You might have never wondered what cartoon character Marge Simpson looked like naked. Or maybe you did. Either way, artist aleXsandro Palombo provides us a glimpse into what this might look like in a series that pits Marge and Homer as an erotic, glamorous couple. Nudity, leather, and gender bending transforms the couple as you’ve never seen them before.
Modeled after the photographs of Helmut Newton, known for his provocative fashion photography, we see Marge and Homer in high-fashion ensembles. Homer dons a debonair suit, while Marge’s dresses are an extreme take on the cut-out trend that’s popular now. And while both don’t shy from nudity, perhaps the most surprising works in the series are of Homer’s outfits where he wears a sunhat and heels. He doesn’t look entirely comfortable, but when considering Homer’s character (the beer guzzling, Bart-strangling, donut-loving Power Plant worker), it’s not entirely surprising.
A lot of you, I’m sure, have grown up with the The Simpsons, and this series is a funny take on the all-American family. It is all set against the cloud background made famous in the opening credits, and acts as some sort of alternate universe. It transforms Marge and Homer from a green dress and white collared shirt, respectively, and shows that everyone has a kinky side. (Via Huffington Post)
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Italian-based twin brother design team (who go by the nom de guerre) Van Orton Design created a hit recently with their latest project of stained-glass style movie posters. Digitally composing the images using iconic characters and scenes from each film, Van Orton replaced saints and religious iconography with pop-culture standards like the Terminator, The Joker and Jack Burton, juxtaposing them with the time-honored (and increasingly disappearing) art of stained glass sectioning.
Van Orton’s selection of now-classic films from the science-fiction, action and cult fantasy genres adds an interesting element to the genesis of these designs, in that they seem to replicate stained glass coloring books more than the classical stained glass reminiscent of Europe’s grand cathedrals. This design choice adds to the light-hearted and nostalgic mood of the series, and appropriately separates it from ‘high art’ (though the Batman Poster for example certainly has visual similarities to the work of famous British artists Gilbert & George).The combination of thin and thicker black lines (replicating the lead used to secure colored glass) holds a wide prismatic array of colors, which also brings a unique, crisp quality which can only be achieved through delicate digital design.
You can purchase your own posters (pre-colored or not) by Van Orton Design here.
Hikaru Cho‘s method of painting could best be described as a physical and unconventional type of doodling. Cho primarily uses acrylic paints on bodies or food to create believably 3D surrealistic effects, and even transfers this skill to stop-motion film and other video work. Her work alters our perspective of seemingly stable universal concepts, creating new forms that demand our engagement using only the special effects rendered through paint.
Kevin Cooley creates Controlled Burns, a series of striking images that showcase swirling and imposing clouds of black, white, and gray smoke. Inspired by the communicative purpose of smoke signals during Papal conclave, the series focuses on ideas and actions dealing with communication, specifically human interactions with nature.
Cooley creates and manufactures the images himself, the smoke is real, and so is the fire creating it, but the artist here is rendering an image, controlling it and taking charge of something that can potentially be uncontrollable. The project is indicative of something we are well aware of, particularly our impotence yet possibility to control natural, powerful elements in our world. The paradox makes us contemplate on something we know, but do not really think about often.
Fire is a powerful natural force that we harness for greater good, and it is the only Classical element that we can create on demand. Yet, when out of control, it has the potential for grave destruction. Controlled Burns is a visual representation of this inherit duality, symbolic of our desire to conquer and control, reminding us that sometimes we must fight fire with fire.
Beginning January 11th, 2014, the Kopeikin Gallery will present Cooley’s work in UNEXPLORED TERRITORY, an interdisciplinary exhibition that explores “the limits of human exploration and our desire to conquer and control nature.” Themes range from colonial exploration of the American West, harnessing fire in the form of combustion to launch rockets into space, to anthropomorphic actions of everyday objects such as box fans, and helium balloons.
During his time in art school Phil Hansen developed a shake in his hand. Interested in pointillism, a technique that involves many many small dots to make up an image, Hansen’s intense attention to detail exacerbated the only made the shake worse. The problem led him to abandon art for some time. But missing his calling, Hansen decided to seek an expert’s advice. A neurologist told him he had permanent nerve damage and would never fully recover. Deciding to “embrace the shake,” Hansen returned to art using a different approach. Hansen realized that, “we have to first be limited, to become limitless.” A creative through and through, Hansen developed projects whereby he would give himself a “limit,” and then figure out how to overcome it. Deciding to make a work within certain parameters, Hansen came up with ideas such as creating a work of art for under $1, or a work made up of “karate chops,” or work made out of impermanent materials. Challenging himself and the limits (non-limits) of his creativity, Hansen enjoys the process and channels his ideas into these various projects.
Inspiring by deciding to be inspired by his restrictions, Hansen landed a TED talk (see above). His current project is a unique collaboration with the Rockefeller Foundation. Hansen is creating art out of individual stories of philanthropy. You can still submit a story, or read others here.
Photographer Amy Lombard is no stranger to the fringe cultures. Last year, she attended Bronycon in Baltimore (previously featured on B/D here), where she captured some of the festivities. During the year, she also frequented different animal shows and photographed who and what she saw there. The result comprised a series titled, Welcome to the Show. The types of animals range from cats, dogs, lizards, horses, and bugs. Lombard not only documents the animals, but their owners, and the relationship to one another.
The shows she attended are not the likes of the Westminster Kennel Club. Instead, they appear to be local and amateur. Since we don’t know what the context is of the shows, it makes the photographs all the more alluring. Some seem to double as pet shops (it’s only $5 for a painted hermit crab). Her style is candid, and her subjects not posing for the camera. Instead, they go about their business of show, looking, buying, and selling.
Welcome to the Show is the documentary of a niche interest. It’s not particularly glamorous, but is interesting and amusing. Lombard’s eye captures subtleties like small, amusing moments. A dog is wearing a skirt (or apron) with a $1 bill tucked in it. There are numerous people that look like their pets, which doesn’t seem surprising at an event like this.
We are a society mesmerized by extremes. In our fascination with art this generally translates into obsession with magnitude, scale and sheer quantity, while our consumption tendencies of technological objects tends to swing the opposite, manifesting in compact phones-computers-everything else in one hand held device. The works featured here are as mind blowing as the compactness of current computer software programs, packing so much detail into such tiny confines. All of the works here are created on standard matchbooks, with the painted or drawn imagery measuring in at no more than four inches of length on any given piece. Joseph Martinez, Mike Bell, Jason D’Aquino and Krista Charles all demonstrate immense technical skill in their matchbook art.