Artist Jason Freeny scoops out the insides of our favorite toys and characters, and sculpts their inner organs and skeletons. Having a sculpture professor as a father, the artist was exposed to the medium at a young age. Freeny was originally trained as an industrial designer, until he began creating this series of adorable abominations five years ago. He begins with the toy itself, and then takes it apart to study its structure and fill it with its skeleton. Freeny began using polymer clay to create the insides of each toy. Now, they are sculpted from epoxy and carved with a variety of miniature tools like pumpkin carving tools and those used in dentistry.
Freeny has taken lovable toys and turned them into something somewhat dark, but also a bit educational in a way. The anatomical accuracy in his sculptures is impressive, as each creature or character most likely will have its own unique anatomy. Freeny gives an example of this by explaining that Mario has a skull more like a child than of a grown man. The detail in each character’s body is so intricate, that it makes its anatomy incredibly believable. Interestingly enough, the artist does not just dissect popular toys like Lego’s and My Little Pony, but strange oddballs as well. A couple of his dolls with their inner organs exposed look somewhat demented; like they could star in the next Child’s Play. Whether you find Freeny’s work fun or creepy, the time and technique involved in his process speaks volumes to his brilliant skills in sculpture. (via The Creators Project)
There’s something delightfully creepy about an abandoned house in a remote part of the woods filled with several thousand flowers. A new project called “Flower House” by Artist Lisa Waud will explore this concept. Waud and a team of florists will proceed to fill a condemned structure somewhere in Detroit with several thousand wild petaled creatures. The purpose is an attempt to beautify and invigorate a run down and dilapidated environment and promote the native flowers of Michigan and beyond.
When a flower is snipped from nature it exists in a state somewhere between life and death. Its beauty blooms for a short period mirroring life’s transience. The trial run of the project shows the flowers in a wild state in various sections of the house. It beautifies the worn down parts of the structure instantly with their beauty and also compliments the wildness of a house in disrepair. By showing the flowers as they would exist in nature gives them added appeal. Some of the installations created by local florists are quite beautiful looking almost painterly in the arrangement and placement. The main installation will take place between Oct 16-18th. (via mymodernmet)
“Shiloh” is a creative short film that uses dance footage and bursts of colored powder to explore self-identity. Created by Brooklyn-based production company Dreambear with director James Hall, “Shiloh” is a unique and contemporary fusion of dance, film, and visual art. The short narrative begins with dancer Shiloh Hodges crouching and swaying ritualistically in a spotlight. As the music picks up, she rises and moves into a fluid dance while dust falls from her shoulders. With each beautiful flourish she throws colored powder into the air, which is captured in beautiful arcs by the slow motion footage.
“How can we present our identity through art?” the video description asks, seeking to articulate what makes art such a powerful outlet for self-expression (Source). Emerging from Shiloh’s own difficulty in exploring personal identity in the oft-competitive and critical field of dance, the short film wordlessly answers this question; with a powerful self-awareness, her body resists the surrounding darkness as it moves seamlessly with the uplifting music. The rainbow-colored powder she throws evokes a spectrum of emotions, from joy, to love and self-care, to a tinge of sadness. Accenting her skin are beautiful, drawn-on “fractures,” making it appear as though the coloured powder comes from within, symbolizing her internal, heart-based experiences.
Accompanying the short film is a portrait by renowned Madrid-based artist Gabriel Moreno. Moreno became a collaborator on the project when Hall reached out to him and subsequently produced the art piece featured in the film’s final scene. As in the film, depicted in the illustration is an overlay of multiple emotions and experiences; beneath the central portrait are different outlines of Shiloh dancing. As in his other works, Moreno uses bursts of color to dramatically punctuate the illustration. Together, the film and portrait explore self-identity across mediums, immortalizing Shiloh’s beautiful dance as a powerful fruition of creativity, talent, and strength.
Just like you shouldn’t trust everything you read on the internet, you shouldn’t believe everything you see. L.A based special effects artist Ari Fararooy‘s latest photographic series is a perfect example of this. Using a tripod, mirrors, a self timer and ‘a few digital manipulations’ he has created a very surreal, and futuristic set of self portraits. He went to Joshua Tree National Park wanting to carry on his creative twists on the latest ‘selfies’ craze.
The goal was to experiment with reflections and explore the various ways I could creatively photograph myself. (Source)
He also had this aim in mind while attending the Burning Man festival in 2014. After he found himself in the strange environment that is the desert, surrounded by many creative people, he began clicking his shutter and coming up with some very inventive camera tricks, involving glow sticks, long exposures, strange perspectives and wide angles. You can see that series here.
