Good luck finding this guy on the web. Heres a hint: he’s NOT John Mooney the blues guitarist. Aren’t these oil paintings great though? His shows covered Scotland, Helsinki, London and Poland, Contemporary Art Society, Scottish National Gallery of Modern Art, Scottish Arts Council and Dundee Art Gallery.
Formula Drift driver Ryan Tuerck and pro skater Bucky Lasek get together for a snowy rally driving challenge. Watch more vids like this Here.
We Are The Youth is a photo-documentary and essay project that compiles the stories of LGBTQ youth from around North America. It’s a simple project that packs an honest punch. Each story is personal and demonstrates the completely different experiences of the participants. They speak about the need for role models or their role in becoming one, about their own struggles with their identity, where they situate themselves on the gender/sexuality scale, and how that can change from day to day. The project is a collaborative effort between Laurel Golio who takes the photographs, Diana Scholl who writes the biographic essays, and of course, the LGBTQ youth. (Via Lenscratch)
Ramona Zordini is an Italian photographer who seeks to explore states of ambiguity and transition in her work. Featured here is Changing Time III, the third part of a series of images wherein bodies float, twist, and thrash in a murky tide of passion and despair. There is a sense of profound liminality as the figures skim the water’s surface; bare skin is exposed to the air and light, while faces are obscured, making their emotional experiences unreadable to the viewer. Some of the photos feature solitary bodies, curled up as the water embraces them. Elsewhere, lovers cling together, groping wet, chilled flesh in postures that are both erotically charged and desperately troubling.
The emotions these images provoke are both powerful and conflicting — are we seeing lovers holding on to each other out of need in an unforgiving world? Or are they destroying each other? Indeed, some of the water around the figures looks milky and eerily bloodstained, suspending the couples in a dark, amniotic fluid wherein they hunger for connection and love. The submerged faces, arched torsos, and reaching limbs suggest imminent death as much as they do the submission experienced in sex and desire.
“I would like the impermeability of things to touch every sensation,” Zordini writes on her biography page, explaining her drive to explore uncertain states of transience and becoming. “Ambiguous term, ambiguous place, gesture, thought […] there is nothing like yesterday.” (Source) Ambiguity permeates Changing Time; drifting in states between life and death, passion and sorrow, the nude figures unfurl on the edges of their own physical and psychological evolutions.
The porcelain sculptures of Jason Briggs make you want to touch them..in private. Blatantly provocative, Briggs takes all the sexual organs and orafices on the male and female body and fuses them into a protruding grotesque beauty. He touches on things that keep the human race alive. The forbidden fruits of procreation which everyone thinks about but rarely speaks about. Since he uses porcelain the pieces take on an eerie realism which make them appear more flesh like. In some cases they give off bondage signals which is metaphorically correct. You are bonded to the person you are having sex with. The other interesting thing about the work is the intellectual interpretation. This could be met with repulsion to some since mind and body don’t always fuse together, though they should. In his statement, he discusses the obvious but also explains that his interest is in the desire itself more than the fulfillment of it. This might also explain the enlarged forms which make up the work. These pieces according to Briggs usually appear larger than life when living only in the mind. Through his work he tries to make light of this and understand it better.
Mark Schoening has been busy in the studio lately working on a brand spanking new series of paintings and a new sculpture for a show opening this weekend at Blythe Projects in Culver City, Ca. He was kind enough to document the process and give you a sneak peak.
San Francisco-based metalsmith and neon artist Meryl Pataky has shared with us some behind-the-scenes moments from her studio, as she gears up for her next solo project, Cellar Door.
Working exclusively with elements from the periodic table, Pataky uses a collision of phrase and loose linework to give life to her concepts—silver, copper, iron, carbon, neon and all of the noble gases are integral to her investigations. For her latest collection of work, Pataky is creating a series of signage-based installations that attempt to coexist with natural elements. Matching up blown glass with honey, and pairing neon lettering with leafy underbrush, she explores the effect that context and concept have on her luminous, typically commercial medium. The vivid colors and natural, flowing use of line in her pieces echo a mastery of medium, and her nods to just the right amount of science geekery are playful and perfectly timed.
Cellar Door is on view at White Walls Gallery through August 10, 2013.