Ryan Samuel Carr is a native artist/illustrator of Ventura, California. Ryan’s beautiful line work and dreamy figurative elements remain a constant reoccurring theme throughout his extensive body of work. When I look at Ryan’s work, even if the subject matter is just the roots in a pile of weeds he always seems to capture a rare and very sincere moment only hinting at whatever secrets the particular root, or bed of flowers have to say. Ryan’s unique line work evokes so much feeling and emotional manifestations. Ryan shares a bit of his mark making process in this direct quote from the talented young artist himself:
“I think a lot about the ‘immediacy’ of drawing (with ink and pencils), and the individual mark in a moment of time; what that all says…it’s very mystical and meditative for me.”
Kevin Lyons is a beast of a designer, after receiving his masters degree from CalArts in 1998, KevinLyons has worked for Nike, both in and out of house, has been Art Director of Urban Outfitters on two separate occasions and has been Art Director at Girl Skateboard Company. This year Lyons released his own line of toys (UPROCK ANIMALS) through Sony Creative in Japan. He also produced two clothing lines; one for 2K called Atlantis, and the other under his personal namesake, NATURAL BORN. In the midst of all his various design work, Lyons has stayed true to his patented hand-drawn style. He is currently in a group show, at HVW8 gallery in Los Angeles, with fellow CalArts grads Michael Leon & Geoff McFetridge.
Origami is both impressive in its folded construction as well as its ability to signify the need for change by urging us to look beyond the paper forms. Animals are no doubt the most popular subject, and Japanese artist Takayuki Hori has a twist on the conventional foldings. He crafts these animals to appear as victims of Japan’s urban pollution, and the pieces expose the sad truths of what happens to these creatures. Hori showcases garbage in their insides using X-ray-like detail. If you look closely, you can see tiny bottles and other trash within the stomachs and ribcages.
These works appear in Hori’s exhibition Oritsunagumono (which means “things folded and connected”) which critiques the polluted coastal waterways and the effects they have on its inhabitants. Images are printed onto translucent sheets of paper and later folded into their origami shapes. The result are a ghostly tribute and haunting reminder of our impact on the environment. (Via Fast Co. Design)
Italo Romano is no average skateboarder. He skates better than most people I know and doesn’t sweat the small stuff like not having legs. After watching the above video I felt like a fat, lazy pessimist who see’s the world as a half empty cup. Make sure to watch this video next time you’re complaining about how tough you have it, how things feel impossible, or when you want to give up. Thanks Italo for showing us that anything is possible and that giving up is the easy way out!
Through Cleon Peterson’s paintings, we encounter a world riddled with anxiety, corruption and savage ferocity, where deviance and violence equal the usual state of affairs. Peterson describes his bedlam as “a gray world where law breakers and law enforcers are one in the same; a world where ethics have been abandoned in favor of personal entitlement.”
Peterson depicts life as war between displaced individuals in a dystopian world. Acts of brutality, abuse and perversion serve as rituals of power, revealing narcissistic indulgences in violence, sex, religion and drugs. In exploring the tension between the individual consciousness and unconscious psyche, Peterson’s paintings bring to light the resulting possibilities when varying moral schemes are personified. When faced with the dilemma of fight or flight, it’s fight. We observe an ongoing struggle in the thick of a contemporary world, where the instinctual desire to survive through primitive actions takes reign.
See the above works and more currently on view in San Francisco at Guerrero Gallery. On view until April 7th, 2012
Vhils doesn’t just apply his street art on top of walls but actually carves into them creating a permanent site specific image that is ingrained onto the surface of the buildings. Becoming one with the pre-existing architecture Vhils chips, scratches, and cuts away at the walls revealing images that were there all along but that no one could see.