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Video Watch: Humorous Claymation Shows You How To Lose Weight in 60 Seconds

Take a quick break from work and watch this claymation piece from Australian animator Dave Carter. Entitled “How to Lose Weight in 60 Seconds”, the short vid is packed with quality animation full of gnarly expressions and even gnarlier action as a body-conscious protagonist makes his way through drastic weight loss measures. I don’t want to spoil anything, but I’m talking about VERY drastic measures, all depicted hilariously while Carter demonstrates the full breadth of his extensive talents. Watch the 60 second piece after the jump.

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Genius Online Handwriting Service Uses Robots To Mimic Your Penmanship

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You might write a ton of emails, but how many letters do you sit down to write? The kind that require pen, paper, and often a stamp and envelope. Probably not many. If you hate the task but need an extra-special note, then the company Bond will help you out. It’s an intelligent scribing system that mimics human handwriting. Thanks to automated robots with ink pens, they’re able to write notes and send them to the person of your choice. A pen is attached to a machine that applies weight to the paper as if it’s a human hand.

Bond has a few pricing tiers for their product. If you’re looking for a generic, all-around “handwritten” feel, then you’re not too concerned with it appearing as your actual penmanship. For that, the service is free (with additional costs like the card). But, let’s say you want to send a note that’s to a relative or someone who has an idea of what your scrawls look like. That’s where the cost goes up. Services that are tailored to your penmanship start at $199. Paying $499 will give on an hour of time to work alongside Bond’s experts to refine your handwriting. (Via Laughing Squid and Ubergizmo)

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Mehmet Gozetlik’s Neon Signs Transform Popular Logos Into Chinese Characters

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Artist Mehmet Gozetlik has designed a series of popular trademarks into neon signs. The series called Chinatown takes popular logos and adds a description of the represented product in chinese neon letters. The sign’s unusual characters reminisce experiences tourists have wandering aimlessly throughout the world’s Chinatowns letting themselves get seduced by these exotic bright letters. The irony is that nine out of ten times the logo itself is recognizable on its own and the words are unnecessary.  Is there anyone on the planet who cannot identify Starbucks or Pepsi brands on sight?

Mehmet’s signs are made from handblown painted glass. Each letter and product logo is stenciled out and designed from a printed drawing. The process of blowing glass is long and tedious. The flame has to be exactly the right temperature in order for it to mold into the desired shape. After it hardens the glass is painted. Upon studying the signs and seeing them together you realize people cannot digest more than a few colors at once when making a decision. Each logo Mehmet chose has three colors or less which is not a coincidence. It’s been documented that the brain can only handle six choices at once. If it goes over that number it shuts down. Corporate culture wouldn’t dream of this happening and explains why these logos are kept simple.

A few years ago, Gozetlik designed another interesting series which minimized logo packaging. The study “Minimalist effect in the maximalist market” showed how a product becomes more desirable as the packaging is stripped away. He used brands such as Nutella and Pringles to achieve this goal.   (via designboom)

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Erin Mulvehill

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Whispery sweet images from brooklyn-based photographer Erin Mulvehill. She’s also the brains behind “The Camera Project,” a magnanimous exploration into how children perceive their environment. Erin believes that beauty will save the world, and she’s doing her best to help speed up the process.

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Xavier Antin’s home printing

"Just in Time, or A Short History of Production"

Xavier Antin is a recent grad of Royal College of Art currently based in London. His piece “Just in Time, or A Short History of Production” is a clever recycling of old technologies to make something new. A book printed through a printing chain made of four desktop printers using four different colors and technologies dated from 1880 to 1976. A production process that brings together small scale and large scale production, two sides of the same history. The final piece is a product created from a very strange offset printing process and doesn’t quite look how you would expect it to! Check out more pictures of “Just in Time” and other works by Xavier after the jump.

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Winners

593a_1228269137-copy593b_1228269137Allison Wermager’s trophies for excellent artistic performance. Perhaps the saying ‘the sincerest form of flattery is mockery’ applies here.

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Best Of 2012: Alan Sailer Christmas Ornament Explosions

Photographer Alan Sailer fills your standard Christmas ornaments with all sorts of things like glitter, gelatin, food dye, and many other strange things that would never find their way into your standard ornament. He then shoots them with a pellet rifle against brilliantly colored backdrops and documents the entire process in detail capturing the millisecond explosions in all their glory. The result is a festive explosion of color and texture celebrating the season of giving in an a very unusual and imaginative way.

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David Adey’s Intricate Collages Of Pinned Together Magazine Parts

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To suggest that David Adey builds art from recycled materials would be an understatement. He develops intricate patterns from previous design work. Each celebrity limb or fashion savvy lip is delicately cut out, then pinned and pieced together on a foam board, without any digitalized color manipulation; he does, however, use a Google search to locate the parts for his palette and develop an arrangement.

His process, Adey admits, is terribly methodical, time consuming, and detail oriented, however, this is exactly the point. He states, “For me as an artist, it’s a matter of developing or choosing your own constraints. Finding them and embracing them as a tool to make the work.” Echoing a similar sentiment put forth by the father of design himself, Charles Eames, Adey continues: “Without constraints, you don’t have anything. That’s the whole design process — working within constraints.”

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