Merijn Hos lives and works in Utrecht, the Netherlands. When he isn’t working on an illustration project he creates drawings and paintings that showcase a multitude of idiosyncratic characters and objects. In a new body of work Hos constructs lively sculptural works out of wood and paint. The simplicity of the materials adds an accessibility to his signature quirks.
We have blogged Swedish artist Fredrick Akum‘s work here in the past and featured him in Beautiful/Decay Book: 8 Strange Daze. He continues his series of psychedelic acrylic and vinyl on MDF paintings that look like they are being disintegrated by the sun. The work has an ethereal glow. Like a daydream they exist between reality and the imaginary. His pieces seem to encapsulate slowly dissipating memories.
Hey fellow bloggers! Ever wonder how to stop being generic and personalize your icon when commenting on blogs? Just go to the Gravatar link here . Your Gravatar is an image that follows you from site to site, appearing beside your name when you do things like comment or post on a blog. Mine is of meerkats…. because I think they are awesome. Go icon crazy.
Photographer Cyril Crepin creates an extraordinary, poignant collection of photographs featuring portraits of facial reconstruction patients within the confines of the hospital in which they were operated on.
With the help of Professor Bernard Devauchelle, a leading surgeon at the hospital in which these individuals were in, Crepin photographs these subjects in order to celebrate, but most importantly, accentuate these individuals’ self-respect, playfulness and courage regardless their ‘monstrous’ appearance after surgery.
“They want to be recognized as human beings. Contrary to what people might say about this series, it’s not meant to be obscene or voyeuristic. Obscenity is to ignore their humanity and their extraordinary courage.”
Crepin’s work is emotionally intense and it is by no means easy to look at. It is sad to say, but many people will have a tough time looking at these just because of the deformities. This consequence is tough to acknowledge, but it is true. It is hard to admit that many of us will be disturbed and disgusted by the appearance of these people, but it is this sole purpose that, I think, runs Crepin’s artistic fuel throughout the creation of this series. The rawness of his subjects’ gaze and the fearless aura they portray is powerful and inspiring… their brilliance transcend the normative ideas about beauty. Their humble controbution to Crepin’s work teaches us that everyone, no matter what they went through or how they look like, deserves a little self-praise and respect.
Jerry Kearns’ new work meditates on the construction of images post-9/11. The stark blue sky found in all of the paintings sets the mood as surreal and stands in for the strange blue sky behind the Twin Towers after the attack. Kearns explores various ways of representing the present body by subverting notions of masculinity and strength with both feminine and androgynous signifiers.