Great animation for Flogging Molly‘s Float. Can’t find much about the directors other than they are Kami & Saul. If anyone has a site for them please post it.
Surreal narratives and a vintage aesthetic can be found in the work of Austrian illustrator Alice Wellinger.
Luis Dourado’s Famous and Dreaming series literally made me say “Wow” out loud. My fave from the group is of JFK pictured above. I also included two other images that I liked at the end of the post that are from other projects.
Central to Doug Aitken’s “100 YRS” exhibition at 303 Gallery is a new “Sonic Fountain,” in which water drips from 5 rods suspended from the ceiling, falling into a concrete crater dug out of the gallery floor. The flow of water itself is controlled so as to create specific rhythmic patterns that will morph, collapse and overlap in shifting combinations of speed and volume, lending the physical phenomenon the variable symphonic structure of song. The water itself appears milky white, as if imbued and chemically altered by its aural properties, a basic substance turned supernatural. The amplified sound of droplets conjures the arrhythmia of breathing, and along with the pool’s primordial glow, the fountain creates its own sonic system of tracking time.
Behind a cavernous opening carved into the gallery’s west wall is “Sunset (black),” a sculptural work that resembles cast lava rock in texture and spells out the word SUNSET as it glows from behind, its letters forming a relic of the entropy and displacement inherent in the literal idea of a sunset. Viewed from and obscured behind a hole in the wall, the sculpture appears as cosmic debris, as if pulled from a parallel world where a sunset is only an idea, obfuscated by detritus of the age of post-everything, a reductionist standpoint between the modes of pop and minimalism, its glow fading into the next realm. Also on view is the mirrored sculpture “MORE (shattered pour)”. Like a time-piece, the work creates a kaleidoscope of reflections of all that surrounds it. As if it were a fragmented film, “MORE (shattered pour)” creates a literal manifestation of the present and aspirational escapism, which cannot be viewed without glimpsing a piece of one’s self within the work’s reflections. Another refraction of time is glimpsed through “Fountain (Earth Fountain)”, created from plexiglas letters spelling the word “ART”, through which a slurry of moist dirt is pumped, physical earth perpetually redoubling and standing in for itself. The word ART itself subverts the entropy of time, creating a holding pattern that organic matter cannot escape from. The flickering lightbox “not enough time in the day” completes the communicative supercurrent of shimmering malaise, its letters overlapping as if seen inebriated, somehow both more profound and less understandable. The work creates a cycle that is both hypnotic and inescapable. (via)
Watch a video of the show after the jump!
Aleah Chapin‘s oil painting series The Aunties is an intimate, realistic, immodest look at a women’s world, as seen and experienced by a woman. The models featured are actually the artist’s mother’s friends, women who she has grown up with, and with whom she has a personal, unadulterated knowledge of. Chapin hasn’t spared any detail in her oversized portraits – we see the female figure in all of it’s beauty. Breasts are saggy, stomach rolls are bunched up, stretchmarks are on full display, pubic hair untamed and exposed, and thighs are dimpled with fatty cellulite.
Full of tender moments between mother and son, or groups of friends, her work is a strong counterpoint to the idealized and unrealistic female body images we are confronted with daily. She says about the subject:
Most women have issues and I’m not immune to that. We’re told that our bodies are supposed to be a ‘certain height, certain size, certain weight’. But the pictures we see are completely unrealistic; they’re very Photoshopped. We all know it when we look at them in magazines and yet, we still compare ourselves. That’s why we need images that show all sorts of bodies – so we can accept every size and shape. (Source)
Chapin paints women in a playful, relaxed, completely natural state. She tries to capture a childlike spirit, which is in all of us, no matter our age or gender. She says:
We generally care more what we look like – probably too much at times, me included. Young women are still trying to fit in. I think when you get older you care less –that’s not a negative thing at all. You’re just more accepting. When you get past a certain age you become invisible – and that’s a whole other problem. For me, it’s about finding beauty in every imperfection. (Source) (Via Hi Fructose)
Why drink Gin & Tonics the old fashioned way through liquid, when you can suit up in a plastic hazmat rain coat and inhale your alcohol through the air? Food architects Bompas & Parr turn boozin’ into a brand new experience.
Artist Chris Wood likes to exploit the magic of light, and more particularly, the light that passes through glass. Working specifically with Dichroic glass (meaning two color), she installs pieces or shards of the material on walls at different angles, allowing the different color and reflections to play off each other. Arranging the glass in usually geometric, or circular forms, they take on the appearance of futuristic mandalas, or some complex physics experiment. The installations are wildly varied in color, at times the glass is completely transparent and subtle, or can be densely rainbow colored, or even entirely opaque and metallic.
Dichroic glass was actually developed by NASA in the late fifties to protect against harmful effects of direct sunlight and cosmic radiation, and is a very unique material. Due to it’s unique nature, it is a captivating material to work with with unlimited potential. Wood says of her interest in it:
Glass is a material which allows me to exploit the aesthetic potential of light. Minimal structures, support simple arrangements of glass, which interact with light to create complex patterns of light and shade, which change depending upon the position of the viewer and the angle of the light source. (Source)
Wood also works with the Dichroic glass outdoors, setting up quiet installations that play off the reflections and colors of the environment. Favoring water and greenery, she is able to make us look twice at the nature we take for granted around us.
It’s always fun getting zines, books, and artist editions in the mail. Recently we got a cornucopia of goodies in the mail so we thought we’d share.
1. Jammer Slammer – Makeout Creek Books
R. Nicholas Kuszyk and his gang of robots have been part of the B/D family since the beginning. You’re probably used to his massive murals painted all over the world but from time to time Mr. Kusyzk puts down the spray paint and paint brushes to do a bit of publishing. His new book Jammer Slammer is part robot comic book part epic futuristic philosophical musings.
2. The Rattling Wall– Narrow Books
Our good buddies at Narrow Books have teamed up with PEN Center USA to bring you this ongoing literary journal featuring sophisticated short fiction, travel essays, and poetry alongside cutting edge illustrations by Albert Reyes and B/D’s very own Lyndsey Lesh. Get both of their current releases here.
3. Esther Pearl Watson & Mark Todd Zines– Fun Chicken
Illustration guru couple Easther Pearl Watson & Mark Todd recently handed over a small mountain of their zines, books, and stickers over to me. They have too many titles to list here so just head over to their shop and stock up now!