapse photography, HD and digital animation, acceleration and slow motion.
According to the creators, North Korea, which is mostly imagined as a country “immune to change”, is rapidly developing. Besides the uplift in tourism, the whole infrastructure is rising with new railways being planned and special economic zones launched. Whitworth and Singh accurately capture this shift in their video filmed with the help of Koryo Tours, a Beijing-based travel agency who provided the team with exclusive access to the city.
“As is standard for all foreign visitors to the country, we were not allowed to shoot any construction sites, undeveloped locations or military personnel. Other than that we were given relatively free reign.”
North Korean society is highly enclosed and lifting the curtain, especially for a video, is a truly unprecedented behavior. However, “Enter Pyongyang” captures the controversial reality of this multimillion capital: from its high-end golden statues and modern glass skyscrapers, to the humble and earnest citizens. The fast-paced video conveys what is essentially Pyongyang’s biggest wealth – the dynamism and energy driving it to the new heights. (via The Awesomer)
Made With Color, a website builder for artists and creatives, and Beautiful/Decay team up each week to bring you some of the best contemporary artists and designers from around the world. Website builder Made With Color helps artists easily create well-designed mobile/tablet responsive websites in a few minutes without having to touch a line of code.This week we are pleased to present the work of Made With Color user Rachel Meuler.
New York City based artist Rachel Meuler is a collagist of sorts. However instead of cutting up magazines and books to create her imagery, Meuler cleverly combines a mix of animal and human figures to create a new species of hybrid beings.These half man half beast figures are in a constant state of motion and transformation. The combination of human and animal imagery reinforces the similarities between all living things, while referencing characters from ancient mythologies, folklore and fairy tales, Jungian archetypes, evolutionary anomalies, and the mutant results of genetic engineering – beings originating from and entrenched in cultural fears and fantasies. These subjects are shown exchanging information through a language of posturing, mirroring, projecting, and cannibalizing traits from each other and their surroundings, within compositional structures that imply hierarchy and narrative, but remain inconclusive.
One solid consistency in Lado Pochkhua‘s work is the presence of people. Complexities lie in in the details of dress, color and landscape — objects that outlast the individuals they surround. In the vein of what outlasts what or whom, elements are selectively obscured creating, perhaps, one big memento mori. Pochkhua is a Georgian artist living and working in New York.
Vittorio Ciccarelli’s photographic series titled Invisible captures parts of the world that we pass by – what we look at, but don’t really see. The artist highlights fast food chain signs, lamp posts, factory windows, and more in these simplified and beautifully-designed images. Ciccarelli’s works feature vibrant blues, reds, and yellow hues, and it’s clear that he caught these places on a good day.
By zeroing in on just a couple of sets of windows or a portions of a sign, he creates abstract compositions. We now focus on the formal aspects of the work rather than where or what the image is of. Sure, we might recognize that the two lights are the top of a lamp post, but that seems secondary to the gorgeous shapes and how they interact with the cloudless blue sky. When you look at these places just so, as Ciccarelli has done, you see how peculiar the seemingly “invisible” things in the world really are.