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Makeup Artist Tal Peleg Transforms Her Eyelids Into Animals, Famous Paintings, And Emotional Messages

Foxy Eye

Foxy Eye

Girl With The Moon

Girl With The Moon

The Little Prince

The Little Prince

Salvador Dali

Salvador Dali

In a combination of makeup art and illustration, Israeli artist Tal Peleg has turned her eyelids into expressive canvases. Peruse her collection and you will see eyes and brow bones masterfully transformed into emotional landscapes, various animals, and renditions of famous paintings and movie scenes. Each piece is painstakingly achieved using a combination of eye shadows, watercolors, eyeliners, and tiny brushes, taking hours to perfect. The result is a series of artworks—ephemeral in nature—that express identity and creativity in unique ways.

“Makeup is an amazing form of art, and I use it in order to make my eye tell a story,” Peleg wrote on Bored Panda. “Inspiration is all around me, and I give my own unique artistic interpretation using makeup. It can be inspired by emotions, movies, fairytales, animals, food, important social matters, and more.” (Source)

The eye is the proverbial “window to the soul”—the lens through which our inner states become visible to others. It is incredible how the mood of Peleg’s ice-blue iris appears to shift depending on the artwork and narrative that surrounds it. As mentioned above, the topic range of Peleg’s eye-art is vast; some explore scenes of child-like innocence, while others convey important social messages, such as the pain and isolation of bullying, and the spiraling, dark coils of depression. With incredible detail and sensitivity, Peleg has captured these themes and experiences well, with her eye as the deep locus that communicates their significance on intuitive, emotional levels.

Visit Peleg’s Facebook and Instagram to see more. (Via deMilked)

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Kate Shaw Creates Hypnotic Landscapes Out Of Poured Paint

Kate Shaw - Acrylic, Resin, and Mixed Media on BoardKate Shaw - Acrylic, Resin, and Mixed Media on BoardKate Shaw - Acrylic, Resin, and Mixed Media on BoardKate Shaw - Acrylic, Resin, and Mixed Media on Board

Kate Shaw captures the magnificence and mystery in nature in her hypnotizing landscapes created from acrylic paint, glitter, powder, and resin. Each piece exudes the undeniable and powerful force that the rolling hills and mountains hold. Shaw portrays monumental forms of beauty, such as glaciers and cliffs, in an environment swirling with vibrant color. These mesmerizing, whirling hues are created from pouring paint, letting the movement of the color form naturally. Although these paintings show nature and landscapes, they look anything but natural. The colors Shaw has chosen are completely abnormal. Her mountains drip with oranges and pink while her trees rage with rich reds and blues.

There is a strange balance of natural and artificial brilliance captured in Kate Shaw’s work. Her use of different types of materials creates different textures and reflective surfaces that transform the landscapes even further. They are like environments from another planet, just as incredible as they are unfamiliar. Kate Shaw’s landscapes conjure conflicting emotions of growth and manipulation, showing natural beauty with synthetic qualities. Kate Shaw explains her intentions behind this dichotomy.

“My practice aims to convey ideas of nature, alchemy and cycles of creation/destruction. The paintings and video works deal with the tensions and dichotomies in the depiction of the natural world and our relationship to it. I am concurrently exploring the sublime in nature whilst imbuing a sense of toxicity and artificiality in this depiction. My intention is to reflect upon the contradiction between our inherent connection to the natural world and continual distancing from it.”

Her captivating work will be on display at Mirus Gallery in San Francisco in February of 2016.

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Micaela Lattanzio Unveils A Site Specific Installation Of Hundreds Of Pieces Of Sky Covering The Floor Of An Art Space

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Micaela Lattanzio - Installation 6

A site specific installation made out of hundreds of hand cut hexagonal sky photography pieces laying on the sand-covered floor of a gallery. Michaela Lattanzio is presenting her new artwork ‘SandCloud’ and previous other key pieces from her Fragmenta collection at Bi-Box Art Space in Italy. The artist’s Fragmenta mosaics of human portraits where already pushing the limits of traditional photography, an intricate work described previously on Beautiful/Decay.

By fragmenting the images of a sky, Micaela Lattanzo invents a new metaphorical language. The perception of the elements, as we know it, is deflected to another kind of appreciation. As we observe and identify the small pieces, we slowly move away from judgment and can explore the full meaning of this representation. That is the purpose of the artist’s work; influence the brain to follow an emotional contemplation.
To symbolize the fragility of such a process, Micaela Lattanzo uses paper, a mean that can easily be reduced to dust and evaporate in the sky.

