Don’t miss Charlyne Yi’s performance with her band Flesh the Racist Crayon for “Art Works Every Time” tomorrow night! This Jane of all Trades is a comedienne/actress/producer/writer/painter extraordinaire whom you may remember from such box office hits as Knocked Up and Paper Heart. But even more importantly you’re seriously going to be kicking yourself with a snowshoe if you miss her FREE performance at “Art Works Every Time” and have to pay to see her at the UCB Theatre. Details after the cut.
“Choi Xooang is an artist who sculpts concrete bodies. This may sound somewhat banal at first, but we come to be surprised at his ability to grasp the world pathologically. Choi’s understanding of the world began with his 10-20 cm miniature figures displayed at this first solo show. These miniature figures, suffering from an expansive delusion, do not realize their relative diminutiveness, and tend to overstate their ability and situation. They have a bloated musculature, partly enlarged bodies in macho-like gestures suited for revealing such megalomaniacal symptoms. Their effort to emphasize their existence through bragging and exaggerated gestures at times seems pompous, but they are too diminutive to impact the world, despite their attempts.
Choi’s concern with society’s pathological state later moved to an interest in vegetative states those making utmost efforts in living everyday life undergo. A person in a vegetative state cannot perceive or affect his surroundings at all due to serious brain damage, although he looks like he’s breathing, laughing, weeping, and awakening himself. Choi likens an individual’s mental state intimidated by an unidentified force, to a person in a vegetative powerless state. The artist’s perception of this state is confirmed in the work titled Vegetative State displayed at his second solo show. A bare tree grows from the head of a vulnerable man who has fallen down. This work, depicting a man changing into a vegetative state, like Daphne who transformed into a laurel, appears realistic and elaborate in its finishing, through its amazing figurative imagery and the meaning of the title.”-Ki Hye-kyung, Curator of National Museum of Contemporary Art, Korea
Barbara Wildernboar, a South African photographer and sculptor, creates a series of altered books that are visually reminiscent of organic, sea-like organisms. Some emulate the visually striking legs of a star fish, others are reminiscent of wild, but beautiful jellyfish- but most of her work imitate the very beginning of any type of live being, a very basic but important part of life as it is- the shape of an atom or a mitochondrion found in eukaryotic cells.
Wildernboar strictly uses books that she buys in flea markets while she’s abroad; usually, she uses books that are dated and redundant- however, there seems to be a pattern to the kind of books she picks- almost all, if not all, have to do with earth/physical science or biology. This specific detail could or could not be relevant, but the ways in which she shapes and manipulates the paper within the book tells us otherwise. She states the following about this speculation:
Although my work has strong ecological themes, I do not see myself as an activist for environmental change, nor is the body of work to be seen as a green campaign. It is rather a reflection on my personal response to climate and environmental issues that can often leave one feeling overwhelmed and distressed.
Burned heads on life-size matches. A representation of human kind living in today’s society by German artist Wolfgang Stiller. The artist works either from an established concept coming from his mind or from random pieces he finds wandering in his studio. The ‘Matchstick Men’ series got created from left over molds he once used while working in Beijing and thick bamboo woods lying in his studio. Wolfgang Stiller started out by playing around with the heads and the sticks until they both merged, the heads on top of the sticks. The artist is interested in in-situ (specific site) installations. Therefore, the need to build matchboxes and different heights of ‘Matchstick Men’ became obvious.
This faces lying on the bottom of a matchbox resemble vulnerable corpses lying in a coffin. Each face, each person has a similarity with its neighbor. They all experienced a tragedy and are now resting in piece. The fact that they seem to always be displayed as a group of more than two matches makes the process easier to contemplate. Because staring at these heads makes us feel compassion and care. Wolfgang Stiller is not looking for a general interpretation of his art. He creates for a reason and has his own intent but he prefers to leave a space for interpretation between the art piece and the viewer. (via Fubiz).
Leif Huron incredibly captures his subjects in awesome vibrancy and beautiful tonality. Huron’s photographs are incredibly detailed and are a treat to the eyes; especially the portrait series. Done in high key, the color contrast of white skin and background to rich colored hair and strikingly deep colored eyes makes for one hell of an image.
The Wu-Tang Clan, one of rap’s biggest and most influential acts, recently announced that they plan to release a single, hyper-expensive copy of an unreleased, secretly recorded record, to bring about debates about the current value of music. To heighten the value of their project, the owner will not only own the thirty songs on the album, but also the casing, which Forbes Magazine’s Zack O’Malley Greenburg describes as,“The lustrous container was handcrafted over the course of three months by British-Moroccan artist Yahya, whose works have been commissioned by royal families and business leaders around the world. Soon, it will contain a different sort of art piece: the Wu-Tang Clan’s double-album The Wu – Once Upon A Time In Shaolin, recorded in secret over the past few years.”
Says the de facto leader of the boundary pushing hip-hop group, Robert ‘RZA’ Diggs, “We’re about to sell an album like nobody else sold it before. “We’re about to put out a piece of art like nobody else has done in the history of [modern] music. We’re making a single-sale collector’s item. This is like somebody having the scepter of an Egyptian king.”
On a site titled ezclziv scluzay (“exclusive-ly”), the RZA explains the concept behind the album, “History demonstrates that great musicians such as Beethoven, Mozart and Bach are held in the same high esteem as figures like Picasso, Michelangelo and Van Gogh. However, the creative output of today’s artists such as The RZA, Kanye West or Dr. Dre, is not valued equally to that of artists like Andy Warhol, Damien Hirst or Jean-Michel Basquiat…Is exclusivity versus mass replication really the 50 million dollar difference between a microphone and a paintbrush? Is contemporary art overvalued in an exclusive market, or are musicians undervalued in a profoundly saturated market?”
Plans have already begun to “tour” the listening party, as well as the one-of-a-kind album itself, at major museums across the world, before it becomes available for purchase. Will this gesture be enough to bring music sharing back to its pre-Napster value? As stated at the end of the site’s Edictum “This album is a piece of contemporary art. The debate starts here…” (via Forbes)