The pollution crisis in China is reaching an all time high. With over 500,000 people dying each year from diseases related to the air quality, it’s a time for action. A company in China called Xiao Zhu has decided to educate the public on just how serious the matter is. They have literally shone a light on the culprits – by projecting images of crying children’s faces onto the guilty factories’ billowing towers of smoke and pollution. As most of the victims of air pollution are children, this artistic protest has a hard hitting message. Stop now, or the future generations will continue to suffer.
The faces themselves are quite hard to stomach. Twisted and contorted faces fade in and out of the smoke clouds. Young boys are covering their mouths with masks trying to breathe without pain. It is an emotionally charged subject, and the company normally responsible for selling air filters have tapped into the drama of the situation. Their creative approach to such a huge environmental problem is working – people are noticing and spreading the word.
Xiao Zhu write this statement to accompany their video on Youtube:
We decided to put a spotlight on air pollution’s biggest culprits—the factories—by using the actual pollution from the factories as a medium…. Clean the air, let the future breathe again. (Source)
Not only is this a message for the whole nation, and world, but most specifically for the industry that is causing the damage. And I’m sure they won’t be able to avoid looking up at their own factories and see the mess they are creating. (Via The Creator’s Project)
Curiot is a Mexico City based artist who combines indigenous and street art to make some incredible, mythical murals. I would recommend making the trip south to see some his murals in person; it’s 100% worth it. If you get there and can’t find any, you might be able to pick up some of his sculptures at La Vamp skateboard shop in La Roma.
Milwaukee based painter, Richard Galling is making some nice jams right now. There are a lot of youngsters in the Midwest right now playing around with loose geometric abstraction, and I must say, these stand out above the rest. Medieval dedication and form isolation. More after the jump…
Expressive use of color, text, and perspective from NY artist Benjamin Degen. He also sports an extremely cool homepage on his website – simple but catchy and effective. Folksy yet refined, his work reminds me a little bit of Seurat. Find more at Guild & Greyshkul Gallery.
Welcome to this weeks offering of Click To Collect, Beautiful/Decay’s campaign to help art lovers start their collection of original artists works at affordable prices. Our featured artist this week is Todd Ryan White who brings us explosively detailed drawings of wizards, warlocks, and bearded goblins all exquisitely rendred on hand featured paper. For the first time ever we are offering Todd’s original drawings for sale as part of our Click To Collect initiative to bring original works of art to the masses at affordable prices. Read more about Todd’ss fantastic work and see more pieces that are available for sale after the jump!
In her latest series of ceramic and underglaze sculptures entitled Habitats Collide, artist Crystal Morey underlines the role and impact of human beings on nature in the most melancholic sense. Her work represents human beings with stern looks on their faces “encased” in the bodies of animals. Morey states that the animals she has chosen for this series are either endangered or extinct, which adds to the thoughtful aspect of her project.
She states that her work is inspired by the Byzantine, Renaissance and Ancient Egyptian eras. It also bears a strong resemblance to Native American totem art, due to the visible ridges in the pieces which are designed to look like fur as well as the merging of human and animal forms. Her work, being inherently totem like is thought provoking on many levels beyond its aesthetic composition.
Her representation of human beings as both a part of nature and a problem for nature is in line with many current debates concerning the role of humans as linked to the impact we have had and continue to have on our environmental surroundings. She states that her work seeks to address “current psychological, environmental, and cultural feelings”, which she does perfectly through the facial expressions of the human components in her work. She hopes to create a dialogue centered on technology, progress, and, on a greater scale our relationship with nature.