Ferdi Rizkiyanto creates digital art that speaks volumes to the strength of the medium, utilizing high-definition rendering, texture, light and incredibly minute details to create emotionally narrative scenes from the ordinary. By day, the Jakarta-based Rizkiyanto works in advertising and art directing, creating his own works as exercises in visual storytelling to enhance his skills.
In works like Uncharted (above), Riskiyanto takes a basic object and adds motion to create compelling narratives which actually unfold through the small details. Giving a twist to the classic tale of Icharus, where several wax figures try to reach the bright light of the candle they emerge from, skillfully shown to be melting the closer they get to reaching their goal. Meanwhile, several figures at the base of the candle appear to be boosting up the explorers, as well as vainly attempting to hold the whole eroding structure from toppling. Perhaps this is why the artist fully explores the Lilliputian details in his narratives, because the closer a viewer is drawn into the work, the more they investigate and learn the story of the work. (via mymodernmet)
A recent exhibition in Minneapolis investigates the inherent desire to organize and structure our world, and the ensuing clutter and confusion when we become increasingly influenced by the sprawling technologies we’ve invented to helps us. Eddie Perrote, Leanna Perry and Bill Rebholz conceived Scategoriesas a display to highlight ordered chaos. “We’ve enabled our minds to perceive more information, decrease our mental clutter and externalize our memories,” reads the press release, which explains why the exhibition feels a bit overrun, offering too much to process, even when the looking is enjoyable.
Each of the artists has one foot firmly planted in the design world, which is perhaps the ideal middle ground to view the changing landscapes of art and design, and how technology is rapidly altering them. The group explains, “Through organizing the brain we present windows into the cerebral wold of structure, chaos, habitual patterns, and seemingly infinite layers of content. It’s these informalities that create vivacious energy, and eccentricities that feed the visual cacophony of information ever gathering within our minds.”
The exhibition itself is presented with this visual cacophony in mind. Colorful, typography-inspired murals covering several walls, while the remaining white-walls are densely covered with 2 and 3-dimensional works. Recurring motifs, such as simplistic cloud shapes, puzzle pieces, mirrors and stairs connect their works; an unplanned phenomenon, which was not surprising considering their shared influences and interests, claims the group. Perrote, Perry and Rebholz even shared a specific color palette for the show, using the same magenta, teal, and yellow paints, both for visual cohesion and “to highlight the gap between colors that exist in reality and the RGB colorspace of computer screens” says Perrote.
At the heart of the exhibition is a paradox, highlighted by the significant gesture that each painting, drawing and screenprint was made by hand. Even in a time when we can create, share and store an unlimited amount of data, the information must still be processed slowly, through our hands, eyes and minds in order to be appreciated, an appreciation which is key to good design.
Scategories is currently on view at The Abstracted Gallery in Minneapolis, Minnesota. The closing reception will be Friday, April 11th, 2014, from 7 to 10 pm.
FASTWÜRMS is a Canadian artist collective started in 1979 by Kim Kozzi and Dai Skuse, who are associate professors of studio art at the University of Guelph in Ontario. Their artwork seemingly encompass all disciplines – installation, video, manifesto, performance, drawing, etc – and concerns witch positivity, working class aesthetics, queer politics, and public collaborations. Many of the images after the jump are taken from the FASTWÜRMS: DONKEY@NINJA@WITCHcatalogue that accompanied a 2007 retrospective at the Art Gallery of York University.
Photographer Samantha Fortenberry’s colorful images reveal the pleasure of a good soak in the tub. Her aerial photos are part of an on-going series called Suds and Smiles, and it features people alone in their bathrooms. Naked, they revel in water as the space is peppered with familiar objects, and it reflects their personality. “I have taken my models and either asked them to collect an array of items that mean something to them, or I designed them a set based on an idea of their choosing,” she writes in an email to Beautiful/Decay.
