Stephanie Tillman‘s designs match a subject, often an animal or two, with a matter-of-fact line of text. She applies the imagery to postcards and prints, but the embroideries are the most successful in capturing a sense of earnestness behind them. All handmade by the artist herself, each piece is permanently glued to a flexihoop — such a great touch as a frame — and finished with fabric to hide the stitching on the back. Available through her Etsy store.
British sculptor Mark Coreth was sponsored by the WWF to create awareness on the subject of human impact on climate. The hunting polar bear has been standing standing proud in the Trafalgar Square’s Northern Terrace in London since last Friday the 11th. He will melt over the next 10 days, leaving a bronze skeleton, a pool of water and a powerful environmental message. If you’re in the area, please give Mr. Bear a sympathetic pet on the head. If you’re not in the area, you can watch his slow watery demise on a live feed (not completely sure if this works or not since everytime I’ve tried I’ve encountered technical difficulties.) Check out some not real-time vids of the sculptor and Mr. Bear’s daddy carving him out in the square after the jump.
Letha Wilson slices, dices, and combines materials to create hybrid images that tether between the the world of reproduction and 3D representation.
The work of Milanese graphic designer Andrea Minini has a tendency to make the most with the least. His recent Animals in Moiré series has gotten a fair amount of internet attention, due to the striking Moiré pattern – visual interference caused by overlapping lines in different densities – often associated with television screens (seen previously in the photographic works of Stephan Tillmans).
Using Adobe Illustrator, Minini’s elegant lines are collected and create stark and moody black and white animals. Its not just an interesting stylistic choice, but each design is enhanced by his strong graphic sensibilities. Seeing the potential for slithering lines to form together in creation of a snake is one thing, but understanding the form so as to subtly create a colony (or cloud as they are also referred to in groups) of sleeping bats is an intelligent, innate choice. (via colossal)
The stereotype of your average biker is probably not the first thing you would think of when looking at these images by London based photographer Bex Day. She manages to capture a personable, jovial and charming side to the bikers associated with the infamous 59 Club of London. Wanting to recreate scenes of the subculture from the 60s and onwards, Day cast different characters in certain poses that are endearing and humorous. She says:
I wanted to explore the renowned biker café, the Ace Café and explore the lives of the bikers who hang out there and get to know them better; but most importantly to investigate their take on the 50s/60s movement.
Trying to keep the scenes as realistic as possible, and true to the spirit of the 59 Club, it is important to Day that she captures the bikers how they really are – wrinkles, blemishes, hairy backs and all. She goes on to say:
I wanted to recreate the era to illustrate it in a timeless manner, which is what I try to do in all my photographs, but also to emphasize how the subjects viewed the era we were trying to portray and their take on it was crucial to the photographs.
Day wants to challenge our views of conventional beauty and to destroy the guidelines of what is and what isn’t aesthetically pleasing. A subject that isn’t normally seen as beautiful, in Day’s hands, is treated as something equally as attractive as a traditional fashion spread. Who would’ve thought long haired men wearing too-tight dungarees and ‘pimp’ glasses straddling motorbikes could be so appealing?
Restrepo is one of the many stories to come out of our endless war with afghanistan. The movie spends one year in the most dangerous valley in Afghanistan where death is a daily threat. It’s brutally honest, sad, and poignant. Go see it at your local art house theater.
Multidisciplinary artist Jean Jullien, previously featured for his large bird-shaped bar creation, is currently showing his newest collection of work, La Plage, at London’s Beach Gallery until September 29. This collection of images represents Jullien’s conceptual perspective of beach life. The images are simple, with clean shapes and lines, but are telling of a cheeky narrative. These humorous summertime illustrations indicate the sense of unrealized desire, frustration, and absurdity that can occur when you’re seaside. The prints began as illustrations using a brush and paper before Jullien digitally processed them to enhance the colors. An important part of this work for Jullien is his deliberate reduction of black outlines. Jullien explains that the figures he has lined in black tell a story or gag, while the ones without lines indicate something a bit more subtle.
Of the series, Jullien tells Cool Hunting, “I love the beach for how minimal it is; sand, sea, sky and skin. It’s very soft and yet very colorful, so it was important for me to try to explore that graphically…When you think about it, it’s a pretty odd environment in terms of social boundaries,” he observes. “Yet everyone is as free as a bird…I draw a lot on the beach, I love how naked it all gets,”