Sculptor Lauren Fensterstock crafts dark, supernatural worlds of monochromatic nature scenes, often fashioned in all black, that contain a deep sense of tranquility and serenity. Completed with paper and Plexiglass, these intricate scenes show flowers, grass and ponds. With thousands of flowers and blades of grass, all carefully placed, the work is dense and lush, taking over the room it inhabits. Fensterstock’s work breathes life into the space. Showing a landscape that is distilled into a single color illuminates the beauty and the texture of each individual component. Fensterstock’s work was recently published in a beautiful, hardcover book titled Radical Sentimentalism, with analytical essays and an in-depth catalogue of her installation work.
The details of her work as written on a representative gallery’s site:
“Fensterstock’s. site-specific installation work and wall pieces depict nature by incorporating meticulously cut and curled paper, charcoal, and Plexiglass to create floral and garden scenes. Fensterstock’s work and practice references French and English garden design of the 1500s to 1700s, the 18th century practice of ‘quilling’—sculpting paper by wrapping around a quill—along with a nod to, and reflection upon, 20th century American earth art and the work of Robert Smithson.”(Excerpt from Source)
Heeseop Yoon‘s large-scale installations explore storage and debris — items that occupy space in our lives. Yoon’s method varies between collage and pen, and plays on notions of memory and perception of clutter over time. The finished work doesn’t feel finished as it swells over the space it inhabits, sketched and redrawn, different from every angle and space.
Shelley Heffler is a mixed media visual artist and educator based in Inglewood, California. Interested in globalism and the shifting of political and social boundaries, she creates “Altered Paintings,” painted sculptural objects that resemble road networks and natural topography. Using sharp lines mixed with layered tones, her works invoke everything from urban sprawl, to forested hills, to reinterpretations of famous landscape paintings (readers will be able to identify Van Gogh’s The Starry Night above).
In the following artist statement provided on her website, Heffler describes territory as at once fluid and ideological:
“Cartography and abstraction are two languages used in my work. I am interested in engaging the viewer on a journey that preexists language and generates ideas and messages that relate to the viewer personally and metaphorically. The works explore global concerns and shifting boundaries of society and politics. Imagery is derived from a variety of resources such as transit systems, ancient ruins, floor plans, city grids, topography and geography; time and space coexist in a compressed world.” (Source)
From a geological perspective, the structure of the earth is determined by strata, tectonic plates, and natural changes over time. Human society has overlaid these formations with urban habitats and demarcations of nation and identity. What Heffler seeks to explore in her work is the interplay between these natural and artificial concepts of terrain, deconstructing borders and thereby opening a discussion about our spatial relationship with each other and the lands we inhabit.
Los Angeles’ own Lord Huron released their debut album yesterday, Lonesome Dreams on IAMSOUND Records. The good people at NPR Music have the whole record streaming so you can listen before you buy it. I caught them this past August when they opened for CULTS at MOCA and loved the new songs. Check out their video for Time to Run and grab a ticket to one of their upcoming live performances, you won’t be disappointed.
….the art & fashion of getting caught in a dangle, featuring works by Kime Buzelli and designers Show Pony. I love Kime’s girly-sketch watercolor drawings, they look like magnified classroom love note doodles. Opening this Friday at Gallery Space. Should be fun!
Never Hide Films, in collaboration with N.A.S.A/Squeak E Clean and Rossangeles, has created a little viral video called “100 People Per Minute,” showcasing 100 people creating one beat-boxing orgy of a song in a minute.