As we gaze at Fortenberry’s subjects, we act as voyeurs to their pleasant time. There’s genuine looks of joy on some of the model’s faces, and when juxtaposed with the bright colors and playful objects, we too derive some pleasure from it.
Suds and Smiles also celebrates the figure. “With this series I also wanted to display the nude human body in a natural and beautiful way,” Fortenberry writes. “I want to collect a wide variety of people in all shapes and sizes to display the various form of beauty each person has.”
What are you going to do when you’re retired? Will you tinker in your garage, enjoy making crafts, or go on giant sight-seeing trips? Photographer Harry Griffin paints portraits of old age in his series titled Gold Coast. Dentures, wrinkled hands, and an easy chair, and more showcase a quiet-yet-luxurious existence in a sunny place like South Florida.
The vividly-colored images are cropped compositions that are bizarre in the framing. Although we know that we’re looking at retirement, it’s hard to glean a lot of information about what we’re seeing. So, a guy taking out his dentures wrapped in green plastic is equal parts amusing and confusing. It doesn’t seem that different than the act of getting old itself – moving towards a life of easy living while at the same time finding yourself doing ridiculous-looking things to keep up comfortable and entertained. (Via La Monda)
From the start, Beautiful/Decay has always focused on emerging artist and designers.We dedicated ourselves to promoting the next generation of creatives through our apparel, our magazines, our website, and now our books. Trying to do so much without the luxuries of rich parents, trust funds, and corporate backing has always been a challenge, but we pushed ahead, always striving to do as much as possible to promote our creative community.
We’ve always had a soft side for artists that pushed the envelope, but until recently, I didn’t realize that skateboarding, punk rock, underground comics, zines, and DIY culture so heavily influenced the type of artists feature and collaborate with. Whether exploring Heavy Metal & the occult in Issue S, psychedelia for Issue T, or working with Jim Callahan on a shirt graphic of a 3D barfing skull, we’ve always gone off the beaten path to work with a community of creatives who rebel against the norm and create powerful images that aren’t watered down for the masses.
So, when we sat down to discuss the B/D website 6 months ago, we decided we wanted to redefine the look and feel of the site to pay homage to all of our influences.
So what’s new in the new site you ask? Well, everything! We knew that we wanted to add new social networking features to make it easier to share posts on Twitter and Facebook. You can now like a post or retweet it with one click of a button, located at the bottom of each post. We also wanted you to be able to find various pages easily, so simplifying our navigation and columns was a big project. We’ve managed to minimize the number of pages and menu buttons so that you can easily find the info you need. (Without having to click a hundred different links!)
On the visual side of things, you’ll notice that we have hand lettering peppered through out the site. B/D started as a black and white ‘zine, so what better way to pay homage to our DIY beginnings than to have one of our past featured artists, Kyle Thomas, create a killer hand typeface for the site!
Last but not least, our biggest change is to the B/D shop. For the last year, we had a different website for B/D Apparel, but now Beautifuldecay.com is your one-stop shop for all things Cult Of Decay: from the latest books we’ve released, to new T-shirts from your favorite artists. Not only is our shop now fully integrated into Beautifuldecay.com, but it also allows us to give you better, more personalized service. We know that YOU are our most important asset so we’ve added free shipping options, better discount code functionality, better images, and a whole gang of new features to help with your shopping experience. We’ll be adding new product weekly to the shop and will be doing several promotions to celebrate our relaunch, so get ready for lots of exciting releases from us!
We want you to enjoy this new site as much as we do, so if you have any comments, problems, questions, suggestions or issues let us know in the comment section below! We want to give you a bigger, better Beautiful/Decay so your feedback is important.
Although references to animation and manga can be found in the large sculptures of Japanese artist Keisuke Tanaka, the artist’s main themes revolve around life and death, as he considers one of his main motifs, mountains, to be a magical place where life begins and ultimately ends. Each hand carved sculpture is built out of solid wood with so many miniature details so that we may get a sense of the view that the gods might have of the imaginative world of Tanaka.