When looking at the work of Alex Passapera, the first words that come to mind is chaos. He offers an intense and playful ride using skillful illustrative visuals and chaotic narration to portray the intangible something, “mainly instinct”, which becomes a common theme throughout his work.
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Neon lights are no longer bound to the buzzing drone of roadside restaurant signs as they have been freed by artist Yudi Noor. Yes that’s right, his mixed media works light themselves! Seriously though, check out his cool experimentation with neon tubes.
Cloud is an installation piece from Calgary artist/filmmaker Caitlind Brown. The piece, part of the Nuit Blanche festival, involves 5,000 light bulbs, most of which are burnt out, that form a large cloud. Participants in the festival were able to pull on metal strings -rain- in order to illuminate sections of the “cloud”, giving off the impression of lightning. Imagine an entire landscape composed of lightbulbs- lightbulb sun, lightbulb trees, lightbulb mountains, etc. Lots of possibilities…
Click past the jump to see more photos of the piece. (via)
Las fall street artists MOMO and El Tono were invited collaborate on a project for the Bien Urbain festival in France. Both artists often work with an abstract painted style. For their collaboration, though, the artists added a third dimension. Using pieces of wood, the artists filled gaps in walls and windows throughout the city. Instead of being unused negative space, the gaps were transformed into a framing device for these abstract compositions. Simple but elegant, the series is illustrative of innovative trends in street on new approaches to interacting with the urban environment.
New York artist Alison Blickle creates interests paintings in which female nudes (which I think are roughly self-portraits) are pictured in the majestic beauty of nature. While this might not sound all that revolutionary on its own, there is an interesting, almost cartoonish aesthetic in the paintings which creates a sort of off-putting sense of abstraction/simplification, as if this reality is very far from the artist’s life.
Erick Swenson started creating lifelike sculptures in varying states of decay to prove that he could. Echoing set design, museum exhibits and model creation, Swenson conjures elaborate scenes with polyurethane resin and occasional elements of taxidermy.