His photographs are just as surreal as a Dali painting, but he uses modern technologies and a different set of skills. Be sure to see the extent of his talents to transform the ordinary into the extraordinary on his Facebook and Instagram pages. (Via Fubiz)
Artist James Bullough channels the spirit of graffiti and street art in his incredible figure paintings. He combines a realistic style with a geometric twist that breaks his paintings into fractured imagery, creating an additional element of line and shape. Each image is close to Realism, as his figures look like they are out of a photograph. However, Bullough creates a disruption in the rhythm, like a glitch in the painting that alters its shape. He dissects his figures into different segments, dramatically cutting right through the composition in carefully placed segments. If the artist does not slice across the painting with shifting fragments and splashes of paint, then he creates patterns from the missing pieces. In several of his paintings, Bullough leaves out pieces of the figure’s body. These precise chunks of the composition that he leaves out create different patterns and shapes sprawling across his work.
Although Bullough’s paintings are created in oil paint, the artist is also known for his skills with spray paint. He is not only a talented painter, but also an unbelievable muralist with works all over the world. Originally from Washington D.C., Bullough now resides in Berlin, Germany, home of a plethora of talented street artists. In a city filled with amazing murals, Bullough’s work stands out, as his combination of hyperrealism mixed with elements of fractured imagery certainly demands your attention. Influenced by urban graffiti, the artist creates work that embodies the flavor of the streets while still harnessing incredible technical skill.
Artur Bordalo (aka Bordalo II) is a street artist who has created a series of wall-sized animal murals using paint and clever reconfigurations of recycled trash. Among his “found” materials are scrap metal, tires, tubing, and crushed bumpers — anything that has been produced, used, and thrown away to last an eternity in the landfill. Stunningly, Bordalo has turned such tarnished objects into delicate feathers, soft fur, and complex exoskeletons, paying a bold homage to the animals he represents. In a clever blend of 2D and 3D art, the creations emerge from the walls like brilliant optical illusions, demanding our attention and curiosity.
Built in urban spaces, the sculpted murals occupy apartment buildings, underpasses, and forgotten corners. Bordalo’s goal is to bring attention to the pervasiveness of environmental degradation, and how our “throwaway culture” transforms natural habitats into graveyards of non-biodegradable waste. The sculptures stand as beautifully sad monuments to the animals that once lived in those spaces, and in other developed and exploited areas around the world. Giving a literal “face” to both our garbage and the fellow species our consumer behaviors affect, Bordalo’s work is both intensely creative and culturally conscious.
Taking cues from a 17th century practice known as taolennou, Gurt Swanenberg creates a new series of compelling sculptures. The original idea of taolennou was intended to provoke awareness of the seven deadly sins to a largely illiterate population through visual imagery.
Swanenberg takes the same idea and brings it into the present. Using various animal skulls he paints commercial logos related to each of the seven sins and makes statement about how they’re interpreted in the present day. Ideas such as gluttony are depicted on a pig skull with junk food logos painted on it. Wrath shows violent imagery on a lion head skull which includes gun and nazi references.
Even though the skeletons are painted Swanenberg takes references from sticker culture and collage. His overall aesthetic uses anthropology with brand name culture to comment on society’s ills. The original seven deadly sins surfaced around the 14th century. It was put forth by the Catholic Church to call awareness to man’s tendency to sin in the areas mentioned. According to the church there are two types of sin; venial which is relatively minor and the more serious mortal or deadly which is considered to compromise the grace and charity of a person’s nature. (via supersonic)
The massive large scale ink drawings of French graffiti artist Deck Two are a narrative that you can really get immersed in. At over 29 feet long, his sketches are a part of a series called Expanding Drawing. And they are exactly that – drawings that stretch out and don’t end at the usual borders. For this particular project he was based in Tokyo and has tried to capture the all-encompassing feeling of the city. Every inch is filled with intricate details about city life, and we can really see just how much of a living, breathing organism major metropolises are.
His drawings are like precise, architectural illustrations made of a future city. Motorways curve around beautifully, and merge together, running into the center of the urban sprawl. Deck Two profiles mega cities with a gracefulness reminiscent of the Francis Ford Coppola film Koyaanisqatsi. He talks about his idea of a utopian place:
My idea of a perfect town is a place where young and old people can live together; poor and rich, who always have access to culture and art. (Source)
The French artist is interested in many different forms of art, involving different aspects of the urban landscape. From motion design to illustration, VFX to storyboard, drawing to graffiti – Deck Two likes to switch from computer to wall painting, and vice versa. He has painted walls, cars, and numerous murals. Be sure to check out his other work and a few videos showing the artist at work, here and here.