730 liters (193 gallons) of white paint were needed to cover the 1625m2 (2000 yards) rooftop of an old chocolate factory in Moscow. Pokras Lampas and his team manufactured 4 big brooms of 1 meter long each that he used to ‘write’ on the floor. During 2 days, the artist designed and producer Sergey Valyaev filmed the experience. (See the video above) Alternatively showing the talent of Pokras Lampas, the huge surface he used a his canvas and the passion and wonder which transported the young artist. The whole team a.k.a. Smokin’ Heroes, risked the possible rain and the potential delay of the paint delivery coming from another city to achieve the colossal artwork.
The entire surface of the rooftop is covered in calligraphy in concentric circles in a language ‘dedicated to the moments of inspiration and creativity’. The aesthetic and the style is close to artist Retna’s work which, at a smaller scale, also covers walls. The cursive letters and the urban locations used by artists who calligraphy create a modern approach to a traditional art. Behind the performance, there’s a desire to trigger visual excitement for the eyes.
These surreal landscapes are a series titled Con/struct by South African designer and photographer Justin Plunkett. He compiles imagery into scenes of desolate or forgotten places, where often these structures are the tallest thing on the horizon amongst swirling clouds and dusty streets. They are patched together exteriors of slated roofs, windows, shipping containers with advertisements on them. An artist statement about this series gives insight to these unusual buildings:
Con/Struct is an exploration into the themes of empowerment and imagination. Plunkett, using his own photography, has created new juxtaposed environments that encourage questioning and exploration: inviting the debate around how marketing- induced aspiration and perceived value can empower but can also corrupt, how it can be both perverse and create beauty. At the same time, at the core of his work, he honours and applauds ingenuity and the creative spirit. (Via Colossal)
The Creators Project recently interviewed digital-installation renaissance man Karl Sadler about his role as both an artist & a director. The interview highlights his latest project, “The Sculpture of The Album,” made in collaboration with popular London-based band The XX. Through harnessing technology and art, Sadler gives visual form to the band’s music, creating a physical representation of the intangible. The piece sheds light on what happens when media and message are mixed, and, on a broader level, the creative process. Visit The Creative Project site to read the full interview with Sadler, as well as explore other creatives from around the world working across a broad range of media. If you’re in the NYC area, stay tuned for The Creators Project Launch Event June 26!
There certainly is a “wow” factor when you come across the work of Chris Gilmour. Not only are his representational sculptures flawless in scale and form but they are made out of cheap cardboard that you would usually find in dumpsters. Gilmour takes this everyday material and gives it a new life creating gorgeously sculpted objects that transcend the material that they are made with bewilder our senses. Read a short interview with the artist after the jump.
Artist Jake Fried is at it again, creating mind-blowing drawings, paintings, and animations full of intense, psychedelic imagery. We are huge fans of the artist, as we have covered him previously, and now he has created even more amazing works in his new animation titled Night Vision. Made from hand drawn animation with ink and white out, Fried constructs complex worlds of intricate shapes transforming into landscapes, turning into an endless see of mind-bending imagery. Each section of his animations is one masterpiece turning into another, compiling onto one another until you are overwhelmed with imagery, sucked into a world of the artist’s endless imagination. We are held in a trance-like state, mesmerized by the impressive illustrations unfolding and collapsing right before our eyes like a strange and wonderful hallucination.
These animations unfurl and develop like a story, transporting us to different worlds full fantastical transitions. His morphing man in the animation Raw Data, takes us through a journey of this being as he grows different arms and his body transforms completely. In Jake Fried’s piece titled The Deep End, made from ink, whiteout, and coffee, another being is present and is pulled from the underground and flooded with different colors until, by the end of the animation, there is nothing left. Jake Fried’s work transformative and original, leaving us in awe at the intricate layering and alterations that take place in his monumental work.
Jan Dunning manages to transform the rudimentary device of the pinhole camera and create strange and wondrous scenes with them. I love the idea of these expansive macrocosmos unfolding from the microcosm of a single point of light…kind of baffling! I remember using a pinhole in one of my first beginning photography classes and the most I got from the lens-less, shutter-less coffee can cam was blurry black and white blobs at best.
It’s not often that I post artwork by kids but the Aidan really struck a chord with me. Aidan is no ordinary 5 year old boy, in fact he is quite extraordinary. What sets him apart from most kids is his love for all things scary. He loves monsters, clowns, drawing, and dressing up. He doesn’t wait for Halloween to roll around to have an excuse to wear a costume. And you better believe while in costume he will break character for nothing. His Drawings are full of attitude and motion, featuring werewolfs, scary clowns, and ghoulish monsters (i.e. my favorite stuff!) We’re probably the first art blog to feature Aidan but don’t be too surprised if we shortly become the first Art publication to feature him as well!
Another thing that makes Aidan different than most children is that on September 13, 2010 he was diagnosed with Acute Lymphoblastic Leukemia (ALL). He was strong and pulled through his first round of chemo all while teasing his nurses and vistors. Although this was a small victory, Aidan unfortunately must go through 2 to 3 more years of chemo treatments and everything that goes along with that.