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Estelle Hanania

Estelle HananiaEstelle Hanania has taken some really crazy photos. Her work is fun, strange, and diverse. From crazy body painted models to wild grass monsters, Estelle has shot it all. check it out.

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You be the judge…

Did anyone see this in the UK Telegram last week? The headline is “Girl graffiti artist, 10, is the ‘female Banksy” 

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Claire Healy And Sean Cordeiro’s Recyclable Installations

Claire Healy and Sean Cordeiro - Installation

Claire Healy and Sean Cordeiro - Installation

Claire Healy and Sean Cordeiro - Installation

 

Claire Healy and Sean Cordeiro’s large scale installations leave us feeling a bit overwhelmed or claustrophobic, and this is perhaps maybe the point. Their installations use recyclables to not only emphasize the gluttony of spending, but even more so, to confront the looming power of clutter and our strange animalistic aversion and contrasting need for it.

Of their work, the two say, we “live in such an organized society where detritus is not an issue. You put your garbage in a bin, and it goes somewhere. When you start to look at detritus, you automatically think about refuse. Or even more about consumption…getting caught up in the cycle of consume, consume, consume. And how these objects start to quantify your life.”

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Marcos Montané’s Incredibly Intricate Wire Sculptures That Reference Science

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Marcos Montané is a Buenos Aires-based Art Director who says he is “experimenting in the fields of procedural design, generative graphics and visual music.” His work is expressed in typography, visual design and audio-reactive visuals for VJ sets. Perhaps his most striking work is what he differentiates as some of his ‘still’ works, wire sculptures that recall natural, repeating readouts from a Richter scale, echoes, orbital fields or cellular biology.

In works like his Flowfields I & Flowfields II (above, and below – grouped and singular), Montané explains his inspiration and process “I was always amazed by the visualizations of flowfields that return some 3d softwares. In this case I used a topology optimization software and export the resulting lines to turn them into wire structures. The final result is a compact mass of wires.” The mass of wires takes on the appearance of sound waves solidified, equal parts organized yet chaotic(-looking).

Montané’s One-Piece Structures (below, with white backgrounds) are generated structures from a single piece of wire. Although simpler in their construction, the One-Piece Structures (which are named and numbered as Variations) equally complicated geometries, such as computer landscapes, GPS-tracking fields or sonar readouts.

You can follow Marcos Montané’s work at his Tumblr and Flickr accounts.

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Boris Achour

Boris Achour

Boris Achour is an installation artist living and working in Paris. His most recent work “CONATUS” are a series of designed spaces serving as stages for performances which in turn are recorded and translated into films. This piece is broken up into “episodes” (highly influenced by Boris’ relationship to cinema). The images above are from “CONATUS : THE ONE IN THE CAVE” shown at Galerie Georges-Philippe et Nathalie Vallois in Paris. I love how the girl is urinating in so unabashedly in front of her audience. Be sure to check out the pictures after the jump as well as really awesome video

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RANDALL ROSENTHAL’s Solid Wood

Nope this isn’t all the subscription money i’ve been stuffing in my mattress for the last ten years. Rather it’s a trompe l’oeil sculpture by Randall Rosenthal. Each sculpture is hand carved from a single block of wood and then painstakingly painted for months. See more of Randall’s amazingly realistic wood sculptures after the jump.

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Mothi Limbu

Lots of great design, illustration, art direction, and art over at the portfolio of creative juggernaut Mothi Limbu.

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Kwong Kyung Yup

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Kwong Kyung Yup‘s latest series of paintings have calmness and warmth despite her subjects looking like victims of some tragic accident, bearing eye patches, bandages, and occasionally, tears. Her subjects seem to pierce through her canvas with knowing looks, her titles like “Audios,” “Bleached Memory,” “Childhood,” and “Memory of Love” suggest pain the artist might have felt in coming of age.

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