Hey everyone. Ryan Travis Christian here. Amir asked if would share my ongoing “artist of the day” facebook thing with you all. I was like “yeah, let’s do it”. OK….
This is the work of Joseph Hart. Not only is this handsome young New Yorker a master of medium and composition, but a force of nature and a gnarly dancer too. Check out his most recent exhibition, STAGECRAFT @ David Krut Projects. Up till’ January 30th.
Beautiful/Decay has partnered with premiere website building platform Made With Color to bring you some of the most exciting contemporary artists working today. Made With Color allows you to create a website that is professional and easy to use with just a few clicks and no coding. This week we bring you the unbelievably detailed work of Ben Tegel whose gleaming white and minimal website was built using the Madewithcolor.com platform.
LA based artist Ben Tegel is a master of line. His work ranges from loose gouache paintings to pen and ink drawings so dense they look like they look like 17th century etchings. But no matter what medium he’s using Ben’s work has a sense of humor that is satirical and biting- a commentary on the ethos of our time. Both his celebrity caricatures and his portraits of every day people bring to light aspects of that person’s character that usually remain unseen.
Bizarre and surreal animal manipulations are artist Sarah Deremer’s specialty. In her series titled Balloon Zoo, she transforms colorful balloon animals into the real life animals they represent. At first glance, you may think that the balloons have been painted to look hyper real. However, once you see the animal eye looking back at you, it is unmistakable that something is different about these balloon animals. Each creature is still in the shape of a balloon animal, but appears to have characteristics and features of its living counterpart. Their bright colors and fun shapes contrast against the visible textures of fur, shell, and skin. Both cute and a little odd, her quirky critters will have you staring, trying to decipher what is real and what is not.
After receiving her bachelor’s in photography, she took her work to the next level through digital manipulation. It is truly amazing how the details of the real animal bend and form around each part of the balloon version. Animal manipulation is a common theme in Deremer’s work, as she has other work titled Animal Food and Big Mouth Birds that will change your perception of what could be possible in the animal kingdom.
“Balloon Zoo is a photo-manipulation project showing the realistic rendition of children’s balloon animals. The balloons are all re-imagined with realistic elements, made by combining photos of balloons with photos of the animals they represent.”
The subjects of the painter Ryohei Hase’s work are, in his view, sadness and gloom; with his mythical paintings, he builds his own bestiary of wolf-man hybrids and skull-faced monsters, weaving tragic narratives in shimmering grays and black-blues. Like religious triptychs, his paneled images seem to narrate a darkly imaginative story of innocence, violence, love, and redemption.
Hase’s use of baby animals is anything but cute; tiny, effeminate rabbit heads are used to convey a sorrowful isolation that centers around the assumed innocence of the young. In contrast to the animal-headed figures who tear at each other’s throats, a young, downy rabbit head sits atop the body of a young woman as she delicately peers at the ground, her breasts barely poking out of a white brassiere; again, we see her as she lays in her lonesomeness, naked on the ground.
As the narrative progresses, these human beasts fall from innocence into experience, now wolf-headed and like hysterical ancient Greek maenads, women lock bodies with one another in battle, breasts jangling and nipples erect. An antlered man claws at the bloodied head of a wolf; a clan of pig-headed humans gaze at a roasted pig, their cannibalism and cruelty seen in their glistening sweaty brows, their gleaming red eyes. As these animalistic men fall into anarchy, they descend into an evermore hellish landscape.
Through the epic series are notes of love and redemption within a fallen world; a gentle wolf head welcomes a collapsed women into his realm, lovingly bracing her fully-human body. Men die, their skulls ripped from the back of their heads, and yet they keep running, peacefully and determinedly looking into the future. In fallenness, there’s color and seduction; a rainbow-encased lioness wears only a pair of barely-there panties, and a dead fish man drifts to the bottom of the ocean, leaving a magnetic fiery glow in his wake. (via Juxtapoz)
When searching for photos of popular tourist destinations, chances are many of these images look the same. Thanks to the now-ubiquitous camera phone, anyone can snap a photo anywhere. So, of course, it’s no surprise that there’s an endless amount of dull images of places like Los Angeles’ “Hollywood” sign or Rome’s Colosseum. Artist Corinne Vionnet recognized this fact years ago and crafted artworks born from banal vacation photos. Her series is titled Photo Opportunities, and it uses at least 100 found photos layered digitally to comprise one cohesive image.
In 2005, Vionnet began searching online for pictures of tourist landmarks around the world, and she observed that most snapshots were of the existing, “stereotypical” imagery of that locale. Vantage points, lighting, visual symmetry – it all looks the same.
Photo Opportunities was recently on view at the Danziger Gallery in New York. They describe Vionnet’s pieces, writing:
Working with multiple images of different monuments, she collates around a hundred appropriated photographs for each of her layered, ethereal compositions. Underneath these beautiful ghost visions is a serious concern with how the persistence of formally repeated photographic compositions affects our cultural and historical awareness.
The Impressionist-quality of these images comment on how we experience and reflect on our environment. Even though the photo feels unique to the picture taker, it is all-too-similar and later lost in the digital ether. (Via Gawker)