If you’re in the SF area, be sure to check out Matt Palladino’s new work at Baer Ridgway, opening from 4-7pm this Saturday. Last month I had the pleasure of visiting his studio (one of the coolest & most conveniently located I’ve ever seen) and watching the artist painting meticulously and chugging down a mountain of Arizona ice teas. No joke, I have pictures to prove it.
Jillian Ross is a student at Ontario College of Art in Toronto majoring in drawing and painting. Her work is a mixture of digital media illustration, photo manipulation and a combination of mixed media elements in drawing and painting. I would also like to point out the artist’s fascination with wolves and mountains, as they become the main subjects throughout her work.
Parallel worlds are familiar to Noemie Goudal. She actually recreates them for us on monochrome photographs, using all sorts of artifice to convey our minds to her land of imagination. She connects pure subjects and abandoned sets, to recreate her vision.
In her “Observatories” series she builds models in paper and cardstock and unifies it in an empty landscape of water. Evoking history and civilization, the stark monuments float like undisturbable icebergs, powerful and dominating the picture. The motionless water reinforces the concept of stability, making one with the buildings.By juxtaposing two pure existing elements in a same location, the artist duplicates reality and enables the viewer to question the limitation of reality and fantasy. “I don’t think that my pictures invite anyone into a fantasy world but rather a place made from the real that questions the fantasies, desires and fragility of the viewer.”
There is a feeling of nostalgia in Noemie Goudal’s pictures. As if we were to enter an abandoned site, a deserted battlefield. Time has stopped and here we are stuck in a two dimensional world, between an iceberg and its immobile water. The silence is palpable, anguish is nearby yet the situation is bearable. The notion of communication failure between landscape and human beings is another emphasis of the artist’s photographs. Despite the conception of familiar surroundings, a gap of misunderstanding can occur wherever we are. In order to travel into Noemie Goudal’s work, one has to first understand the creation process to move on to reflections of another type.
Oakland based artist Christopher Blackstock creates the ‘The Lone Stranger’ a series of illustrations that explore the life of an imagined character who finds himself experiencing the ultimate journey of self-discovery in a hallucinatory, post-apocalyptic remote desert area. The vibrant, cartoonish aesthetic puts emphasis on the surrealism of it all. Finding yourself in a desolated space can become lonely but exciting all at once.
According to the artist, the stranger, the recurring character, has experienced his fair share of tragedy and is now in search for answers, and maybe some sort of redemption through a spiritual quest. His tale, one of existential turmoil, redemption and self-discovery coincides with the collapse of the ecosystem as climate change reaches a more advanced stage and renders California completely arid.
Blackstock, a muiti-media artist who works in painting, sculpture and illustration, rendered these as digital drawings first and then turned them into laser-cut panels which were then placed onto canvas and hand-painted with acrylic and spray-paint.
Blackstock’s ‘The Lone Stranger’ will be on view at Oakland’s Loakal, starting July 4th through July 30th, 2014.
Do you control your desire? Or do you allow it to control you? The elusive devil can be a sensory – and involuntary – appetite starting with a gleam in the eye. So when a leather-clad Dougray Scott walks out of a dimly lit diner, temptation of course awaits.
The Scottish actor aspired to make billions as Ethan Hunt’s nemesis in Mission Impossible 2 and he’s been both Dr. Jekyll and Mr. Hyde. He’s played at being a sadistic killer (New Town Killers), a chef falling in love (Love’s Kitchen), and is scheduled to be Dr. Godfrey in the soon to be released goth-horror Hemlock Grove. In this short video directed by Antony Hofman, we find Scott behind a gleaming Mercedes-Benz SLS AMG.
And he’s not resisting, of course, to harnesses the power and beauty of a 1695 kg amalgamation of precision design, performance, and aesthetics being fed by a V8 engine and controlled by a DCT 7-speed sports transmission, charging you up to 317 km/h. As the machine sparks over the dark streets of Los Angeles, the attraction ultimately rests on the drive you get.
Eric Johnson is a brilliant carpenter who designs and builds furniture out of completely salvaged materials. Armchairs from boat masts, rocking chairs from milk crates, lamps from moped scraps. A lot of “recycled” product design can end up looking not too different from the garbage it started out as, but Johnson does an incredible job of using clean, shrewd designs to make objects that stand on their own regardless of their history. The combination of his intelligent designs and recycled materials is inspiring in its own right too, quietly encouraging us all to see the potential in the mountains of discarded objects that overwhelm our modern lives. So kudos on three levels, Eric. Keep your eyes on Mr. Johnson, I smell a bright future.
Interested in the idea of anthropomorphism, Madrid-based photographer Miguel Vallinas retouched animal photographs and made it appear as though they were wearing human clothes. Though an initial reaction may be to dismiss Vallinas’ images as something of a cliché, the richness of the photographs combined with the humor have a charm to them that is alluring and endearing. Segundas Pieles (Secon Skins), is an ongoing project that explores notions beyond anthropomorphism. In fact, Vallinas’ photographs seem to accurately investigate concepts such as psychology, stereotyping and personality. The images of the primly dressed swan, or the melancholy donkey portray emotion and narrative beyond simple humor.
Attempting to depict the way he imagined different animals would dress if they had the ability to, Vallinas plays off our preconceived ideas of what our clothing choices signify and what we may, even subconsciously, believe about certain animals, certain people and ourselves. (via Colossal and dailymail)