The intangible sky opposed to the solid sand creates a dichotomy materializing on one hand the body and on the other hand emotional thoughts. Our eyes go back and forth both elements the same way our need to create a connection does with art or human relationships.

Micaela Lattanzo’s retrospective will take place starting September 4th 2015 until October 4th 2015 at Bi-Box Art Space in Biella, Italy.

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Flora Borsi Superimposes Vintage Photographs Of The People Of Detroit Onto Its Current Day Ruins

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Hungarian artist Flora Borsi’s latest work was fueled by the emotions she felt after visiting Detroit. The artistic examination of architectural and infrastructural ruin has proven to be a topic of interest for many a creative person. From the ruins of once bustling institutions comes an idealization of the past that in turn triggers reflection on the future. She explains that she was “saddened by the state of abandoned buildings and factories”. She transferred this feeling into her latest project, simply entitled “Detroit”, which is a clever series of photos where she places old photographs of people in Detroit on top of photos she took during her time visiting the city.

Her photos include couples roaming the streets, children ice skating, and factory workers manufacturing tire parts. She merges what she sees as a very alive past and a very much less alive present. Through her splicing of past and present, she addresses the melancholy associated with the decay of an urban setting and the nostalgia of a metropolis in its heyday.

Her series reaches beyond a simple display of sadness and neglect, and the clashing of the city’s past and recent present provides strong grounds for reflection on the idea of rebirth. By doing this, she has somewhat created her own vision of urban decay in a way that is both bleak and hopeful.

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Valerj Pobega Intertwines Bondage With High Fashion In Detailed, Art-Driven Couture

Valerj Pobega — Fashion Valerj Pobega — Fashion Valerj Pobega — Fashion Valerj Pobega — Fashion

Valerj Pobega is an Italian-born, LA-based designer who brings powerful imagery and detail-focused art into the world of fashion. Crafted entirely by hand, Pobega’s pieces comprise unique cuts and painted fabrics instilled with hybridized, subcultural references. Her style could be described as sophistication with a resounding edge, and operating under the mantra “you’re wearing Art, and Art is timeless,” Pobega seeks to reinvigorate couture as a creative outlet that defies the doldrums of mass production and consumerism (Source).

Featured here is Pobega’s “Bondage Collection,” which debuted in Spring/Summer 2010. In true trendsetter fashion, Pobega introduced the runways of high fashion to fetish-inspired wear when it was still largely underground. In bold contrasts of black and white, each ensemble is somberly daring and awakens the imagination like thunder. One of the main inspirations for this collection was Nobuyoshi Araki’s controversial bondage photography, as seen in the ropes, tassels, and braids adorning and harnessing the models. The lightweight, kimono-style couture also resonates with a Japanese influence. Pobega, however, is careful not to isolate such references, and has seamlessly blended these aesthetics with a dark, Western punk style.

Another inspiration behind the “Bondage Collection” was the movie Trainspotting and its soundtrack—in particular, Iggy Pop’s “Lust for Life,” which accompanied the runway show. With their shadowed eyes and unlaced shoes, the models reflect a subtle state of dishevelment. All of these influences come together into a narrative that Pobega composed to inspire the collection, which she described for Beautiful/Decay:

“I thought of [the Trainspotting influence] as very connected with the Araki theme as the movie depicts the life of a group of friends addicted to drugs—and if you think about it, drugs addiction is really like being in bondage, tied up in ropes, unable to move or make decisions.”

In oscillating images of power and powerlessness, the originality of the series derives from a compelling synthesis of its influences and details. The runway show was likewise as impactful, with a male dancer clad in one of her hand-painted gowns closing the event with a dramatic pirouette. With Pobega, shock value and emotion are integral to exploring the capacities of fashion as an embodied art form.

Pobega’s unique couture has been widely recognized, attracting the attention of celebrities such as Madonna, Selena Gomez, and Ozzy Osbourne. Her work has also been featured in the publications Vogue, Elle, Bite, and more. Visit her website to view more of her compelling and art-driven collections.

