It’s Tuesday and time once again for our exclusive artist feature in partnership with premiere website builder Made With Color. Each week we join forces to bring you some of the most exciting artists and designers working today who use Made With Color to create their clean and sleek websites. Website builder Made With Color doesn’t just help artists create gorgeous websites but allows them to do so in a few minutes without having to touch a line of code.This week we are happy to share the multi-media work of Jonah Fernandez Olson.
Los Angeles based artist Jonah Fernandez Olson uses printmaking, rubbing, drawing, collage, and other markmaking techniques to investigate the process of landscape formation and the relationships between changing and static, internal and external personal environments. Recently he has been creating work focusing on the San Gabriel Mountains, the fastest growing and fastest eroding mountain range in the world.
“In my case, “drawing” is the formation of any object, and the object acts as landscape. I believe land formation, at its core, is no different from drawing, and the artist forms landscapes in a way that is no different in essence from how the earth’s surface is self generating, or how anything is created.
The creation, collection, and re-appropriation of elements colliding to form a topographical object is the drawing. The studio is the “core” containing his ephemeral detritus. Here, material has been melted down, eroded, and regurgitated into layers. Color is used as it surfaces in availability and necessity. Formations become descriptive or obscure. Landscapes endure, or they die at a faster rate and re-enter the core. The crust is fluid. “
Eddie Martinez and José Lerma have a two person show up at Halsey Mckay Gallery in East Hampton NY. It’s only up until this Wednesday, August the 29th, I know it’s just two days to get there, but these are two of the best drawing/fabric/paintslingers of our generation. The colors in Martinez’s paintings can’t be replicated in a photograph because the paint is physical, like a thick smear of deep red oil paint that looks like martian roofing slate, or maybe a crack inside an antediluvian sea cliff containing some strange fossil reminding us of how old thinking is, and how we are only here for a little while so we should be kind to each other. Yes, red paint can say all that. Lerma’s pirate-like-figuration feels musical, and reminds me of the Clancy Brothers singing a sea shanty “Way haul away, haul away Jose.” History comes up to us and then recedes like the tide in Lerma’s work, you recognize something and then it is and isn’t what you thought. This is a good summer trip, like the first time you went to a water slide park after noticing girls/boys for the first time, an expanse of wave pools lapping lazily against a big breasted life guard and tower slides of pure unadulterated joy.
I usually love nutty and bizarre documentaries but I challenge anyone to find a documentary on a more disturbing and messed up subject matter. Married To The Eiffel Tower explores the world of Objectum Sexuals. You’re probably wondering “what’s that?” Well it’s when a human has an emotional and sexual relationship with an object such as a fence, archery bow, banister, bridge, and yes, even the Eiffel Tower. That’s right folks. There is a group of people out there (40 known cases around the world) who fall in love and have sex with buildings and other nonliving objects that we use everyday.
See a women straddle a beam of the Eiffel Tower and groan with pleasure, Watch as a middle aged lady makes out with the Berlin wall, and witness an emotional and passionate woman rub the grease and fluid from a theme park ride all over her body. You’re probably thinking I’m making this up as an early April Fools joke but even I can’t come up with a story like this. Married To The Eiffel Tower is the most bizarre documentary of all time. No books, brochures, or even Wikipedia could ever explain how fully functional adults could end up this way. It’s the ultimate freakish car crash and your front seat ticket is right after the jump.
The Good folks at Hennessy bring you a three part mini documentary featuring Elliott Wilson, Founder of Rap Radar and Editor-in-Chief of Respect. In this first video Wilson heads to the barbershop where, he explains, the voice of the street is heard. The man with endless talking points reminds us that, “your opinion is nothing unless you can back it up.” Join Wilson and Hennessy on a trip down the rabbit hole and watch more Hennessy videos with some of the worlds leading pop culture creatives at neverstopneversettle.com.
Artist Sarah Cameron Sunde’s recent performance project 36.5 is what she refers to as a “durational performance with the sea”. In this project, she stands in an urban bay for the duration of a full tidal cycle, during which the water envelops her body and then recedes, while she remains still. The whole process takes 12 to 13 hours, during which she does not shift her position. This underlines the major role of time in her work, which she refers to as a “time based art project” At first glance 36.5 looks like a display of great endurance but, it goes beyond this, in the sense that her endurance comes with a message.
Sunde is staging a commentary on the relationship we have with water as individuals and on a greater scale as a civilization. She illustrates the rapid change of climate, as well as the impact we have on water and the impact it has on us. Her project is deeply anchored in the notions of time and change which she materializes by her presence within the process of the changing tide. Through this, she also aims to examine the “temporary nature of things”, such as the changing tides, or our physical existence. Her project is all the more interesting in due to the fact that she allows and encourages the audience to participate, thus creating a dialogue and underlining the significance and impact of such a piece. She has the plan to make her project go global in order to paint a bigger picture on an international level.
Sarah Cameron Sunde’s 36.5 has already taken place in Main, Mexico and California and will be taking place in Amsterdam and Venice .Photographs by Gus Ford and Irina Patkanian