Long time B/D friend UPSO made a fun video for Fuel TV. Check out the stache on this guy. It’s no joke!
Photographer Ines Kozic captures modern fairy tales decorated with bone and hair. The mood is contemplative, with a subtler flavor of body horror as her fair-haired women spin their hair into thick braids and pose with ruby-red lips and a court of insects. There’s also a sense of playfulness: a woman painting with her hair in an Escheresque exercise of physics; a man’s beard woven into a basket.
According to her artist’s statement, Kozic’s work is “a reflection on the body’s ornamentation, post-mortem photography and fairy tales’s world.” Her inspiration from photography of the recently deceased in repose is especially clear in the photos where her subjects wear garlands of delicate bone.
The ever-present sense of solitude in her photography make it seem as though everyone is frozen in time. The result is an unsettling mix of beauty and the kind of disquieting daydreams that one might find in a languishing surburbia. Her subjects perform everyday chores — sewing, weaving — but with surreal objects, bedecking themselves with beetles instead of jewels.
If, as Kozic says, she’s searching for “macabre poetry,” then she’s certainly found it. (via Yatzer)
Packed within the four walls of a tiny 6 by 10 centimeter sardine can, the miniature characters created by sculptor Nathalie Alony for her project Home Sweet Home are both humorous and poignant. Arranged in a massive grid, the artist’s sardine can dioramas serve as a metaphor for the confined apartments in which we nest. These intricate figurines—men, women, children, beloved pets—each exist within the limits of their aluminum enclosure, building complex family and personal universes that seem to operate independently of the outside world. Despite the isolation of each piece, together Alony’s cans form a complex network that wakes and rests as a unified community, separated only by thin, delicate metal.
Like strange dollhouses, these precious sardine can apartments allow us to navigate and to find meaning in the rituals of domestic life. Much of the action portrayed here is banal: the routine laundering of children’s clothes, the checking off of days on a calendar, the painting of walls. When seen in miniature, intricately rendered by the artist’s masterful hands, mundane home improvement tasks become endlessly enthralling. Here, we can be voyeurs in the most innocent sense, entering the intimate confines of the homes of others with tender curiosity.
Alony’s brilliant little worlds capture the lonesomeness of modern living; seeing the fourth aluminum wall pulled back to reveal precious, private lives, we yearn for a similar intimacy in real life. A home, carved out lovingly from a tiny industrial box, contains all the secrets and wonders of families that are not our own. What goes on in the cherished homes of others? (via Junk Culture and Lost at E Minor)
Whimsical illustrations by Niclas Broman.
The construction of each painting fuses disparate images from a variety of sources such as fashion magazines, animation stills, comics, the Internet as well as my own photos and drawings. I predominantly choose images and try to create forms which I feel register a visual ‘peak shift’, a term given to the phenomena of ‘neurological attraction’ that appears in both humans and animals to an extreme characterisation of an object.
Intricate patterns, lines and geometric motifs drawn with a Bic, a classic French ballpoint pen. Jonathan Bréchignac, head designer of the JoeAndNathan studio based in Paris fills rather large white pages with complex drawings. The first few ones of his ‘Carpets’ series were meant to represent by their sizes, shapes and ornaments; a Muslim prayer rug.
Jonathan Bréchignac takes about six to eight months to complete a design. He painstakingly depicts directly on paper. He traces directly with no draft before hand. What he designs is directly inspired by Muslim art and architecture. He smoothly blends traditional non-figurative Arabic patterns to modern motifs and elements from French Roman, traditional Japanese, Native American and Mexican culture.
Why does he uses a Bic? A Bic is a typical french pen with a fine point which allows to write and trace minuscule details. It’s cheap, effective, lasts long and has been used for decades from French students to workers in factories. It’s the equivalent to a yellow pencil for Americans.
There’s no rush or deadline when Jonathan Bréchignac starts working on a piece. He likes the idea of dedicating some of his precious time to a long process achievement. In his field, making sketches and pitching ideas can take quite a long time and can be thrown away in a matter of seconds. The idea behind the Muslim rug drawings is to create a long lasting and pleasurable work of art. (via Design Boom).