Shia LaBeouf has our attention once again, but this time he is only a placeholder in an enormous and masterful creative production. While the video is a parody of sorts of Labeouf’s celebrity status, the real focus is on just how incredible all of the different elements come together. A mixture of music, comedy, dance, narrative and performance, the stage piece is definitely a spectacle. You just need to look at the credits on the Youtube page to see how many people were actually involved in making this strange idea come to life.
The actual song, and score was written by Rob Cantor, and was made a reality with the help of The Gay Men’s Choir of Los Angeles, The West Los Angeles Children’s Choir and The Argus Quartet. Not only did he write the song, and draw up a complex and riveting narrative of what happens to our star character, but Cantor also oversaw the construction of Shia LaBeouf heads for the dancers to wear; he stood in on the choreographed dance rehearsals, and co-ordinated a behind-the-scenes video log.
You can see just how intensive this project was, and the lengthy process it took to get the musical to the final stages. If you are still left wanting more Shia LeBeouf after watching the musical number, visit Cantor’s Facebook page for many more interesting videos on how exactly this bizarre masterpiece came to fruition.
From setting hipster traps to designing tourist lanes on sidewalks, Jeff Greenspan’s work consistently employs a certain playful cleverness that questions our social norms in relation to spaces, New York City in particular. The Statue Experiment (pictured above) is no exception. Examining our own reality as far as engaging with art and its contextual expectations is concerned, Greenspan adds a little bowl of change in front of Frank Benson’s statue for a whole new effect. In fact, it just might be the best street performance art performed by an actual object . . . or maybe it’s the audience members who are the real performers? Click on the video after the jump to see what we mean.
Previously B/D interviewed artist Erik Mark Sandberg recently sent in this beautiful new print! I believe its a cosmic rainbow-vision ghome appearing between two prismachrome portals, that also happened to let in a couple visitors from beyond. Just a guess. Some detail shots below- now hanging in my office!
French art duo spectaculaire Zim & Zou create dazzling paperscapes that are full of lush colors and imagination. With intricate snips and folds and other sorts of wizardry, they bring to life a series of candy-colored dreams populated with a flock of birds of a multitude of hues: sizzlingly bright red, rich bronze and gold, and aquamarine. There are no dull spots in the land of Zim & Zou: theirs is a technicolor wonderland that is fully and brightly realized.
The detail in their work is incredible, making their paper birds almost look like mechanical nightingales. Other denizens include a bright orange and navy lobster that looks like it’s been gift wrapped and a spider fully decked out in metallic splendor. It’s not just the natural world that gets an unnatural makeover: A neon machine, delightfully mysterious, stands in a spot marked by caution tape. Its bright colors pop and it promises all kinds of treats and cotton candy concoctions that are simply out of this world.
It’s amazing that Zim & Zou’s works are all entirely handmade. According to their bio,
“Their favorite material is the paper they’re cutting, folding and gluing to give rise to intricate and colorful sculptures. Paper inspires them for its versatility, infinite range of colors and unique textures. The flat sheets turned into volume are giving an installation the poetry of ephemeral material.”
Melissa Brown makes art which deliberately engages the precarious mental territory where reality and fantasy are indistinguishable, not in the sense of a narrative which may or may not be true, but in the sense of the inconsistency and vagaries of perception when vision gets a hard slap of imagination. A little over a year ago Beautiful/Decay did a studio visit with Melissa where we discussed her large scale prints (made with a steam roller) and scratch tickets collages of dizzying geometric complexity.
Ryan Mosley’s distinctive visual language is rooted in its timeless qualities; archaic skulls, top hats and fig leaves collide with anthropomorphic limbs and futuristic, shamanic figures that create a bewildering backdrop in which anything is possible. Ryan has a show up at Alison Jacques Gallery in London from July 15th-August 13th 2011
Japanese designer Dan Tomimatsu’s latest project is a short film film entitled O: -les amants d’eau-, based on a poem by fukudapero. It is a five minute surrealist film narrated in Japanese and subtitled in English which provides an oscillating view of different sceneries, places, and objects.
The magnificent simplicity of this film lies in the technical aspects of how it was made: Tomimatsu shot a drop of water through the hole of a 5 Yen coin, through the lens of an iPhone. The coin was stuck to the lens of the phone in such a way that filming through it would allow a close-up of the drop of water. The result is a truly dreamlike sequence of images, which are tinted, filtered, and displayed through the drop of water. The film plays a lot with the notion of movement and the fluid, unpredictable nature of water.
In this sense, the drop of water provided a sort of natural lens for the film to be shot through as well as a new angle concerning the iPhone as a legitimate filmmaking device. His project underlines the role of new media and technology within the realm of filmmaking and the process of creating something simple yet so intricately beautiful as a film shot through a drop of water.
As a kid I collected miniatures. I would go away with my parents and wherever we traveled there seemed to be a store that sold tiny objects. Back then they were mostly for dollhouses but I acquired these curiosities so I could display them on my desk. I thought it was cool that someone could actually make something that small. I remember some of the items in my collection included miniature coca cola bottles, tiny animals (mainly cats) and food such as jelly apples and cakes.
With a similar thought in mind Japanese artist Tomo Tanaka creates high-end miniatures. Using clay and epoxy he constructs tiny masterpieces of mostly Parisian cuisine displaying the utmost detail. Tanaka’s creations are so mini that for documentation purposes he photographs them on his fingertips to give the viewer an idea of size. This however does not infringe on the detail involved. It’s remarkable that at such small scale they are painfully and accurately crafted to the tiniest fold and extremely appetizing. He presents a collection of eatables and household products under the moniker Nunu’s house. Within that framework he creates food spreads which would make any caterer proud in the realistic way they are rendered and displayed.
Tanaka is unique because he excels at a definitive craft which overflows into the area of fine art. He has published two books and teaches courses on the subject. (via spoon-tamago)