Don’t we all love to hate those kitschy landscape paintings at the local thrift store? I know I do. But what if we can make them became exciting again?
Artists Chris McMahon and Thryza Segal give thrift shop paintings new life by embedding monster-like creatures. The finished product resembles a pop-surrealist version of Nickelodeon’s Aaahh! Real Monsters.
Both artist carefully blend the monsters into the original scene as if they were always there. The process can be tricky, since it can be a challenge to match the original textures and colors, but it can be said that their attempts have been a success. They are pretty awesome.
Since 1996 Carlo Bernardini has been using fiber optics to create bold and dynamic sculptures and site specific installations. Each piece uses the power of fiber optics to create minimal geometric line drawings which change as you walk around and into them and from certain angles become three dimensional drawings that come alive in space. (via triangulation)
Ladies & Gentlemen Studio is a two person team with a love for vintage items. Looking at their serving utensils from their Superior Servers collection, their sensibilities are immediately apparent- use classic silhouettes in a new modern way. Their other projects share this clever and endearing quality.
Mary Ellen Mark, Heather and Kelsey Dietrick, 7 years old, Kelsey older by 66 minutes
Mary Ellen Mark, Ned and Fred Mitchell, 50 years old, Ned older by 30 seconds
Julie de Waroquier
Julie de Waroquier
Twins: an almost illogically impossible phenomenon where two people look exactly, or almost exactly, alike. Stories of the bonds twins share are equally as fascinating; experiencing the same thoughts and dreams, or switching places to help one another out. It’s no wonder that both Mary Ellen Mark and Julie de Waroquier were drawn to them as the subject matter for their photographs.
Mary Ellen Mark is a well-known photographer based in New York. Considering herself both a documentary and a portrait photographer, Mark was drawn to twins as a unique subject of fascination over a long period of time. She first travelled to the Twins Days Festival in Twinsburg, Ohio in 1998. Enamored with the idea of making a full body of work on twins, Mark contacted the Festival in 2001 to arrange to do a documentary and portrait project there. Over two years she captured portraits and interviewed her subjects, ending up with over a thousand pages of transcripts. The photos themselves, created with the 20×24 poloroid, are stunning black and white images full of narrative and personality.
Julie de Waroquier is a French photographer and philosopher. Her twin series is titled “Chimeras.” Of it she wrote:
“twins have always fascinated me, and not only because I have a twin brother: they are almost magic, and yet they are real. Indeed, the fact that two people look exactly the same whereas they are not the same person is astonishing. It is like a real dream, or like a miracle. In some past or present civilizations, twins are even considered as gods…or as monsters.”
Capturing her chimeras in dreamy landscapes, de Waroquier’s images take on a kind of mythical feeling of their own, furthering the sense that the existence of twins is both mysterious and special.
Tatiana Blass built a human body that leans over the spine of a chair. She built this body out of wax and gave it a spotlight to shine; however, its glow not only illuminated, but also curdled the figure’s shape with heat. Arms broke off and bone emerged. Soon the body itself was only spine.
Spine against spine.
On another day, at another location or time, Blass built another body, a lying down one. The heat was not on the back, but instead rising from below. The body melted and there was no bone. Only a puddle of wax, something similar to where the body began.
The dissolution is the performance, the performer is the object: it moves to mirror our horror, to show its aliveness: our aliveness.
This concept of sculpture as a temporary structure feels relative to Urs Fischer’s own monolithic candlelit figures which also weaken over time. Both generate a sense of narrative that we relate to instantly– feelings of loss or devastation amidst chaos. Ashes to ashes. Dust to dust. Wax to wax. What slips through our fingers: a certain temperature from day to day. We cannot gauge. An inevitable ritual.
The music must come to an end, and it does, especially for Blass’s other installation (video above), as Thiago Curry pounds five easy pieces on the keys, while two men pour melted paraffin into the grand piano.
High end fashion made out of Beef Gelatine and agar-agar sea vegetables might not hit the runways just yet but kuddos to Emily Crane for being at the forefront of high tech kitchen couture (who knew there was such a thing). Read more and watch a video after the jump and see how glycerine, fatty acids, and even bubbles are turned into fashion.