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Michael West’s Bicycle Made Out Of Wood, Willow And Stinging Nettle

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Michael West - Sculpture 4

A bicycle made out willow, ash and stinging nettle found in it’s organic and primal form in nature, near the artist’s home in Somerset, England. Michael West has built an intricate sculpture as a self portrait. Imitating each and every components of a real bike from the handlebars to the tires. His process of creation excludes all boundaries, he lets the imagination interpret the symbols he left out on the bike to understand the meaning of his art.

He was influenced by Van Gogh’s chair, where the empty chair is used as the personification of its owner. “I chose the bike as society often uses anthropomorphism to reflect themselves within everyday objects, for example a car may be male or female and often given a personality and sometimes even a name”.

Michael West believes in playing with the subconscious to create. Blending an adult and a child’s vision, he gathers many layers, clue information such as symbols, signs and colors to clarify his intentions and his claims towards society and politics.This process creates a dynamic relationship between the artist and his object. The details characterized by a slow construction, attention to detail and means chosen carefully mirror the artist’s personality. This assembled bike, at first and abstract piece; becomes the reality of Michael West and soon an extension of himself.(Via Junkculture)

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Literally Balling: Victor Solomon Transforms Basketball Backboards Into Delicate Stained Glass

Victor Solomon Victor Solomon - Stained Glass and Mixed MediaVictor Solomon - Stained Glass and Mixed Media

Some may say basketball is their religion. Well, if you worship the game, then these stained glass basketball backboards might be right up your alley. Like stained glass windows that depict religious icons in churches and cathedrals, artist Victor Solomon places breathtaking and beautiful stained glass windows in place of basketball backboards. These are not likely to be used at any court that you’ve ever seen, as they are likely to shatter into a thousand pieces. Each piece is ornamented in luxurious materials and gems, including the basketball goal’s net and rim. This series, cleverly titled Literally Balling, embodies the lavish lifestyle and luxury that NBA all-stars. These superstars being like royalty, Victor Solomon adds an age old, delicate art to their domain.

Solomon hand assembles these brilliant and intricate creations in the timeless beauty of the Tiffany Style. What is ironic about this work is that although hypnotizing to look at, none of the remarkable basketball goals are by any means functional. They are as fragile and as easily broken as success and wealth. If a basketball player gets injured, they can be done with playing the game forever. Their career could be over. Solomon’s goals embody this brilliance, power, and delicateness that a life in the sports industry can have. If you want to see more of Victor Solomon’s amazing work, you can see more of his work here.

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Francisco de Pájaro Creates Endearingly Twisted Monsters Out Of Curbside Trash

Francisco de Pájaro, Art is Trash - Installation Francisco de Pájaro, Art is Trash - Installation Francisco de Pájaro, Art is Trash - Installation Francisco de Pájaro, Art is Trash - Installation

In cities around the world, trash has started to take on a new face—literally. In the middle of the night, street artist Francisco de Pájaro has been adorning garbage with fiendish faces and gangly limbs. His collage materials include stuffed plastic bags, abandoned mattresses, and soiled cardboard—anything that has been left on the curb to rot. The result is a cast of absurd, endearingly twisted (and occasionally perverted) monsters that populate the streets in various states of exuberant disarray until they are swept off by a garbage truck.

Accompanying each site-specific creation is de Pájaro’s signature statement: “Art is Trash,” referring to his subversively creative celebration of human debris. Garbage—the output of our material, earthly lives—is usually a miserable sight, symptomatic of our obsessive consumption and the processes of decay. By bringing humor to such unpleasant sights, de Pájaro allows pedestrians in London, Barcelona, New York and more to engage with trash in a more thought-provoking way—one that playfully criticizes consumerism and examines our fear of death and abjection. As the artist’s about page describes,

“Art Is Trash is the hypnotic hand that resuscitates the cadavers of hyper consumerism—the trash—back to fruition in our current, material, state of consciousness. The process behind every installation is a ritual, similar to a shamanic one. A ritual of connection with Mother Nature, where [the] life of matter is a cycle that never ends. Francisco’s work reflects the analogy that exists between the life cycle of the objects and that of physical bodies. Both never cease to exist. They continue to live in parallel realities. The cadavers of consumerism live a new life in the urban, artistic realm.” (Source)

“Art is Trash” is currently on tour in New York. Check out the artist’s website to see which streets his moldering-yet-merry creations will be inhabiting next. De Pájaro also recently published a book documenting this project. (Via Design Faves)

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